Melodic Electronic Song with the Access, Juno 60, & Dave Smith Tempest,

video upload by the nightwater

"Starting with a sequence going to the Access Indigo (filtered pad sound). Then another top lead melody layer into the Roland Juno 60. Drums on the Dave Smith Tempest drum machine. Bass Moog Prodigy. Some additional reverb from the Strymon Bigsky."

Juno 60 Arpeggiator in Melodic Electronic Song
video upload by the nightwater

"Started with a nice arpeggiator on the Roland Juno 60. Drums Dave Smith Tempest drum machine. Bass Moog Mother 32. Lead Access Virus TI. Strymon Bigsky reverb on everything."

House Music Roland Juno 60 Arpeggiator

video upload by the nightwater

"A cool arpeggiator on the Roland Juno 60 I recorded over a house beat. Drums Dave Smith Tempest. Bass Moog Mother 32. Chords Juno 60. Some additional reverb from the strymon bigsky."

Access Virus, UDO Super 6, Chase Bliss Gen Loss MKII

video upload by the nightwater

"Short jam sending a sequence to an Access Virus run through the Chase Bliss Gen Loss MKII. Then 2 top lead sequences being sent to the UDO Super 6. Some additional reverb from a Strymon Bigsky."

electro jam - make noise 0coast

video upload by elias kohli

"one synth only - and some pedals. mainly the strymon night sky gave me the necessary space and stereo feeling."

Korg monologue - groove jam

video upload by elias kohli

"I like to make songs only with one device. No compression, no EQ or other effects were used. Reverbs and delays are made by pedals. I did a bit of mastering on the masterbus - the tracks are untouched.

I love to generate groove rhythms with synth. This (not so) simple monophone synth has so many sounds."

Synth Ambient - Dawless jam -

video upload by elias kohli

"Nice little long jam.

#synthjam #ambientmusic #ambient #modular #eurorack #dawless #dawlessjam #dawlessmusic #andromeda #alesis #a6 #moog #mother32 #neutron"

The Roland System 100 Synthesizer - Ideation: Dark Grey & White #synthjam #music #soundtrack #synth

video upload by S R DHAIN

"The 101 keyboard provides the bass (with a little help from the 104 sequencer), and the 102 expander provides the synth piano.

The 103 mixer accepts the pair and adds analog warmth & flavour. Reverb is the only seasoning in the 103's cupboard."

The Roland System 100 Synthesizer - Ideation: 5 Shades Of Blue #music #synthjam #soundtrack #synth
video upload by S R DHAIN

"The mood has changed somewhat. The sequenced bass from the 104 to the 101 has been reprogrammed to reflect this.

The 102 expander dutifully provides the synth piano, and the 103 mixer is keeping it together."

3/26/24 Trogotronic 676 & 333 & 669 + Mazzatron Mult / Pass Thru + Lexicon PCM 70

video upload by Cfpp0

"Tweaking the Trogotronic 669 oscillators."

Fun with Envelope Followers // Arbhar // Nautilus // Data Bender // Mutable Ears

video upload by LesjaMusic

"Trying out a new format. The first 4 minutes or so is the patch, the last minute is a quick patch explanation by yours truly.

Organelle into Mutable Ears. Ears envelope out into Nautilus resolution. Ears audio out into Arbhar scan input. Arbhar out into Data Bender and Nautilus then Vortices. Norns l_ll__l_ with some ambience.

0:00 Patch
3:51 Patch Explanation"

Songs From The Periodic Table

video upload by Cinematic Laboratory

"If each element in the periodic table has a spectrum that can be used to idenfity it, each color in the spectrum can be converted to a frequency. So each element has a distinct sound signature, a scale. It's not easy to make them audible, but with a stack of tone generators you should be able to set it up. You can approach this with additive synthesis - creating sinewave partials for each frequency band, but approaching it as scales is much more intriguing. Each element has its own 'microtonal scale' and some of them are quite beautiful when you compose in the key of Mother Nature.

This experiment feels like actual sonic Alchemy where you can turn the sound of Lead into the sound of Gold, the sound of water - or even 'listen' to the five elements of our DNA. Also, these frequencies have nothing to do with the actual vibration frequency of a atom. Oxygen, for instance, vibrates at 60 GHz and there's no way you can hear it.

I used Droid Master with an array of LFO's running at audio rates to recreate a spectrum's frequency bands (with two digit decimal precision). I found the conversion tables on https://musicoftheperiodictable.com."

The World’s FIRST Digital Reverb: EMT 250 Part 1 Demo with a Sequential Circuits Prophet-5

video upload by foleytronics fx repair

"This is a 1976 EMT 250 digital reverb, one of not very many ever made. It came to the shop screaming white noise in my ear as soon as you turn it on, which ended up being a RAM issue. 12 bit (quasi 15 bit according to the manual as it converts the signal to floating point while it processes the signal, though I think they meant 16 bit as the RAM array is 8k x 16), 24 khz sample rate, probably around a 10 kHz roll off.

Part I discusses how to use it and you can hear some sound demos, part II will explore the circuitry of the unit a little more.

Shot and edited by Michael Shular"