"This is a rack mounted synth who's digital polyphonic wavetable synth engine came straight out of the legendary PPG Wave 2.x, The Microwave II has tons of waves/wavetables for shaping all kinds of sounds, flexible resonant filters, a noise generator, a ring modulator, a programmable rhythmic arpeggiator, and effects! There are 10 voices."
Unfortunately no details on the mods aside from: "all mods do sothing extra, but i cannot name what exactly. probably, knobs are filter/resonance/FM/ external input, switch changes waveform and noise/ext in.. but, i can't say for sure."
You might remember this one from this previous post. Click through for another video and some nice pics.
"After a long time ... this is a short demonstration of the functions of the iVCS3 Controller. Nothing more nothing less.
No patch programming, no sound creation from the scratch. Only an overview of the Controller itself."
"Sequencing the Minitaur from the Octatrack and processing the Moog through the OT's effects. Parameter locks have been used on MIDI CC's to the Minitaur's VCF (Cutoff, Resonance & EG Amount).
Plus some samples from the Octatrack so it doesn't get too boring!"
"Here are some more pleasant sounds to follow up on the idea I originally had for the previous episode: sending the SUM output from Maths into the internal quantizer on Braids, to create an evolving stepped sequence.
Patch notes:
Braids is in 3 x Sine wave mode, and the internal AD envelope is applied to the VCA, to create separated notes whenever the pitch changes. The quantizer is set to pentatonic minor. Towards the end you'll see that I'm reducing the bit depth and sample rate as well.
Maths' functions (ch. 1 and 4) are cycling slowly, and ch. 3 is patched into the cycle rate of both to serve as a "master tempo control". The sum output is sent to Braids' V/Oct input, which means that the ch. 1 and 4 attenuators set the range of notes, and ch. 2 offsets that range by a set amount.
Additionally Maths' other outputs are used to modulate Braids' timbre and color, and Clouds' position, size, blend (feedback, in this case), texture and freeze.
Clouds is in the standard granular delay mode, providing an ambient "bed of sound", to harmonize with the notes from Braids.
"3xMIA coupled with 3xVCA are used for crossfading between sine and sawtooth waves of the same oscillator. This particular crossfade case can be used to mimic Low Pass filter behavior, which is then shown on an arp line."
