"What you see is an upgraded Clock and Scale Scanner
The latest Euclidean Engine with unique Distro control to squeeze those events together
A completely new 1 control Klee section with output Matrix
Delays, when activated generates Strum and Delay effects through up to 4 Note Outputs...
Hiding under the hood are a couple of Shift Registers + Matrices
As always:
UPGRADES ARE FREE
If you already bought any version of Adlais it will be in your User Area
If you haven't already registered, lease register here and all your devices will magically appear...
If not you can purchase here for only £12"
"Demo and review of NATIVE INSTRUMENTS GUITAR RIG 6 together with NORD ELECTRO 6 keyboard. We'll test how useful the amp and cabinet simulations for electric piano, RHODES, WURLITZER and HAMMOND ORGAN."
"ADDAC712 by ADDAC System is a dual channel discrete gain staging amplifier, based on a famous discrete preamp board from the 70’s used in some legendary equipment!
0:00 Intro
0:15 Gain and output knobs
0:20 Bypass switches
0:29 Using it together with ADDAC711
0:36 Adding character to a clean guitar sound
1:18 Max. Gain trimmers"
ADDAC712 is a dual channel discrete gain staging ampli- fier, based on a famous discrete preamp board from the 70’s used in some legendary equipment. What caught our attention was the character of it’s clipping and resulting saturation/distortion.
The module can be used with modular signals to add a distortion/fuzz character or as a preamp for an external source such as a line source, keyboard, guitar... It’s also a great side companion for our ADDAC711 Balanced Inputs.
At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).
The ammount of amplification is set by the [GAIN] control, the maximum ammount of amplification can be set by the user using the [MAX GAIN] trimmer.
Up to ±5.5v the incoming signal will keep it’s integrity, beyond this point saturation will start to increase. At aprox. ±6v a hard clipping will start to occur, this clipping also has a particular quality that at extreme levels it drifts the audio 0v bias reference, moving it upwards which results are similar to a Gate effect.
In the middle, an x2 opamp based output gain stage with a clipping led, which monitors the clipping at the output, and an [OUTPUT] control to set the output volume.
Having the top and middle gain stages provides flexibili- ty allowing the user to completelly distort the signal on the top stage and tame it’s output level with the second stage.
At the bottom, Input and Output for both channels (Left input is normalled into Right input).
This module will also be available as a full DIY kit.
"Fully calibrated with custom modifications: a white noise source normalled into the preamp input like the 208c, improved AM Mode for more clarity, and a buffered output on the 218 keyboard so it can control multiple modules without voltage droops. Fit into a vintage case with removable lid."
"This is a short demonstration of the hi-hat modul of my EOS drum synthesizer. It houses real DCO based oscillators and digitally controlled resonant filters."
"I've been sent the Waldorf M to try out for a few weeks and thought I'd do a little Review, more of an overview really and some Sound Design, showing how the different sections work together in practice when making a Patch.
I've used 2 FX Plug-Ins as there are none built in, however they are just simple Chorus & Delay/Verb. It's a cool Synth, very good build quality and has lots of features to play with, especially the the Digital Filters and the Envelopes.
I didn't cover everything as I ran out of time, however I've covered quite a lot and anything that i haven't, well, there are other Videos out there which have."
