Published on Apr 19, 2012 Jaap Lous·2 videos
"A homebrew Arduino step sequencer clocked by a TR 505.
The synth is a Roland JX3P playing through an Electro harmonix Echo #1 digital delay.
I'm still working on the step sequencer. It still needs some step indicator LED's ...
Name that tune for extra credit :-D"
Arduino + TR505 + Meeblip Micro
Published on Apr 13, 2012 Jaap Lous·2 videos
"A Meeblip Micro driven by a homebrew Arduino step sequencer that is clock synced with a TR 505.
Experimenting with MIDI i/o for Arduino (no "MIDI shield" used).
The tiny DIY breakout board with the white IC is the opto-isolator receiving serial from the TR 505.
The pattern was created earlier and saved to the Arduino's EEPROM. Name that tune for extra credit ;-)"
Wednesday, February 13, 2013
Da-saz and Namrata Pamnani @live room......@new delhi 2013 Shivnakaun Studios
Da-saz and Namrata Pamnani @live room......@new delhi 2013 Shivnakaun Studios from DA-SAZ on Vimeo.
Ekdahl Moisturizer, Chimera BC6, vtol, iPad & more. I'm guessing a couple of BugBrand Weevils.les rockets
Published on Feb 8, 2013 MrMojomc·114 videos
Moog Minimoog & Fender Rhodes. Western space surf rock.
Moog Minimoog & Fender Rhodes. Western space surf rock.
Alek Stark Live at Specka - Femur June 2012 & Learning the Elektron 4
Published on Jul 11, 2012
Alek Stark Live Show at Specka, Madrid. June 2012
You can find Alek Stark's latest release The Shadow Influence on Bandcamp & featured on MATRIXSYNTH-C.
V V V
Synth spotting:
Oberheim Xpander XP1
Dotcom 44 + Cynthia Zeroscillator + Q960
Roland TR-808
Roland SH-101R
Roland VP-330 Super Vocoder
Korg Mono/Poly
Akai MPC4000 Plus
Nord Micro Modular
Ensoniq DP-4
Mackie VLZ 1604
And something more minimal (how it all starts):
Alek Stark at work
Published on Feb 5, 2013
"Working on the new live show and learning about the Elektron A4
V V V
Dotcom 44 + Cynthia Zeroscillator + Q960 connected directly to DP4: first sound in random mode
Elektron A4: Bassline and CH
Nord Wave: Background Voices
VP 330: Background Choirs
Oberheim Xpander: Pad
TR 808: Rim Shot - Second CH - Snare Drum
MPC4000: addicional percussion
Special Guest Star: Gakken Galaxy Invader 1000"
Alek Stark Live Show at Specka, Madrid. June 2012
You can find Alek Stark's latest release The Shadow Influence on Bandcamp & featured on MATRIXSYNTH-C.
V V V
Synth spotting:
Oberheim Xpander XP1
Dotcom 44 + Cynthia Zeroscillator + Q960
Roland TR-808
Roland SH-101R
Roland VP-330 Super Vocoder
Korg Mono/Poly
Akai MPC4000 Plus
Nord Micro Modular
Ensoniq DP-4
Mackie VLZ 1604
And something more minimal (how it all starts):
Alek Stark at work
Published on Feb 5, 2013
"Working on the new live show and learning about the Elektron A4
V V V
Dotcom 44 + Cynthia Zeroscillator + Q960 connected directly to DP4: first sound in random mode
Elektron A4: Bassline and CH
Nord Wave: Background Voices
VP 330: Background Choirs
Oberheim Xpander: Pad
TR 808: Rim Shot - Second CH - Snare Drum
MPC4000: addicional percussion
Special Guest Star: Gakken Galaxy Invader 1000"
Tuesday, February 12, 2013
Division 6 Mattson Mini Modular SQ816 Main Board
via Mattson Mini Modular on Facebook
First machine P&P SQ816 board.
http://division-6.com
http://mattsonminimodular.com
FULL SET FORMANTA UDS RARE VINTAGE ANALOG SOVIET USSR DRUM MACHINE
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
mechanical animals
"THIS SET INCLUDES FULL SET FORMANTA UDS DRUM MACHINE | DRUM SYNTHESIZER, WITH ORIGINAL PADS | STANDS | CORDS | KEYTAR | DRUM STICKS | PEDALS | ETC - EVERYTHING, WHICH ORIGINALLY CAME WITH THIS SET, ALL IN ORIGINAL CASES"
via this auction
mechanical animals
"THIS SET INCLUDES FULL SET FORMANTA UDS DRUM MACHINE | DRUM SYNTHESIZER, WITH ORIGINAL PADS | STANDS | CORDS | KEYTAR | DRUM STICKS | PEDALS | ETC - EVERYTHING, WHICH ORIGINALLY CAME WITH THIS SET, ALL IN ORIGINAL CASES"
PongFu - Sunpilot Raydeo
Published on Feb 12, 2013 PongFuTube·37 videos
"Elektron Monomachine, DSI Tetra, Tenori-on, Eventide space
Spilling their guts.
No overdubs, one take
Warpzone-Camera focusing on some dust on the lens.
Like it always does actually."
"Elektron Monomachine, DSI Tetra, Tenori-on, Eventide space
Spilling their guts.
No overdubs, one take
Warpzone-Camera focusing on some dust on the lens.
Like it always does actually."
ELKA Rhapsody 610 SN 1011
Yamaha CS-70M Analog Synthesizer SN 1637
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
Some pics of the inside. Check out the size and angle of the voice boards.
via this auction
Some pics of the inside. Check out the size and angle of the voice boards.
MFB MICROZWERG
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"multimode filters its own distinctive sound structure. Moreover, the MICRO MINIATURE with its many patch points well equipped to be controlled by the flexible step sequencer URZWERG to be and interact with the multifunctional MEGAZWERG.
In single mode, the MICRO MINIATURE produce with its dual-oscillator and the dual multimode filters not only typical analog bass and lead sounds, but also for a monophonic synthesizer sounds unusual. With fast connections created a patch can be transformed and signal modulations in order to reproduce the sound potential of the MICRO DWARF.
In conjunction with the other synths of DWARF-family or a modular system to grow the capabilities of the MICRO MINIATURE further.
Here is an overview of the areas of the MICRO DWARF:
The two oscillators include the four waveforms triangle, sawtooth, square and spike. VCO 2 instead of the spike has a noise generator. VCO 2 can be tuned an octave plus minus compared to VCO 1. A patch compound, the oscillators sync with each other. In addition, the signal can be picked separately from VCO 2 are used to filter modulation. A ring modulation is combined with the MEGAZWERG possible from which the RM signal can be fed back into the MICRO DWARF.
The two 12-dB variable-state, multi-mode filters have the mode low pass, band pass and high pass and notch (band-stop). The filters are serially connected, resulting in the same mode, a larger edge steepness. This value is variable, as the two cutoff frequencies can be moved via the Space controls against each other. With the combination of low-and high-pass results in a bandpass filter with variable width and separately controllable resonance. A patch connection, a parallel connection of the filter is possible. Then two offset bandpasses, a notch filter with a variable width, or a low-or high-pass filter can be realized with projecting bandpass. The response can be controlled for both filters to self-oscillation. The cutoff frequencies are controlled or jointly controlled by envelope. You can also move through the Space controls against each other. The modulation via LFO or the Mod input either affects filter 1 or both filters together.
Key Follow for a pitch-dependent opening of the filter can be produced by a simple patch connecting the key to CV Contour Mod or input.
Since both filters have separate inputs and outputs, the MICRO MINIATURE be used as a versatile dual-filter box for external audio signals.
The ADSR envelope is internally connected to the cutoff frequency of the filter. If a second ADSR envelope required, it can be from MEGAZWERG or a modular system patched to the MICRO DWARF.
The LFOs have four waveforms and a one-shot function. The selected waveform goes through after the gate pulse of the incoming note only one cycle and thus can be considered a simple envelope, about the pitch or the VCA can be used. LFO 2 has also a sample & hold mode.
There are connections to the internal modulation LFO to cutoff frequency, and the pitch of the oscillators or pulse width of the second VCO The speed of LFO 2 can be modulated over a CV input. Even so, the frequency of LFO 2 increase by a factor of 30 and reduce, so hereby extremely fast or slow modulations are possible.
The control signals of the envelope and the LFO can also be output and therefore can control functions of other analog synthesizers and modular systems.
The signaling pathway VCOs-VCF1/VCF2-VCA and conventional modulations are pre-wired internally. The MICRO MINIATURE thus can be played directly. All other connections are made using the patch sockets and can be operated on MICRO MINIATURE itself and from external devices are controlled or used.
About the MIDI input can be driven to the MICRO DWARF with a Keyboard or a DAW. In addition to the note data, data from the pitch wheel (+ / - 2 semitones) processes and the modulation wheel to control the cutoff frequency.
The MICRO DWARF has the dimensions 190 x 150 mm x 50.
Power is supplied via the included AC adapter."
via this auction
"multimode filters its own distinctive sound structure. Moreover, the MICRO MINIATURE with its many patch points well equipped to be controlled by the flexible step sequencer URZWERG to be and interact with the multifunctional MEGAZWERG.
In single mode, the MICRO MINIATURE produce with its dual-oscillator and the dual multimode filters not only typical analog bass and lead sounds, but also for a monophonic synthesizer sounds unusual. With fast connections created a patch can be transformed and signal modulations in order to reproduce the sound potential of the MICRO DWARF.
In conjunction with the other synths of DWARF-family or a modular system to grow the capabilities of the MICRO MINIATURE further.
Here is an overview of the areas of the MICRO DWARF:
The two oscillators include the four waveforms triangle, sawtooth, square and spike. VCO 2 instead of the spike has a noise generator. VCO 2 can be tuned an octave plus minus compared to VCO 1. A patch compound, the oscillators sync with each other. In addition, the signal can be picked separately from VCO 2 are used to filter modulation. A ring modulation is combined with the MEGAZWERG possible from which the RM signal can be fed back into the MICRO DWARF.
The two 12-dB variable-state, multi-mode filters have the mode low pass, band pass and high pass and notch (band-stop). The filters are serially connected, resulting in the same mode, a larger edge steepness. This value is variable, as the two cutoff frequencies can be moved via the Space controls against each other. With the combination of low-and high-pass results in a bandpass filter with variable width and separately controllable resonance. A patch connection, a parallel connection of the filter is possible. Then two offset bandpasses, a notch filter with a variable width, or a low-or high-pass filter can be realized with projecting bandpass. The response can be controlled for both filters to self-oscillation. The cutoff frequencies are controlled or jointly controlled by envelope. You can also move through the Space controls against each other. The modulation via LFO or the Mod input either affects filter 1 or both filters together.
Key Follow for a pitch-dependent opening of the filter can be produced by a simple patch connecting the key to CV Contour Mod or input.
Since both filters have separate inputs and outputs, the MICRO MINIATURE be used as a versatile dual-filter box for external audio signals.
The ADSR envelope is internally connected to the cutoff frequency of the filter. If a second ADSR envelope required, it can be from MEGAZWERG or a modular system patched to the MICRO DWARF.
The LFOs have four waveforms and a one-shot function. The selected waveform goes through after the gate pulse of the incoming note only one cycle and thus can be considered a simple envelope, about the pitch or the VCA can be used. LFO 2 has also a sample & hold mode.
There are connections to the internal modulation LFO to cutoff frequency, and the pitch of the oscillators or pulse width of the second VCO The speed of LFO 2 can be modulated over a CV input. Even so, the frequency of LFO 2 increase by a factor of 30 and reduce, so hereby extremely fast or slow modulations are possible.
The control signals of the envelope and the LFO can also be output and therefore can control functions of other analog synthesizers and modular systems.
The signaling pathway VCOs-VCF1/VCF2-VCA and conventional modulations are pre-wired internally. The MICRO MINIATURE thus can be played directly. All other connections are made using the patch sockets and can be operated on MICRO MINIATURE itself and from external devices are controlled or used.
About the MIDI input can be driven to the MICRO DWARF with a Keyboard or a DAW. In addition to the note data, data from the pitch wheel (+ / - 2 semitones) processes and the modulation wheel to control the cutoff frequency.
The MICRO DWARF has the dimensions 190 x 150 mm x 50.
Power is supplied via the included AC adapter."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
