SOLAR PANELS WITH SYNTHS AND GUITARS DIY HOW TO

Published on Jan 8, 2017 LOOK MUM NO COMPUTER

"Solar Panels don't just have to be used to generate electricity. they can be used as an instrument by themselves.

If you have a sound source give it a go! (even if you don't have a sound source check at the bottom of the description).

all you need is a solar panel and a way of connecting it to whatever you have. in the video i use a broken guitar cable. but you can go proper like at the end of the video with the 5 solar panels on a big panel with jack sockets.

you can plug it up to readily available synths too like the ARTURIA mini brute in the video."

Bastl Kastle and Pocket Operators playing together nicely

Published on Jan 8, 2017 Aidan Burns-Fulkerson

"How to set up the Kastle and Pocket Operators to sync and play together smoothly. If you have any burning questions, comment below and I'll answer them to the best of my ability."

What's that noise?

Published on Jan 8, 2017 murderousmaths

"A beginner's guide to white noise, random voltages and howling wind effects using the Moog Filter, the CP-251 and the Queen of Clubs."

Acid Reign - Live Acid Trance [TR-8, System-1, Bass Bot TT-303, Social Entropy Engine]

Published on Jan 8, 2017 Acid Alex

"My new track recorded live called 'Acid Reign'

I hope you like it :-)

Gear used...

Social Entropy Engine MIDI Sequencer
Novation Circuit
Roland AIRA TR-8 (TR-909 kit)
Roland AIRA System-1 (SH-2 Plugout)
Roland AIRA MX-1
Cyclone Analogic Bass Bot TT-303
Zoom MS-100BT MultiStomp Pedal (Distortion, Reverb)

:-)"

"Machine Chords" Korg SQ1, Dreadbox Erebus & Rhythm Wolf jam

Published on Jan 8, 2017 Ludwig Kopp

- Analog sequence jam
- Raw unprocessed audio (erebus built-in delay only)
- Wolf cv-gate controlling sq1 and erebus LFO
- No computers here.

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Cool one shot sequences on the SQ-1. Be sure to wait for them.

'Pay No Attention To The Man Behind The Curtain' - ngarjuna

Published on Jan 8, 2017 ngarjuna

"Modular Jam 65 - 'Pay No Attention To The Man Behind The Curtain'
Produced by ngarjuna
© 2017 Acid Coast

Patch Notes:
Acid Voices
Abstrakt Instruments Avalon Saw baseline features
LFO is my finger
Oft burnt by Proco Rat

Bassline
Avalon Square mostly baseline features with some tracking

Drums
Arturia iSpark

Plucky West Coast Melody
Rene driving STO and Sputnik2
Sputnik2 FM'ing STO (lin) being SHAPE modulated by Woggle SMOOTH
VARI out to Optomix struck by GATE from Rene and enveloped by Maths
Stereo width bits are the same voice playing variant snake patterns panned hard right/left (some of those variant patterns are also just part of the 'main line' panned center)
Breakdowns using Audio Damage Replicant
Wacky delay hash via Audio Damage Dub Station and Cockos ReaDelay

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"All Analog 9" Rhythm Wolf Tom Cat EHX Crash Pad Volca

Published on Jan 8, 2017 Yence505

"'All analog 1-7' download at:
https://yence505.bandcamp.com/merch/y...

My first track with the EHX Crash Pad, sequenced by the beatstep.
Similar setup to All analog 8 as I really enjoy working with this setup. I hope you enjoy it as well."

Rheyne - Sequenced Jam #10

Published on Jan 8, 2017 Rheyne

"A 'sequenced jam' using only Moog and Make Noise synthesizers. Reverb is from a Strymon BigSky and TC Hall of Fame. Audio is straight from the mixer, and sync'd to the video."

DbMinor | Eurorack Ambient

Published on Jan 8, 2017 Björn Bommersheim

"The patch is based around the idea to go for chords and the use of the music thing radio (in my 'case' the klangbauköln version) as a yet simple sample/chord player. So i rendered four different 10min DbMinor chords (basically the chord plus three inversions) with ni absynth. For changing the samples/chords i used make noise pressure points which is quite fun and an useful approach.

The interesting stereo filter effect by the middle of the recording is the Mutable Instruments Rings into the Uoki Toki Dual Polivocs filter which somehow blew me away ...

Feel free to leave your thoughts or comments.

Here are some patch notes / modules i used:

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Yamaha CS-60: "The Beast Must Die" by Raymond Castile

Published on Jan 8, 2017 raycastile

"An eerie John Carpenter-inspired piece. The CS-60 is not the star this time. It plays a supporting role backing up the Yamaha Reface CP on the main melody. A more flamboyant use of the CS-60 are the jarring stingers that punctuate the piece. I haven't experimented much with the CS-60's noise generator, but it is capable of some powerful effects.

This piece has nothing to do with the Peter Cushing movie, 'The Beast Must Die.' I just thought it made a good title. I imagined something supernatural going on, probably in the woods, maybe witches meeting for a sabbath. But that seemed too passive. I thought the music sounded more urgent and dire, like a hunt, maybe the hunter becoming the hunted, tracking down some creature, maybe a werewolf. Maybe the stingers indicate the werewolf is picking off members of the hunting party. Maybe witches are involved somehow. Who knows.

The piece also has nothing to do with 'Pickman's Model,' even though I used the Night Gallery painting from that episode. I just thought it captured the mood of the piece."