Monday, October 10, 2016
Tom Oberheim Two Voice Pro: Excerpt from Yesterday Afternoon
Published on Oct 10, 2016 darkenergymedia
"While the New TVS Pro is a 'reissue' of the TVS of the classic SEM sound of the 70's, there are a few details that have transformed this instrument - once destined to sit atop a Hammond B-3 or in a multi-keyboard rack, the new TVS feels really at home playing with my modular systems, providing handy pitch and timing reference, and it makes a nice compact master keyboard for playing polyphonic synths without having to fire up the DAW.
ABOUT THE VIDEO:
The Tom Oberheim TVS Pro plays sequence #1, while supplying clock to the modular systems' sequencers.
- a Karp hi hat
- a Wiard kick
- a Tonestar grand casa
- MiniMod Bass
- Elements chunk
- Serge funk
- 2 Roland MKS 80 Super Jupiters pad, played from TVS Pro Keyboard Local OFF.
- a Wiard Pedal tone
- Wiard mayhem
- Serge and Nebulae suspense
The music in the video is performed live, without overdubbing or editing - special thanks to Anthony Baldino for sprucing up the mix before the shoot.
Thanks, Tom!
- Gary Chang
----
uploaded in 4K
directed by Chris Morgan
http://www.darkenergymedia.com
produced by Geoff Farr / GSF Agency
http://www.gsfagency.com
Tom Oberheim:
http://www.tomoberheim.com"
LABELS/MORE:
AJH,
ARP,
Korg,
Mutable Instruments,
Oberheim,
Roland,
Serge,
Studio Electronics,
SYNTHWERKS,
Wiard
DSI Prophet-6 Demo Video by MineNet
Published on Oct 10, 2016 MineNet
Purple gloves to keep the synth clean?
Buchla Layered Noise Patch
Published on Oct 10, 2016 Todd Barton
"A brief tutorial exploring the 3 different flavors of noise from the Buchla 266e Source of Uncertainty going to the Freq Shifter/Balanced Mod of the 285e. For better audio go to:
https://soundcloud.com/user7621213/bu..."
VOLTLIFE: Synthrotek ADSR percussion
Published on Oct 10, 2016 VOLTLIFE: Synthrotek ADSR percussion
"A quick demo of using Synthrotek's new ADSR module (see my previous video for a full demo: [posted here]) to shape noisy percussion sounds.
Like many people, I normally just use an AR envelope for percussion, since it's simple and snappy. But for some sounds such as claps and pseudo-gated snares with a sustained portion, an ADSR gives you the ability to carefully shape the initial hit, noisy sustain and release. VC control over the release and whole ADSR time allow for varied percussion sequences.
The ADSR is driven by short gates out of a Pittsburgh Game System, and it opens a Pittsburgh dual VCA. The VCA is fed with a mixture of two noise sources (band-passed white noise and a Braids in CLKN mode) and a nasty FM tone (a Rubicon pulse through-zero modulated by a Dixie II square). In the last part of the video I mult the ADSR output to the Rubicon's FM index to give it more dynamism."
dodecaphony²
Published on Oct 10, 2016 Ebotronix
"12 tone order
seq 1 A, B, G ~ seq 2 Ab,Gb,Bb ~ seq 3 D, E Eb ~ seq 4 C,F,C#
triggered by Flame Arp 2013 (drums and 4x seq)
- ~ +
Studio Electronics ModMax Filter N.I.B. SN 1072
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The ModMax series included the Filter, Phaser and Ring Mod. These pedals are packed with features that take them beyond the realm of typical pedals. For one thing, they include a full complement of features such as an Attack-Release envelope, LFO waveforms, and frequency and resonance controls. For another, they can be set to respond to dynamics in your playing, making them considerably more interesting than your standard effect pedals.
Some major features of this pedal include low-pass, band-pass and high-pass modes for utmost versatility, positive and negative modulation, effect soak (Drench) for dramatic effect-level distortion, three methods of triggering the LFO (normal, one shot —for auto-wah—and envelope key trigger), and three LFO waveforms: triangle, square, or sample and hold. See below for the full list of features."
via this auction
"The ModMax series included the Filter, Phaser and Ring Mod. These pedals are packed with features that take them beyond the realm of typical pedals. For one thing, they include a full complement of features such as an Attack-Release envelope, LFO waveforms, and frequency and resonance controls. For another, they can be set to respond to dynamics in your playing, making them considerably more interesting than your standard effect pedals.
Some major features of this pedal include low-pass, band-pass and high-pass modes for utmost versatility, positive and negative modulation, effect soak (Drench) for dramatic effect-level distortion, three methods of triggering the LFO (normal, one shot —for auto-wah—and envelope key trigger), and three LFO waveforms: triangle, square, or sample and hold. See below for the full list of features."
Studio Electronics ModMax Phaser N.I.B. SN 1082
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The ModMax series included the Filter, Phaser and Ring Mod. These pedals are packed with features that take them beyond the realm of typical pedals. For one thing, they include a full complement of features such as an Attack-Release envelope, LFO waveforms, and frequency and resonance controls. For another, they can be set to respond to dynamics in your playing, making them considerably more interesting than your standard effect pedals.
Some major features of this pedal include two-, four- and six-stage modes for greater versatility, positive and negative modulation, effect soak (Drench) for dramatic effect-level distortion, three methods of triggering the LFO (normal, one shot —for auto-wah—and envelope key trigger), and three LFO waveforms: triangle, square, or sample and hold. See below for the full list of features."
via this auction
"The ModMax series included the Filter, Phaser and Ring Mod. These pedals are packed with features that take them beyond the realm of typical pedals. For one thing, they include a full complement of features such as an Attack-Release envelope, LFO waveforms, and frequency and resonance controls. For another, they can be set to respond to dynamics in your playing, making them considerably more interesting than your standard effect pedals.
Some major features of this pedal include two-, four- and six-stage modes for greater versatility, positive and negative modulation, effect soak (Drench) for dramatic effect-level distortion, three methods of triggering the LFO (normal, one shot —for auto-wah—and envelope key trigger), and three LFO waveforms: triangle, square, or sample and hold. See below for the full list of features."
Studio Electronics ModMax Ring Mod N.I.B.
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The ModMax series included the Filter, Phaser and Ring Mod. These pedals are packed with features that take them beyond the realm of typical pedals. For one thing, they include a full complement of features such as an Attack-Release envelope, LFO waveforms, and frequency and resonance controls. For another, they can be set to respond to dynamics in your playing, making them considerably more interesting than your standard effect pedals.
Some major features of this pedal include three carrier waveforms (triangle, sawtooth, or square) for greater versatility, positive and negative modulation, effect soak (Drench) for dramatic effect-level distortion, three methods of triggering the LFO (normal, one shot —for auto-wah—and envelope key trigger), and three LFO waveforms: triangle, square, or sample and hold. See below for the full list of features."
via this auction
"The ModMax series included the Filter, Phaser and Ring Mod. These pedals are packed with features that take them beyond the realm of typical pedals. For one thing, they include a full complement of features such as an Attack-Release envelope, LFO waveforms, and frequency and resonance controls. For another, they can be set to respond to dynamics in your playing, making them considerably more interesting than your standard effect pedals.
Some major features of this pedal include three carrier waveforms (triangle, sawtooth, or square) for greater versatility, positive and negative modulation, effect soak (Drench) for dramatic effect-level distortion, three methods of triggering the LFO (normal, one shot —for auto-wah—and envelope key trigger), and three LFO waveforms: triangle, square, or sample and hold. See below for the full list of features."
Sequential Circuits Prophet VS SN 0024
Korg Trident
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Configuration synthesizer, brass, in the three sections of the strings.
Synthesizer unit 2VCO, is constituted by a VCF of -24dB / Oct, memory can be the sound up to 16.
Brass section, such as VCF and envelope generators, unit of the synthesizer is built, polyphonic synthesizer way to use possible.
Strings section, including the Boeing to reproduce the effect of play in the bow, ensemble, rich effects such as vibrato, equalizer to adjust the sound quality, due to attack release to control the change of volume, a wide range of rich to change strings sound the realization.
Keyboard split also said that the features of the TRIDENT can brass, the same performance as the double-manual, such as strings in the bass section 2 octave to split the keyboard synth bass, treble section 3 octave. In addition, flanger to add movement and thickness of the sound is not only intense flanging effect, it is possible to obtain also the phase shifter effect and chorus effect. Others, joystick equipment pitch bend and vibrato can be controlled by hand."
via this auction
"Configuration synthesizer, brass, in the three sections of the strings.
Synthesizer unit 2VCO, is constituted by a VCF of -24dB / Oct, memory can be the sound up to 16.
Brass section, such as VCF and envelope generators, unit of the synthesizer is built, polyphonic synthesizer way to use possible.
Strings section, including the Boeing to reproduce the effect of play in the bow, ensemble, rich effects such as vibrato, equalizer to adjust the sound quality, due to attack release to control the change of volume, a wide range of rich to change strings sound the realization.
Keyboard split also said that the features of the TRIDENT can brass, the same performance as the double-manual, such as strings in the bass section 2 octave to split the keyboard synth bass, treble section 3 octave. In addition, flanger to add movement and thickness of the sound is not only intense flanging effect, it is possible to obtain also the phase shifter effect and chorus effect. Others, joystick equipment pitch bend and vibrato can be controlled by hand."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
