2016

Published on Dec 31, 2015 dakitanmonkey

"Anoter ambient track for the new year, enjoy !"

InsWorks MOAS SE01 controlando el InsWorks Esencial

Published on Dec 31, 2015 Carlos Alberto Gutiérrez Vera

"El MOAS es un modulo multifuncional que cuenta con: sección de offset, mezclador, splitter y amplificador invertido.

El Offset cuenta con control de voltaje negativo a positivo, control de escala, entrada para CV y salida invertida.

El Mezclador cuenta con 4 entradas y una salida invertida.

El Splitter tiene una entrada y 4 salidas

El Amplificador invertido cuenta con entrada y salida

Adicionalmente el circuito dispone de un selector para seleccionar si se va a usar una salida normalizada para el mezclador o el offset, aun así si se desea otra salida normalizada solo seria cosa de usar la salida invertida del mezclador o el offset a la entrada del amplificador invertido."

Googlish:

"The MAS is a multifunctional module that includes: offset section, mixer, amplifier splitter and invested.

The Offset control has negative voltage to positive, scale control, input and inverted output CV.

The mixer has 4 inputs and an inverted output.

The Splitter has one input and 4 outputs

The amplifier has invested in and out

Additionally, the circuit has a switch to select whether to use a standardized mixer or output offset, yet if someone would only thing standard output is desired to use the inverted output of the mixer or the offset to the amplifier input invested."

Intellijel shapeshifter chord mode

Published on Dec 31, 2015 eurorack

"Little jam featuring shapeshifter in chord mode"

RARE Vintage SEQUENTIAL CIRCUITS SIEL Piano Forte SN 274/60

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"RARE Vintage SEQUENTIAL CIRCUITS SIEL Piano Forte ELECTRIC PIANO / 1983, actually made by SIEL in Italy in collaboration with SCI/10 programs, works perfectly, some wear on surfaces, plays perfectly..."

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ROLAND MSQ700 SEQUENCER

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Sequential Circuits Prelude

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THEREMIN - And This Is My Beloved

Published on Dec 31, 2015 Peter Pringle

"This song is from the hit 1953 musical, KISMET, with music adapted from the works of the Russian composer, Alexander Borodin. The story unfolds in old Baghdad, so I put myself in an appropriate fantasy decor! I am playing the 1929 RCA theremin once owned by the late Dr. Samuel Hoffman."

AKAI MPC Touch Review by Robin Fitton

Published on Dec 31, 2015 Robin Fitton

"3 days with the MPC touch and showing an initial overview. Sorry about the poor audio. Still playing with my video recording setup."

Strum - Modular Patch by Richard Devine

Strum - Modular Patch from Richard Devine on Vimeo.

"This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Download the free track here: http://bit.ly/1QZqXQR

Mutable Instruments Rings : http://mutable-instruments.net/modules/rings

Clouds Parasites firmware: https://mqtthiqs.github.io/parasites/clouds.html

Sub 37 + Pro 2 + H9 :: a collection of textures

Published on Dec 31, 2015 experimentalsynth

"Extra footage I had with some interesting sounds. Pretty extreme control voltage modulations of the Moog Sub 37 in this one. Combined with the Dave Smith Instruments Pro 2 and Eventide H9, this makes a very powerful synthesis package. Learn more at www.experimentalsynth.com"