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Monday, September 03, 2012
VenomControl Editor and Control Surface for the M-Audio Venom
VenomControl (Editor and control surface for the M-Audio Venom synthesizer)
YouTube Published on Aug 22, 2012 by june74tube
"More info at: http://www.fabriziopoce.com/VenomControl.html
Editor and control surface for full integration of the M-Audio Venom synthesizer in Ableton Live (Max for Live required). The package provides tools for preset storage&recall, automation, full-parameter access synthesis and preset morphing, integrated in Live's native GUI.
It requires a Max for Live license in order to be used."
If you have an iPad, check out my editor here. Also see my M-Audio Venom Review and Interview with Product Manager Taiho Yamada including a tips and tricks section. And finally, see the M-Audio Venom blog for more.
Related: MTribe Monotribe Editor
YouTube Published on Aug 22, 2012 by june74tube
"More info at: http://www.fabriziopoce.com/VenomControl.html
Editor and control surface for full integration of the M-Audio Venom synthesizer in Ableton Live (Max for Live required). The package provides tools for preset storage&recall, automation, full-parameter access synthesis and preset morphing, integrated in Live's native GUI.
It requires a Max for Live license in order to be used."
If you have an iPad, check out my editor here. Also see my M-Audio Venom Review and Interview with Product Manager Taiho Yamada including a tips and tricks section. And finally, see the M-Audio Venom blog for more.
Related: MTribe Monotribe Editor
MacBeth Studio Systems micromac-r Factory Test
factory micromac-r test1
YouTube Published on Sep 3, 2012 by macbethsynthesizers
"This is the first test that I have done of the micromac-r synthesizer since this test example came back from the assembly plant- all is good! It's working perfectly! One hell of a lot of sound come from a very micro sized unit!"
YouTube Published on Sep 3, 2012 by macbethsynthesizers
"This is the first test that I have done of the micromac-r synthesizer since this test example came back from the assembly plant- all is good! It's working perfectly! One hell of a lot of sound come from a very micro sized unit!"
Softly Melodic
YouTube Published on Sep 3, 2012 by miip999
"Modular Patch
sequenced by Doepfer A-160, A-161, A-166, A-155, A-156 and Make Noise René
Bas - A-111-5
Melody A-111-5
Melody delay - A-112
drums Analogue Soloutions BD88, SD88, HH88
noise pattern A-118 thru A-129/2 vocoder modulated by A-143-9 QLFO
bong - doepfer A-110 thru A-106-6 thru Make Noise Phonogene"
"Don't be two faced" - on some Casio keyboards
YouTube Published on Sep 3, 2012 by organfairy
"This song was big hit for Shakin' Steven in the mid 1980's. I have modified it slightly as I have put in a second solo verse. I thought the melody was a little monotone so some variation seemed like a good idea."
Xpand!2 sounds - Part 4 - Action Pads
YouTube Published on Sep 3, 2012 by SynthManiaDotCom
"Demos of the "Action Pads" sound category in Xpand!"
All parts here.
Chopin: Étude Op. 10, No. 1 (synthesized)
YouTube Published on Sep 3, 2012 by ScrollingMusic
Matlab software synthesizer.
"Frédéric Chopin (1810-1849): Étude in C major, Op. 10, No. 1 (1829).
This étude is the first of a set of 12 (called Opus 10), published in 1833. It is particularly famous for its study in right-hand arpeggios often ascending and descending more than four octaves per chord. Running sixteenth notes dominate the texture of the right hand, supported by heavy octaves in the left. The study is in ternary form (ABA), and features some remarkable instances of transposition in its middle section. A harmonic reduction of this study usually leads to a smoothly step-wise 5-voice texture, reminiscent of Bach's C major Prelude from his first book of the Well-Tempered Clavier. Vladimir Horowitz considered this Chopin étude his most difficult.
The principal timbre in this synthesized rendition is generated through phase distortion synthesis - that is modulating the phase component of a standard sinusoidal wave with time. This technique creates a rich harmonic texture quite efficiently compared to additive synthesis. We programmed this phase distortion "voice" to generate more harmonic distortion as the fundamental frequency decreases. Therefore, the low octaves in the left hand have far more harmonics than those at the top of the right hand arpeggios.
The visualization is a combination between our standard scrolling "piano-roll" score and a third-party spectrogram visualization (a graphical plot of harmonic content vs. time in the.synthesized audio)."
d-touch drummachine +visual
YouTube Published on Sep 3, 2012 by audiodtouch
"Low cost tangible interfaces for music, now with visual feedback!
Fully and freely available for download.
More info and download: http://d-touch.org/audio"
Tutorial: Creating Sounds in PadShop / PadShop Pro
YouTube Published on Sep 3, 2012 by SteinbergSoftware
"Field marketing manager Greg Ondo shows you how to create new sounds in Cubase 6.5."
Sequence Of Life
YouTube Published on Sep 2, 2012 by JohnLRice
"I was going to make a quick video to demonstrate clock dividers in answer to a question on Muff's Modular forum but, I got side tracked and made this instead. It demonstrates and explains nothing, sorry! ;-)"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH























