dromic improvisation 09.16.2012 from Shawn Greenlee on Vimeo.
Sunday afternoon with Fluxama DR-OM app, Earthquaker Devices Disaster Transport, and a BOSS DD-3.
iTunes:
DR-OM - Fluxama
iPads on eBay
iPod Touch on eBay
Monday, September 17, 2012
1980 Synton Electronics Syntovox 222 and 221 Vocoder Ad
via Retro Synth Ads where you'll find the write-up
"Synton Electronics Syntovox 222 and 221 vocoder "You do the talking" condensed 1/6-page black and white advertisement from page 66 in the April 1980 issue of Contemporary Keyboard."
Animoog & Magellan Controlled by the Novation Ultranova
Magellan for iPad and Ultranova - Red Shadows
Published on Sep 15, 2012 by Khantipol Kasemsant
"My cover of The Walking Dead theme, main sound came from Animoog on the iPad with Ultranova as a controller."
Magellan for iPad and Ultranova - Red Shadows
YouTube Published on Sep 15, 2012 by Khantipol Kasemsant
"Synth sound came from both Magellan synth app on the iPad with midi from Novation Ultranova. Foot pedal was use to control the volume of Magellan. Drum and bass sound came from Korg Kaossilator2 ."
iTunes:
Animoog - Moog Music Inc.
Magellan - Yonac Inc.
iPads on eBay
Ultranovas on eBay
Kaossilators on eBay
Published on Sep 15, 2012 by Khantipol Kasemsant
"My cover of The Walking Dead theme, main sound came from Animoog on the iPad with Ultranova as a controller."
Magellan for iPad and Ultranova - Red Shadows
YouTube Published on Sep 15, 2012 by Khantipol Kasemsant
"Synth sound came from both Magellan synth app on the iPad with midi from Novation Ultranova. Foot pedal was use to control the volume of Magellan. Drum and bass sound came from Korg Kaossilator2 ."
iTunes:
Animoog - Moog Music Inc.
Magellan - Yonac Inc.
iPads on eBay
Ultranovas on eBay
Kaossilators on eBay
Novation BassStation VST in Ableton Tutorial
Ableton Live Tips w/ Thavius Beck Pt 15 - Configuring 3rd Party Plugins - 'Did You Know?'
YouTube Published on Sep 17, 2012 by DubSpot
"More info: http://bit.ly/O8U711
Dubspot Instructor, Ableton Certified Trainer, and electronic musician Thavius Beck returns with a brand-new season of Did You Know? We launched the series back in January, and for eight consecutive Mondays, Thavius shared invaluable production advice, tips, tricks, and techniques and examined some of the less explored and slightly hidden features in Ableton Live. In this episode, Thavius offers tips and techniques for configuring third-party plug-in effects with Live, using Novation's Bass Station VST.
As nice as it is to have so many instruments and effects available within Live, there are many times when you will want to use a third-party plug-in instead. Thankfully not only are you able to use third-party effects, but you can also automate them and MIDI or key map their individual parameters to control them. There are many simple ways to do this, but in this video we will look at the Configure button that shows up when you unfold a third-party plug-in inside of Live.
For this example, I am using Novation's Bass Station plug-in. When I first put my Bass Station (or just about any other third-party plug-in not built into Live) onto a track, I get a pretty generic interface with a black square and circle (representing an X/Y grid) and not much else. What I would like to see instead are the parameters that I want to either automate or potentially map to my controller without having the Bass Station interface blocking my view of the arrangement. One way to do that is to unfold the effect (hit the triangle in the upper-left corner), which will reveal the Configure button. Once Configure is enabled, you can just click on the parameters in the effect that you want to see in Live's generic third-party effect interface. This will also make these parameters show up in the Arrangement View's automation lanes.
This can also be done by simply entering the MIDI or key mapping mode and clicking on parameters of the effect (without mapping them), or by altering the parameters while recording to the arrangement view. Using Configure is a great option when you don't want to inadvertently alter the parameters on other sections of the track or song after the fact; you can select the parameter you want to tweak, go the exact spot in the arrangement you want to tweak and automate it without recording it live. Just another way to give you more control over your effects. - Thavius Beck"
YouTube Published on Sep 17, 2012 by DubSpot
"More info: http://bit.ly/O8U711
Dubspot Instructor, Ableton Certified Trainer, and electronic musician Thavius Beck returns with a brand-new season of Did You Know? We launched the series back in January, and for eight consecutive Mondays, Thavius shared invaluable production advice, tips, tricks, and techniques and examined some of the less explored and slightly hidden features in Ableton Live. In this episode, Thavius offers tips and techniques for configuring third-party plug-in effects with Live, using Novation's Bass Station VST.
As nice as it is to have so many instruments and effects available within Live, there are many times when you will want to use a third-party plug-in instead. Thankfully not only are you able to use third-party effects, but you can also automate them and MIDI or key map their individual parameters to control them. There are many simple ways to do this, but in this video we will look at the Configure button that shows up when you unfold a third-party plug-in inside of Live.
For this example, I am using Novation's Bass Station plug-in. When I first put my Bass Station (or just about any other third-party plug-in not built into Live) onto a track, I get a pretty generic interface with a black square and circle (representing an X/Y grid) and not much else. What I would like to see instead are the parameters that I want to either automate or potentially map to my controller without having the Bass Station interface blocking my view of the arrangement. One way to do that is to unfold the effect (hit the triangle in the upper-left corner), which will reveal the Configure button. Once Configure is enabled, you can just click on the parameters in the effect that you want to see in Live's generic third-party effect interface. This will also make these parameters show up in the Arrangement View's automation lanes.
This can also be done by simply entering the MIDI or key mapping mode and clicking on parameters of the effect (without mapping them), or by altering the parameters while recording to the arrangement view. Using Configure is a great option when you don't want to inadvertently alter the parameters on other sections of the track or song after the fact; you can select the parameter you want to tweak, go the exact spot in the arrangement you want to tweak and automate it without recording it live. Just another way to give you more control over your effects. - Thavius Beck"
CGS Burst Generator Demo
YouTube Published on Sep 17, 2012 by matt davis
"A pcb designed by Ken Stone, built and customized by me."
The Analog Session - N5 From Outer Space (live in San Gimignano 15-09-2012)
YouTube Published on Sep 17, 2012 by mauriziodami
"The Analog Session live!
Performed at Waveform festival in San Gimignano - September 15, 2012.
Track name: N5 from outer space
www.robotnick.it/the_analog_session.htm"
Elektor Formant modular in there.
"Oxygen II" - on Elka and Technics organs
YouTube Published on Sep 17, 2012 by organfairy
"This is not intended as a 1-to-1 reproduction of Jean Michel Jarre's famous classic. It is more like my shot at it using the instruments that I have.
It's funny that just because JMJ used an Eminent U310 and later an Elka X-705 then these exact organ models sells for astronomical prices while most other organs can be bought for peanuts.
So therefore I have used Elka X-30 and Technics SX-C600 to play most of the arrangement. I don't have a MiniPops 7 drum machine so I used a Rhythm Ace. One thing I did to make it more authentic was that I manually added the quijada sound to the rhythm. I synthesized it on my Roland JX-8P because I felt that it was vital for the mood of the melody. The sequence that runs through the first part was programmed on the little Korg Poly 800 and most of the sound effect was made on my Roland SH-2000. Finally I added the sound of my homebuild zimbelstern because I hadn't got a clue on how to make the huithuithuithuithuit sounds of the EMS synthesizer that I assume Jarre used.
For once I had the sheet music. I found it at the public library - you know, the house with books made of real paper in it. But it's not easy when the composer doesn't follow his own notes on the recording he made!
I haven's added many effects efter the sounds were recorded. Just some panning, reverb, and echo."
Sound Design Challenge, sound 1
YouTube Published on Sep 17, 2012 by rolandtelevision
Roland Jupiter-80. Googlish below.
"De eerste sound-design Challenge: Het Intro-soundje uit Tim Berg's Bromance.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
