"An animated 8-band resonant filter bank inspired by the classic Moog MuRF, reimagined for Max for Live. Rhythmic pattern morphing, stereo motion, analog-style PWM sweep modulation, and dynamic envelope response transform any input into evolving spectral movement — from subtle animated filtering to deeply expressive rhythmic textures.
The device combines a playable pattern engine with touch-responsive filter animation, per-band drive, analog drift, and performance-oriented controls. Designed as both a creative sound shaper and a musical modulation instrument, it turns static audio into living motion with character, depth, and groove."
"Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state-variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs.
But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range."
0:00 intro
3:00 filter sweeps
5:32 quadrature sine VCO
6:20 spectrum splitter
8:15 auto filter
10:52 sine LFO
12:01 pinged percussion
14:00 decay envelope
14:40 envelope follower
16:05 outro
Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs. Core integrator saturation provides for a sound that’s clean, yet distinctive.
The resonance response is exceptionally smooth—and it can easily reach self-oscillation. In this mode, temperature-compensation and exact calibration make Flow 3 a reliable quadrature sine/cosine oscillator with tight pitch tracking.
But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range. Either fire decay envelopes from external triggers, or flip it to auto mode to follow along with the incoming signal’s amplitude envelope (or both, simultaneously).
On the bottom tier is the wonderful Roland Juno-106 in all its original glory. No mods, no apologies. Going against the upper tier Juno, not only are the Gravitational Slingshot chips installed but also having the Analogue Renaissance waveform chips as well. I'm auditioning the same patches as loaded on both. Are you ready for a showdown? Which one comes out on top?
These patches are available for download at https://gstormelectro.gumroad.com
Audio recorded direct to iPhone via Roland GO:Mixer Pro-X via Soundcraft EPM6 Mixer. Aside from some normalization, no additional effects or processing were used."
"TR-6oh6 is a CPU upgrade and MIDI interface for the Roland TR-606. It adds an improved sequencer, additional instruments, live performance features and MIDI."
