"Here we have an ARP Solus - model 2353 (USA/1978). Its been professionally serviced, as all Klassic Keys GB synthesizers are, and now works 100% ....condition is absolutely "as good as it gets...", runs at 120 Vac. There is one small scratch on panel (see photo). Keys are in excellent condition. This is a good-looking synthesizer, in attractive orange livery a la genuine ARP products (USA). Its well protected as it is in a proper case, with removable lid; very unusual for ARP synths!
A truly undervalued synth from the last days of the ARP empire. It has an edgy, aggressive sound that can tear your head off and is especially useful for creating stinging lead lines, monstrous bass drones, otherworldly effects, and industrial-strength kling klang sounds reminiscent of Kraftwerk. Though many note its similarity to the Odyssey, its digital ring modulator, reverse envelope, variable waveform selection, and easily accessible CV patch bay really put the Solus more in 2600 territory. A little known fact: Edgar Froese of Tangerine Dream used the Solus on the group's 1981 album Thief and during live performances in Berlin and London."
"These look to possibly be original Minimoog Model D Vintage Expander Mounts or a possibly a vintage DIY build? However, the mdf looks of the likes on some of the R.A. Moog stuff - not sure but definitely very cool. They are intended to hold a sample-hold controller off the top of a Model D and do the job well."
"Another Patch tip for your audio effecting needs is called AUTOWAH. Thank to build in envelope follower you can automate different functions on your SPII with the incoming audio."
"What's up everybody? Welcome to Midiverse - TV! In this video various MOD-squad community members share a clock signal throughout several modular synthesizer systems for an improvisational jam.
The next event - MOD-squad Vol. 6 - Saturday October 15th, 2022
More info at: https://mod-squad.net"
"Recording a track, 'Seq', to try out obscure MIDI sequencer Sweet Sixteen some more. I'm really digging the Atari ST running a MIDI sequencer + Akai S1000 sampler combo, it's very much like when I used to use trackers in the '90s..."
"If you're a desktop artist looking for a way of hooking up your mixer, effects, synths and modules for fast and flexible turnaround you should check out this desktop audio patchbay called the MINIBAY.
In the case of normalling/half-normalling as I mention in the video, I'd like to clarify that the DIP-switches makes it possible to individually normal the connections between the patch points in row A and row B. Half-normalling is not possible.
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4” stereo sockets to connect with external gear and 1/8” mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.
Dimensions: 234 mm x 140 mm x 40 mm (not including sockets and feet)
Intuitive
While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.
Reach up to the effects; reach down to the mixer.
Convenient
MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.
Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)
Rows A and B
For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.
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FX Rows
Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).