Published on Nov 17, 2015 Native Instruments
And two demo tracks from Richard Devine. Press release and images follow below.
"Extended demo of the new "Flesh" Reaktor 6 instrument. "Changing Colors" :-) Very cool innovative performance synth that turns anything you feed it into a electronic symphony
Notes - Only two instances of the Flesh ensemble used. For this demo I used a few kicks, snares, high hats, cymbal crashes, ethnic percussion, and white noise samples at some of the loop parts and at the transitions segments. These where all single shot sounds not loops, that I programmed in time with Flesh. This only accounts for a small amount compared to what Flesh was actually doing, which was about 85% of the demo. I took one snare crash from one of the kits in Flesh and reverse it for one transition. The rest of the sounds are 100% Flesh. There was only one touch of reverb on a Aux send and return with 2CAudio 2C-B2 plug-in."
"Extended demo of the new "Flesh" Reaktor 6 instrument. "Scatterbrain Jungle" :-) Very cool innovative performance synth that turns anything you feed it into a electronic symphony
Only two instances of the Flesh ensemble. All sounds are 100% Flesh sounds. The only thing added was a touch of reverb from the 2CAudio 2C-B2"
"The concept for FLESH came to me when touring with my custom looping, beatmaking, and improvising instrument that I built in REAKTOR," says Tim Exile. "I was missing a way to make harmonic and melodic material in a live, improvised scenario. I wanted something that would empower me to create expressive and dynamic sounds which fit in perfectly with whatever was going on at the time."
FLESH was designed to be a fun and easy-to-use performance instrument. Its advanced algorithms analyze the transients and spectral profile of sampled source material in the background. This information is then sent to four audio engines as curves and triggers for re-synthesizing the source material. The result is dynamic riffs, grooves, and chords that retain the feel of the original sample. This advanced processing is made possible by the REAKTOR 6 engine.
FLESH comprises four audio engines, plus effects and modulation sections. Each engine has a specific function, from changing the sonic character of the sample itself to transforming it into a monophonic sequence or lead, chords, or sub-bass frequencies. Additionally, the sound generated can be further modified by the effects section and modulation page. The effects section re-creates a highly-modified dub delay while the modulation page allows producers to add subtle to radical motion to their sound.
FLESH features a streamlined control set allowing for radical changes to the rhythmic and tonal output of the instrument. Producers can play rich harmonic progressions, trigger and switch source samples and sound snapshots, then tweak parameters across all engines at once in real time. A clever system of global macro controls allows for consistent and tactile live tweaking on just four main controls – Spectrum, Character, Length, Mod.
FLESH is the first REAKTOR Instrument designed from the ground up to get the most out of the KOMPLETE KONTROL S-Series keyboards. FLESH uses the Light Guide to provide tight visual feedback, highlighting sounds and samples, and sequenced harmonies. Native Map® automaps parameters to the eight control knobs on the KOMPLETE KONTROL keyboards. Users can also save presets – including samples – and recall them in real time.
Tim Exile has seen his career move from performing in small clubs, to big stages around the world and releasing albums on the Planet Mu and Warp imprints. For the last years, Tim has worked closely with Native Instruments to design his own set of 'audio instruments' including THE MOUTH and THE FINGER.
FLESH is available now at the NI Online Shop for $99 / 99 € / ¥ 11,800 / £89 / $AU149
Additional information on FLESH is available at:
www.native-instruments.com/flesh"
