MATRIXSYNTH

Tuesday, March 21, 2017

PPG PRK ROM Based Model Processor Keyboard

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"This is a very rare PPG PRK. It has not been used for many years and I have no way of testing if it is still working so you should assume it is not.

It is the ROM based model with classic samples from the Waveterm Library stored in ROM for fast loading and without the need for Waveterm.

'The PPG PRK was created for a number of reasons; firstly many PPG owners wanted to have velocity sensitivity when using their PPG synths - the PPG PRK offers this.
Also the 'closer-to-piano-feeling' was something that musicians wanted at this time - the PPG PRK offers this as well.

The PPG PRK also offered optional voice boards to be inserted into the unit.
This does not mean that the PPG PRK itself can create any sounds - but by inserting the optional sound cards you could send the information on these to the PPG Wave 2.2, PPG Wave 2.3 or PPG EVU.'

http://theppgs.com/prk.html"

U-he Repro-1 vs Pro-One


Published on Mar 21, 2017 Starsky Carr

Don't miss the under the hood section on the Repro-1 for custom tweaks at 26:02. Note the P5 modes.

"A look at the fabulous U-he Repro-1 alongside an original Sequential Circuits Pro-One.

The similarities are simply stunning. I take a look at the oscillators, followed by the filters then make a couple of useable sounds and add a sequence.

Finally I look at the more complex challenges for a soft synth - FM with oscillator sync.

I think you'll agree the Repro-1 is outstanding on all fronts.

I've also added a short overview of the Jaws wave shaper, which can totally transform the sound.

..plus a little Repro Yazoo thrown in for fun..

Basic Oscillators 1:30
Filters 10:30
Some Sounds 15:30
Sequencer 17:00
Frequency Modulation 19:20
Oscillator Sync 21:30
Repro-1 extra features 25:30
JAWS waveshaper 26:30"

Vintage Moog Ad/Spec Sheets


via the following auctions:

1978 Moog Polymoog Synthesizer

1980 Moog Taurus Pedal Synthesizer

1980 Moog Opus 3 Synthesizer

1978 MICROMOOG SYNTHESIZER

Electro / Club live performance 4 (microkorg, bass station, korg r3, performance pad pro)


Published on Mar 21, 2017 Mike C

Keys:
Korg Microkorg, Korg R3, Novation Bass Station 2

Drms:
Alesis Performance Pad Pro

Warsaw - Poland

The Pink Trombone - Online Speech Synthesizer Based on the Nasal and Oral Cavities.


Check it out here.

Be sure to play with the lip controls.

You are welcome.

MAM MB33 Retro Acid FM mods


Published on Mar 21, 2017 circuitbenders.co.uk

"MAM MB33 Retro with Acid FM mods: This video shows the filter FM mod modulating the filter cutoff at audio frequencies using the internal square and sawtooth VCO waveforms as FM sources. It also demonstrates the Filter Lock mod that holds the filter and VCA open with no envelope, the resonance boost, and the overdrive mod.
The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds."

Simple tune with the TTSH synthesizer (Arp 2600 clone)


Published on Mar 21, 2017 Datachrome

"Taking the freshly built TTSH for a test run. That thing sounds sweet!"

360 Systems Midi Bass Synth Module

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Known for that 'Seinfeld' this is a great vintage synth unit has 4 pre loaded sounds and is tested and works great! Excellent used condition with minor scuffs and scratches."

Cosmosf v4 Trailer & Features


Published on Mar 21, 2017 Sinan Bokesoy

"Welcome to Cosmosƒ v4. The soundtrack uses only Cosmosƒ v4 presets played along with DAW automation, a bit reverb and compression added. There is no midi performance but rendering the sound objects by Cosmosƒ directly."

Cosmosf v4 / v4S features

Published on Mar 21, 2017 Sinan Bokesoy

"a quick look to some of the new features in Cosmosƒ v4 and v4S"

MOOGFEST ANNOUNCES PROTEST STAGE PARTICIPANTS FOR FESTIVAL’S OPENING NIGHT


via moogfest

"Featuring Talib Kweli, Omar Souleyman, Mykki Blanco, BEARCAT, Pie Face Girls, MIT Open Doc Lab, NEW INC, Found Sound Nation, and Goldsmiths

The independent, annual, four-day festival will take place in
Durham, North Carolina from May 18-21, 2017.
This year marks its 11th iteration honoring the spirit of inventor Bob Moog.

$249 for 3-Day General Admission and $499 for 3-Day VIP

All prices exclusive of applicable fees.

March 21, 2017 - Moogfest will dedicate its main stage on opening night to exploring how creative technology tools and protest music can be used as instruments for change. This Protest stage will be led by local and international artists Talib Kweli, Omar Souleyman, Mykki Blanco, BEARCAT and Pie Face Girls, MIT Open Doc Lab, NEW INC, and app developers at Goldsmiths University. The diverse Protest stage program will include performances, talks, and participatory technology experiments. Moogfest invites all presenters and attendees to explore sonic resistance and emerging technology tools for counteraction while celebrating radical inclusivity and intersectionality. New technologies for educating, organizing, and art-making echo Moogfest’s rallying cry: Synthesize Love.

Protest comes in many forms, and no single genre can contain the musicians participating in Thursday’s program. Talib Kweli is a renowned recording artist, entrepreneur, and social activist who uses hip hop to educate, inspire and agitate. He is well known for his work combating racial stereotypes, the prison-industrial complex, and police brutality. Syrian artist-activist Omar Souleyman represents culturally diverse musical traditions that include Kurdish, Ashuris, Arabic, Turkish and Iraqi communities. Fearless noise rap poet and performance artist Mykki Blanco was raised in Raleigh, N.C., but has traveled the globe from art-world stomping grounds in New York to his current home in Los Angeles, spitting subversive rhymes on race and LGBT issues. British DJ/Producer BEARCAT makes politically-charged bass-heavy mixes and represents Discwoman, an esteemed collective showcasing cis women, trans women and genderqueer talent in electronic music. Raleigh-based band Pie Face Girls uses defiant punk music to promote a DIY ethos and attack issues like North Carolina’s HB2. Music is one of the oldest forms of protest, but each of these artists makes their causes urgent anew with the music and community they build.

Intermixed with the musical performances, technologists participating in the Moogfest Protest stage program will present recent and developing projects that empower and facilitate social action. Gan Golan and Ron Morrison of NEW INC present their countersurveillance armor for citizens, The Argus Project, a head-to-toe mobile suit embedded with cameras that allows the wearer and its audience of remote viewers to monitor and record environmental behaviour. Taeyoon Choi, also of NEW INC, presents a protest sign-making workshop, exploring signs as a poetic medium for social engagement in an inclusive space that promotes learning from people with differing views and priorities. Halsey Burgund of MIT Open Doc Lab and Joe Zobkiw present the Land Marking app, which captures the sounds of social movements around the world. During the festival, attendees are invited to contribute their voices or listen to the location-based mix of music and voices contributed by previous participants. Vivan Thi Tang, a postgraduate in the Graduate Entrepreneur program at Goldsmiths University in London, created a customized beta of her irlbb app for Moogfest 2017, that presents a unique opportunity for participants to connect with potential collaborators.

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