NAMM 2025: Realitone's Sunset Choir Choir Library

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"At NAMM 2025, we caught up with Mike from Realitone*, who provided insights into their ongoing project, the *Sunset Choir library. Mike explained that this vocal library had been in development for a while, mainly due to the complex nature of recording different vocal articulations compared to string libraries. Unlike the simpler approach for strings, recording vowels like ah and ooh required more extensive sampling. Realitone dedicated nine days of intense studio work to capture this comprehensive array of sounds.

Mike demonstrated the dual-layer feature, allowing dynamic articulation blending, and showcased unique elements like enigmatic Latin phrases and slow bends. Additionally, the library supports consonant variations, legato transitions, and jazzy scat articulations. Though a work-in-progress, Mike expressed optimism about completing the library by spring, offering a glimpse into the intricacies of building such an elaborate musical tool."

NAMM 2025: Rhodes Stage 61 Prototype

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"At NAMM 2025 we caught up with Jamie at Rhodes*, who introduced the *Stage 61 prototype. Aimed at the purists, this instrument returned to basics with features reminiscent of original designs from the '60s to the early '80s. It had familiar components like tines, tone bars, and pickups for capturing the natural Rhodes sound. The instrument sported a Mark V look, complete with a basic treble and bass tone knob.

Notably, the Stage 61 lacked additional effects like tremolo or EQ, allowing you to use your preferred amplification setup, such as a Fender Twin Reverb or Roland JC Chorus. The build featured a small form factor, making it lightweight for easy gigging. Jamie highlighted that the keybed was a Steinway Concert Grand design with 61 notes, made by Kluge.

The Stage 61 was available for pre-order with a lead time of six to nine months, priced at $6,995. Additional developments could include a passive MIDI version."

NAMM 2025: Novation and GForce Revive the Legendary Bass Station

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"At NAMM 2025, we spoke with Trovarsi from Novation about their collaboration with GForce*, bringing a fresh spin to the classic Bass Station, originally released in 1993. Novation showcased the new *Bass Station emulation, a software synthesis complete with a sequencer that delivers those iconic acid sounds using its 24dB filter. It offers 300 presets, including a standout polyphonic mode with 16 voices. Also available was the LaunchKey Mark 4, notable for its user-friendly scale modes and its new capability to map chord inversions directly. The Bass Station, priced at $99, is currently discounted, but if you own compatible Novation hardware, the virtual instrument can be downloaded for free."

NAMM 2025: Kilohearts Filter Table

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"We caught up with Per from Kilohearts at NAMM 2025, who gave us an in-depth look at the latest additions to the Phase Plant synthesizer. This year, they introduced the Filter Table--a module that transforms wavetables into filters. By placing it in the effects section, you could use the spectrum of a wavetable as a filter shape, imparting unique qualities to your sounds. The module allowed real-time modulation of parameters such as cutoff and resonance via LFOs or other modulation sources, creating complex filters. It was particularly effective for growly bass sounds with movement across the spectrum.

Per explained that the module was a standalone product priced at $39, compatible within the Phase Plant ecosystem, and available for standalone use in a DAW. They also offered a subscription model for automatic updates, keeping pace with evolving music production needs."

NAMM 2025: Eternal Research's Demon Box

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"At NAMM 2025, we caught up with Alexandra from Eternal Research, who introduced the *Demon Box*, an intriguing device that amplifies electromagnetic fields (EMF). Alexandra explained that this invention, developed over a decade with the help of engineers, uncovers fascinating patterns and tones from EMFs, transforming interference into auditory experiences. The device utilizes an array of 33 inductors and features controls for levels and auxiliary inputs, allowing you to blend external signals with those picked up by the inductors. It supports integration with modular systems, exporting in control voltage, MIDI, note and CV data, as well as audio across three mono channels and a unique triphonic channel.

Alexandra also highlighted the device's organic nature, enabling exploration of novel sounds with each use. The Demon Box, currently available for pre-order, has generated significant interest following a successful Kickstarter campaign, with a target retail price of approximately $700."

NAMM 2025: Synthesizers.com and the MU Format

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"At NAMM 2025, we caught up with Mike from Synthesizers.com who introduced us to the impressive large format modular synth systems they have been crafting for 25 years. Synthesizers.com was founded by Roger Eric in 1999, and the company has dedicated itself to advancing the MU (Moog Unit) format. Now under new ownership, they are working with various manufacturers to expand the MU ecosystem, offering seamless integration between their own modules and those from other companies like Moon Modular, SSL, and STG.

Mike explained the engaging tactile experience these systems offer, emphasizing the absence of menu diving, making interaction straightforward and intuitive. He demonstrated a simple patch using the Q119 Sequential Controller alongside various oscillators, filters, and envelope generators. Looking ahead, he hinted at five to six new modules currently under development, showing sustained innovation in the MU format."

NAMM 2025: Bitwig's Step into Hardware with Bitwig Connect 4.12

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"We spoke with Frederik from Bitwig at NAMM, who introduced us to the company's first hardware product, *Bitwig Connect 4.12*. This new device marks Bitwig's transition from a software-only company to a software and hardware player.

An innovative USB audio interface, the Bitwig Connect 4.12 features 4 inputs and 12 outputs. Notably, all inputs and outputs are DC-coupled, enabling better integration with analog gear. The unit features combined XLR/jack inputs for flexibility and includes MIDI in/out, a dedicated headphone output, and connectivity via USB-C.

The control surface on Bitwig Connect 4.12 operates as an audio, MIDI interface, and DAW controller through the UCM protocol. With monitor and transport controls, including a handy Bitwig mode button, you can efficiently manage your workflow.

Accompanying the hardware, Bitwig Studio Essentials software valued at $99 is bundled, and additional partner software is available through the Bitwig Circle program. The retail price for Bitwig Connect 4.12 is set at €499 or $549, with an anticipated release in Spring 2025."

NAMM 2025: Entropy and Sons' Recursion Studio Synth

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"We caught up with Gene from Entropy and Sons at NAMM 2025 to discuss the latest updates to their Recursion Studio synthesizer.

Previously unveiled but now fully released, this independent device doesn't require a laptop, underscoring its plug-and-play design. Featuring multiple CV jacks and full MIDI capability, the synth integrates smoothly with a range of equipment. Unlike typical loop-based setups, Recursion Studio is generative, to provide dynamic visuals in real-time. It houses modular instruments under the hood, offering a remarkable level of control. Gene highlighted Wi-Fi updates, which make keeping the software current straightforward.

Recent enhancements include three new instruments, notably the 3D and 2D oscilloscopes, enriching its already diverse capabilities. A notable feature is video feedback simulation, illustrating the wide array of visual effects on offer. The synth, which is HD-ready, strives for production quality, suitable for live performances or studio use."

NAMM 2025: Kurzweil's New K2088 & K2061 Synths

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"At NAMM 2025, we caught up with Fran from Kurzweil, who introduced us to their latest offerings, the K2088 and *K2061*. These new models aimed to recreate the classic K2000 feel with modern advancements. Kurzweil focused on integrating a vast library of sounds from the K2000 era, packing over 2,000 programs and 500 multis. You could expect enhanced polyphony with 256 voices and extensive synth capabilities, including a sophisticated FM engine.

Incorporating the famed Fatar TP9 keybed, the new synths supported regular aftertouch but skipped on polyphonic options, concentrating on delivering solid synth action. Features like a 16-track sequencer remained intact, although missing USB audio support--a detail reserved for high-end models like the K2700. The models boasted four outputs for extensive routing options and had generous sample storage, loaded with 2GB user-loadable space. Although some software DSP algorithms are missing, most classic Kurzweil sounds remain playable with enhanced modern effects."

NAMM 2025: Yamaha CP88 CPOS Version 2.0 Update

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"At NAMM 2025, we caught up with Blake from Yamaha, who presented the latest updates to the CP88 digital piano. The CPOS Version 2.0 operating system was a significant highlight, bringing several enhancements to the instrument. The most notable addition was the new CFX22 piano sample, an evolved version of the acclaimed Yamaha CFX Piano.

The CFX22 showcased more note bloom and resonance, resulting in a deeper, fuller sound. Alongside this, Yamaha introduced the Bösendorfer Imperial Plus, an updated, re-EQ'd version of the classic sample that offered greater mid-range presence.

Yamaha also included a range of usability features based on customer feedback from IdeaScale. The output boost functionality, for example, allows adjustments by up to 24 dB either way, which is particularly useful when playing live. Another update involved the section switch feature, enabling seamless sound transitions without abrupt cutoffs."