Mutable Instruments Shruthi Hybrid Monosynth (SMR4 mkII filter)

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That's one tall case.

"DIY Shruthi built a few years ago with the SMR4 mkII filter board. Includes custom panels and case (PCB top panel, aluminum bottom panel, 3D-printed case). Includes power supply."

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Moog Taurus II Bass Synthesizer with Pedals

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"Moog Taurus II. You know it, you love it. It's a Moog Rogue with an expansive, easy organ-pedal-style foot controller. Floyd, Rush, Yes, Genesis...Super deep thick bass or space jams as you wish. I just saw Brett Netson play one of these with Earth the other month.

The pictures show you the whole deal. Works great, all cabling, newish proper power supply. Pedals all work, electronics all work. No stand, but it's just a pipe and easily replaceable...personally I did not need or want the stand; I just put the synth module on top of an amp.

You can buy Rick Wakeman's elsewhere online for $8k or pay much less for mine! Local pickup in Chicago is fine, no fee for that, will meet up if you can get reasonably close."

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Roland V-Synth XT SN ZT81372

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Roland EM-101 Sound Plus Vintage Analog Sound Module

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Pic of the inside below.

You can find a few demos in previous posts here.

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CASIO VL-TONE VL-1 SN 1G109A w/ Song Book & Manual

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Moog Minimoog through the EXH Lizard Queen (Part 2)

video upload by thesynthsofgus

"More Minimoog through an octave fuzz pedal ✌🏽❤️"

Part 1 here

Moog Subsequent 37 - Analog Beast [SOUNDSET] • Custom Presets

video upload by Mr. Card

"My private collection of favourite sounds dedicated to Moog Subsequent 37 (Arp, Bass, Keys, Lead). I've always loved analog sounds. Moog Subsequent 37 is a true Analog Beast. I love this synth for its functionality and fat sound. With this soundset, you can take your instrument to the next level. The soundset complements my few presets for the free genius Valhalla Supermassive reverb. Check out my soundset: https://bit.ly/moog37analog"

DX5 performing Propaganda "Duel" (updated cover)

video upload by DX5

"Updating a cover I had recorded 14! years ago. Gear used:
Roland JP8000
Kurzweil PC1x
Roland JX-8P
Emu Emax, containing Oberheim (library) and DX7 (mine) samples.
Backtrack previously recorded, instrument by instrument, by me on Pro Tools with Reason rewired (drums). Emu Emax (Bass) and Yamaha DX7 (plucked and bright sounds) massively used on it.
Composed by Claudia Brucken/Ralf Dörper/Susanne Freytag/Michael Mertens.
Performed here by DX5 Jose Maria Bara."

Monome Norns Shield - Moving Bars

video upload by TheTrackdriver

"Playing with my Monome Norns Shield and the Barcode script. The sounds comes from a Waldorf Blofeld and all is running through a Strymon Nightsky."

Make Noise & Mood

video upload by Aleatoric Machine

"An ambient-ish eurorack modular synthesizer patch (with pedals!), featuring:
Make Noise 0-Control, XPO, QPAS, Mimeophon, Maths, modDemix, LxD & XOH
DivKid/Instruo øchd
Strymon AA.1
Chase Bliss MOOD mkII & Dark World

All of the sounds in this patch originate from a single VCO — the XPO — sequenced by the 0-Control. The percussive voice is the stereo square wave output into into the QPAS, then the Mimeophon. The filter envelope comes from the envelope output on the 0-Control. The gate output for the last step in the sequence on the 0-Control strikes the !!¡¡ input on the QPAS. The XPO and QPAS are modulated by different LFOs from the øchd. The smooth voice is the mono sawtooth output into the the 12 dB filter of the LxD, then the LxD’s 6dB filter, then the AA.1 to interface with the MOOD and Dark World pedals. The 12dB filter envelope comes from Maths, triggered by the gate output from the 0-Control. The 6dB filter is controlled manually with an offset from Maths. Both voices go through the XOH directly into my camera (listening to the final mix, it could have used a limiter, but oh well).

I start with the MOOD 100% dry and the 6dB LxD filter completely closed, so all you hear is the square wave and delay from the Mimeophon. I slowly open up the 6dB LxD filter and increase the amplitude of the filter envelope on the QPAS. Then I bring in the wet channel of the MOOD in reverse slip mode, tuned up a fifth, which introduces some harmony and counterpoint. I play around with the MOOD mix and the filters for a while, then turn up the clock on the MOOD before bringing in the loop channel, also in reverse, for more harmony and polymeter. Then I start bringing the filters back down, while increasing the mix of the MOOD. I turn the clock back down and turn the filters down and the mix all the way up until all you hear is the backward loop from the MOOD. That’s it!"