E-mu Proteus 2 Sound Module (Orchestral)

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ROLAND SP404 MK II DESKTOP SAMPLER

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MOOG MUSIC SUBSEQUENT 25 ANALOG PERFORMACE SYNTH

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SEQUENTIX CIRKLON DESKTOP SEQUENCER

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Intellijel Cascadia Desktop Semi-Modular Synthesizer

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Waldorf Quantum/Iridium: New FW 4.0.6 Poly Arpeggiator

video upload by Chris Mick Studentsmusic

"Beta FW 4.0.6 just released and I checked the new Poly Arpeggiator trial and error. Great first Impression!"

Plinky 12 Chords: Ramp Arpeggios

video upload by Making Sound Machines

"On our way to #Superbooth 2026! Really excited to see all our friends and fellow makers again!

This year, we will be showing the Plinky 12 family of expressive polyphonic touch synthesizers.

In this video, Enrica, engineer and musician of Düsseldorf-based synth maker Making Sound Machines, explores the new Plinky 12 Chords play surface.

The built-in sequencer produces a calm pulse, triggering an Arpeggio ramp at the beginning of each bar. With her left hand, Enrica selects which harmonies to arpeggiate from the rainbow chord palette at the bottom of the instrument.

With her right hand, she plays an expressive melody on the polyphonic play surface. The notes in this view are arranged in a tetrachord layout and adapt automatically to each harmony selected.

All sounds are produced with Plinky 12's internal synth engine."

Parasite Antifilter rhythm demo.

video upload by flightofharmony

https://flightofharmony.com

"A small example of using the Parasite Antifilter to generate a rhythm sequence. All sounds generated by the Parasite Antifilter, using a Facehugger control module for the sequencing transients, and LFOs from two Infernal Noise Machines for the other variations. Output audio routed through Plague Bearer filter initially, with ramp from INM controlling Gain. INM VCAs and Choices joystick used as level controls.

Initial Patch:
(1= bottom rack, 2 = top rack)
• Facehugger 1 Out to Parasite Antifilter In.
• Facehugger Gate 7 Out to Parasite Antifilter High Freq CV, but I forget to use this until after altering the patch so it's mostly unused.
• Facehugger 2 to Parasite Antifilter Low Q CV, but I forget to start the Facehugger, so it's inactive.
• INM 1 LFO Sine out to Parasite Antifilter Low Freq CV (through INM 1 VCA 2 for level control).
• INM 1 LFO Ramp out to Plague Bearer Gain CV (through INM 1 VCA 1 for level control).
• INM 2 LFO Sine out to Parasite Antifilter Mid Freq CV (through Choices for level control)."

Tasty Chips GR-2 Incoming

via Tasty Chips:

"There was the GR-1, then there was the bigger brother to extend the family, the GR-MEGA, and now there’s the GR-2.

The GR-2 is the direct successor of the GR-1. Similar size, similar price, but with a large touch screen, and many of the GR-MEGA’s abilities. As loyal readers of our mailing list, you are the first to know. We offer a limited amount of early bird units at 100 euro discount. We chose Kickstarter to reach a large audience and gauge interest, and you guys are the first the learn about it.

Visit us at Superbooth this weekend for a GR-2 demo, and of course you can also play around with all our other synths and effects.

For GR-MEGA owners: the GR-2 is like a little brother of the GR-MEGA. Both can run the same patches, and have largely the same abilities. The GR-2 has somewhat lower polyphony, lacks the amount of function-specific knobs and buttons, and lacks luxury interfaces like HDMI and balanced audio. The GR-2 firmware has the same “root” as the GR-MEGA’s. This means the GR-2 hitches a piggyback ride on the mature GR-MEGA for a great start.. and after a while the GR-MEGA will benefit from large amounts of sold GR-2’s: more user feedback, leading to more features, higher quality, and a large patch library.

If you want the best granular synthesizer and sound design tool out there, please support us.. and yourself. 🙂 Thank you! 🙏"

Additional details via Kickstarter.

The GR-2 is a granular synth, transformative sampler, and a portable sound design tool. It's ideally suited to stand-alone use. It can drone, you can use the touchscreen to play it like a live instrument. Attach MIDI gear or computer to use it like a traditional synth. Samples Samples want to be heard, but also seen, touched, and transformed. That's what the GR-2 delivers. Triggers, and manipulation are immediate. There's no setup, and there's visual feedback for everything.

Easy to use

The 7" touch screen, and high contrast GUI make life easy. There are spatially associated encoders along the the edges of the display. The most important settings are always visible, and they're big.

The most important settings are available from Quick Access (QA) menu buttons at the top. Using a touch gesture you can make them full screen. Deeper menus are accessible via the menu button. And rest assured, you're never more than 1 level deep + all GUI widgets are big and high contrast.

Power

The GR-2 is compact, no more than 25x19x7 cm, but it's powerful. While the touchscreen plays a large role, the knobs and fader are essential to the tactile, immediate, and precise nature of this synth.

Transformation is key. Load or record a sample, then mangle it through one of the many engines and effects. Long field recordings, transients, tonal material, the GR-2 eats them all. Make them unrecognizable, emphasize their inherent character, or add your own accents. Make them scatter in the granular engine, add subtle stutters, let it smoothly sustain forever, or make it whistle and bubble in the spectral engine. Using the many knobs and up-front menus, this quickly becomes like a second nature.

Polyphonic, multi-timbral, multi-engine, MPE capable, a dozen high quality effects, macros, and a deep polyphonic modulation matrix with over 120 destinations and 24 sources. Of course touch X,Y are mod sources. Our granular engine is the best you'll find in any hardware synth. A claim we dare make with ease. You can leverage the power of a touch screen, and play multiple notes and chords, along with gestural modulation accross 4 timbres. You can even record and transform touch gestures for modulation."

Native Instruments Introduces Komplete 26

video upload by Native Instruments

"Get everything you need to take your music from first idea to finished master, including instruments, effects, and sounds trusted by the pros. Komplete 26 gives you synths, sampled instruments, drums, sound design tools, and studio effects – all in one complete music production bundle.

Whether you're composing, producing, or designing sound, Komplete gives you the tools to follow your ideas wherever they lead."

Press release follows:


Berlin, May 05, 2026 – Native Instruments today released Komplete 26 — everything a music producer needs to take a first idea to a finished, release-ready track. With over 190 premium instruments, professional mixing tools from iZotope and Brainworx, and more than 180,000 sounds, it's the most definitive music production collection NI has ever made.

Trusted by the producers behind the records you know Komplete is used by millions of producers, composers, and musicians every month — from bedroom studios to Grammy-winning sessions. It's the instrument collection behind some of the most iconic tracks you know, and the ones you're about to make.

"I use Komplete in every single session. It lets me stay focused on the music instead of the tools, and whether I'm writing or tweaking, it's a fast way for me to transform my idea to something that feels finished." — Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth)

“Komplete has been part of my production journey since day one. I know I can open it and get exactly what I need, every time.” — Nick Hook (Run The Jewels, Hudson Mohawke)

"Komplete is a must-have for me in my studio. As someone who is always blending genres and pushing the edges of sound design, the versatility of Komplete allows me to have an entire sonic world at my fingertips at all times." — Malibu Babie (Megan Thee Stallion, Shania Twain, Sia)

New additions: sounds for every style and stage Newly added is the legendary semi-modular synth, Absynth 6, known for its evolving, otherworldly tones. Also included are Noire and Claire – sampled from rare grand pianos – and the ethereal vocal soundscapes of Moments: Vocal Clouds.

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