AniModule Multi-Band BitCrushing Percussion via ShNoiZe SOB and M1xXOR

Published on Dec 23, 2015

"Check'em Out @ http://www.animodule.com/"

TB-3 TR-8 System-1 Promars Plugout MB33 Retro Live Performance

Published on Dec 23, 2015 kvfive .

"Live jam with the Arturia Beatstep Pro, Microbrute, Roland System-1, TB-3, TR-8 and the MAM MB33 Retro - Enjoy :)"

Clouds - old Romanian Christmas Carols

Published on Dec 23, 2015 Alba Ecstasy

"This old Christmas Carols is very close to my heart and it reminds me of my childohood. Even this is the third time today when I put my hands on the Clouds (ha!) I feel to share with you my begginer experience with it especially on this Christmas song!
Merry Christmas and Happy Holidays!
Song: Din an in an - Colinde Manastirea Putna
Alba Ecstasy"

New Cream Mobile for iPad Released

iTunes: Cream Mobile

"The world's best software arpeggiator is now available as an iPad application.

Kirnu Cream Mobile is a very powerful MIDI performer music application for iPad.
This version is almost identical to the plugin version except the mobile version includes internal synthesizer and single drum track.
Mobile version also has only one arpeggiator track by default. If needed, the rest three tracks can be purchased separately with in-app-purchase option.

This version can open plugin version presets and vise versa.

Features
- 4 independent tracks (One track available by default. Other can be added via IAP)
- 12 patterns per track
- Very powerful internal 2 OSC synthesizer FOR EVERY 4 TRACKS
- Two different views: Classic and quick edit view.
- Live Keyboard, Chord Memory and Pattern Sequencer sections.
- Sample accurate MIDI engine.
- Easy to use note hold mode with transpose and bypass functionality.
- Presets are compatible with the plugin version.

- Powerful Pattern Step Data Section:
- Tool section enables easy data editing.
- All data sections are independent from each other.
- Data sections can be looped with several different loop modes.
- Chord memory section enables different chords to be used in every step.
- Sequencer section enables sequencing the notes.
- Accent, order, gate, accent, transposition, note divide, note shift.
- 8 CC controls in each pattern.

- MIDI learn for all knob controls.
- Control Zone for changing most important parameters via external keyboard or MIDI events.
- Audiobus (generator) support
- MIDI sync with host and slave mode

- And lots of more

With Cream Mobile it’s very easy to create catching lead parts, bouncing bass lines, swinging drums and lots of other cool stuff. The only obstacle is your imagination :)

Cream Mobile isn't like any traditional MIDI arpeggiator or sequencer. It's a lot more. With simple and clever design it has been made easy to learn and operate. You can easily create cool performances by tweaking only couple of controls. If this is not enough for you there are so many ways you can control Cream that you never feel bored with it.

Kirnu Cream is good for everybody; hobbyists, professionals, producers, composers, mamas, papas... whoever needs a good MIDI performer to make their songs PERFECT!

If you are sick and tired of conventional MIDI arpeggiators, performers, sequencers you should try Cream and see yourself how it differs from the rest."

CLICK FOR MORE »

River Creative Technology Crux and Nucleus Eurorack Modules

Two new eurorack modules from new eurorack maker River Creative Technology.

Crux Dual voltage controlled amplifier with discrete OTA core:

"dual VCA around discrete transistor OTA core

switchable linear or exponential VCA response

switchable between Audio (AC) and CV (DC) use

starts to pleasantly saturate beyond levels of 10Vpp (clips at 20Vpp)

envelope (unipolar) and modulation (bipolar) CV inputs

smart normalization of unused envelope inputs to allow for full-range bipolar modulation

Design overview

After overlooking VCAs for many years, I began to appreciate the huge range of functions they can serve up. They’re really everywhere, in simple loudness contouring circuits, tremolo effects, tone controls, filters, overdrives, mixers, amplitude modulators, panners, cross-faders, and CV performance controllers. I also learned that VCAs put their subtle signature on the overall sound of an instrument.

The VCAs in the Crux are built around newly designed operational transconductance amplifier (OTA) circuits, built from discrete transistors. If you need a super-accurate VCA, this is not for you. However, if you appreciate the warm and lively nature of discrete electronics, the Crux will serve you well.

A phrase often used among modular musicians is “you can never have enough VCAs”. Probably followed by “I need more rack space”. That’s why the Crux is a compact module, simple and straight, a short signal path, and no frills. As there are no frills, there’s little fancy text here. It can do what a VCA does. It can do it twice. It can do it linearly or exponentially, and does it on audio or CV. And that’s it!"

Nucleus Voltage controlled filter with discrete OTA core:

"designed around discrete transistor OTA cores

switchable resonance character with optional ‘Solid bass’ behaviour.

switchable filter slope: 12 or 24dB/Oct

pleasantly saturating input stage and resonance with higher levels

linear and exponential FM options

envelope and modulation inputs with independent attenuvertors

soft-touch knobs and quality hardware (mostly Alps)

Design overview

After discovering analog synths, modulars and the beautiful original and cloned analog filters of Moog, Korg, Roland, Sequential, and the likes I felt I wanted to try something a little different and see if I could come up with something that sounds unique and musical in its own right, rather than being a retake on proven circuits from the past. Furthermore, I was hoping to overcome dependency on (nearly) obsolete components, and benefit from the quality of modern components.

The core of the Nucleus contains a newly designed operational transconductance amplifier (OTA) circuit, built from discrete transistors. While there are technically superior alternatives, a discrete circuit excels in providing a warmer and more lively sound.

My wish was to make the sound of the Nucleus as versatile as possible. After studying many different filters to identify the key to their unique sound, I decided to include a filter slope switch (12 or 24 dB/oct), and a resonance character switch with three distinct modes (see box).

In each of these modes, the low-frequency resonance behaviour can be further tailored with the ‘Solid bass’ feature, cleaning and firming up the low-end, or leaving it to boldly resonate.

Resonance character:

Neutral – Classic resonance, reminiscent of vintage 4-pole designs. Inherently with a loss of low-end at high resonance.

Q-comp – Similar to neutral, but compensated for loss of low-end. Providing a firm and stable resonant sound, with slightly different saturation character.

K-style – The beefiest of all modes, with a thick mid range and fat low-end, and an aggressive resonant sound.
nucleus_mod

Concluding the design, I added a variety of modulation options for linear and exponential frequency modulation (FM), envelope modulation, and keyboard tracking (1V/Oct)."

fourMulator random madness

Published on Dec 10, 2015 vermonagear

"Two fourMulator modules are used as sequencers to drive a simple reverberated drum patch. Mainly the random wave outputs of the fourMulator modules are used which causes sudden and sometimes drastic changes while always keeping touch to the master clock and therefor remaining musical."

Hohner Bass 2 vintage analogue Bass Synthesizer SN 782553

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This sounds great , big funky bass sounds , very analog !"

CLICK FOR MORE »

Radek live at Bells N Whistles Crackles N Pops 2015

Published on Dec 23, 2015 DivKidVideo

"Radek live with a couple of panels of Serge modular and some Elektron devices. Nice to hear some of the same sounds and ideas used at the Leeds event (video here - ) used in a different context this time."

Random Source Serge Resonant EQ Eurorack Kits at Thonk

"Serge Resonant EQ - bokeh

Exploring the resonant side of the Serge Resonant EQ (R*S edition for Eurorack, layering 2 live recordings, each basically using nothing but the EQ:
- Perc track was made by running a pulse from a DUSG into Input 1 and each 4th of those pulses (using a Pulse Divider) into Input 2 and playing with the 10 bands and the Feedback knob / Phase switch
- Drone track uses the normal (triangle) out for Input 1 and the Gate out from the same DUSG (running in Cycle mode as an oscillator) - again only playing with the bands and feedback.

Listen on good speakers at high volume :-)"

via Thonk

"We hadn’t expected to have these kits finalised before Xmas… but we do! We are only producing a limited run of these right now as they are very time-consuming to produce. Click through to purchase."

"The RESONANT EQUALIZER (EQ) is a unique ten-band filter designed specifically for electronic sound synthesis and processing. Except for the top and bottom frequency bands, the bands are spaced at an interval of a major seventh. The Resonant Equalizer is designed to produce formant peaks and valleys similar to those in acoustic insstruments.

There are three equalized outputs: the two COMB outputs provide the sums of the two alternate filter bands, while the two top outputs are the (identical) mix of all filter bands. Please note that there is no sharp separation between the bands, moving any frequency knob will have an influence on both COMB outputs. This equalizer is special in that the bands can be set to be resonant: when the knobs are in the middle position, the response at the main EQ Output is flat. When the knobs are positioned between the 9 and 3 o’clock position, up to 12 db of boost or cut is set at the band. If the knob is set beyond the 3 o’clock position, the band will become resonant, simulating the natural resonance of acoustic instrument formant structures. Below the 9 o’clock position, increased band rejection is achieved.

The Random*Source version of the filter is a licensed and authorized adaption of the legendary Serge equalizer for Eurorack. It adds an input mixer with 2 inputs that can be built/used to attenuate or amplify/distort the input signal(s) before they are sent into the EQ and a Feedback section (knob and phase switch) which allows to feed back the output signal or the inverted output signal (depending on the Phase switch). Adding inverted feedback leads to phase cancellation effects – unlike the “normal” feedback, level decreases and the signal thins out.

Now – licenced by Serge – the legendary EQ is available as DIY kit for Eurorack."

Mother 32 meets Voyager & Little Phatty - Test

Published on Dec 23, 2015 Old Beats

"Control Voltage connection and communication with other members of the Moog family. Only CV no Midi.
Gear:
Moog Mother 32
Minimoog Voyager
Moog Little Phatty
TC Electronics Hall of Fame Reverb
Download Patch Sheets here:
https://drive.google.com/file/d/0B_UN..."