"TTSH v4 in metal case. Pro built, has a gate booster for better compatibility and a better power supply. The closest experience to an actual 2600, has a grittiness the other clones don't thanks to better component sourcing and thru hole design."
For this first tutorial, let's start slowly. We are going to have a first contact with the Mandala as a simple euclidean trigger sequencer.
The fundamental features like euclidean distribution and rotation are presented. We also see how to modify the tempo and mute some tracks.
2. Mandala mk2 tutorial 2: manual steps, locked steps, lock and unlock all.
In this tutorial, we see how to manually add or remove steps, and how to lock and unlock steps.
Locked steps are not affected by a euclidean distribution / removal.
"Sharing a wonderful moments at the GS Music Headquarters. Testing the new Bree6 desktop at GS Showroom in Buenos Aires. Lovely, warm and powerful analog polysynth in small and compact format. Really top quality work. Congratulations to the GS Music team!
All sound is coming from the Bree6 synth, with built in delay and stereo voices features. No external sound processing, no more effects or EQs are used."
"I spent a part of the day rearranging my room... as I often do when I have the time. And when I was rearranging I realized just how little sense anything would make. I finally just set it up to explore 'How does the Spectralis fare compared to the Cirklon with sequencing.' And - well, I still think I prefer the Spectralis. I just write stuff faster. That doesn't mean this track sounds better than my last one (Crashing down) [posted here], but it was just a little more organic for me to write and quicker. It's hard to explain, although I suppose it's easy to explain when I think about the 14 years I've spent with the Spectralis. Of course, it's not perfect, it doesn't easily assign MSB/LSB for program changes (you can use cc's but it's a little awkward) and it can't do polyphonic step sequencing (which is actually awkward to do on the Cirklon).
Anyway - here it is. And listening a day after writing it, it’s too repetitive. I don’t like it. But I’ll share it anyway.
Spectralis 2: Sequencing and piano
Minimoog: Bass
Sequential Prophet 10: lead
DSI Prophet 12: Bells
Clavia Nord Drum 2: Drums
Native Instruments Raum: reverb"
"this simple but effective script will make you come up with new ideas in a no time. I've been using ljudvagg's script delar for some time now, as it has found it's way in my jams and idea harvesting session. here i try to explain it's simple but intuitive workflow.
enjoy!
#norns #monome #tutorial #ambient
contents
00:00 - intro
00:46 - what is delar
01:50 - basic workflow - piano samples
09:08 - splicing a whole track
15:05 - harvesting new ideas + filtering
20:40 - conclusion"
"Barnes & Mullins Percussionet 20 ANOTHER DRUM MACHINE FROM THE SANDS OF TIME Here is the post of all of the drum patterns! :- / part-3-drum-120094934 --------- THANKUS HUMUNGOUSO to :- caiden klassen beaksnout IgorBox mbcodeandsound God Orion Markku Rontu TheTechromancer Cameron Luteraan Ande Spenser David Boudreau The-Dutch-Rat Dan Patterson Polykit Matthew W David Dolphin Matt Followell (PDP-7) Miles Flavel"
You can find the post referenced here for additional details and pics, including one of the inside.
"This is the Radel Automatic Saarang, a simpler version than the Radel (or Raj Musicals) Deluxe Saarang / Dx-Soft. Analog and from the 1980's or 1990's. Volume, Tempo, Tone, Sa, Pa / Ma. There are at least two versions of the Deluxe Saarang, I have two slightly different versions of the Radel Automatic Saarang. Both likely would function the same way and sound the same.
Volume = off/ on and volume grey knob
Tempo = sets the speed of the cycle
Tone = a simple low-pass filter
Sa = frequency of the notes, not stuck to the displayed CDEFGAB on the top of the unit
Pa / Ma = switch that changes a note in the sequence
"I tried playing the interactive music software 'M; on an ATARI ST emulator on my smartphone.
The sound is a handmade soundfont that I sampled from the Prophet-5.
#electronicmusic #ambient #atari #m #prophet5"
"Hey everyone,
here’s a quick live demo of the Novation Circuit Rhythm Sampler. I got this little device to sample on the go, save melodies, and just have fun. With the built-in battery, it’s perfect for mobile use.
For this demo, I only used ‘One Shot Samples.’ When played at a higher pitch, they naturally speed up (e.g., bassline).
The lack of polyphony and the fact that different delay and reverb effects can’t be applied separately to individual channels (only the intensity can be adjusted) are somewhat limiting. Hey Novation, maybe a software update could fix this? Since stereo samples are converted to mono, the effects help to create a kind of stereo effect as a workaround.
Despite these limitations, it’s a great product. For me, it’s like a mini-DAW on the go.
