"Mint condition, The MPC-DSM Electronics D.S.M. 8+ drum synthesizer modules are a versatile and high-quality option for creating intricate and dynamic drum sounds. As a modular synthesizer, these modules offer the opportunity to customize and experiment with different sound design techniques. With the trusted brand of MPC-DSM, users can expect top-notch performance and reliability in their electronic music productions. Perfect for both studio and live performances, these drum synthesizer modules provide endless creative possibilities for music creators."
"Super 8 meets Thriller! Join Hazel Mills as she breaks down how to recreate the iconic MJ hit, produced by the legendary Quincy Jones, in this Halloween-special Patchwork episode.
Chapters:
0:00 Intro
0:41 Pad
3:24 Bass
5:10 Outro"
"More control, creativity, and compatibility. See what's new in the free Maschine 3.4 and Maschine+ 2.1.0 updates with product specialist Matt Lara. Including a redesigned Modulation Editor, smarter arranging tools, and new standalone compatibility for Kontakt 8, Play Series, and effects. Plus, take the mystery out of mastering with iZotope Ozone 12 Elements as a free extra."
Chapters:
00:00 - Intro
01:06 - Automation vs Modulation
02:05 - New in Maschine 3.4
04:02 - New in Maschine + 2.1.0
05:55 - Resampling on Maschine +
06:33 - Outro
"The Stylophone CPM DF-8 is the follow up to the well received (and for good reason!) DS-2 drone synth. Rather than being a synth first, the DF-8 is a dual/stereo filter at heart, but it has a good few tricks up its sleeve that might elevate it from being 'just a filter'.
The DF-8 will be released 20th November 2025 and the RRP is: £229 | €269 | $299
Transparency notice: I was sent the DF-8 prototype as a beta-tester, and was allowed to keep the unit to make videos about it. I wasn't otherwise paid, and Dubreq have had no editorial oversight on this video.
Chapters
00:00 Intro
01:19 Feature overview
06:03 Filter mode demo and comparison
14:46 DF-8 as an instrument (+ testing filter tracking)
18:13 The VCA and envelopes.
20:19 Audio Envelope Triggers (compression and transient shaping)
26:57 Building a Stereo Filter patch
37:59 Summing Up"
This Makes Anything Sound Amazing// Stylophone DF-8 Filter / Mutator and then some... Filter Demo
"Ever wondered what happens when Stylophone — the quirky British maker of those pocket synths from the ‘60s — decides to build a serious analogue filter with the remake of the classic Mutronics Mutator filter chip and the screaming madman from the *Stylophone GenR8*? Meet the *Stylophone CPM DF-8*, a gritty, super flexible and occasionally unpredictable beast that turns any signal into pure lo-fi magic.
THE STYLOPHONE CPM DF-8 ANALOG DYNAMIC MULTI-FILTER
RELEASE DATE: 20TH NOV '25
PRICE: £229 | €269 | $299
In this video, I dive into the DF-8 showing how it reacts to drums, synths, and even full mixes. Expect sweeps, growls, distortion, and plenty of Character. This isn’t your average boutique filter — it’s dirty, chaotic, and full of charm.
You’ll hear:
The raw filter tone and resonance range
How it shapes synths and drum machines
Drive, envelope and modulation tricks
Whether it’s worth adding to your studio or live setup
If you love sound design, modular gear, or just discovering weird musical devices, this one’s for you."
The ARP 1613 sequencer output A controls the Metasonix R-52 sweep CV in, which creates the high resonant rasp on the reversed quarter notes. The R-52 runs into the R-53, which adds the pitch to the R-52 rasp, then through the R-51, controlled by the MFB dual ADSR, gated by the ARP 1613 gate bus 3. This signal goes through the R-56 for more distortion and spring reverb—panned center on the Mackie Onyx 1640, with stereo room reverb from the Alesis MIDIVERB II. Meanwhile, the more mechanical-sounding squawk/chirp/scream loop is the ARP 1613 quantized output B controlling the pitch of the R-54, which runs through the Zerosum Inertia Voltage Controlled Annihilation, which runs through the Zerosum ZI61, high is controlled by the MFB dual ADSR, gated by the ARP 1613 gate bus 3. The ZI61 is panned left on the Mackie, but it also feeds the OAM Time Machine delay, which is panned center on the Mackie.
Everyone wants a little power, am-I-right? Well that's exactly what we've created - easy USB power in your modular rack to power MIDI keyboards, USB lights, small fans and other things that are a hassle to easily power otherwise.
Powered - 6hp (30mm)
I know we all love cables, but enough is enough! Most of the little accessories modular systems need are USB powered, and now there is a way to cut the cabling that goes beyond your rack. Install this slim module in your rack and you can power those pesky USB things such as: MIDI controllers, USB LED lighting for night plays and small USB fans. Put in one at either end of a big system to keep the power handy. There are a few things to keep in mind. Keep the power draw down to about 1000mA total - although the module can provide it, it might not be too kind to your rack power supply (You would be surprised how much power those cheap LED light draw - trust us, we looked!). Not designed or engineered to charge a phone - they make LOTS OF NOISE on the bus!
Just like every Swizzle Circuits module, it comes fully assembled, tested and ready to go. Just take it out of the package and plug it in.
Power Plant USB Module features:
- includes modular power cable. Uses the 12v DC Eurorack supply - no 5V DC needed.
- Fits right in your modular rack to give quick USB power anywhere.
- RED LED power indicator shines through the face to let you know it's ready.
- Both twin USB jacks are back-lit GREEN to help in the dark.
- Provides (2)-twin USB jack plugs for a total of (4).
- Can provide up to 1000mA of 5VDC power - see notes above-.
This is a video demonstrating how the Terrain Synth can morph between the R G B color channels of the image terrains. / discord
Terrain Synth features: Unique terrain oscillators 32 note polyphony (8 per timbre) Four timbres (layers) that can be split or stacked Two morphable terrains per voice Up to 7x unison for each voice Two sub-oscillators (-1 & -2) oct for each voice White, Pink, Blue and Brown noise Oscillator sync, Phase distortion, Mirroring and Windowing
17 math-based terrains with infinite resolution Dozens of image-based terrains User loadable image & wavetable terrains (.jpg and .png, .wav) 18 morphable paths with infinite resolution
Dedicated mixer for timbre layers LFO, Envelope and Expressive-mapper per parameter On board effects: Delay, Ping-Pong Delay, Reverb, Shimmer Reverb, Chorus, Flanger, Phaser, Stereo Phaser, Overdrive and Decimator Dedicated sequencer, arpeggiator and audition buttons
Hundreds of sortable presets with onboard preset librarian 36 quick access patch favorites (6x6) Multi level patches, Init, Copy & Paste
Infinite Encoders – mixer, menu, modulation and user modules A 7-inch IPS display for full color sonic visualization Selectable terrain view angles and color schemes MIDI-I/O via 5-Pin DIN, USB Host, and USB Device ports 6x CV/Gates and 3x expression pedals. Left/Right balanced stereo and headphone (w/ vol control) Desktop / 4U rack configurations"
"In today's episode we are making reese basses, noise patches, and screeching leads on the Digitone II. Sit back and watch or follow along and learn more about your favorite FM synthesizer.
