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Pics of the inside below.
"Rhodes - Chroma (s/n 21010234) - In very good physical condition, but does not work as system locks up at boot up. The power supply was replaced previously, so the troublesome Rhodes power supply was replaced prior to the current problem..
Comes with 2 original Chroma footswitches and the Chroma dual pedal unit. 240V (although switch mode power supply – so should be all OK with 110V)"
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"Moog - 1125 Sample - Hold (s/n 12839). In extremely good physical condition, though untested as don’t have access to a Minimoog to test it. Also will work with Micromoog, Multimoog, Polymoog and Sonic 6."
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"Oberheim – Digital Sequencer DS2A (s/n 289) - Early 1970’s analogue sequencer (under digital control). This is the DS2”A” version with 144 note memory. In very good physical condition, but does not work. Powers up with a couple of segments on the screen lighting up, switches are working. 240v version.
VEMIA can collect and pack: 9GBP."
"Make Noise PoliMATHS is a revolutionary new Eurorack module — an eight-channel function generator designed to create complex, evolving arrays of control voltages.
While it was designed to work as part of Make Noise's new NUSS ecosystem, it also brings a lot of possibilities to a non-NUSS Eurorack system. To help explain how it can play along with the rest of your modular synth, we reached out to our friend @sarahbellereid to see how she has been using it.
She covers the module's basic features, and then discusses a few interesting ways to approach it:
1:38 Module Overview
14:08 PoliMATHS as a Multi-CV Tool
17:00 PoliMATHS as a Polyphonic Synth
23:15 Double Gating with PoliMATHS
26:02 PoliMATHS as a Clock Divider
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Perfect Circuit is an independent electronic instrument shop with an online store at https://www.perfectcircuit.com/ and a Burbank, California showroom at 2405 Empire Ave. We're open seven days a week, 12-8 PM, and our entire inventory is available to try out in person. Get your hands on the most excellent analog and digital synthesizers, effect pedals, Eurorack modular synths, drum machines, recording gear, and more!
0:08 – Drum loop and synth with FX Track3: Drum loop with Delay FX, and Pitch Shifting. End Of Loop Pulse sent from drum loop to pulse an envelope in ENVY Machine. The envelope is patched to amplitude mod on ALGO. ALGO output is patched into Track 2, with Delay and Pitch Shift effects applied
01:07 – Ambient Piano treatment Track 1 Jazz piano loop. Tracks 2,3, & 4 are resampling from Track 1, and are set to Live Loop mode. Each track has random trigger from ENVY Machine, for resampling input from paino loop on Track 1.
01:58 – Live Keyboard loop recording, with drum loop and granular scanning trumpet solo ! Track 1: Using DAW loop style to record VECTOR WAVE keyboard sounds, then Track 2: using RETRO loop style to record bass line also from VECTOR WAVE. Drum break loaded from internal storage, Decimate FX applied. Flute sample sliced, slowed down, Wave Folded, and sliced-scanning modulated by knob recording on ENVY Machine.
"The Akai MPC60 by Roger Linn is the machine that reshaped hip-hop, electronic, trip-hop, and rave culture.
Today, I'm diving into why this legendary sampler still inspires producers, and then I jump into a hands-on sampling session inspired by The Prodigy — 'Smack My B%tch Up' from The Fat of the Land era.
I’ll explore its story — from design breakthroughs and 12-bit grit, to the Akai drama that cut Roger Linn out of his own creation — and then I’ll show you how to sample, trim, assign pads, sequence, and jam directly on the MPC60.
What you’ll learn:
• Why the MPC60 became a classic
• How early electronic pioneers used it
• Sampling on the MPC60 step-by-step (The Basics)
• Assigning pads, bars & sequencing
• Playing & jamming the samples on the MPC
I’ll show you a simple way to start sampling and building beats on the MPC60 using The Prodigy’s iconic track as inspiration, no plugins, no DAW, just the machine."
00:00 — Intro: Why the Akai MPC60 changed music forever
00:35 — MPC60 history: specs, limitations & the Roger Linn drama
02:33 — Why producers still love the MPC60 (Dilla, Shadow, Prodigy & more)
03:28 — Sampling The Prodigy “Smack My B%tch Up” on the MPC60
05:56 — How to sample a song on the MPC60 (step-by-step)
06:15 — How to assign a sequence on the MPC60
06:41 — How to set the number of bars on the MPC60
07:00 — How to record a new sample on the MPC60
07:20 — How to set sample length (seconds) on the MPC60
07:56 — How to check recording levels (REC METER) on MPC60
08:44 — How to name and save a sample on the MPC60
09:26 — How to edit and trim a sample on the MPC60
10:19 — How to assign a sample to pads on the MPC60
10:47 — Poly vs Mono: stop samples from overlapping on the MPC60
12:28 — Playing and testing samples on the MPC60
13:10 — MPC60 live jam: “Smack My B%tch Up” Prodigy-style
15:03 — Outro & final thoughts of the MPC60
