MATRIXSYNTH

Nova Musik - Korg ARP Odyssey with Rich Formidoni

Published on Feb 27, 2015 Nova Musik

"Check out great deals on the ARP Odyssey at Nova Musik: http://www.novamusik.com/korg-arp-ody...

Rich Formidoni from Korg USA stopped by to talk about and play Korg's revival of the iconic ARP Odyssey analog synthesizer.

The ARP Odyssey was an analog synthesizer originally produced in 1972 by the American manufacturer ARP Instruments, Inc. that quickly garnered a faithful following among musicians. Well respected for its high value, ease to play and portability, the ARP Odyssey had undergone several improvements during its history and continued to be a long-seller until manufacturing stopped in 1981 due to economic hardships and the digital surge. Loved by a wide range of musicians as a historical classic, its sound can be heard on numerous classic songs.

Now in 2015, Korg has brought back the ARP Odyssey for today. With the advisory assistance of David Friend, the co-founder of ARP Instruments, Korg has completely reproduced the original circuitry for artists looking to recreate classic sounds and explore new ones. Together the engineers at Korg and ARP were able to nail the sound and feel of the original. Every detail has been carefully considered to stay true to the quality of the original, down to the sophisticated semi-hard case."

Reaktor & Topology Mode Percussa Wireless AudioCubes

Published on Feb 27, 2015 Percussa

"In this video Salamanderanagram explains how he's using topology mode of the Percussa Wireless AudioCubes together with Reaktor."

http://percussa.com

Serge MultiSlope Filtering

Published on Feb 26, 2015 Todd Barton

"Clearly I've been obsessing on the variety of sounds from just using Serge Slope Generators. Here are 4 SG's and 2 TG's providing pitch, pulse, lfo, and lots of different filtering. Enjoy! Better audio: https://www.hightail.com/download/UlR..."

Doepfer A106-5 12 db SEM filter Audio Demo Part Three-Band Pass Filter

Published on Feb 27, 2015 Raul's World of Synths

"Continuing the Doepfer A106-5 video series. This time we hear an example of a few sounds that can be created using a melody line filtered with the A106-5 SEM filter. Specifically we will explore the Band Pass Filter. Sound and Video by Raul Pena"

All parts:

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Synthino XM Super Mario Bros. Theme MIDI over USB Playback 4 Track

Published on Feb 27, 2015 circuitmaster

www.synthino.com
https://www.kickstarter.com/projects/...

Cosmic Winter

Published on Feb 27, 2015 Bruno Ender Lee

"performed February 27. 2015

Synthesizers.com Studio-88, MiniMoog Voyager OS, Moog Little Phatty, ARP Odyssey, Simmons SDS-8, MacBeth M5N, Analogue Solutions Vostok, Korg Delta, Korg MS-20 mini, Korg MS2000, Roland JP8000, Roland Juno-60

composed, arranged & produced by Bruno Ender Lee
2015 Velvet Voyage Productions / all rights reserved"

Roland SH-2 Vintage Analog Synthesizer SN 065228

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via this auction

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ROLAND SYSTEM 100M 130 DUAL VCA SN 383392

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

This one appears to have had glow in the dark slider caps at one point.

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Metasonix D-1000 SN 159

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via this auction

Switches.

"This is hand marked as unit #159

DETAILS
A 'modern' primitive device--with plenty of inputs, outputs, and flexibility. Even though it has only four drum sounds -- two tunable drums, a tunable "snare" drum (harder sounding than the others), and a cymbal -- control voltage inputs give great flexibility. Each of the tunable drums is made from a vacuum tube ringing bandpass filter, and can be tuned to sound from below 20 Hz to over 2 kHz. They are also tunable with external control voltages, allowing complex patterns to be built up with external CV or pulse sources. Resonance of each filter circuit is set by internal trimpots. The cymbal sound is an extremely primitive circuit, with white noise gated by a pentode tube. The cymbal's attack is knob-variable and CV variable, from a sharp click to a soft "whoosh". The four outputs mix to a single tube preamp that allows for overdriving via the mix-level controls. In keeping with the primitive nature of the soundmaking section, the pattern sequencer is extremely simple. Unlike early drumboxes, we won't subject you to preset nonsense like "waltz", "foxtrot", "swing" or the like. Instead, there is a single 8-pulse sequence with separate enable switches for each drum sound--set a toggle switch up to get the sound at that point, down for silence. Great for house, hardcore or other simple 4/4 patterns. The internal clock is settable from 60 BPM to over 1000 BPM. There is also a "roll" clock signal built-in, to generate a faster drumroll on any drum sound by pressing a button (speed is preset with an internal trimpot). If you don't like the internal sequencer, there are individual trigger inputs for each of the four sounds (the trigger pulse must be 0 to 5v, and less than 40 mS long). These trigger inputs operate in parallel with the built-in sequencer, so the D-1000's sounds may be triggered by its internal sequence and external pulses at the same time. As a bonus, the three tunable drums can also be used as tunable bandpass filters, by feeding a line audio signal to each trigger input. Ample inputs and outputs: mix output (with overdriveable tube preamp), separate outputs for each drum sound, external trigger inputs for each drum sound, and a main clock output (0-5v) for slaving external generators to the internal clock. No, it does not sound like a TR-606. It's a beast you have never seen or heard before."