Novation BassStation VST in Ableton Tutorial

Ableton Live Tips w/ Thavius Beck Pt 15 - Configuring 3rd Party Plugins - 'Did You Know?'

YouTube Published on Sep 17, 2012 by DubSpot

"More info: http://bit.ly/O8U711
Dubspot Instructor, Ableton Certified Trainer, and electronic musician Thavius Beck returns with a brand-new season of Did You Know? We launched the series back in January, and for eight consecutive Mondays, Thavius shared invaluable production advice, tips, tricks, and techniques and examined some of the less explored and slightly hidden features in Ableton Live. In this episode, Thavius offers tips and techniques for configuring third-party plug-in effects with Live, using Novation's Bass Station VST.

As nice as it is to have so many instruments and effects available within Live, there are many times when you will want to use a third-party plug-in instead. Thankfully not only are you able to use third-party effects, but you can also automate them and MIDI or key map their individual parameters to control them. There are many simple ways to do this, but in this video we will look at the Configure button that shows up when you unfold a third-party plug-in inside of Live.

For this example, I am using Novation's Bass Station plug-in. When I first put my Bass Station (or just about any other third-party plug-in not built into Live) onto a track, I get a pretty generic interface with a black square and circle (representing an X/Y grid) and not much else. What I would like to see instead are the parameters that I want to either automate or potentially map to my controller without having the Bass Station interface blocking my view of the arrangement. One way to do that is to unfold the effect (hit the triangle in the upper-left corner), which will reveal the Configure button. Once Configure is enabled, you can just click on the parameters in the effect that you want to see in Live's generic third-party effect interface. This will also make these parameters show up in the Arrangement View's automation lanes.

This can also be done by simply entering the MIDI or key mapping mode and clicking on parameters of the effect (without mapping them), or by altering the parameters while recording to the arrangement view. Using Configure is a great option when you don't want to inadvertently alter the parameters on other sections of the track or song after the fact; you can select the parameter you want to tweak, go the exact spot in the arrangement you want to tweak and automate it without recording it live. Just another way to give you more control over your effects. - Thavius Beck"

Tuvan Throat Singing Sound Alchemy w/ Ableton Live

Sound Alchemy w/ Ableton Live: Advanced Instrument Racks Pt 2 - Inspired by Harmonic Throat Singing

YouTube ublished on Sep 5, 2012 by DubSpot
Be sure to see Huun-Huur-Tu - Live first if you haven't already.

More info: http://bit.ly/OVAIyH
"Last month we kicked off our new video tutorial series Sound Alchemy with Ableton Live featuring Dubspot instructor, composer, and producer Raz Mesinai. In this series, Raz creates Effect and Instrument Racks in Live, taking inspiration from natural sonic phenomena. If you missed the first episode on the Singing Dunes, check it out here. In this second installment of Sound Alchemy, Raz exposes us to another world of amazing sound possibilities by showing how to create an advanced Instrument Rack inspired by overtone singing (also known as throat singing or harmonic singing)."

Also see:
Electronic throat singing with a DIY MIDI ribbon controller
Tuvan Throat Singing & Theremin
And of course Huun-Huur-Tu - Live

Sound Alchemy w/ Ableton Live: 'The Singing Dunes' - Advanced Instrument Racks

YouTube Published on Jul 23, 2012 by DubSpot

"More info: http://bit.ly/LIs3KB
Dubspot instructor, composer, and producer Raz Mesinai kicks off a brand new Ableton Live video tutorial series, focusing on creating Effect and Instrument Racks in Live based on natural sonic phenomena. In the first installment, Raz explains and demonstrates how to create an advanced Instrument Rack inspired by the Singing Dunes.

I heard about the Singing Dune phenomenon years ago from several friends, all from the Middle East. After searching online I found a few recordings, but none really clear enough to capture the experience. Later, I contacted Chris Watson (formerly of Cabaret Voltaire), who is now one of the most exquisite field recording artists I've ever come across. (I highly recommend his recordings on the UK-based Touch label). He told me that he had been trying to record the dunes but had had no luck as of yet (this may have changed since then). After more digging I eventually discovered this site which has some very good recordings of the phenomenon (http://www.fonik.dk/works/oman.html). I suggest you check them out prior to watching this tutorial, but use headphones or speakers with plenty of sub — you won't hear a thing on your laptop speakers.

From there I set off to experiment in a little sound alchemy. Using Operator and Analog, I first focused on the main elements of the 'landscape' where this is taking place. There is a base drone, representing the dune, a layer of noise, representing the sand moving, and modulation as a way to make the sand 'blow' in the wind at different rates.

From there I looked for a story to latch onto. The story is based off of the description that Marco Polo wrote down in the 13th century during a stay in the Gobi Desert. He described this phenomenon as being the voices of evil spirits which "at times filled the air with the sounds of all kinds of instruments, and also the drums of clashing arms." This image of Marco Polo, perhaps sleeping in a tent in the desert, suddenly being woken up by these strange sounds, which to him were completely mysterious as his quote suggests, conjures two things for me. Firstly, it allows a lot of freedom for me to conceptualize this Instrument Rack, and secondly, it affirms my beliefs that bad things happen when white people go to the desert.

The intention of this tutorial is not to imitate the Singing Dune phenomenon, rather, it is to use these sounds from the earth as a source of inspiration, allowing me to conceptualize a soundscape that goes with an imaginary story that is seen through sound.

I hope you enjoy it! -- Raz Mesinai"

The Petti Test Ep.6: Sound Design w/ Sylenth1 VST + Ableton Live (Guest: Zac Baird, KORN)

YouTube Published on Jul 16, 2012 by DubSpot

"More info: http://bit.ly/LsBO4c
In our ongoing video series The Petti Test, Dubspot instructor and sound programmer extraordinaire Chris Petti reverse-engineers and deciphers sounds and recordings submitted by the Dubspot community! If you have a sound you are curious about and you want to put it to the Petti Test, email ThePettiTest@Dubspot.com.

In the latest installment, Chris Petti offers some sound design tips and techniques for live performance to Zac Baird (musician and keyboardist for KORN) using the Sylenth1 software synthesizer by Lennar Digital together with Ableton Live."

Sound Design Video Tutorial: Sample Layering w/ S-LAYER from Twisted Tools

YouTube Published on Jul 12, 2012 by DubSpot

"More info: http://bit.ly/MnjPtG
In this video tutorial, Dubspot Instructor and Course Designer Matt Cellitti demonstrates some creative sample-layering techniques using a new Reaktor ensemble called S-Layer from Twisted Tools.

One of the best ways to come up with creative new sounds for your productions is to layer and tweak multiple samples together to form new combinations. However, this can sometimes turn into a tedious and time-consuming effort, depending on how you approach it. S-Layer, from Twisted Tools, is a new ensemble for Native Instruments' Reaktor that aims to make this entire process easier and more creative. Using just one instance of Reaktor, you can now layer up to eight samples and have instant control over all the necessary sampler parameters needed to really tweak each one of them. Better still, S-Layer has some amazing randomization options built in that will get you thinking outside the box as you twiddle the knobs looking for 'happy accidents.' I have never used such a quick and easy instrument to do creative sound design with sample layering.

This video will give you a brief overview of all the most important features of S-Layer, as well as some ideas about how to use it for sound design. - Matt Cellitti"

S-LAYER by Twisted Tools Now Available

S-LAYER by Twisted Tools Now Available (OFFICIAL PROMO VIDEO)

YouTube Published on Jul 9, 2012 by twistedtools

Additional videos below.

"Twisted Tools Releases S-LAYER
New sampler instrument for Native Instruments Reaktor 5 creates playable and unique sound combinations by layering samples.

AVAILABLE FOR $69 @ http://twistedtools.com/shop/reaktor/s-layer

S-LAYER is a sound creation tool that allows you to create, edit and play new sound combinations by taking samples and layering them together using an eight part sampler and an intuitive cell layout. By combining sounds from the included sample map or your existing sample library, S-LAYER facilitates the discovery of new oneshots, sound effects and loops from pre-existing sample content. Whether you're looking for a new way to create thick drum samples for hip-hop or a massive impact sound effect for game, S-LAYER delivers.

With S-LAYER, up to eight parts are played back and manipulated simultaneously using an advanced layered sampler engine, where each layer remains independent and can be surgically edited. Time-tested sound design techniques such as reversing, pitching, modulating and mixing sounds together can be quickly achieved by randomizing and fine-tuning with sliders and knobs. In addition to the on-board granular, filter and time-based effects, you can also connect your own effects using the insert/send system or by using the direct outputs. Once you've found a sound combination that you like, you can store it on-the-fly in one of eight 'Scenes' which can be dynamically played backed and controlled using MIDI.

In addition to the included sample library featuring sounds from many renowned sound designers, S-LAYER comes bundled with an iPad Lemur MIDI template by Antonio Blanca and a MIDI template for Native Instruments' Maschine.

CLICK FOR MORE »

Recap! Dubspot LA Production 101 Workshop Series - DJ Thomas White on Teenage Engineering's OP1

Note: Auction links are affiliate links for which the site may be compensated.
YouTube Published on Jun 19, 2012 by DubSpot

"More info: http://bit.ly/GYc2y5
In April, Dubspot hosted a special 'Production 101' workshop at the Downtown Independent in Los Angeles with Ableton Certified Dubspot Instructors Thavius Beck, Professor Nalepa, and a few special guests. The evening focused predominently on new technology including the debut of Keith McMillen Instruments' QuNeo controller and a special overview of Teenage Engineering's OP1 by Thomas White (Natural Rhythm).

In the second part of this video recap, house music producer and synth enthusiast Thomas White (Natural Rhythm) joins the workshop with a demonstration and performance with Teenage Engineering's OP1 synthesizer/4 track recorder. The OP1 is an all-in-one production and performance device that offers synthesis, sampling, digital recording and effects in a small and beautifully designed package. White takes this incredible instrument through its paces and explains how this device changed his production flow at large."

Recap! Dubspot LA Production 101 Workshop Series - Thavius Beck on Keith McMillen Instruments' QuNeo

YouTube Published on Jun 19, 2012 by DubSpot

"More info: http://bit.ly/GYc2y5
In April, Dubspot hosted a special 'Production 101' workshop at the Downtown Independent in Los Angeles with Ableton Certified Dubspot Instructors Thavius Beck, Professor Nalepa, and a few special guests. The evening focused predominently on new technology including the debut of Keith McMillen Instruments' QuNeo controller and a special overview of Teenage Engineering's OP1 by Thomas White (Natural Rhythm).

The the first part of this video recap, Dubspot's Thavius Beck debuts Keith McMillen's QuNeo controller, a dynamic touch-sensitive 3D MIDI controller that features velocity, pressure and location data on each of its pads. Beck explains some of the QuNeo's features and uses the controller in a performance environment with Ableton Live."

DJ Shakey (Warper NYC) @ Dubspot w/ VoltAxe Controller + Ableton

YouTube Published on May 18, 2012 by DubSpot

"More info: http://bit.ly/KYEIv6
As part of an ongoing tradition here at Dubspot, students perform a live set in front of their instructors and peers during the final week of our Ableton Live Program Level 6. Ableton Certified Trainer and Dubspot instructor DJ Kiva invites musician, DJ, and controllerist Julie Covello, better known as DJ Shakey of NYC's Warper Party for an innovative and compelling performance in which she utilizes her custom Ableton Live controller the VoltAxe. The Voltaxe encompasses a few other controllers into one to fit her desired goal of breaking the barrier between performer and audience and deliver a dynamic and interactive performance. The VoltAxe is comprised of Novation Launchpad, two USB MIDI controlers from Korg NanoSeries2, Kensington Expert Pro Turbo Trackball Mouse, custom eyepiece, and foam board and custom cabling power."

Dubspot Lab Report: Korg Monotribe (Mini Analog Synth) - Road Test w/ Abe Duque

YouTube Published on Apr 12, 2012 by DubSpot

"More info - http://bit.ly/HrSMcE
Welcome to the second installment of our new video series Road Test - dedicated to road testing portable electronic music performance and production tools. Dubspot Instructor, DJ and producer Abe Duque takes various music equipment out of the comfort of the studio and puts them to use while on the road as a traveling musician and performer. He documents his findings and details the creative possibilities these tools offer in a live performance setting.

In this episode of Road Test, Abe has brought us the Korg Monotribe from his latest overseas adventures, playing a gig in Moscow. He added the Monotribe to his live setup, using it to cue in patterns on the fly during his set. The following is a detailed overview of the Monotribe, a walk-through on how to update the OS to expand its functionally even further and much more. Stay tuned for more live product testing and reviews by Abe in our Road Test series."

monotribes on eBay
MIDITRIBEs on eBay

The Cures "A Forest" Live Performance on Teenage Engineering OP-1

OP-1 Live "A Forest" Demo (Written by The Cure)

YouTube Published on Apr 11, 2012 by djthomaswhite

"This is a piece of me giving a presentation on what the OP-1 is and what it can do. The whole presentation was about an hour of demo followed by 20 minutes of live music performance of my own music and 10 minutes of Q&A at the end. This series of videos too place at an event put together by www.dubspot.com and included visionaries of electronic music Steve Nalepa, Thavius Beck (Who you can see holding the webcam for almost my whole presentation.. strong arm Thav, strong!) Respect to all involved and I hope this sheds a bit more light on the OP-1 and what it can add to your music creation. Includes original cover version sans lyrics of "A Forest" written by The Cure (Robert Smith, Simon Gallup, Tolberg"

The full presentation:

Using Moog Animoog w/ Ableton Live - iPad / iOS Sound Design Tutorial Pt 3

Uploaded by DubSpot on Apr 2, 2012

"More info - http://bit.ly/HPrHQ6
In the third and final installment of our video tutorial series on Moog's Animoog iPad app, Dubspot Instructor Matt Cellitti offers sound design and production tips and tricks and shows you how to use Animoog in a Digital Audio Workstation.

The final installment of the Animoog tutorials will hopefully give you a few more tricks on how to create some really cool sounds in this great app. Once you have created an interesting sound with a unique path, I will show you how to "stretch" the orbit across your path to create thick sounds, triggering multiple timbres at once for radically transforming sounds. Moving the path around the X/Y axis will allow you to essentially create several different presets inside of one saved sound. I might start with a slow pad if I begin in the top left corner, yet morph to a sharp lead sound by pulling the path down to the bottom of the Y axis.

Lastly, it is important to realize that the signal coming out of the iPad/iPhone headphone jack comes in at a lower volume level than we would like. Simply use some effects inside of a DAW or other host program to boost the signal and create more interesting effect chains for Animoog. Set up an effect chain just once and save it for instant recall when you need it again. Works great in both Live and Maschine. - Matt Cellitti"



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iPod Touch on eBay

All parts here.

Moog Animoog iPad / iOS Video Tutorial Pt 2: Advanced Modulation + Routing

YouTube Uploaded by DubSpot on Feb 22, 2012

"More info - http://bit.ly/xKwZEj
In part two of a three-part tutorial on Moog's Animoog iPad app, Dubspot Instructor Matt Cellitti shows you how to creatively use Animoog's modulation parameters to achieve complex sounds.

Now that we have looked at how to break down Animoog into a basic initial state, I would like to examine the instrument's creative options to make more complex sounds. Animoog has a clearly labeled and easy to use modulation area, allowing us to add several modulation parameters to the sound at the same time. We are able to use traditional modulation sources like mod envelopes, filter envelopes, and low frequency oscillators, but there are some hidden gems in here as well. For instance, take control of the Touch Keys to manipulate sounds in ways a traditional keyboard is incapable of. By using the the modulation control of "poly-pressure" to manipulate a destination of filter frequency, the areas of the touch key will activate modulation of the filter's cutoff frequency. So you can create filter sweeps just by moving your fingers up and down a single touch key. Furthermore, as if the path and origin controls of the X/Y pad weren't enough, you can use mod controls to effect these parameters even further. It never ceases to amaze me how much flexible control this app has. - Matt Celetti"

Part 1 here.



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iPads on Amazon

iPod Touch on eBay
iPod Touch on Amazon

Lemur for iPad Tutorial Pt 1 - How to Create Your Own Interface

YouTube Uploaded by DubSpot on Jan 6, 2012

Also see the tutorials at the bottom of this post from Liine.

"More info - http://bit.ly/AsK8eS
The original Lemur was a hardware unit, introduced back in 2004. Used by the likes of Björk, Richard Devine, and Modeselektor to name a few, it was one of the first multitouch touch screen controllers. After years of woe and longing, the legendary Lemur software is available for use on iOS devices. The main advantage of using a touch screen controller is the fact that you can create your own unique interfaces, full of buttons, knobs, pads, faders, or whatever else you'd like. The Lemur Editor (formerly called the JazzEditor), is software that runs on your computer, and is where custom interfaces are created for use with Lemur.

In part one of this two-part series, basic setup of the Lemur and Lemur Editor are explained. To start, an Ad-Hoc network is created. Once the iPad running Lemur software is connected, it will automatically update with the changes made in the editor. As far as objects go, we'll start with the Fader and MultiBall. A great thing about the Lemur is its physics engine, which we can use with both objects. After MIDI is set up, it's time to take a look at the Lemur Daemon. The Lemur Daemon brokers internal MIDI connections between incoming Lemur control signals and other programs running on your computer, such as Ableton Live. Here, we set up the connection manually."


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iPads on Amazon
iPod Touch on eBay
iPod Touch on Amazon

Lemur for iPad Tutorial Pt 2 - Controlling Ableton Live Effects

Dubspot @ NAMM 2012: Moog, Akai, Buchla, Teenage Engineering, Keith McMillen +

YouTube Uploaded by DubSpot on Feb 3, 2012

"The 2012 NAMM Show was a chart topping success. With record numbers in turnout and many notable new products being released this year, NAMM was a sight to behold. The Dubspot team was in attendance to get the scoop on the latest movements in technology and sound from the world of music manufacturers. Upon our arrival we eagerly ran from booth to booth, checking out new products from companies such as Moog Music, Akai, Arturia, Korg, Keith McMillen, Smithson Martin, Eowave, Teenage Engineering, Rane, Allen & Heath, and Pioneer. This was no easy feat at a convention that tops 100,000 visitors annually at the Anaheim, CA Convention Center.

Read more on our blog here: https://bitly.com/"

Moog Animoog iPad / iOS Sound Design Tutorial Pt 1: How to Get Started

YouTube Uploaded by DubSpot on Jan 31, 2012

"In part one of a three part tutorial on Moog's Animoog iPad app, Dubspot Instructor Matt Celletti shows you how to get to the initial state, so you can begin to understand how this powerful synth works.

Leave it up to Moog to produce the finest synthesizer app on iOS. The legendary company best known for their iconic hardware has also created the finest example of what an iOS app should be: visually interesting, great sounding, and a ton of fun. I find myself being inspired by this unique take on synthesis every time I sit down with it, thanks to the intuitive controls and fascinating X/Y pad. We have so many choices available in the form of hardware and software synths these days, and yet, I find myself often starting out with Animoog to get the creative juices flowing.

One thing I have noticed about this app is that it may be quite complex for new users to fully understand. Given the low introductory price of this app, I'm sure a lot of would-be synthesists began playing with it only to get frustrated by the synth's architecture. In Part 1 of this three part tutorial, I explain how to break the instrument down to it's most basic form. This is commonly referred to as initializing. When we start to look at the synth from the absolute initial state, it is much easier to comprehend. The following tutorials are an explanation of Animoog's parameters and how to create usable sounds by learning the fundamentals of this wonderful instrument. - Matt Celletti

Related Dubspot Courses Starting Online & in New York City:

MASCHINE Program starts in NYC January 30th and Online the week of January 22nd. More info: http://bit.ly/tOZWeC"



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iPads on Amazon

iPod Touch on eBay
iPod Touch on Amazon

Moog Animoog iPad / iOS Sound Design Video Tutorial Pt 2: Advanced Modulation + Routing Advanced Modulation + Routing

YouTube Uploaded by DubSpot on Feb 22, 2012

"More info - http://bit.ly/xKwZEj
In part two of a three-part tutorial on Moog's Animoog iPad app, Dubspot Instructor Matt Cellitti shows you how to creatively use Animoog's modulation parameters to achieve complex sounds.

Now that we have looked at how to break down Animoog into a basic initial state, I would like to examine the instrument's creative options to make more complex sounds. Animoog has a clearly labeled and easy to use modulation area, allowing us to add several modulation parameters to the sound at the same time. We are able to use traditional modulation sources like mod envelopes, filter envelopes, and low frequency oscillators, but there are some hidden gems in here as well. For instance, take control of the Touch Keys to manipulate sounds in ways a traditional keyboard is incapable of. By using the the modulation control of "poly-pressure" to manipulate a destination of filter frequency, the areas of the touch key will activate modulation of the filter's cutoff frequency. So you can create filter sweeps just by moving your fingers up and down a single touch key. Furthermore, as if the path and origin controls of the X/Y pad weren't enough, you can use mod controls to effect these parameters even further. It never ceases to amaze me how much flexible control this app has. - Matt Celetti"

Using Moog Animoog w/ Ableton Live - iPad / iOS Sound Design Tutorial Pt 3

Uploaded by DubSpot on Apr 2, 2012

"More info - http://bit.ly/HPrHQ6
In the third and final installment of our video tutorial series on Moog's Animoog iPad app, Dubspot Instructor Matt Cellitti offers sound design and production tips and tricks and shows you how to use Animoog in a Digital Audio Workstation.

The final installment of the Animoog tutorials will hopefully give you a few more tricks on how to create some really cool sounds in this great app. Once you have created an interesting sound with a unique path, I will show you how to "stretch" the orbit across your path to create thick sounds, triggering multiple timbres at once for radically transforming sounds. Moving the path around the X/Y axis will allow you to essentially create several different presets inside of one saved sound. I might start with a slow pad if I begin in the top left corner, yet morph to a sharp lead sound by pulling the path down to the bottom of the Y axis.

Lastly, it is important to realize that the signal coming out of the iPad/iPhone headphone jack comes in at a lower volume level than we would like. Simply use some effects inside of a DAW or other host program to boost the signal and create more interesting effect chains for Animoog. Set up an effect chain just once and save it for instant recall when you need it again. Works great in both Live and Maschine. - Matt Cellitti"



iPads on eBay
iPod Touch on eBay

The Choppertone Pt 1: Custom MIDI Controller for Ableton Live + Nick Francis Interview

YouTube Uploaded by DubSpot on Nov 30, 2011

"More info: http://blog.dubspot.com/choppertone
Producer, programmer, radio broadcaster, music director and host of Quietmusic, Nick Francis recently stopped by Dubspot NYC for an inspiring interview and intimate live performance and demonstration on his own custom-built MIDI controller The Choppertone along with Ableton Live.

In this exclusive Dubspot video interview, Nick Francis talks about his musical evolution, from listening to rock and pop music of the 1960s and '70s to delving into the world of jazz, experimental and electronic music (musical instruments and music technology); Francis embraced everything from Tangerine Dream, Kraftwerk, Brian Eno, Herbie Hancock and Weather Report to DJ Shadow, Moby, and Fatboy Slim. He has a strong appreciation for classic American soul and R&B and music of the 1940s and 1950s, but also pays attention to current music and recognizes the efforts of innovative electronic musicians and performers of the 21st century."

Maschine Tutorial: Sound Design w/ Vocal Samples / Create Sampled Instruments

YouTube Uploaded by DubSpot on Nov 28, 2011

"More info: http://bit.ly/sEqxOG
In this video tutorial, Dubspot Instructor Matt Cellitti offers tips and tricks for transforming and shaping ordinary sounds with Native Instruments Maschine's high-performance sampler and and turning them into versatile sampled instruments. Cellitti is co-designer and developer of our Maschine program, along with our very own Heinrich Zwahlen. For those looking for high quality training on Maschine's hardware/software combination, this is the program. The classes will be available in our school in New York City and at Dubspot Online this January."

Reactable Live @ Dubspot! Interactive Sound Design Workshop Recap

YouTube Uploaded by DubSpot on Nov 21, 2011

"More info - http://bit.ly/sAjMDV
In September, Dubspot had the wonderful pleasure of hosting a live streaming workshop with Create Digital Music's Peter Kirn and Martin Kaltenbrunner of Reactor. Developed in Spain by Austrian and Spanish music and media technologists, Reactable is a musical instrument that is changing the way modern electronic music is produced and performed. In this video recap of the live webcast, Peter Kirn asked the necessary question "what makes this an instrument?" and Martin Kaltenbrunner answered that question with a demonstration using Reactable's tangible and intuitive interface to create and manipulate sounds on the fly. Furthermore, Peter and Martin talked about interface design, music technology, production and performance of electronic music without a computer, and much more."


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Sound Design Tutorial: Using Native Instruments' Reaktor To Build Virtual Instruments

YouTube Uploaded by DubSpot on Nov 14, 2011

"More info - http://bit.ly/vKrfPY
Dubspot Electronic Music Production and Sound Design Instructor Evan Sutton explains how to make basic connections and building a subtractive synthesizer using Native Instruments Reaktor's Built In Modules in this new tutorial. There are many levels to Reaktor's hierarchy. In the last tutorial, we spent most of our time on the Instrument level, making small changes and swapping out effects. If you missed the first tutorial, you can find it here: http://bit.ly/nxoNjs

In the second installment, we'll go even deeper and build our own instrument from the ground up. We'll be using Reaktor's Built In Modules, which are tools that range from simple math to complex signal processors. Many of these modules are the basic tools used in modular synthesis. We'll use these to build a simple synthesizer with one oscillator and an amplitude envelope. Remember to keep the volume down while you're setting up your modules.

It's important to explore basic signal flow in Reaktor. There are infinite possibilities for experimentation, but these concepts are the starting point for building larger and more complex ensembles."