MATRIXSYNTH


Friday, October 03, 2014

Teisco - 110F / 110 F Analogue Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

SEQUENTIAL CIRCUITS Prophet 2002 Digital Sampler Synthesizer SN 0199

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Intended to represent Sequential's first entry into the low-cost digital sampler market, the Prophet 2002 was equipped with 256k or 512k sample memory, and selectable sampling rates of 16, 32, and 42kHz at 12 bit audio resolution. External storage was provided via 3.5" diskette. The Prophet 2002 features MIDI, 8 voice polyphony, up to 8 layers, and an arpeggiator. Despite their technological limitations, early digital samplers like the Prophet 2002 are noted for their warm audio quality as a result of analog VCFs and VCAs."

OB-X Based VSTi OB-XTREME, OP-X & OBXD OSC & Filter TEST


Published on Oct 3, 2014 Aly James

"http://www.alyjameslab.com READ DESCRIPTION!

By popular demand...let's do a basic comparison of the OSC and FILTER sound of those OB-X based VSTis, as nobody seems to read products specs and details..

No insert, nothing on the master bus, just the VSTs, same settings.

I have been used all at some point and they are all good, I will quickly showcase what the differences are and why OP-X, OB-XD and OB-XTREME have each their nice peculiarities.

IMO:
OP-X PRO is really good for lush PADS because it features interesting modulations the other don't have.

OB-XD is free (which is a point :) ) and feature a really nice clarity and top end the OP-X can lack while sounding warmer.

OB-XTREME have a simpler 'hands on' approach with far less functions and features but it provides 2 analog saturation stages before and after the filter and a FAT mode which makes it growl in a way the others don't.
It also feature 8 separate outputs so you can have 1 channel per voice in your DAW if you want :)

Basically I needed to have the "essence of the OB Sound" not the full feature list, mainly that huge analog wall we all love.

That is why I made OB-XTREME in the first place, in you liked the OB-X you should have them all :)"

Unlocking Dockstader by Justin H Brierley



Seeking funding on Kickstarter here.

This one in via Atomic Starter

"Electronic composer, filmmaker, cartoonist, writer, Alzheimer's patient. This film will explore the life and work of Tod Dockstader.

Tod's story: a brief introduction

Tod Dockstader is a multi-talented creator whose work remains largely unrecognized. He is perhaps most well known as a composer of electronic music and as a cartoon sound effects artist. While working at Terrytoons in the early 1960s he provided sounds for Tom & Jerry and other cartoons directed by Gene Deitch. Around the same time he also worked as a sound engineer for a studio in NYC that mostly did commercial work. He used these resources during his off hours to create several albums startling electronic music that influenced artists like Frank Zappa, Pete Townshend, and Aphex Twin. Some of this music was even used by Fellini as part of the Satyricon soundtrack.

Tod's creativity ranges far beyond music and sound effects. He was an avid writer (poetry, short stories, plays, music reviews, etc..) and evidence suggests that he very much desired a writing career long before he started making music. He was also a filmmaker whose company Westport Communications Group produced educational films that were distributed by McGraw Hill as part of their American Heritage series. Tod did most of the creative work on these films: writing, producing, and directing. One of the goals of my film is to show Tod for the true Renaissance man that he is.

Backstory

Like many great documentaries this project has changed and evolved over time. My original idea was simply to do a phone interview with Dockstader for my radio show. Then I learned about Tod's dementia and I set out to film interviews while he could still remember some of his past. At that time, Tod's daughter Tina entrusted me to his old computer which is filled with unreleased music that he was working on during the early stages of his dementia. I tried playing him his own music to see if he could remember anything about how he created it. He couldn't, however I noticed that he very much enjoyed the listening and would sometimes tell other stories about his life. As time went on his physical health deteriorated, including his hearing, and the positive effects of listening to music also lessened.

Now

And then I got an iPad. I started bringing that along and showing Tod different music making apps. The result is amazing. He's particularly fond of the official John Cage Prepared Piano app and the amazing multi-touch synthesizer TC-11, which was generously donated by its developer, Bit Shape Software. Seeing Tod not only light up with delight, but also engaging his creativity has given me a new idea and direction for this film.

Future

The first major change is that I will be enlisting the help of a certified Music Therapist. I want to see if by engaging his creativity I can help him access memories that have been lost to him. Up until now I have been able to visit Tod an average of once or twice per month. I will be increasing those visits to near daily, occasionally accompanied by a professional Music Therapist. These session will form the foundation upon which I tell Tod's amazing life story."

Noland & CatStretch by Max for Cats


Published on Oct 3, 2014 max forcats

"Available here: http://sonicbloom.net/en/packs/max-fo...
Noland is a unique Synthesizer with individually automatable XY-control.Noland lets you store custom XY automations and colour schemes as Presets.
NolandFX is a old-school harmoniser effect, also part of this pack.
Max for Cats crafts Software Instruments, Effects, MIDI devices, Sound Design and Samples for Ableton Live."

CatStretch by Max for Cats

Published on Oct 3, 2014

"Available here: http://sonicbloom.net/en/packs/max-fo...
Catstretch is a polyphonic time-stretching sampler instrument. Stretch any sound to infinity and play it chromatically via MIDI.

Max for Cats crafts Software Instruments, Effects, MIDI devices, Sound Design and Samples for Ableton Live."

KORG volca bass, keys, elektron analog four, Roland TR-8,(BURG - Komet 1.2.5)


Published on Oct 3, 2014 ollilaboratories

"As always, live session and no multitracking... recorded straight into my Zoom Q4 cam.

Im sort of doing a rehearsal for an upcoming livegig.. this time im speeding things up to 125bpm and making it a bit more minimal. What You hear is the second take, first one got busted as i messed up the main cam... hehe, didnt record :) so, this is what you get. I hope you like it...

Gear used, Elektron analog four, KORG volca bass x2, volca keys, Roland TR-8, KORG kaoss pad KP3+, ibanez es-2, Jomox T-resonator II.

Overhead cam, zoom Q4 (audio line in from mixer) , side cam Panasonic Lumix GX7, 20mm f/1.7 - filmed in 720p"

plumbutter drumma


Published on Oct 3, 2014 koze pz

"This video is about plumbutter drummachine."

plumbutter bleep bloop blight

Published on Oct 3, 2014

"This video is about nothing"

Oberheim Matrix-1000 & Arturia MiniBrute Pedal Demos by TengoMuchosPedales


Published on Sep 6, 2014 TengoMuchosPedales

Playlist:
001 Minibrute VS Fulltone Tube Tape Echo
002 Minibrute VS Malekko Wolftone Chaos
003 Minibrute VS EHX Ravish
004 Matrix 1000 VS Pigtronix Envelope Phaser
005 Matrix 1000 VS Rockman Stereo Echo

Arturia MicroBrutes in Pastel


via Future Music, Computer Music

"Arturia just introduced Microbrute SE, a limited release at 12,000 units of its popular minisinte. Available in colors salmon, light blue and white, Arturia will offer 4,000 units of each 'flavor' to the end of October for a price of 329 € / $ 399."

Update: According to Arturia, there will be 4,000 units in total, not the 12,000 originally noted above.

Peter Vogel - The Sound of Shadows (2011)


Peter Vogel - The Sound of Shadows (2011) from Jean Martin on Vimeo.

"Pre-published part of the documentary about Peter Vogel explaining his work in his atelier in Freiburg i.B., South-West Germany, by Jean Martin and Conall Gleeson."
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