MATRIXSYNTH

Jomox XBASE 999 Analog Drum Synthesizer / Drum Machine

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Teisco SX210 Synthesizer SN T-7222

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Circuit Bent Casio SA-2 // Full Overview // Gleix devices

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George Gleixner

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"A classic for circuit bending. First SA-2 I've picked up in a few years.

- Hard on/off switch
- 1/8” audio output jack
- Internal speaker on/off
- Squealing feedback/distortion knob with on/off
- Squealing feedback/distortion optic theremin with on/off
- CV input for feedback/distortion (not pictured above, added after photos - check the demo video)
- Glitch button, variation knob
- Noisy tonal distortion on/off
- Kick, Hi-Hat, Snare trigger buttons
- CV/Gate trigger inputs for kick, snare, hi-hat
- Two blue LEDs, lightly pulse to the audio
- Switch to enable access to 100 casio tones (only 44 available with stock buttons)

0:00 - Intro
0:35 - Basic features
1:10 - Feedback/distortion knob, optic-theremin
2:30 - Drum triggers
2:45 - Glitch trigger
3:50 - Additional buzzy distortion
4:15 - Hidden features switch
5:35 - CV/Gate integration
7:11 - Outro"

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Kawai Sound Card RAM DC-32

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First one to be featured on the site.

Sequential Circuits Pro One SN 2373

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"Great condition Sequential Circuits Pro-One.

Recently service where it was calibrated/tuned, all new bushings were put in, and the transformer secondary was isolated from the chassis ground to eliminate the 60 cycle hum."

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Roland Gr-700, gr-707 guitar synthesizer system c 1980s

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"Vintage c 1980s Roland gr700/ gr707 analog guitar synthesizer system, complete with, cabling, and user manual!

This unit is in superb functional condition, and has just been serviced. All voices are 100%, and It’s ready for another 35 years of radness. It is in just lovely shape, and has clearly been babied over the years, case and all.

The guitar is quite a lovely player of its own accord; the humbuckers are fat and gritty, neck arrow straight and true, action perfectly low, and she holds great tune, even with vigorous dive-bombing. (You will be dive bombing). She looks rad enough on stage to sling w/o the synth ;)

The synth of course, is pure WOW. Build around the same basic 2 vco/ voice architecture as the Jx3p/ Juno 60, it’s a truly powerful and versatile analog synth. The synth module can also function as an awesome, and super weird expander module, especially, with a pg200.

She’s just a peach, and I haven’t seen her better. Perfect for the Studio, pro player or synth nerd for whom the real sound of the real thing really matters. Enjoy!"

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Elektron Introduces a New Look for the Analog Four & Analog Rytm MKII

Analog Four & Analog Rytm MKII. Transformed.

Elektron

"Introducing the new-look Analog Four MKII and Analog Rytm MKII. Refined. Rewrought. Reborn.

Both machines have been updated with an eye-catching new aesthetic, giving the sturdy enclosure a sleek black finish and a fresh back-lit color palette to complement the user interface. In addition to the machine makeover, the factory content has been updated with some exceptional new slices to get you started.

New look. New lights. New music."

Glamor shots:

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Gabe Miller Music: The Cheapest Drum Machine I Could Find (making a song)

"In which I make electronic music with the Stylophone Beatbox, the cheapest 'drum machine' I could possibly find, resulting in large amounts of jank and a mild existential crisis."

QUEEN OF PENTACLES: analog and digital voices walkthrough

TheEndorphines

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"Our new 7 voice hybrid drum machine features 3 analog drum voices modelled after the iconic 909 drum machine.
The analog voices are Kick / Snare / Clap.
Kick can be controlled by 3 parameters: Tune / Pitch envelope amount / distortion.
Snare and Clap share one parameter called Decay, which sets the length of the sound. Additionally Snare has a dedicated tune pot and Clap has a dedicated tone pot. All 3 voices are also controlled by a Spoiler control (sample rate reducer) that affects the noise signal applied to each voice making everything sound more crunchy.

Additionally, module features 4 sample-based voices, with a total of 8 banks of 4 samples each created by Nicolas Bougaieff. You can control these samples by pressing the mode/bank button and tweaking the 4 dedicated knobs, switching between pitch and amp decay controls. Long pressing the bank button/mode will switch the sample bank. Additionally, the positions of the 8 parameters (pitch and amp decay) are stored once you switch the bank, making it easier to set up and recall kits. You can additionally load your own samples into it to create your own custom kits!"