Tuesday, April 26, 2022
April 26, 2022
video upload by John L Rice
Manikin Schrittmacher sequencer on the top left. Vermona Perfourmer & Mellotron Micro featured in this one. You can find additional John L Rice Mellotron posts here.
Update: YT description added:
"Realtime test after recently reconfiguring my custom pedalboard patch bay. Recorded on my iPad with no edits. Besides the Mellotron Micro Keyboard, the case is a modified MXC-008-10 mixer case from Audiopile.net and contains the following:
Left side:
Manikin Electronic Schrittmacher sequencer
Vermona PERfourMER MKII quad synth
Right side:
Mackie 802-VLZ3 mixer and power supply
Keeley Electronics Fuzz Master pedal
Electro Harmonix Mel9 pedal (mellotron emulator)
Dunlop/MXR Octave Fuzz pedal
Mooer Ocean Machine pedal (reverb, delays, looper)
TC Electronic T3 pedal (modulated reverbs)
Strymon Engineering Zuma R300 power supply (for pedals)
Custom patch bay for pedals and mixer
The patch bay has Canare GS-4 cables soldered directly to the jacks with the other ends terminated with Squareplug SP400 Low Profile Flat TS plugs that connect to the pedals. The patch bay jacks are all normal'd together right to left, and by using patch cables I can easily reconfigure how the pedals are interconnected. The normal connections are:
Mixer EFX send - Fuzz Master - Mel9 - Octave Fuzz - Ocean Machine - T3 - mixer EFX returns*
but in this video I used the mixer insert for the channel the Mellotron is plugged into to connect to the Fuzz Master - T3 and then the rest is configured as:
Mixer EFX send - Mel9 - Octave Fuzz - Ocean Machine - mixer EFX returns*
*the jacks connected to the stereo mixer returns have a second set of cables that go to mixer input 7/8 and by turning up the Aux send for the channel I can create feedback."
LABELS/MORE:
EHX,
Keeley Electronics,
Manikin,
MATRIXSYNTH Members,
Mellotron,
Mooer,
MXR,
strymon,
TC Electronic,
Updates,
Vermona
First experiment with the Twisted Electrons BlastBeats
video upload by Richard Devine
"BlastBeats is a 10 voice groove box offering 6 drum voices and 4 synth instruments."
Roland JUNO-X Demo & Review
video upload by musictrackjp
You can find additional demos and details on the new Roland Juno-x here.
Moog Minimoog Voyager Old School
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via Three Wave Music Reverb
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via Three Wave Music Reverb
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Casio CZ-1000 49-Key Synthesizer
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via Switched On Reverb
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via Switched On Reverb
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Roland SH-101 32-Key Monophonic Synthesizer
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via Switched On Reverb
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"This vintage SH-101 is fully functional, recently serviced, & in good condition. Does not include a power supply."
via Switched On Reverb
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"This vintage SH-101 is fully functional, recently serviced, & in good condition. Does not include a power supply."
Roland MC-202 MicroComposer w/ Original Box
Kawai K5000R Rack Synthesizer + K5000 Macro Control SN 607459
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via this auction
"The K5000 was Kawai's top of the line music workstation digital synthesizer when it was released back in 1996. It's a bold and elegantly designed synth with a large LCD display, real-time controls and incredible sounds!
Programming sounds with the K5000 can be a breeze (once you learn how) although it has over 1,000 parameters per patch! That's plenty to play with. It combines additive synthesis and PCM sampled waveforms for you to layer and combine to design a whole range of sounds. Plenty of LFO modulation, filters and envelope controls allow you to shape and morph your sounds further. On-board multi-effects add the final touch of life to your sounds
In 1997 a rack-module version of the K5000 was released. The rack version shipped with Kawai's more stable OS 3.0 software. The latest is 4.03 and is free to upgrade via download from Kawai. The rack offers all the same power and flexibility as its keyboard counterparts. To get a more hands-on-knobs control of the K5000, we've included the Macro Control with this unit as well."
via this auction

Programming sounds with the K5000 can be a breeze (once you learn how) although it has over 1,000 parameters per patch! That's plenty to play with. It combines additive synthesis and PCM sampled waveforms for you to layer and combine to design a whole range of sounds. Plenty of LFO modulation, filters and envelope controls allow you to shape and morph your sounds further. On-board multi-effects add the final touch of life to your sounds
In 1997 a rack-module version of the K5000 was released. The rack version shipped with Kawai's more stable OS 3.0 software. The latest is 4.03 and is free to upgrade via download from Kawai. The rack offers all the same power and flexibility as its keyboard counterparts. To get a more hands-on-knobs control of the K5000, we've included the Macro Control with this unit as well."
OB Damned: OB-6, Modular with G-Storm Electro XaVCF, JUNO-6, JX-3P, TR-6S, PRO 2 (80's jam in C maj)
video upload by thesrabbit
"With all the excitement generated by the new Oberheim teasers, I thought it might be fun to do a jam with some classic Oberheim sounds. But really, this is really just an excuse to use this ridiculously complex Eurorack / Pro 2 patch that I made. It's a 4-note paraphonic patch, with each VCO in the rack being modulated by a sine wave from the Pro 2 (each individual Pro 2 oscillator is sent out of CV Ports 1-4). I'm also running the VCO outputs back into the Pro 2's CV inputs to modulate each oscillator's frequency and get true cross mod. Then I've got 8 VCO outputs (4 sawtooth and 4 square wave) going into the G-Storm Electro XaVCF, an OB-Xa filter clone, which is in LP 2-pole mode. With all that signal going into it, it produces a heavily overdriven sound, even without the resonance cranked. None of the sound is coming from the Pro 2 as it just acts as a modulation source. Classic 80's Oberheim sounds are coming from the OB-6, obviously. On bass is the Roland JUNO-6, and the JX-3P gets pad duty. Everything gets a heavy dose of Audiothingies Doctor A delay and reverb, except for the drums, which run through the MIDIVERB II for that nostalgic 80's gated reverb (preset 31, if you're wondering).
I didn't rehearse this jam, just programmed a couple drum parts and went for it, staying in the key of C major the entire time, because the black keys are too hard to find in a jam for someone with my sub-par abilities. Also, having to use the octave keys on the OB-6 would throw another wrench in that I just can't really manage to deal with in a live situation. It's a shame, because the Eurorack patch sounds badass in F, hitting the bottom key on the Pro 2's keyboard. So if I had changed it up, it would have been going down to F and then coming back to C. Too advanced, I know.
Gear Summary
Modular: Eowave Titan Discrete Oscillators (x2), Roland System-500 512 Dual VCO, 530 Dual VCA, 540 Dual Env/LFO, 555 LAG/S&H, G-Storm Electro XaVCF and Spring Tank Reverb driver, modulated by the DSI/Sequential Pro 2 Synths: Sequential/Oberheim OB-6, Roland JUNO-6 and JX-3P
Drums: Roland TR-6S
Effects: Audiothingies Doctor A, Alesis MIDIVERB II"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH