MOOG MUSE synthesizer-original sounds and demos by Deep Synths

video uploads by Deep Synths

AMSynth's Introduces the AM1013 Octave Fixed Filter Bank - Band Pass Perfection

video upload by AMSynths

"AMSynth launch the next 'lost module' of the ARP 2500. Eight 12dB fixed band pass filters in parallel, each with a nice gentle resonance. Individual outputs, mix outputs and a bypass feature. Perfect for post processing sounds, More resonance can be dialed in with VCA module feedback loop that uses the dual inputs and outputs."

"This 14HP module is a re-imagining of the ARP 1013 octave filter bank that was announced in 1970 by Tonus as part of the 2500 Synthesizer, but it never made it into production. It consists of eight band pass filters with their cutoff frequency spaced one octave apart, from 63Hz to 8kHz.

The filter is very useful for creating formant and vowel sounds. The individual outputs enable voltage control of the filter by using eight external VCA's - for example the 1032 Mixer & Distributor module.

The AM1013 is based on contemporary Op Amp based filter bank designs, such as the EMS Eight Octave Bank from April 1971. It uses a 12dB high pass filter in series with a 12dB low pass filter to create eight band pass filters that are connected in parallel and set one octave apart. The filters have a fixed frequency and Q of 5.0.

The eight filter outputs are mixed into a single output with two jack socket. Each filter can be adjusted for level using the ARP 2500 style control knobs. The input and output levels can also be adjusted using the front panel potentiometers.

High quality WIMA polypropylene capacitors have been used to ensure a beautiful sounding filter. The filter has a bypass feature which can be set using the push button switch (with green LED). The wide frequency range from 16Hz to 8KHz, Q of 5.0, individual outputs and high quality sound make for a unique module that takes its heritage from 1971.

The 1013 pairs nicely with the 1032 Mix & Distributor module, where each band pass filter output is patched into a VCA, enabling time domain mixing of the fixed filter sounds."

EP 2 - New 2500 Modules - AM1028 Seq Volts use cases

video upload by O.Z. Hall

See the announcement post here.

"This video is the second in a series on a number of new modules from Amsynths which are companions to the Behringer ARP 2500 series of eurorack modules.

This video explores the AM1028 Sequential Volts from Amsynths to expand the Behringer 1027 Sequencer in the 2500 series.

Here are excerpts from Amsynths description of this module:

This 8HP module expands the capability of the Behringer 1027 sequencer by adding an additional column of variable control voltages.

The eight steps of the 1027 are mirrored in the 1028 with three precision control voltage outputs; one at 2V for controlling VCO's and two at 10V for controlling filters, amplifiers and VC env gens.

The AMSynths AM1028 fills in a piece of history by recreating the Slave Module, which we call Sequential Volts.

Buy Me a Patch Cable
https://buymeacoffee.com/ozhalljr

Here's a ( not affiliate ) link to the module:
https://www.amsynthstore.co.uk/produc...

The User Manual:
https://www.dropbox.com/scl/fi/fe65mf..."

TIMECODE
0:00 - Intro to the AM1028 Sequential Volts module
4:00 - Use Case 1 - Extra 2 Volt CV output for the 1027
4:30 - Use Case 2 - Use the 2 Volt CV to control the 1027 Internal Clock
5:11 - Use Case 3 - Use the 1027 Outputs A, B, C as a waveform via the 1050 Mix Seq w/audio rate
9:20 - Use Case 4 - 24 step sequence via 1050 seq switch plus AM1027 for 8 step sequence
10:48 - Use Case 5 - Use 1027 Channel C as a gate bus to drive 1003 Envelope to Voice 2 filter
12:36 - Conclusion"

SCJS #22 The cheapest chaos?

video upload by FL3SHB4CK

"Small Case Jam Sessions #222
Some chaotic noises with affordable modules
that are not meant to produce noise.
4U 50hp recorded live into Syntakt reverb and delay"

Marion Systems Prosynth Signed by Tom Oberheim

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Pic of the inside below.

"This is a real collector’s item.

The synth itself is quite rare and really great. 8 analog voices polyphony and capable of creating big layers. Classic Oberheim sounds and all the good things that go with that if this is what you’re looking for.

But this particular unit is signed and autographed by Tom Oberheim himself. He would never sign something that is not created by him (models like Matrix 1000 etc) even if it was carrying his name. All the Oberheim fans know that. And this makes the big difference

The synth is in really good condition. Everything works as it should.
The only flaw is that the front panel is a little bit uneven because of the long time it was hang on the studio rack so one side‘s buttons are a bit deeper than they were out of the factory.
But all buttons work PERFECTLY well, along with everything else on the synth. Screen, jacks, ports, power supply etc.

The buyer will also get a very rare NRPN list for real time parameter change - all parameters- provided by the Oberheim - Marion Systems engineers long time ago.
There is also a Bcr 2000 editor preset (bc manager) for it, if needed, and the sysex parameter chsnge list. Sysex don’t work well, so NRPN are prefered (i can advice on probable solution i haven’t tried)."

Roland Alpha Juno-1 49-Key Programmable Polyphonic Synthesizer SN 752949

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via this listing

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"Awesome sounding unit! The blacklight is out on the display (the characters are fully legible in black over the silver screen). Fully functioning, includes AC power cable cand soft carrying case."

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Elektron Model:Cycles Groovebox w/ Original Box

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Arturia MicroFreak 25-Key Algorithmic Synthesizer w/ Original Box

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ASM Hydrasynth Explorer Synthesizer

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Soundmaster Stix ST-305 - Vintage Analog Drum Machine

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via this listing

You can find demos in previous posts.

"amazing visual condition. even comes with original box. it powers up, but it’s barely functional. patterns appear to be empty, and every time it doesn’t matters what do you program, it just plays a few repetitive drum hits, and then all fades away."

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