Wednesday, November 01, 2023
Knobcon 23:Circuit Happy Missing Link Junior
video upload by sonicstate
"Back at KnobCon 2023, (yeah we know its been a while - lets just say there was data recovery in play) Ed Guild from Circuit Happy unveiled their latest innovation, the Missing Link Junior.
The Missing Link Junior is the successor to the original Missing Link Desktop, which faced challenges in production due to parts shortages and manufacturing issues. To overcome these hurdles, Ed went back to the drawing board and completely rebuilt the device, leveraging the hardware platform of their previous product, ML2. The result is a clock generator with enhanced robustness, addressing previous jitter issues.
This new hardware promises a seamless clock output, ensuring precision in synchronization for music production. The Missing Link Junior features Ableton Link integration, allowing it to synchronize with other devices over Wi-Fi, even if they are not running Ableton Live, making it an essential tool for any musician looking to maintain tempo and timing consistency during performances. The device also boasts a handy safety feature that allows users to reset synced devices in case they fall out of sync. With a proper MIDI port and analog sync outputs, the Missing Link Junior offers a more modular-centric option for those looking to expand their music setup.
The product is expected to hit the shelves in two to three weeks, with a price tag of $240 USD, while the previous model, ML2, is priced at $215 USD.
For more information on the Missing Link Junior and Circuit Happy's range of music production tools, visit their website at Circuit Happy."
FLUORINE - GENERATIVE RECURSIVE BYTEBEATS - Preview
video upload by SPHERICAL SOUND SOCIETY
FLUORINE UNEDITED PERCUSSIVE JAM DEMO



"Fluorine is portable synthesizer that is powered via USB C type cable and therefore can be powered via a Power Bank. It´s a high definition modern take on a classic 8 bit synthesis called Bytebeat and discovered in 2011 by the encomiable Viznut but brought to the future with a lot of new features.
It runs it in various selectable Bitdepths, not just the classic 8 bits. The higher the Bitdepth, the softer, rounder and higher definition the sound becomes it.
Fluorine also features 2 new ways to calculate the the classic mono Bytebeat synthesis in native stereo that sounds rich, wide and tridimensional.
The sound engine currently has 2 modes. LIQUID and SOLID. It affetcs the character of the output.
Another bit that it adds to the classic bytebeat synthesis is the addition of modular and stackable algorithms that process the mathematics under the hood and a recursive Mode that cycles between this algorithms and that turns it all into a new whole synthesis technique, now called "Recursive HD Bytebeats", that altogeher with the stereo modes and Bitdepth features turns this machine, the Fluorine, in probably most advanced way to explore Bytebeat synthesis as in november of 2023.
Fluorine comes in 3 flavors:
-As a fully assembled unit
-As a full kit that the user has to build
-As a PCB + Programmed microcontroller for advanced builders. The user has to source the rest of the components and build the synth.
There´s a user guide that explains every function, knob and button that you can download here.
https://github.com/spherical-sound-so...
You can order it in my etsy store
https://www.etsy.com/es/listing/16013..."
The spider and the wasp and the 606
video upload by Michigan Synth Works
"Spider sequencing Wasp through Hypnosis clocked by trigger out of 606"
Buchla Easel Command 208C - In the Loop
video upload by TheTrackdriver
"Playing with the looper on the Strymon Volante delay pedal. I'm using the Akai LPD8 as a keyboard which is connected to the Buchla Easel Command 208C. The Easel and the Gakken Toy Record Maker go into a Behringer Xenyx 1002FX mixer which main output goes through the Volante. The audio chain ends with the Strymon Nightsky pedal. I had recorded a sustained chord from a Waldorf Blofeld onto the vinyl before this session."
Buchla Touché (1980) – Hybrid Analog Keyboard Instrument
The following was sent in by Anastasia Chernysheva, a Ph.D. student at University of Illinois Urbana-Champaign.
"In 1979, Donald Buchla invited experimental composer and his friend, David Rosenboom to collaborate on the design of a new, keyboard instrument with digital sound generation and hybrid, computer-controlled, analog outputs. The result was the Touché, released in the spring of 1980.
Among particular traits of the instrument are:
• flexibility in use – highly programmable, (64 programmable function parameters available), Touché offers a library of “instrument” structures that could be stored as “presets”;
• responsiveness – a user of Touché would enjoy a broad ability to program multiple stimuli and response structures in performance;
• non-linear waveshaping – Touché permits to produce an enormous range of sound with efficient means of control, i.e. using a small number of knobs
The guiding idea of the instrument design was to optimize it for live performance. The hybrid, digital-analog nature of Touché assumes the following.
• On the digital side: a sound-generating engine produced a wide range of timbre of sound possibilities with non-linear wave shaping techniques.
• On the analog side: a programmable analog circuit called Multiple Arbitrary Function Generator (MARF) enabled extensive control of all sound synthesis parameters.
Rosenboom’s recordings Future Travel (1981) and Daytime Viewing (1983) offer extensive exposure to some particular sound worlds created with the Touché. Other than being used for these recordings and in the recent release by Richard Smith a.k.a. Shusta Cults, (the current owner of Rosenboom’s Touché), the instrument barely may be heard in any other recording. Only 4 instruments exist today but just one of them is in the functional condition.
To learn more about the history and design of the instrument check out the lecture about Buchla Touché given at University of Illinois (2022). Technical parameters of the instrument may be found in the brochure for the instrument. Download the PDF here."
Circuits and Fingers – Composer-Performer Convergence in Electronic Instrument Designs, Oct 5th
video upload by Illinois Music
"Guest lecture at EMS Forum: Circuits and Fingers – Composer-Performer Convergence in Electronic Instrument Designs, Oct 5th
With the director of Experimental Music Studios – Eli Fieldsteel.
Learn more: https://davidrosenboom.com/miller-res..."
Also see Brainwave Music with Buchla 200 at Western Front.
LOOPA explained (DIY synthesizer)
video upload by ferluht
"overview of my diy open source synthesizer based on raspberry pi zero
0:00 - intro
0:38 - instruments
1:38 - scales
2:10 - making a loop
2:26 - bass
3:10 - drums
3:22 - guitar
3:43 - effects
4:30 - synth
5:10 - outro
github - https://github.com/ferluht/loopa"
LOOPA first demo
video upload by ferluht
"recent year I've been lazily developing a portable synth+sampler+looper
now it is:
- 4 loopers
- send/return fx
- ∞ instruments
- usb midi in
- line in / line out
- mic
- 12 touch pads
- 128x32 oled
- 5h battery
- wifi file sync
going to make it open source here
https://github.com/ferluht/loopa"
Giorgio Sancristoforo's No-Fi Virtual Cassette Tape Loop Studio for Mac Released - Windows Coming
Presentation and Tutorial video upload by Giorgio Sancristoforo
"No-Fi is a cassette tape loop studio sim made to revolutionize your creativity with warm lo-fi sound and striking simplicity!
No-Fi is not a plugin and no other software is needed, it’s standalone:
Plug your instruments, record and mix, just like the real hardware.
You have one mixer, five cassette/loop recorders, one handy reverb and one delay. That’s it!
No-Fi carefully simulates the peculiar nostalgic vintage sound of cassette loops with all the warmth of tape saturation, noises and playback irregularities that characterize the sound of true lo-fi loops.
Choose between Ferric, Chrome and Ferrochrome tapes, add background hiss, tape age and saturation, then control azimuth errors, wow, flutter, tape catch and speed to recreate an authentic lo-fi experience.
Available at giorgiosancristoforo.net
(Windows version out in December 2023)"
"No-Fi is a tape loop studio software made to revolutionize your creativity with warm lo-fi sound and striking simplicity!
No-Fi is not a plugin and no other software is needed, it’s standalone:
Simplicity here is paramount.
Plug-in, record and mix, just like the real hardware.
You have one mixer, five cassette recorders, one handy reverb and one delay. That’s it!
No-Fi carefully simulates the peculiar nostalgic vintage sound of cassette loops with all the warmth of tape saturation, noises and playback irregularities that characterize the sound of true lo-fi loops. Choose between Ferric, Chrome and Ferrochrome tapes, add background hiss, tape age and saturation, then control azimuth errors, wow, flutter, tape catch and speed to recreate an authentic lo-fi experience.
The input channels can be used with synthesizers, guitars, bass, microphones, electroacoustic instruments etc. and can load a VST/AU plugin such as a guitar amp. Alternatively you can load a virtual VST instrument and play it with your midi keyboard! The cassette tape loops can record up to 1 hour of sound each, or if you want you can import your own loops from your computer.
Tape your loops and hear the magic!
And it’s not just five tape recorders, it works as a loop station! Plug in a midi switch controller and use it as a digital looper, with an analog heart."
https://www.giorgiosancristoforo.net
Free Custom Case for Sonicware Lofi-12 XT Kickstarter Backers
via Sonicware
"With just 5 days left in the campaign, here's a special update: Every backer of our Lofi-12 XT Kickstarter campaign will now receive a FREE exclusive case as a token of our gratitude. (Our online-shop price for this case will be $79.)"
You can find the Lofi-12 XT Kickstarter campaign here.
Mehr Music Machines - Poodleface
video upload by NOISEBUG
"The Poodleface is an awesome gritty analog 3-in-one filter, distortion, sample and hold module from Mehr Music machines.
https://www.noisebug.net/collections/...
The overdrive is a fully analog discrete system Berdo’s circuit that can print interesting results on even the softest of signals. Alternatively this 2-in/2-out section can be used as a dirty feedback tool resulting in chaotic sub octaves, a 2-ch mixer; or send DC into one of the inputs for biasing, resulting in VCA-like functionality.
The filter is a classic OTA style resonant VCF with a hi-pass and low-pass toggle. With very little resonance this filter will sing on its own. With full resonance and no signal patched in, the self oscillating filter is capable of clocking the neighboring sample and hold section for expanded range of audio rate triggering.
The sample and hold section is straight forward. Designed to add motion to the filter section or used individually as a sample rate reduction effect.
There are many great features here, self-patching encouraged. Definitely recommend for those looking to add a bit of non-linear sonic excitement to their patching."
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH













© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH