LASER PEDALBOARD - Roberto Prosseda in: Alkan Prelude op 66 n 4 for Piano

LASER PEDALBOARD - Roberto Prosseda in: Alkan Prelude op 66 n 4 for piano pédalier
Published on Jun 1, 2013 KromaLaser·17 videos

"The first LASER PEDALBOARD in the world ever, designed and crafted by KROMALASER (Maurizio Carelli) and played by the italian solist pianist: Roberto Prosseda
For info http://www.kromalaser.com

INFO about the played music piece:
Roberto Prosseda plays Alkan: Prelude op. 66 n. 4 for piano-pédalier version by Giuseppe Lupis."

"bOunCe" by luCho moLinari

Published on May 31, 2013 Lucho Molinari·44 videos

Introducing The Audio Damage Mangleverb Reverb, Filter, Floor Wax & More

via Analog Industries:

"Hey, want a new plug-in? Why, yes. You do. And we happen to have one right here. Let me introduce you to Mangleverb. It's a reverb! It's a filter! It's a floor wax! It's a desert topping!

In all seriousness, it's a VCF/VCA (with pretentions of analog-ness) with LFO and envelope mod sources, and it has the original Deverb reverb algorithm that can be placed either after the inputs or after the VCA. This is a surprisingly versatile combination, as it turns out. Ducking 'verb, ducking filter, "trance gate," heavy duty special FX reverb, tremolo, all kinds of stuff.

I will admit up front that we borrowed from the concept of the Vermona Retroverb Lancet, since eagle-eyed readers will point it out anyhow. We've never actually touched a Retroverb Lancet in real life, so this isn't a clone or a slavish copy or anything. We basically looked at pictures of the front panel and thought "well, that seems like a good idea."

One further note: this is our first VST2.4/AU plug-in to have a sidechain input. In all the major DAWs we tried that are capable of routing sidechains, it seems to work. A little dancing about is required in Cubase, and the manual talks about this. It works the best in Logic and Live, the two most sidechain-friendly DAWs.

Anyhow, Mangleverb is available now in the Audio Damage store. US$49.00 for VST and AudioUnit."

Synthpop on the OP-1 Part 8: Solipsist sequences

Published on May 31, 2013 Jacques Mongrel·23 videos

- Keep YouTube annotations active to know what is happening.
- Gardez les annotations de YouTube pour savoir ou vous en êtes.
- Es importante mantener las notas de YouTube si no conocéis el funcionamento del OP-1

This is the last episode in the series. All parts here.

Synthrotek Eurorack Clock Capture Module Demo w/ Make Noise WoggleBug

Published on May 31, 2013 synthrotek·90 videos

"My First Project"

http://www.synthrotek.com
Synthrotek on eBay (RSS)

Ataraxic Translatron Drones

Ataraxic Translatron Drones from Equinoxoz music solutions on Vimeo.

"So if one Ataraxic Translatron is good, then 2 must be even better!

Just a video mucking around with these and some Pittsburgh Modular modules."

Action soundtrack style with LinnDrum, DW 8000, and DX7

Published on May 31, 2013 SynthManiaDotCom·247 videos

Quick improvisation in an "action" soundtrack style.
Linn LinnDrum: drums
Korg DW-8000: synth bass
Yamaha DX7: FM synth

Sport Modulator & LPG

Published on May 31, 2013 Ebotronix·677 videos

Toppobrillo Sportmodulator
Doepfer A 101-2
Intellijel u mod

Making the Serge Paperface Synth - 1 - The Panel

Published on May 31, 2013 DJjondent·199 videos

"The time was 1973.

Moogs, ARPs & Buchlas ruled the day .... all were very expensive and beyond the reach of most electronic musicians. Only rock stars or those with access to a well heeled university could use synthesizers.

Then along came Serge Tcherepnin (at CalArts) who had the vision to make synthesizers available to everyone. His first ones were handbuilt d.i.y. kits.

The first 1973 machine was used by William Jackson on a Greenpeace anti-whaling vessel (1975) .... to make whale sounds. It was taken on a boat to the Pacific Ocean and used to warn the whales (about humans ???). They were more idealistic & innocent times.

It's this beautiful vision of a time long past which I'm trying to recreate,.... keeping this as low tech as possible & using everyday materials.
The early Serge Synths were designed for the common man to be the "People's Synth".
I hope Serge Tcherepnin would have approved.

This first video shows how I'll make the face plate/panel.
Its just a metal sheet with 1/4 inch holes cut into it in a fixed grid.
A lovely simple design.

Onto this is attached a paper template with glue.
This is covered with transparent adhesive film.
It the old days they used mylar.

Future videos will cover installation of the PCBs,trouble shooting & final tests.

The planned Serge modules for this panel are:
Peak/Trough
Dual processor
Triple wave shaper
'73 Filters
Gate/VCA
Mixer

I'm trying to keep the modules as close to the early 1970's designs as I can.
.... using mostly Ken stone PCBs.

Thanks to Ken Stone for the PCB's
http://www.cgs.synth.net/

& Dmitri of COA for his help.

http://www.youtube.com/user/DmitriSFC
http://www.coa-modular.com/2012/06/03..."

Antimatter Audio - Brain Seed - Regenerative Rhythms Patch

Antimatter Audio - Brain Seed - Regenerative Rhythms Patch from Richard Devine on Vimeo.

"A modified patch/experiment from the Brain Seed Chronicles Page 10 "Funky Rhythm Generation"

This patch was a experiment to see how the Brain Seed could be used as an interesting random rhythm generator. The patch was clocked from one intellijel dixie then sent to the seed cycle input. The main analog percussion is being generated by using the "Seed" output going into the 1/volt CV inputs on a MakeNoise DPO, which is then running into one Optomix for fast attacks triggers. There is a second patch cable running into a MakeNoise Brains and two Pressure Points triggering the delay time/offset on a Synthesis Technology E580 Resampling mini-delay (BBD Mode). Feed back clocked/control from the K4815 Pattern Generator. Trigger out from the Brain Seed is running into a 4ms SCM with breakout V2. controlling the strike input on another Optomix making the white noise high-hats courtesy of the Steady State Fate Quantum Rainbow module. The Synthesis Technology E355 dual wavetable LFO output A is running into the shift input, adding in extra variations. One T-Gates output from one of the pressures points running back into the Freeze input. Master mix reverb was the eventide space pedal using the mix knob to wash out the end. :-)

http://antimatteraudio.blogspot.com/
http://www.facebook.com/pages/Antimatter-Audio/438466496196801

note: no drum machine or computers here :-)"

via Richard Devine on The MATRIXSYNTH Lounge