Roland Alpha Juno

YouTube Uploaded by Frippertronik on Dec 7, 2011

"This an Alpha Juno-Mks 50 demo. Multi-tracked. Every sounds come from these machines. Only effects use: Delay, reverb and auto-pan. A sampler was use without changing the original sounds."

Video for the track previously posted here.

all we see, we are

YouTube Uploaded by donaldjasoncrunk on Dec 7, 2011

"shorter live composition for modular synth and assorted looped sounds. in this video the microphone is fed into the Digitech RDS 7.6, which is clocked by a Flame Clockwork. the STG Soundlabs Trigger Sequencer and Graphic Sequencer help to create the patterns, and the primary bassline is played by midi controller (korg ms2000) off camera."

"of special note: the new STG Soundlabs .SHN provides modulation to the PWM input of the primary oscillator, in this case Tip Top Z3000mkII . the secondary oscillator is the Cyclonix Cyclebox. both oscillators are being mixed with an STG .MIX, filtered by the Harvestman Polyvoks and amplitude controlled via STG .VCA's."

Access Virus TI Polar with Custom Skull Knobs

via this auction

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Sequential Circuits Prophet 5 REV 1 SN 0114

via this auction

"The legendary PROPHET 5 Rev 1 Synth. It is Serial number 114. Less than 200 of these units are in existance, a great collector unit that also plays great. It is in good shape with some wear, works perfectly. Recently serviced by a top Los Angeles Synth shop."

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Prototype: Neon Control Circuit for "Moment" [Geiger Counter Sequencer]

YouTube Uploaded by pixelform on Dec 7, 2011

"Music: Ah! by Oval

Revisiting an old idea for a light installation using neon tubes. The video documents initial testing for neon control circuitry that converts radioactive events detected by a Geiger counter into wavelets of light."

Moog System 55.mov

YouTube Uploaded by EnricoCosimi on Sep 20, 2011

Grp A8 a b c

YouTube Uploaded by EnricoCosimi on Jun 2, 2009


Pink Floyd On the Run sequence in this one.

Makenoise Phonogene first meeting

"First patch using the Makenoise Phonogene. Source is ring modulated vocals. Phonogene is output to a low pass filter. It's being triggered by Makenoise Pressure Points and mixed by Makenoise Maths. A fairly complex module in which I feel I need to spend a considerable amount of time with, much like a lot of Makenoise modules."

Rheyne - iKaossilator Jam

"Playing with Korg's iKaossilator app on an iPhone 4. The drum grooves are pre-programmed, but the x-axis gradually brings in hi-hats and percussion as you scroll to the right. The y-axis controls the delay mix on the drums. Video shot with a Zoom Q3HD."



"Playing with Korg's "iKaossilator" app on an iPhone 4. All audio is from the app. Video shot with a Zoom Q3HD."

Rheyne - iKaossilator Jam #3

Flight of Harmony/EfN IMP

Details on the IMP via Escape From Noise
"The IMP!
The heart of Flight of Harmony's Infernal Noise Machine.
This modules is exclusive to Escape from Noise and limited to 50 units.

It comes with a free t-shirt, so don´t forget to mention your size when you order. (No t-shirts for over sea customers I´m afraid)

If you want to order from North America, Fligt of Harmony has kept a few modules and will handle the shipping. All orders is still made thru EfN. Mail at info @ escapefromnoise . com.

Features:
• Domains (frequency range groups)
o 2 banks (high and low) of 4 switch-selected frequency ranges
• Frequency adjustment
o Coarse and Fine
• Fine scaling adjustment (relative to Coarse)
o 5:1 to 25:1
• Range adjustment (range of frequency variance within domain)
o Coarse and Fine
• Fine scaling adjustment (relative to Coarse)
o 5:1 to 25:1
• “Tone” control
o Variable between low-pass and all-pass (Adjustment also varies phase interaction)
• Control Voltage (CV) inputs
o Frequency: 0 to +5V
o Range: 0 to +5V
o Width: 0 to +5V

IMP description:
Domain, Frequency, Range and Width: Technically, all four describe the same Function: what frequency the Imp puts out. The total possible range of the Imp, however, is from sonic to ultrasonic, and accessed in different ways requiring multiple controls for fine-tuning.

High-Low Toggle switch: Selects one of two banks for the Domain switch to select from. The High bank is the same as the standard INM, while the Low bank has lower frequency ranges than possible with the INM. The descriptions below were written with only the original High bank in mind.

Domain: The first stage of frequency selection. Domain selects one of four wide bands of the overall range. Four Domain is lowest, One is highest (in frequency). Four is audio, One is nearly ultrasonic. The One Domain is where you will find the oddest/most ethereal Noises: static, wind, the impression of voices. It has a lot of what seem to be dead spots, but it is worth the time to wander the Domain and see what can be found.

Frequency: This is the main frequency control within the selected Domain - it sweeps over the entire Domain (depending on Range, see following). The Fine control sweeps up to 1/5 of the size of the band that Coarse does.

Range: This controls how wide of a sweep Frequency covers. Fine control same as with Frequency.

Width: This one is a bit more esoteric: it controls the “width” of the band of the current domain that the Fine controls cover, hence the “up to 1/5”. In Domain 1, wide open is best. In Domain 1 the bands of sound are very narrow, so it is best to set the width all the way down to find the hidden sweet spots.
In other words, a quarter of the possible frequency range is selected by Domain, and the other controls select how much of that Domain the frequency control can sweep across. The Coarse knob is for a broad sweep over the Domain, and the Fine knob is for finding the perfect “sweet spot”.

Tone: The high-frequency content from the IMP can be somewhat painful at some of the higher settings, so a variable low-pass filter is included. It can also provide some interesting timbre variations."

via Rickard Johannes Borchers on The MATRIXSYNTH Lounge where you'll find links to a couple of demos.