"The man himself, Herbie Hancock, has graciously signed an ARP Odyssey in support of the Foundation. This full-size Odyssey was generously donated and assembled by Korg USA.
Herbie signed this Odyssey at the Hollywood Bowl while busy on the Chameleon reunion tour. We are always thrilled to have Herbie's support, and we're excited to offer a lucky player the opportunity to see his blessing every time they power on their new synth.
The CRUMAR Synthaphone has only been fetured on the site once before in a video by Hainbach here.
"FREE improvisations on this incredible rare synth:
the CRUMAR SYNTHAPHONE!
Created by Ing.Jura in 1983
A monster analog monophonic synth with Breath Controller (CEM filters)
(approx 100 units were made)
00:00 Pan Overture
00:40 Blast Bass
00:58 Firebird
01:20 OB-oe
01:29 Electric Wasps
01:41 Psilocybin
01:50 The Enchanted Forest (Breath Control)
02:26 Elegy from an Outer Space
02:48 Kazzimma
03:04 Butter Waves
03:16 Razor
03:33 Black Hole
03:54 TRANCEgenic Bass
FX used on some patches:
OTO Bim delay
OTO Bam reverb"
"We present Circular, an instrument and polyphonic sequencer in one. Starting with a single note, Circular utilizes four independent layers that can be used to build up complex rhythms and timbres. Each sequence step in each layer can have its own sound and its own parameters and 'step effects'. There is also a full-featured effects section to round things out (See what I did there?).
To find out more, please visit https://www.native-instruments.com/en...
00:00 Introduction 00:27 Overview 02:10 Some factory presets 07:18 Circular architecture 07:56 Main panel 11:44 Sequencer Panel and Parameter Lanes 13:30 Step FX 16:13 Sound lanes 21:29 FX and Mixer Panels 24:40 Putting it all together 26:55 Factory Presets 34:35 Conclusion
_________ Please consider supporting this channel to help us bring you more synthesizer tutorials and other content. Merch: https://shop.catsynth.com Patreon: https://www.patreon.com/catsynth Ko-Fi: https://ko-fi.com/catsynth"
In this exclusive walkthrough, electronic musician and YouTuber @GabeMillerMusic dives into all the powerful new features inside FORCE 3.5 — the most significant update to Akai’s standalone music production system since launch.
From plugin instruments and MPC stem separation to tempo automation, advanced arrangement tools, and Native Instruments plugin compatibility, Gabe shows you exactly how this update takes your standalone workflow to the next level — no computer required.
Plugin Instruments and Effects: FORCE now supports new plugin releases from AIR, Akai Pro, and Native Instruments (MPC Editions), offering seamless integration of professional-grade sounds directly within the standalone system—no external software required.
MPC Stems separations for sampling, remixing and mashups: Users can isolate vocals, drums, and music elements from tracks, ideal for sampling, remixing, and live performance creativity. (MPC Stems License Required)
Tempo automation, follow actions, and new arrangement tools: Advanced performance sequencing empowers users to create evolving arrangements and dynamic live sets with greater control.
MPC sequence import, advanced keygroup synthesis, and warp algorithm choice: Offers expanded compatibility and flexibility with MPC workflows, enhanced sound manipulation, and precise audio warping.
New modes: Main Mode, XL Channel Strip, Sounds Mode, and more: Upgrades navigation and workflow efficiency, giving users better visual control and faster access to instruments, tracks, and mix parameters.
Significant speed boosts including faster sample loading and expanded export options: Streamlines production by reducing load times and offering more ways to export stems and sessions efficiently.
Native Instruments Plugin and Expansions MPC Editions compatible with Force. Users can purchase - Analog Dreams, Cloud Supply, Nacht, Sway, Homage, Lone Forest, Faded Reels, Hazy Days, Rare Vibrations, Global Shake"
"In today's episode, Francesco Gennari takes us on a true USTA masterclass, using it to weave a texture of four voices and a delay effect. Different pattern lengths and rhythmic structures create a complex and ever-changing harmonic and melodic landscape, but they also control the delay taps, pushing forward the limitations of sequencer-based compositions."
-Linktree: https://linktr.ee/francesco.gennari
Time stamps:
00:00 Introduction
00:18 Modular performance
02:53 Track Structure
03:21 Changing patterns live with Usta
04:01 First Voice: Brenso + Doepfer LPG
04:33 Bagai as a source of random modulation
05:07 Timbral shaping with Brenso
06:11 Second voice: Brenso + Doepfer SEM filter
06:45 Voice 3&4: Piston Honda MKIII + Optomix
08:29 Polyrhythmic interplay between voices
09:06 Ratcheting and randomness in Usta
09:44 Polymetric element in the ending section
10:35 Effects: Disting EX as a dual ping pong delay
11:22 Clocking Empress Zoia with Usta
The Roland XP-30. Loaded w/ tons of decadent atmospheric pads and soundscape presets. Still relevant after all this time. Yes, yes, I hear using presets = bad. But sometimes you just want to kick back and let the imagination ride and give the left brain much needed rest. Headphones, dim lighting and candles recommended.
