"Ultra rare Chilton Talentmaker organ in working order, the lamp lights up, the motor turns and the record plays. It makes a background noise that a technician can fix, the belts are new. One of the first samplers from the 70s, few examples left. Contains 12discs
disc 1 county fair 4/4 county fair 3/4 nashville 4/4 guitar 4/4
disc 2 cocktail plan organ guitar waltz rhumba rhytm
disc 3 marching band polka band dixie band german band
"Unlock the full power of your Roland SH-101 with the Tubbutec SH-1oh1 mod! In this video, we dive into the awesome Synthmania editor, showing you how to sync LFOs to MIDI clock, tweak the extra filter LFO, and take your sound to the next level. Grab it now at synthmania.de and start creating epic synth vibes!"
We’re excited to present our brand-new software editor for the Tubbutec SH-1oh1 Mod – the ultimate control center for all advanced features of the legendary Roland SH-101. With this editor, you’ll unlock the full creative potential of your synthesizer, right from your screen.
Why this editor?
The Tubbutec mod transforms the Roland SH-101 into a powerhouse – but many of its features are only accessible via key combinations or hidden parameters. This editor solves that: All settings at a glance, easy access, and perfect DAW integration."
"The original Buchla 264 is a very rare module, released in the 1970's. So it's important to realize it's a very primitive way of adding polyphony to a modular system. It's not that different from an early analog polysynth, where voice cards were used to activate two or more voices from a keyboard 'switch'. This is another fine example of doing easy things the hardest way possible, so there should be some reward in it. Apart from the polyphonic switching mechanism - you'd need four VCO's, four envelopes and four VCA's to switch between. I'll start with four Plaits, which can trigger their own internal LPG while distributing Marbles CV/GATE between them.
Then I used the Buchla LEM 218 keyboard to try and make chords. It didn't work so well, because the 264T is too slow picking the right voltage for the right key-down event. The 218 already outputs quantized notes in the 12-TET scale, so how hard could it possibly be to 'sample' the voltage from the played key and hold it? On the original Buchla 264, people used a gate lag (with the 281 envelope generator), to sample the voltage first, and trigger the hold with an end of cycle, just a few milliseconds later. Fortutnately, the 264 also has track and hold. In this mode, it can simply track the keys from the 218 keyboard, and hold it on key down. Works like a charm!
Regardless, this old-school analog polyphony is a lot of work and requires either a lot of modules, or specialized quad versions of your basic VCO, VCA and Envelope Generator. However, the module provides lots of cool resources you can use on a simpler setup, and results may be even cooler than trying to create polyphony. For instance, the polyphonic adaptor can double as a clock divider, which is missing from the current Buchla/TTA 200 series. It's super useful to clock a delay or sparse event. When combined with the 242 pulser, you could use a 11-step sequence, and pick every 2nd, 3rd or 4th event, creating all kinds of odd variations without changing the 'pins'.
Then there's ART, which is a new digital protocol for tuning a VCO, and sending quantized note and gate information. This requires an ART capable VCO like the 259T. While it's tempting to use two of those, it's much more fun to just use the principal VCO in ART mode, and use the modulation VCO in standard mode. Your voice will be in tune with other sources, but you'd still be able to create some new textures and leads. Quantized notes will steal some of the Buchla magic, so this is a best of both worlds. So if you're not pursuing polyphony (which isn't unwise), the 264 is a great source for stepped random voltages, divisions and quantized notes. Highly recommended for all you generative music lovers."
"The new Teenage Engineering K.O. II EP-133 update brings resampling, hands-free recording, side-chaining & fixed length recording! I review the Good, Great & Weird additions, including the new Song Mode."
00:00 The Adgenda
00:52 Hands-Free Recording!
02:43 Sidechain
05:50 Saving Sound Edits
07:54 Song Mode (The Weird)
Shop my cool hats, shirts & sample packs đđŒ https://www.RickyTinez.com
"Hi, Welcome to this new episode of the VAST Chronicles ! This video is a short Sneak Peek of some presets i developed for the Kurzweil K2061 & K2088 series. You will hear some various sounds in different styles, like basses, leads, pads, keyboards, pianos, percs, FX... The recording is raw, with just a very slight amount of limiting on some sounds to get everything balanced for this video."
0:00 Intro - I Am The Gemini / Broken Frames 0:16 Hybrid Arco Cello 0:25 Bass FM Bomb 0:33 Synced Interval 0:44 Plucked Piano
"A piece created with the @NordKeyboards Nord Lead and @teenageengineering OP‑1 field—ambient music where simple drones dissolve into radio noise.
Nord Lead: I play a slow‑attack pad, routing the output through @gfisys SPECULAR TEMPUS for reverb and delay.
OP‑1 field: Connected to @ChaseBlissAudio LOSSY and GENERATION LOSS MK II while performing. Midway, I feed in a radio signal, shaping the noise in LOSSY.
The bell sounds were recorded with a RĂDE NT1-A."
