MATRIXSYNTH

at 1/26/2024 08:52:00 AM

video upload by sonicstate

"At NAMM 2024, Sonic State got a sneak peek at the new prototype MicroKorg 2 from Korg. This updated version of the popular MicroKorg synthesizer features a metal case, a big LCD screen, and a simplified interface with color-coded knobs and a bright screen for easy sound control. The synth engine has been completely redesigned, offering a wider range of sound design possibilities, including digital and sample-based waveforms and three oscillators rather than it's older brother's 2. The MicroKorg 2 also boasts an improved effects section with three blocks, and a built-in loop recorder that allows for audio looping of both internal and external sources.

While the MicroKorg 2 is still a prototype, it is expected to be available later in the year, possibly during the summer. The price point is tentatively set at around $600, making it slightly more expensive than the original MicroKorg. However, Korg will continue to offer the MicroKorg XL and MicroKorg S models alongside the new MicroKorg 2. With its updated features and expanded sound possibilities, the MicroKorg 2 seems to be a promising addition to Korg's synth lineup."

at 12/03/2008 05:08:00 PM

"The microKORG range expands with a new big brother to mega selling microKORG synth

The original microKORG is loved and used daily by musicians around the world – from keyboardists to guitarists – enabling everyone to experience the enjoyment of a great synthesizer. Now an advanced microKORG is available; a synthesizer that lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body. Welcome the microKORG XL

Main features
New vintage design is both fresh and nostalgic.
Korg's renowned MMT Multi Modeling Technology, optimized for the microKORG XL.
Sixteeen band vocoder for voice controlled effects. A gooseneck microphone is included, so you can begin vocoding right away.
128 powerful sounds are built-in and ready for immediate use.
Intuitive sound selection; simply specify the music genre and instrument category.
Seventeen powerful KAOSS derived effects.
Newly developed natural touch mini keyboard is compact, yet easy to play.
Editing software can be downloaded from the Korg website, as well as converted MS2000 and microKORG programs.
Battery powered for on-the-go enjoyment.

The new top of the range microKORG --- XL power in a micro body
The microKORG has continued to be a best-seller since its arrival five years ago, and remains enormously popular today. This latest model boasts Korg’s powerful RADIAS/R3 derived MMT Multi Modeling Technology, as well as a powered-up vocoder. The updated ROM includes PCM data for recreating in-demand vintage keyboards such as piano, electric piano, and clav. Externally, the microKORG XL boasts a completely new vintage design with a textured black body and industrial silver panel. The interface has also been enhanced, making it easier than ever to use. Sound selection is controlled by two large dials; three smaller knobs allow the main parameters to be easily selected. The newly-developed mini-keyboard is firm and responsive for even greater playability. And best of all, it’s battery-powered so you can take it anywhere and still enjoy serious sound. For beginners, advanced musicians, and sound designers, this is a synthesizer that will stimulate your musical creativity.

Korg's MMT Multi Modeling Technology

Korg’s MMT engine provides a compendium of Korg’s various modeling technologies, offering a robust range of sounds – including great analog re-creations. Korg’s famed MMT is the same high-fidelity synthesis that powers our RADIAS, R3, and ElecTribe MX, optimized to provide the microKORG XL with phenomenal performance. The microKORG XL uses two MMT oscillators to generate powerful sounds. Oscillator 1 (OSC1) provides not only the standard waveforms you expect from an analog synthesizer, but a total of seven types of oscillator algorithms, including formant waveforms such as human voice, noise, and PCM/DWGS waveforms such as vintage keyboards and strings. Cross-modulation, unison, and VPM (Variable Phase Modulation) let you create sounds that would be impossible for a conventional PCM synthesizer. Oscillator 2 (OSC2) can be used for modulation (sync or ring) in conjunction with the first oscillator, making it easy to create complex and powerful sounds.

Dynamic synthesis power
Two multi-mode filters, a drive/waveshaping circuit for distinctively distorted sounds, and EG and LFO for creating time-varying tonal change, provide plenty of parameters for serious synthesis. Virtual Patching simulates the patching capability of Korg's classic MS series, and the arpeggiator can run six types of patterns, all adding up to a high degree of creative freedom. There’s also an external audio input jack, so you can process external audio material from a sampler or other source device. In the full-edit mode you have unlimited access to all of the microKORG XL's synthesis parameters.

Versatile Vocoding covers every angle – including those robot voices
Using a microphone, the microKORG XL’s amazing vocoder allows you to add vocal characteristics to any sound, creating everything from “talk-box” filtering, pseudo choirs, talking instruments and vintage Sci-Fi robots. You can also use a nother instrument – such a drum machine – to add rhythmic dexterity to your synth tracks. Our unique Formant Hold allows you to freeze the vocal input for continuous vocoder effects. In addition to simulating the classic vocoder sounds of the past, the microKORG XL also allows you to shift the filter frequencies (Formant Shift function) and adjust the level and pan of each of the sixteen bands, greatly altering the tonal character. This allows you to easily create fascinating textures and sounds that go far beyond traditional vocoding. A gooseneck microphone is included, so you can immediately start using these superb vocoder functions.

128 professional sounds, organized for immediate use

Finding the right sounds is easy. To choose a sound simply rotate the two large dials. The first selects the musical genre, while the second defines the instrument category. From the familiar "ROCK / KEYBOARD," the standard "R&B / LEAD," and the distinctive "HIPHOP / BASS," a wide range of presets are instantly available. For the diehard synthesists and sound designers, you can use the three performance edit knobs for fast, effective editing in performance. You're also free to select and assign your favorite parameters

Advanced dual effect engines
The two master effect processors were perfected on our KAOSS series. These up-to-the-minute effects go far beyond traditional delay and chorus, delivering a total of 17 powerful algorithms, including ring modulation and a grain shifter. In addition, delay effects can be synchronized to MIDI clock for expanded possibilities in a live performance and other “beat-sensitive” situations.

Compact expression and playability
Our new Natural Touch Mini Keyboard is firm and easy to play, inspiring confidence and greatly enhanced expressivity. The proportion of the black keys to white keys has been adjusted to make chording easier, and the improved touch allows rapid-fire phrases. The “waterfall” keys project a feeling of quality, and also make it easier to play glissandos, smears and slides.

FREE! Downloadable sound editing software
You can use a USB cable to connect the microKORG XL to your computer, and use the free sound editing software to organize your sounds and edit all of the parameters from your computer. In addition to the editing software, you can also download and use converted programs from microKORG and the MS2000/MS2000B free of charge.

Please note: Cosmetic and Technical specifications are subject to change without notice

microKORG XL Specifications
Tone Generator System: MMT (Multiple Modeling Technology)

Multi Timbral= maximum 2 (when using Layer, Split, or Multi)
Voices=8 voices
Structure: [Synth] 2 oscillators + noise generator, Oscillator 1: Wave: 8 types (Sawtooth, Pulse, Triangle, Sine, Formant, Noise, DWGS, Audio In), Modulation: Waveform, Cross, Unison, VPM, Oscillator 2: Wave: 4 types (Sawtooth, Pulse, Triangle, Sine), Modulation: Ring, Sync, Ring+Sync, Waveshape: Type: Drive, Decimator, HardClip, OctSaw, MultiTri, MultiSin, SubOSCSaw, SubOSCSqu, SubOSCTri, SubOSCSin, LevelBoost,

Multimode Filters: Filer 1: -24 dB/oct LPF ~ -12 dB/oct LPF ~ -12 dB/oct BPF ~ -12 dB/oct HPF ~ Thru, Filter 2: LPF, HPF, BPF [Vocoder] 16 channel vocoder, adjustable level and pan for each channel, Formant Shift function, Formant Hold function

Keyboard: 37 notes (mini-keyboard, velocity sensitive)
Effects: Timbre: 2 band EQ, Master effect x 2, 17effects
Arpeggiator: Six types: UP, DOWN, ALT1/2, Random, Trigger, Individual step on/off function
Programs: 128 programs (A/Bbanks x 8 genres x 8 category)
Inputs:
[AUDIO INPUT 1] jack (with MIC/LINE switch) – Rear Panel
Connector: 1/4” phone jack (unbalanced)
[AUDIO INPUT 1 (MIC)] jack – Front Panel
Connector: XLR jack (balanced)
Outputs:
[L/MONO, R] jacks
Connectors: 1/4² phone jacks (unbalanced)
[PHONES] jack
Connector: 1/4² phone stereo jack
MIDI: IN, OUT, THRU connectors
USB: Type B connector
Display: Custom LCD
Power Supply: DC 9 V (AC adapter), or six AA alkaline batteries (sold separately)
Battery Life: approx. four hours (with alkaline batteries)
Dimensions: 556(W)x231(D)x73(H)mm/21.89"(W)x9.09"(D)x2.87"(H)
Weight: 2 kg/4.41 lbs. (without batteries and included microphone)
Accessories: AC adapter, Gooseneck Microphone
microKORG XL Sound Editor
Operating requirements
Windows:
• Computer
A computer that satisfies the operating requirements of Windows XP or Windows Vista, and has a USB port
• Operating system
Microsoft Windows XP (SP3 or later), Windows Vista (SP1 or later)
Macintosh:
• Computer
An Apple Macintosh computer that satisfies the operating requirements of Mac OS X and has a USB port
• Operating system
Mac OS X version 10.4 or later
03-Dec-2008"

at 1/18/2024 09:36:00 AM

video upload by Korg

The microKORG 2, 8 voice synth and vocoder engine. 4 voice in dual/layered mode.

"The microKORG, one of the most iconic and recognizable synths in the history of music, revolutionized the music world with its unique form factor and unmistakable sounds, making it an industry standard for musicians everywhere. Renowned and loved by musicians, sound engineers, producers and gadget buffs everywhere, the microKORG has now evolved to a more powerful, more flexible and richer level - the new microKORG.

While retaining some of the iconic aspects of the original , including the convenient portable size, easy to play mini keybed, the large dial for selecting program genres or the vocoder with dedicated mic, the new microKORG offers a completely new, powerful sound engine, many more useable programs, a visually astounding user interface, and so much more."

CLICK FOR MORE »

at 9/04/2013 06:33:00 PM

"Legendary synthesis; vintage vibe! The limited edition MicroKorg Gold features “gold top” knobs and a matched gold panel, and brown sharp keys to match the body. Available at select retailers in November, 2013.

Updated Sound Set Now Available!

These 128 custom sounds from Korg USA are truly a “micro makeover,” pushing the powerful microKORG analog modeling engine to deliver a fresh and wild collection of leads, basses, atmospheric textures, arpeggiations, motions synths, rhythmic grooves and much, much more to explore. Take your microKORG and your music to new levels with this exciting new sound set! Download now!

MICRO MAKEOVERS! MicroKorg is getting all decked out in limited edition colors for the 10th Anniversary of Micro. Get your hands on an eye-catching black/red or all-black model before they’re all gone. Available through select retailers late November.

Meet the Synthesizer that Changed Everything!

In the summer of 2002, Korg unleashed the compact and portable microKORG Synthesizer / Vocoder. More than just another synthesizer, the microKORG virtual analog synthesizer opened a new avenue for music-making. Combining mini-keys, battery power, a simple-to-use interface, and phenomenal sound, all at an attractive price, microKORG made the synthesizer available to every musician. Bass players, singers, guitarists, producers, DJs, horn players, all flocked to add the professional sounds of the microKORG synthesizer to their instrument arsenal.

One of the top-selling synthesizers in the world every year since its release, microKORG remains the champion of Korg’s successful microSERIES: the microKORG XL, microSAMPLER, microPIANO, microSTATION, and microARRANGER.

microKORG Highlights:
37 mini-keys with velocity sensing

4-Voice Analog Modeling synth engine

128 completely editable presets

5 Assignable, tweak-able, realtime edit knobs

8-Band Vocoder with gooseneck mic

Unique Formant Hold and Formant Shift Vocoder features

Interactive arpeggiator with selectable steps

External audio processing

3 Effects: Chorus/Flanger, Phaser, and Ensemble

3 Delay Modes plus a 2-Band EQ

High-visibility LED display and indicators

Illuminated buttons

Retro-styling with solid wood endblocks

Pitch Bend & Modulation wheels

Battery-powered portability
With the microKORG analog modeling synthesizer, hardware matters. The built-in vocoder and selectable-step arpeggiator add a new dimension to performing and recording without the need to master new technologies. External sounds can be processed by the microKORG’s filter and more. With dedicated knobs and an index to the sound-editing parameters available on the front panel, microKORG allows each player to go as deep into the sound engine as desired. But for many musicians, just choosing the sounds from the convenient categories provides instant satisfaction."

microKORGs on eBay

Not to be confused with this Custom Black & Gold MicroKORG.

at 1/29/2024 05:00:00 PM

video upload by True Cuckoo

"Korg announced their Microkorg 2, a successor to their longest running production synth ever. I really like what I hear and see. Great user interface, with colourful, fun and clear parameters. I'm looking forward to dive deeper into this."

Additional MicroKorg 2 posts

at 1/29/2024 10:45:00 AM

video upload by Sounds Like This

"What does Korg's microKORG 2 sound like? It sounds like this!

Well, at least it sounds like this at the moment, but as they clearly stated at their booth, the demo units were prototypes and the production version is not finished yet. Therefore, it only had 6 presets - all of which were named NAMM 'sonething'.

But still, here is a quick taste of the microKORG 2 sound engine as it stands today."

at 4/09/2013 10:43:00 AM

Microkorg Tutorial Part 1

Published on Apr 8, 2013 Jacques Mongrel·4 videos

Microkorg Tutorial Part 2

Published on Apr 10, 2013

"This second part looks more closely at the oscillators and how they interact with the LFO and with each other with ring modulation and sync."

CLICK FOR MORE »

at 3/29/2016 08:32:00 PM

Published on Mar 29, 2016 Todd Smith

"In my first Microkorg tutorial I'll show you how to use this device as a effects unit. The Microkorg is a very deep machine with TONS of options. Because of the Minilogue many people are selling these amazing synths at CRAZY prices. This is my first on MANY Microkorg tutorials. In this video the Microkorg processes the Korg Volca Bass, Korg Volca Keys and Arturia Microbrute. The effects used on the Microkorg are Delay and Ensemble."

Update:

Microkorg Effects Machine Tutorial Part 2

Published on Mar 31, 2016 Todd Smith

"In my second Microkorg tutorial I'll go even deeper on how use this device as a effects unit. I'll show you how the Microkorg can effect sounds with it's Filter, Amp, EQ, Delay and MOD FX sections. I'll also show you how to sustain the audio with the ARP instead of having to hold down the key like in the first tutorial. In this video the Microkorg processes the Korg Volca Bass and Arturia Microbrute. The effects used on the Microkorg are Delay with added Phaser at the end of the video."

at 1/18/2018 12:12:00 PM

Published on Jan 18, 2018 Schtang

Part 2 below.

"Schtang & Aengus return for another live studio hardware jam. Changed direction and worked this introspective ambient jam with some rainforest flavours. This is part 1 of 2 installments, with the second taking on a more percussive and driving feel.
This is a slightly developed studio jam and shows us experimenting with soundscapes before progressing it into a solid piece in the second installment. Still discovering our synergy together and working at using instruments and effects that complement our playing style and taste.

Studio Talk:
The Microkorg offers the central melodic pad and some intermittent bass sounds gluing the composition together. It is being processed by the TC Electronic M300 multi effects unit to give it some more space and eloquence in the mix.
The Elektron Octatrack MKII sets the mood with some rainforest soundscapes and acts as an effects unit for the Moog Sub37
The Moog Sub37 provides a surreal arp which intermingles with the other sounds and creates the rhythmic driving element.
The Electribe 2 is the central hub and acts as the midi clock while also sequencing and processing the Korg Volca Keys.
Everything runs back into the Mackie VLZ4 2404 and all mixing was done via the console"

Schtang & Aengus - Alluvium Part 2 (Percussive Jam) ft. Octatrack mkii, E2, TR08, Sub37, Microkorg)

Published on Jan 18, 2018 Schtang

"The second installment of Alluvium by Schtang and Aengus. Picking things up from the ambience of Part 1 and developing it into a more refined and rhythmic performance.

Very excited at our progress and we will continue to post our music whether it's well crafted or not. Keen to hear how you think of our progress!

Studio yarn:
The TR-08 is the driving percussive element of the tune with its signature kicks and hats driving the progression and mood.
The Korg Microkorg adds some warmth with wide, luscious pads.
The Electribe 2 provides some backup percussive elements and sequences and processes the dark tones from the Volca Keys.
The Octatrack sets the mood for the piece with some atmospheric percussion and forest ambience.
The Sub37 provides the panning growling bass patch which shuffles in and out of the piece."

at 8/23/2016 06:55:00 PM

Published on Aug 23, 2016 Todd Smith

"Bandcamp Link - https://toddsmithmusic.bandcamp.com/

This tutorial will walk you through how to make a Retro bell style keys on your Korg Microkorg. The video will also give you a few tips on how to take advantage of the Digital Waveform Generator in the Korg Microkorg. Keep a eye our for more tutorials and preset videos based on the Microkorg. Enjoy !!

: Microkorg Patch Settings :

Voice - Sys / SGL / PLY / - / -
Pitch - 0 / -5 / 0 / 2 / 0
OSC1 - di9 / - / 10 / - / -
OSC2 - Tri / OFF / 24 / 7 / -
Mixer - 127 / 79 / 0 / - / -
Filter - 24.L / 62 / 21 / 0 / 17
filterEG - 0 / 36 / 127 /81 / OFF
Amp - 127 / R.11 / OFF / 0 / -
AmpEG - 0 / 29 / 127 / 81 / OFF
LFO1 - TRI / VOC / OFF / 34 / -
LFO2 - S-H / VOC / ON / 1.16 / -
EQ - 50 / 7 / 2.75 / 12 / -
Delay - STR / ON / 1.16 / 105 / -
ModFX - ENS / 43 / 82 / - / -

Patch 4 - Not used
Patch 3 - LF.2 / PAN / -7 / - / -
Patch 2 - LF.1 / 2.TN / 7 / - / -
Patch 1 - MOD / CUT / -41 / - / -

Tempo - 60"

at 9/09/2016 03:05:00 PM

Published on Sep 9, 2016 Todd Smith

"Support my music, visit my Bandcamp !!

https://toddsmithmusic.bandcamp.com/

This video will focus on the Korg Microkorg and how to create a retro arp. The Korg Microkorg is a SUPER powerful synthesizer in the right hands and I'm growing to love it more and more everything day.

Sorry for the time of the video, I got lost in this sound. The arp is amazing to play and I love the little rhythmic background sound that changes with the filter setting. Thank you Korg for giving artist such amazing power at such a great price with the Microkorg synthesizer.

The info for the Microkorg patch setting are below, have a great day !!!

: Microkorg Patch Info :

CLICK FOR MORE »

at 11/15/2012 04:49:00 PM

Published on Nov 15, 2012 by flx04

"This is a MicroKorg tutorial showing how to make the synth lead sound from my "Sunday Synth Jam" Video: http://www.youtube.com/watch?v=pp8620beSxY If you have questions or comments, go ahead and post them below! :) Thanks for watching!

____SETTINGS:____
Initialize the sound on the MicroKorg by pressing SHIFT + 3 and then 3 again.

CLICK FOR MORE »

at 1/15/2020 11:15:00 AM

Published on Jan 15, 2020 Todd Smith Music

"This is second video in a weekly series which will include all the patch notes for every single free Microkorg sound I create. This week features a 80's style synthesizer sound. I feel the Microkorg is still one of the most powerful budget synthesizers for the price tag but not everyone can program it well. I hope these videos help some people.

I need to thank EVERYONE for the ENDLESS support that I've received via You Tube views, Bandcamp sales and Patreon support. All these things help support my projects & music.

Till next time,stay creative

Patreon : https://www.patreon.com/toddsmith_blo...
Bandcamp : https://toddsmithmusic.bandcamp.com/

: Patch Settings :

Voice - SYT/SGL/PLY
Pitch - 0/-3/5/2/0
OSC1 - 2/0/123/
OSC2 - SAW/OFF/0/6
Mixer - 127/116/0
Filter - 12.L/43/62/29/44
Filter EQ - 0/112/0/114/ON
Amp - 90/CNT/OFF/-8

Amp EQ - 2/90/100/114/ON
LFO1 - TRI/OFF/OFF/25
LFO2 - SIN/OFF/OFF/68

EQ - 220/5/12.0/7/
Delay - STR/OFF/80/77
MODFX - FL9/35/21

Patch4 - MOD/LF.2/7
Patch3 - LF.1/PAN/19
Patch2 - LF.1/2TN/-1
Patch1 - LF.2/PTC/3"

at 6/10/2016 09:35:00 AM

Published on Jun 10, 2016 Alba Ecstasy

Playlist:

1. Journey to the Edge of the Universe - From a Thousand Years Away

'From a thousand years away - from THE EPSILON PROJECT album, available on http://albaecstasy.bandcamp.com/album...
All sounds come from EMU Proteus 2000.

22.09.2012 Kontinuum Productions
Video courtesy: NASA GOV - Non-Commercial Use http://www.nasa.gov/multimedia/"

2. Journey to the Edge of the Universe - Ep. 1 - Leaving the Earth

"Journey to the Edge of the Universe - Ep. 1 - Leaving the Earth is a new weekly series of live studio recordings. Welcome aboard and let's start this Journey!

Using: Virus Ti2 in multimode (2 pads, 2 arps), OP-1 - pad, Eurorack mix: bass and FX, Circuit - drums, Radias - bass."

3. Journey to the Edge of the Universe - Ep. 2 - New Horizons

"Earth remains behind the Spaceship. It becomes smaller and smaller. New worlds, new horizons are waiting for us, the Space Pioneers... Episode 2 of this Journey starts with a System-1 pad, passed through MI Clouds. Bass sound comes from Z3000 mkII and SEM, lead from OP-1, pad from microKorg, arpeggiator from Ti2, FX - Radias and percution from Circuit."

4. Journey to the Edge of the Universe - Ep. 3 - A Lost Transmission

"You may know that saying with the Universe conspiring so the things to be as they're meant to be! The Planets lined up with this Episode, since my camera didn't want to record more than a few seconds and stopped (and I didn't noticed this), matching perfectly with the title of this Episode 3: A Lost Transmission!
This Episode starts with Yamaha Motif XS6, the workstation of a friend and most of the sounds you hear in the first part, are from it, sampled in Ableton. Part two continues with my usual gear plus Promars System-1 plug-out (seq), Arturia iSEM (bass seq) and Animoog (lead).

We're far away from Earth and some interferences, as you may see, are blocking our comunication to the Earth. Hoping that next days we'll be able to re-establish the connection! But, who knows... There are some clues that a mysterious ship is following us..."

5. Journey to the Edge of the Universe - Ep. 4 - Supernovae

"After the communications were re-established, we found out what causes the signal loss: a Supernovae chain effect, two sister stars exploded and generated some cosmic radiations. We are passing now near this area..."

6. Journey to the Edge of the Universe - Ep. 5 - Empty Space

"Featuring: Moog Model 15, Quadnic, Novation Circuit, Virus Ti2, Blofeld, microKorg, Radias, System-1 Promars.
Using a very nice FX patch on Model 15, created by my friend Tony Saunders (the creator of MidiSequencer iPad app)."

7. Journey to the Edge of the Universe - Ep. 6 - Radio Waves

"Coming back from a one week exhausting trip, The Journey to the Edge of the Universe continues with Ep. 6 based on OP-1 - radio, SoundScaper - drone, Quadnic-Braids-Tides-Clouds - drone and sequence, microKorg - lead, Virus Ti2 - pads, Circuit - drumbs, bass, sequence."

at 9/05/2016 07:57:00 PM

Hi everyone, you might remember, back in July I posted some pics of my newly acquired UltraNova, and mentioned that review posts would eventually follow.

Well, I’m happy to tell you the first post is here. The UltraNova is one powerful synth, so to make the overall review a bit more consumable, it will be broken up over time. This first section includes an Overview, the Oscillators, and the Mixer sections. When new sections go up, I will be sure to let you know via a new post.

As with most of my reviews, I will say this one goes pretty deep into the synth engine and all editable parameters. If you are the type of person that likes to dissect and explore all of the available parameters on a synth, then this post is for you. I will touch on what each parameter does and will call out any interesting features and limitations as I do so. There are some pretty special parameters on the UltraNova that give you control beyond most other synths. Hopefully this review will give you some insight into what makes the UltraNova special.

Overview & Quick Comparison to Previous Nova Synths

The Novation UltraNova, released back in 2010, is a 20 voice virtual analog & wavetable synth with three oscillators, two ring modulators and one noise source per voice. The UltraNova also features two audio ins that can be assigned to the oscillator section and/or a 12-band vocoder. It’s worth noting that the Novation Nova from 1999 featured a 40-band vocoder, while the Supernova II from 2000 featured a 42-band vocoder. The UltraNova is a monotimbral synth while the 12 voice Nova was six part multitimbral and the Supernova II (24, 36, or 48 voice) was eight part multitimbral. The UltraNova supports up to 5 simultaneous effects per patch. The Nova supported 42 simultaneous effects, while the Supernova II supported up to 56. The Supernova II also supported FM synthesis while the Nova and UltraNova omit it.

The UltraNova, however, is the first Nova synth to feature wavetable synthesis. An interesting side note is that all of the oscillators on the UltraNova are actually stored as wavetables, including the standard waveforms. According to Novation, “The wavetables in the Supernova series are all calculated. The wavetables in the UltraNova, even the standard analogue waves are wavetable oscillators. This change in oscillator generation was first used on the A-Station and K-Station and subsequently in the KS series, X-Station and Xio.” This allows the UltraNova to have some advanced tricks when it comes to the oscillator section, which will be covered in detail below.

I asked Novation about the lack of FM synthesis and they told me, “FM would have been a lovely addition to the UltraNova, but it would have been asking too much of the DSP to be able to run everything the UltraNova can do and also add in FM. The wavetables were a really good way to introduce a new (to Novation) type of synthesis that is able to cater for some of the synth sounds that FM is known for and also to be able to create lush evolving pads.”

The UltraNova features two routable filters per voice with a total of 14 filter types to chose from including 6dB (no resonance), 12dB, 18dB, and 24dB with Lowpass, Bandpass and Hi-pass modes. The Nova and Supernova II lacked a 6dB mode.

As for hardware, although the UltraNova may have fewer knobs per function than its predecessors, it is extremely well laid out and super intuitive to use. Along with both keyboard velocity and aftertouch, the UltraNova has touch sensitive knobs. They literally respond to touch and can be assigned to various parameters. Worth noting, velocity is configurable, however, aftertouch is not. I found the aftertouch to be good, but it does require a little extra force than I prefer; it’s good for not accidentally triggering it, but not so good for subtle, natural performance.

Please note the above comparisons with the Nova and Supernova II were only for quick reference. The UltraNova of course is its own synth with a few tricks up its sleeves that are lacking in the original Nova line, including a level of control over the synth engine often only found in the modular realm. It sounds incredible, and for the price, currently only $599 new, it is an extremely flexible and powerful synth. You get the current top-of-the-line Novation Nova synth engine with new wavetables and more. The UltraNova is both a performance oriented synth as well as a synth programmers dream. It can be configured for easy access to specific parameters for a live situation, or you can dig as deep as you want with a clearly well thought out interface.

That said, let’s dig in.

The following review and overview will essentially go over the signal flow of the UltraNova followed by performance controls including the arpeggiator and the hardware interface. I’ll go into a little detail on what each feature can and cannot do in an attempt to give you a detailed idea of what the synth is capable of. Because my reviews tend to be a bit on the longer side, I will be posting the sections in chunks over time to make it easier on you to consume and for me to compose.

First we start with…

CLICK FOR MORE »

at 1/04/2018 01:28:00 PM

Published on Oct 18, 2017 2 by bukowski official

"Wavegrower Themes is a collection of five short music pieces made by 2 by bukowski (http://2bybukowski.com), inspired by and made as a tribute to Wavegrower's (http://wavegrower.tumblr.com) art.

Into the Wave
-------------
Moog Mother 32: 3 overdubbed tracks through MXR Carbon Copy and TC Electronic Hall of Fame 2 for the pad like sounds
Roland JX-03: long-attack Strings patch

Satisfyer
------------
Roland JX-03: LFO’d strings patch
Strymon Deco: Overdrive on Strings and Beat Track
Moog Mother 32: bass
Arturia MicroBrute: blip sound effect (square wave LFO modulating the VCF, randomness is by manually plugging and unplugging the patch cable) through MXR Carbon Copy, TC Electronic Hall of Fame 2

Energizer
-------------
Roland JX-03: Lead Synth sound
MS-20: Soft background arpeggio in the last 15 seconds
MS-20: High arpeggio
Moog Mother 32: 3 tracks - bass, hihat, sequence with some delay from MXR Carbon Copy, and reverb from TC Electronic Hall of Fame 2

Bubble Wave
------------------
Moog Mother 32: Random voltage from the assignable patch bay output used to create the main theme, Hall of Fame 2 reverb, MXR carbon copy delay
Roland JX-03: Background sound with high legato time and amplitude LFO

"S" Tunnel
----------
Moog Mother 32: 3 overdubbed tracks for the main theme via MXR Carbon Copy Analog Delay, TC Electronic Hall of Fame 2 Reverb
Arturia MicroBrute: Bass sequence
Korg Microkorg XL: low pad"

at 6/02/2011 03:34:00 PM

YouTube Uploaded by MissingLinkMIDI on Jun 2, 2011

"www.wifimidi.com

In this video, I demonstrate using an iPad with a TouchOSC (www.hexler.net) template I created (available at: http://wifimidi.com/phpBB3/viewtopic.php?f=6&t=121) to control a Korg MicroKorg wirelessly via the Missing Link (www.wifimidi.com).

The Missing Link allows users to create completely custom software interfaces for controlling any of the MIDI parameters of their instruments. In this case, it exposes a lot of the controls and functions of the MicroKorg that are not easily accessible (or simultaneously configurable) directly. This is all done without a computer, ensuring the lowest possible latency and highest possible stability for critical performance applications."

iPad editor for the KORG MicroKORG

TouchOSC - hexler
iPads on eBay

Update: I gave this editor a try and it is excellent. It really opens up the MicroKORG and allows you to approach it in a way that was not possible below. You'll discover new things that were once inhibited. Unfortunately the MicroKORG does not make all parameters available via MIDI though. For example you can't adjust the speed of the arpeggiator, and you can select the effect type for FX1 and FX2. Note that is a limitation of the MicroKORG and not the editor.

at 2/01/2024 08:58:00 AM

video upload by sonicstate

"Jim Heywood from @EarmonkeyMusic spent some time with the recently announced microKorg 2 - which offers a new synthesis engine, more effects and a looper.

The pre-production model here did not have a full compliment of presets on board yet."

at 4/15/2010 02:15:00 PM

YouTube via MusikSchmidt — April 15, 2010 — "http://www.musik-schmidt.de/gb-Korg-m...

www.musik-schmidt.de

Musik-Schmidt,
eine Niederlassung der S-MUSIC GmbH & Co. KG,
Hanauer Landstrasse 338,
60314 Frankfurt,
Germany

Facts of the Korg microKorg XL LR: * Display: Custom backlit LCD * Keyboard: 37-note Natural Touch action * Switches: 7; Bank (2 position), Octave Up and Down (toggle), timbre select (2 position), Arp On/Off, Vocoder On/Off, Write, Exit/Shift * Knobs: 7; Volume, tempo, program select (genre and category), real-time assign, edit menu selector * Wheels: Pitch and Modulation * Polyphony 8 voices (up to 4 when the vocoder is selected) * Program: 128 * Number of timbres Maximum 2 (when using Layer, Split, or Multi) * Synth 2 oscillator + noise generator * Multi-mode filters * 16-band Vocoder, adjustable level and pan for each band * Format Shift function, Formant Hold function * Effects Timbre: 2-band EQ * Master: master effects (17 effect algorithms) * Arpeggiator UP, DOWN, ALT1/2, Random, Trigger (6 types) * Step Arpeggiator * Audio In (Line): Jack * Audio In (Mic): Jack * Output: L/Mono, R with jacks * Headphone jack * MIDI: In, Out * USB connector B type * Power supply: DC9V * Included items: XLR Gooseneck Microphone with windscreen, Power Adapter"

at 10/30/2016 10:49:00 AM

Published on Oct 30, 2016 Todd Smith

"This is my first serious step into using Ableton, VST and hardware together. I really enjoyed the results, maybe a bit to much. I ended up shaking the camera a bit with my leg. My B. =)

The Arturia Microbrute, Roland Boutique JP-08 and Re FX Nexus 2 are sequenced via midi in Ableton Live, while the Teenage engineering PO-12 is sampled for the drum tracks.

The Microkorg is played live and acts as a midi controller for the ReFX Nexus 2. I use key mapping in Ableton Live and the num pad on my PC Keyboard to control mutes and toggle midi control on the ReFX Nexus 2.

: Gear Used :

Korg Microkorg
Roland Boutque JP-08
Arturia Microbrute
Teenage Engineering PO-12
Midi Solutions Quarda Thru
Behringer Micromix MX400
Tascam US-144mkII Audio Interface
Waves Effects
Ableton Live 9"