"Playing LM1 patterns on Luma-1 live, no post processing. Yamaha DMP11 used as the FX for delay and Gated Verb.
Luma-1 is an authentic recreation of the iconic LM-1, originally designed by Roger Linn in 1979 and now brought back by Joe Britt. Fully recreating the original design of the LM-1, it utilizes the same audio path (with vintage DACs and filters), runs the unmodified LM-1 software, and adds a secondary modern processor for adding highly desirable features like loadable sounds, USB connectivity, MIDI and more."
Crunchy distorted and FM-tweaked loud drums, etc. mixed with pretty yet sad pads and leads…
***Oops, I just remembered I had an ARP section that wasn't even finished or implemented - I may add it and do a rev 2 version later. :-) The partial ARP version was muted the whole time.
Making stuff last-minute and in a rush is always risky. :-P"
"https://akihiko-matsumoto.gumroad.com...
LR stereo independent complex monophonic synthesizer, inspired by the modular synthesizers Verbos, Buchla, and Make Noise."
"Immensely powerful yet easy to use and understand. It is also very flexible and I consider it to be a mini Event Generation Workstation. Bring a bit of East Coast exponential envelopes (and whole bunch more madness) your 200 system.
00:00 Off we go! 00:01 Basic walkthrough of layout 01:14 TWO ADSRs but the right side has more features 02:47 Explaining “BOTH” and “INV BOTH” outputs. 03:56 Patching in the 251e sequencer and kicking things off. 04:30 Note the exponential curves and why not linear 05:36 Repeats 06:08 Repeats wait until the end of a gate’s sustain 06:59 End of all Events pulse output 09:43 INVERTED output patched to filter 10:58 Trigger Delay 12:25 Randomized Trigger Delay Times 13:15 Randomized Trigger Delay with Repeats (Behavior) 14:55 Fixed Delay with repeats 15:15 Both Outputs Cascaded Looping 16:56 attenuate 17:58 Cascaded Looping gives you full envelope settings and programmed rules on each side 19:19 Individual envelope looping via shorting bar 19:54 super quick AD envelopes! 20:34 Looping the right side with trigger delays and repeats 21:24 Recap of hDI features 23:00 Fini, Finished, Fertig"
"Please support my work on Patreon: https://www.patreon.com/jayhosking
A live, semi-improvised synthesizer jam performed entirely on hardware.
I'm lucky enough to have access to a new studio space, and am now in the process of moving over there. That means the days and nights have been long. One evening I was casually noodling on the Take 5 and came up with a patch and arpeggio I liked, but didn't feel I had time and capacity to do a full sequence and arrangement with other devices.
That's where the Midicake ARP comes in to save the day. Rather than sequence anything, I simply sent my MIDI data out of the Take 5 and into the ARP. The ARP then recontextualized the notes and can send them out to up to four other devices (here, I used three, plus MIDI clock to the DrumBrute Impact). Thanks to the ARP, I could explore chords and improvisation without having to write a single note in a sequencer. The ARP really is a great solution to a classic songwriting problem: being able to find the song with all the parts at once, rather than imagine all the parts and then write them.
From there, it was a matter of laying down some instruments and effects I liked the sound of. No surprises here, other than the Boss DM-101, which I got recently. It doesn't quite have the personality of the Matriarch delay, but it's a great and more versatile analog delay that I look forward to using more.
All in all, a really fun jam, and I was extremely grateful to have the tools I needed to write the song on the fly across multiple instruments.
Thanks for listening.
Sequential Take 5 - main arpeggio, MIDI controller/data out
Midicake ARP - "sequencer" (note recontextualizer? arpeggiator?)
Arturia DrumBrute Impact - drums
Dreadbox Nymphes through Strymon BigSky - arpeggio two
Blackout Model D through Boss DM-101 - bass synth
Roland SH-101 through Walrus Sloër - arpeggio three (the slow high one)
Kenton Pro-Solo Mk3 - MIDI to CV for SH-101
Kenton MIDI Thru - MIDI through to all devices
Performed and recorded live, with eq, compression, and limiting in the box.
"Here is a demonstration of the sound and functionality of the oscillators found on the Pittsburgh Modular Taiga.
To see how the theme was created, watch the theme video [posted here] in this series. It is comprised of several patches created on the Taiga over drums created with a Korg Triton Studio."
"Moog day! The real sound of old Moog with my NRSynths.
Ancestor Moog clone, inspired by the MOOG 55 (1974) & Retro One MK2, clone of the Minimoog D (1972).
Set up (in 4 videos tracks) :
Up left : Ancestor M55 1 : main Sequence with both filter Moog & multi-mode Steiner Parker. Sequenced by SynthR4 / Vintage Delay VST.
Up right : Mister M Hansy : Mellotrons, Pro 800 B : polysynth analog, TORO Behringer : Big Moog bass.
Down right : Ancestor M55 2 : Drone controlled LFOs effects, Rhodes with PedalBoard.
Down left : Retro One : Minimoog D lead & M300 TC reverb/delay, S.E.1 Studio Electronics : LFO Effects, Ancestor M55 effects.
Title composed by Jean-Luc Briançon."
and additional functions like lock and loop, this compact 4 HP
