IK Multimedia Uno Synth Pro X Presets Demo (no talking) DAWN Sound Pack

video upload by Limbic Bits

0:00 Pads
5:16 Dub Chords
8:35 Bass & Lead
16:16 FX & Percussion

▶ Online shop with Patch Banks for Ambient, Techno, IDM, and Electronica: https://limbicbits.com

ARTURIA MICROFREAK | EARTHQUAKER TIME SHADOWS | STRYMON BIGSKY || Relaxing and ambient music

video upload by Le Code

"I've just received my Earthquaker Devices 'Time Shadows' pedal. This is my chance to test it with Arturia's MicroFreak, wrapped in Strymon's BigSky.

These few minutes of calm and relaxation will (I hope) be beneficial to you."

FENDER CHROMA POLARIS - RESTORED BY SYNTH TAILOR ELECTRONICS

video upload by Synth Tailor Electronics

"Fender Chroma Polaris six voice synthesizer restored and repaired by Synth Tailor Electronics in Columbus, Ohio. If you have a broken Chroma Polaris or any vintage synthesizer, drum machine, outboard gear, or rare obscure gear that needs repaired/restored, please reach out on our website contact form or email.

The Fender Chroma Polaris is an interesting synth, made by CBS Fender after they took over ARP instruments. It was marketed as a smaller hybrid version of the Rhodes Chroma, and featured more slide potentiometers with the same style membrane buttons as the Rhodes Chroma. The synth has a remarkably pleasant sound and features dual oscillators, dual envelope generators, a smooth analog filter, and generous modulation routings.

The membrane buttons are less than reliable, and along with its rather heavy weight, probably kept the Polaris from gaining wide spread popularity.

It features Curtis Electromusic Specialties chips (CEM3372, CEM3374) which is found on other vintage synthesizers from that era including: Akai AX80/VX600, Oberheim Xpander/Matrix 12, Sequential Prophet 600/Prophet T8, and Simmons Drums."

✨🍁 Force Field / Episode 4: Oberheim TEO-5 - November 22nd, 2024 / DnB / House / Funk / Breaks 🎹✨

video upload by Force Field

"This is my first time taking out my new Oberheim TEO-5 instead of my usual OB-6. All sounds besides the drum and vocal samples are created live on the TEO-5.

I'm really enjoying the compact form factor and more modern sound of the TEO. I was surprised when I first got it to find that it sounds more like an OB-X8 than an OB-6 though I have never owned one. That is just based on my experience playing the X8 in a showroom. Looking forward to exploring this synth more and bringing it out for more jams.

Improvised and recorded live in Los Angeles, CA on November 22nd, 2024 🪄✨🌸"

0:00 Intro
4:44 Slow it Down
8:08 Change Up
9:02 Oberheim™️ Chords
11:02 Sunset Strut part I
13:02 Sunset Strut part II
14:33 Shanti Cameo Breakdown
15:12 Sun Appreciation Jam
17:28 Baby When We're Grinding
20:00 Darkness Transition
21:00 Kaleidoscope Caverns
23:15 Love Loop
25:19 What is Love
28:38 Did You See My Reflection?
30:22 Reflections Outro
31:50 Pollen
33:12 Bloom
35:00 What is Love? (Interlude)
36:34 Caverns Part II
38:25 BB BB
39:05 Baby Baby
43:07 Vocal Acid
44:15 Deeper Vocal Acid
45:33 Even Deeper Vocal Acid
47:00 Depth Assessment Outro
50:00 Funk Industries
51:44 Funk Incorporated
52:38 Love Me Baby
53:33 Love Me Baby Breakdown
54:16 Corporate Compromises
55:38 Funk Excursions (A Subsidiary of Funk Industries)
58:55 Mergers & Acquisitions Breakdown
1:00:00 Back in Business

E-MU Emulator III EIII Sampling Keyboard w/ Gotek Drive Reader Serviced SN 0990284

Note: Auction links are affiliate links for which the site may be compensated.

via this listing, also on Reverb

Serial # 0990284
Software V2.40
Firmware V2.00

CLICK FOR MORE »

ARP Sequencer model 1621 (serviced) SN 0033

via this listing

"Just serviced vintage ARP model 1621 sequencer available for sale! It's a fantastic, versatile sequencer with various gate outputs, pulse width modulation, cv input and much more. The quantizer circuits are the most innovative aspect of this sequencer. Arpeggios and other patterns can be programmed at any speed and it can produce up to sixteen single voice notes controlled by one quantizer (16/1), or up to eight two-note chords controlled by two quantizers (8/2), for rich harmonic textures. Also, the clock speed can be modulated by a cv which makes it possible to run it very fast. And what about the random mode? This is one of the best hardware sequencers around."

CLICK FOR MORE »

Was It That BAD? - Roland Vp-9000 : Basic Sampling

video upload by MrCaliforniaD

Yamaha CS-20M: A gorgeous analog synth from 1979 + FREE SAMPLES!

video upload by David Hilowitz Music

"The Yamaha CS-20M is a baby version of the Yamaha's flagship CS-80, famously used by Vangelis on the Blade Runner soundtrack.

The free sample library I made can be found here: https://www.decentsamples.com/product...

Learn more about Clayton Larson, the synth's original owner, here: http://original-music.org"

FRED'S LAB MANATEE : mais d'où viennent ces sons ?

video upload by Les Sondiers

https://fredslab.net/

00:00 Intro
00:55 Tour d'horizon
03:44 Démo audio
05:03 Synthèse spectrale
07:30 Sub
08:10 Noise generator
08:57 Démo audio
10:42 Ring modulator
10:53 Saturator
11:24 Filtres
12:04 Bitcrusher
12:29 Enveloppe de filtre EGF
12:36 Reverb
13:01 Meta enveloppes
15:14 Sub et FM
15:33 LFOs
19:56 Matrice de modulation
20:46 Play Modes
21:27 Multitimbralité
23:02 Presets et Multis
25:40 Panel
25:55 Démo audio
29:25 Sponsor
30:15 MPE
30:25 Démo audio MPE
31:43 Conclusion
35:20 Drone Time !

BERLIN SCHOOL Schulze Style: Improvise & Overdub - All analogue eurorack modular sounds

video upload by AJH Synth Official

"Inspired by the way Klaus Schulze sometimes constructed his recordings. Those lengthy, iconic performances were often partly improvised, starting with a sequenced 'jam', mostly with his "Big Moog" modular system, then building upon it with overdubs of other sounds and musical parts. He would use many instruments; Arp, Moog and EMS synths among others, but here just a selection of AJH Synth eurorack modules are used, and a shorter, simpler piece of music, with just a couple of overdubbed parts.

INTRO SOUNDS: This patch used the LADDER FILTER and the FIXED FILTER BANK 914 to process pink noise independently, but both pass through the filter bank by way of its CV-controlled mixing functionality. Multiple envelopes cause the sound to evolve as it crossfades between the output of the ladder filter, and then the filter bank's two groups of frequencies (left and right) one after the other. This creates an effect reminiscent of a long, unnatural reverb tail.

SEQUENCER PART: This patch also makes use of the FIXED FILTER BANK 914's two groups of frequencies, both independently and combined, divided between two VCAs in a stereo configuration. This, later combined with the ENTROPIC DOOM, is modulated by synced, random voltages from the TAP TEMPO VC-LFO, and step probability from the CHANCE DELAY, so that the brighter, more percussive steps are random in tone and occurrence.

SOUND EFFECTS: This was inspired by the sound of morse code and old analogue radio communication signals. For that it uses the LUNAR MODULE to add 2 types of noise and some low fidelity to the sound of an incoming VCO responsible for the 'beep' tone. The DUAL RVG and TAP TEMPO VC-LFO create random 'beep' lengths prior to entering the Lunar Module.

VOCAL/CHOIR: This is three VCO's modulated separately and passed through the FIXED FILTER BANK 914. See our guide to using the filter bank for these kinds of sounds here: [posted here]

BASS: This is two VCOs and white noise from the GLIDE + NOISE module going into the RING SM, where a -1 sub octave is generated and added to the mix. It uses the TRANSISTOR LADDER FILTER for that famous Moog/Minimoog warm fatness. Some of the low frequencies had to be scooped off in post as web video compression simply wouldn't cope with it! This floor-shaker of a combo never disappoints. The Ring SM's unique sub-bases (shaped square waves) add almost bottomless depth to an already legendary fat filter and very rich, vintage-voiced oscillators.

LEAD/SOLO: My struggling attempt to mimic just a little of Klaus Schulze's lead style... Sorry Klaus! This uses 3 VCOs and white noise going into the TRIPLE CROSS, where an LFO is modulating the mix of 2 VCOs (pitched differently), and the output sent to the GEMINI 2412 dual SEM-based filter, which is used in a stereo configuration to separate VCAs. An LFO modulates its two VCFs in opposition to each other, creating a stereo panning effect.

Video by @DreamsOfWires

The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability. Official website page: https://ajhsynth.com"