"Have Abstrakt Instruments Avalon Analog Bassline Synthesizer (Black/Blue) + 3 filter carts for sale.
Purchased from Perfect Circuit Audio (Abstrakt Instruments official distributor) in 2018. Used 3-4 times, not using much lately. Always had dust cover on at my home, never transported or used professionally.
Comes in original box and power supply."
It can be used both in standalone or hosted as AudioUnit AU3 inside apps like GarageBand, AUM, BeatMaker3, NanoStudio2, n-Track9 and others.
The solid ElliottGarage sequencing engine has been updated and expanded, and you can now create ultra precise trap rhythms, hip hop grooves, electronic beats, rock and acoustic drum tracks and more.
EG Pulse comes with several drumkits already includes and its sounbanks cover many different genres; moreover you can create your custom drumkit importing samples with simple drag & drop, and modify them inside the app with the sample editor (sample start, attack time, release time and sample length).
Each of the 16 pads can be also pitched and panned in the mixer section of the app and also reverb, delay and eq can be set individually.
Each pattern can be automated to obtain dynamic changes and with the probability mode you can create always new grooves adding randomization and human fell to them."
Full feature list:
- Standalone & AU3 Audio Unit
- Pads View, Grid View, Mixer, Automation View, FX View & Song View
- 64 step audio engine
- 1/8, 1/16, 1/32 & 1/64 quantization
- Samples Drag & drop from File App
- Fill & Autofill (every 2, 4, 8, 16 bars)
- Custom drumkit & user banks save
- Song view
- Pad Roll (with 1/8, 1/16, 1/32 & 1/64 quantization)
- Ableton Link
- Step recording into grid view
- Choke groups
- Mixer with Solo, Mute, Volume, Gain, Pan, Pitch
- Automation of Pitch, Volume and Pan for each pad and pattern dependant
- Probability to create unpredictable and random patterns
- Samples editor (Start offset, attack time, release time, length)
- Bank import/export
- Midi In with MIDI learn to control pads
- Midi Program Change to switch patterns
- FX (Reverb, Delay and EQ) for each pad
- Tap tempo & Swing
- More than 40 drumkits created by iOS Producers and Beat Makers"
"Channeling inspiration from the natural environment surrounding her home studio, sonic sorceress Lisa Bella Donna journeys into hidden dimensions, integrating Matriarch with other instruments in the Moog semi-modular family (DFAM, Mother-32, and a pair of Moog Grandmothers).
We’re excited to share that Matriarch production is in full swing here at the Moog Factory in Asheville, NC, and pre-ordered Matriarch instruments are already arriving at their new homes."
"Old and new, Roland SH 7 and the Reon Driftbox R. The Driftbox is distributed by Roland anyway. Both of these Synthesizers have very drifty none midi oscillators. The cross mod on the Driftbox is very different from that on the SH 7. In some ways these synthesizers are very similar, in other ways not. This is a drone of pure oscillator indulgence into the specular tempus hard right left channels."
Super happy to test the fantastic El Capistan dTape Echo by Strymon. El Capstan is a tape echo with a lot of functions/possibilities. It has a superb spring reverb and could easily do some sort of RE-201 works but with a better overall quality. It's tested on my lovely SE-02 by Studio Electronics and Roland and then it's tested on Arturia's rumbute Impact snares.
00:07 Tape Head FIXED
05:22 Tape Head MULTI
07:30 Tape Head SINGLE
08:20 Mode SOUND ON SOUND
10:39 The SECONDARY FUNCTIONS
15:27 Tests on Drumbrute's Snares
Published on Sep 9, 2019 Electra One MIDI Controller
"Electra One in full control of Studio Electronics Omega 8 and in hands of one of our early testers - Bohdan from http://www.bodyia.cz/. For more information visit https://www.electra.one/"
Roland CR-78 gets a credit in the title from Radiohead.
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Director: Paul Thomas Anderson
Recording produced and mixed by Nigel Godrich
Producers: Sara Murphy, Albert Chi, Erica Frauman
Editors: Leslie Jones, Andy Jurgensen
Recording Engineer: Sam Petts-Davies
Production Companies: Ghoulardi Film Company, m ss ng p eces
Gaffer: Michael Bauman
Key Grip: Tana Dubbe
Camera Operators: Ari Robbins, Brian Freesh
1st Assistant Camera: Josh Friz, Aaron Tichenor
Loader: Drey Singer
Electric: Kuba Bojsza, Peter Rybchenkov, Paul Theodoroff
Grips: James Coffin, John Mang, Michael Koepke, Nicholas Deane
Radiohead Tech: Peter Clements
UPM: Kat Barnette
Telecine Colorist: Gregg Garvin
Crew: Austin Feinstein, Emily Ajar
Panavision Cameras: Lori Killiam, Dan Sasaki
Kodak Film: Anne Hubbell
Chapman / Leonard: Dan Issa
Fotokem: Andrew Oran
Modern VideoFilm: Dave Weathers, Wendy Canto
Filmed on location in Tarzana, California
August 3, 2016
"Some great news from Black Corporation, we have just released a firmware update for KIJIMI to REV1.1.0. This update expands the overall filter range of Kijimi and takes modulation capabilities even further to allow for even more exciting directions to control modulation destinations.
Release Notes:
Individual attenuation of modulation amount in the mod matrix option selectable in the menu. (AMOUNT MODE -> INDIVIDUAL). To use, press lit mod matrix selector button and turn AMOUNT knob to attenuate to each individual destination. This allows the user to control modulations with increased detail.
LFO can now be synced to MIDI. (MENU -> LFO -> LFO1/2 -> SYNC)
Dividers and multiplayers are set by the LFO RATE knobs rate pots which range: 1/32, 1/24, 1/16, 1/12, 1/8, 1/6, 1/4, 1/3, 1/2, 1, 1.5, 2, 3, 4, 6, 8. This is only in MONO LFO mode and when AD Destinations are set to amplitude.
