RMI Harmonic Synthesizer

via this auction

Click here for more pics.

Details: "You are bidding on a keyboard from a estate, this keyboard was played in the 70s and was stored away for the past 20 years. We plugged in the keyboard and all keys work nice including all the lighted buttons and the left and right equalizers, we did try to test most functions however we are not totally familiar with this equipment so we cannot guarantee every function works perfect. The keyboard looks to be well taken care of. It has a case and 4 steel legs that fold up. We would rather this be a local pick up however we can ship this item.

HISTORY

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RMI Harmonic Synthesizer and Keyboard Computer demo LP part 1

YouTube Uploaded by baward on Jul 23, 2011

"Part One, Side One tracks 1 - 9. Rocky Mount Instruments. From 1974.

Tracks: Strings - Pedal Steel - Bells - Voices - Boogie Bass - Fiddle & Banjo - Funky-Wah - Random Scale - Pipe Organ

If you enlarge the movie on your screen, you might be able to make out the text..."

RMI Harmonic Synthesizer and Keyboard Computer demonstration record, part 2

Uploaded by baward on Jul 24, 2011

"RMI has just released TWO GREAT CONCEPTS on the musical public -- HARMONIC SYNTHESIZER and KEYBOARD COMPUTER. You will soon be hearing our sounds from other sources, since recording studios and touring groups are starting to use the new instruments. It appears we have hit on something -- see what you think.

Everything you hear on this record was recorded LIVE in REAL TIME by ONE PERSON. Any cross--fading or instruments appearing in contrast between the left and right channels was accomplished by the performer's use of the pedal -- not the recording engineer. RMI's concept allows the single performer to create five Independent channels of audio, bringing studio effects to the concert stage. Live concert ensemble will be improved while studio recording time will be greatly reduced.

Mike Mandel, keyboard wizard, was the first "outsider" to try our new instruments. Mike took to them like a fish to water. Cut one on side two is a section of an improvisation that began after only two hours. Although a tape was made at the time, there had been no plans for a record. Mike's inspiration from this first meeting convinced us that this cut was a must.

Clark Ferguson, marketing director at RMI, has composed music to illustrate the potentials of the new instruments in dealership concerts and demonstrations throughout the country.

Carlo Curley, a young and exciting concert organist, feels with the advent of the RMl Harmonlc Synthesizer and Keyboard Computer, a new era of expression has arrived. During the recording of the Daquin "Noel," Curley was inspired to improvise on the theme using the Keyboard Computer strings.

[RECORD SIDE TWO]

MANDEL DOES IT -- Full use is made of Channel Three and the Pitch Bender. A rapid percussive arpeggio is programmed on the sequencer as a background. Filter "sweeps" are used as accents.

NON-PIPE ORGAN -- You know what we mean. Characteristic keying noise and percussion are created by card #F3186. #1184 produces a typical setting. Rotating speaker effects are created by Chorus and the Vibrato Touch Bar.

JAZZ FLUTE -- Card used - Jazz Flute #F2335. Twelfth harmonic is percussed rapidly to create "over--blowing" transients. Fundamental and other harmonics on card #F2335 are delayed by Slow Attack mode.

RECORDER AND HARPSICHORD -- Alto Recorder #F2065 is heard with slight vibrato on channel one. Pulse cards #SPG1001 and #SPG2002 are percussed through channel two (no vibrato). Quick changes are made with the pedals.

MOMENT MUSICALE (Schubert) -- Percusslve accompaniment on Computer. Solo line is played alternately on the Synthesizer Left and Right Voices.

NOEL (Daquin) -- Flutes and harpsichord are the main instruments. Light bells are "sequenced" at random on the Synthesizer.

Produced by Clark Ferguson & Steve Roth, A.O.C.
Recorded at: Helffrich Recording Lab, Allentown, Pennsylvania
Front cover: Sam Smith, Allentown, Pennsylvania
Back cover: Tom Zwicki, A.O.C.

© RMI 1974
Rocky Mount Instruments, Inc., Sales Office: Macungie, Pa. 18062 Phone: 215/965 9801

Subsidiary of Allen Organ Company"

RMI Harmonic Synthesizer

via this auction. Via Rasmus A. Nyaaker. Thanks Rasmus!

""The Harmonic Synthesizer - a precise approach to synthesis. You are given accurate control of waveforms by Digital harmonic Generators [2 digital oscillators with 16 sliders for producing frequencies 1x to 16x]. At your command are relative intensities of all overtones to beyond audibility! Each of the two digital harmonic generators produce an independent audio output for exotic contrasts in stereo. Preset waveforms can be selected or mixed with the generators for instant changes. Dynamic effects are created by voltage-controlled filters with low-pass, band-pass, and high-pass mixable outputs. [The envelope generator for the VCF is very strange on the Harmonic Synthesizer. It has a knob to select "Sweep Up", Sweep Down" and another knob for time.] Intricate melodic and rhythmic "sequencer" patterns are created by holding chords. Digital circuitry insures tuning stability and "drift-free" performance. The controls are rugged. The case is tough. RMI enjoys a history of building trouble-free instruments."----[from the RMI Harmonic Synthesizer's promotional brochure]"

RMI Harmonic Synthesizer quick test

Published on Mar 10, 2016 Vykaar Tones

"RMI Harmonic Synthesizer with inexperienced driver in discovery mode. Purely for interest and not for musical entertainment.
Manufactured by Allen Organ Company
Product : Harmonic Synthesizer
Manufacturer : RMI
Release date : 1974-1976"

RMI Harmonic Synthesizer

via this auction

"The RMI Harmonic Synthesizer. This is serial number 128. There were under 200 of these made, and this one is in amazing condition and fully functional. It was recently calibrated and this unit comes with built in stand, owner's and service manuals, and lots of hard to find spare chips incase you ever need them. I would almost want to call this mint, but I have a hard time calling any 35 year old synthesizer mint.

From Sonic State [link]:

Totally excellent,marvellous synthesizer. The very first digital, additive synthesizer on market.

Very rare (only about 200 ever made)

Notably user : Jean Michel Jarre on Oxygene,Equinoxe,Rendez-Vous,Oxygene 7-13

For more information about how it works, see here"

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J.U.M.S. RMI Harmonic Synthesizer

"The RMI Harmonic Synthesizer is really rare on this planet. There are only 4 known RMI's in Europe!

So I decided build one myself, both IRL and digitally. One would excpect that, since the RMI has digital oscillators, it would be easy to create one digitally... WRONG! The real RMI oscillators can go beyond our audible range. Just because we can't hear such high frequencies doesn't mean we don't need it. Instead a really high sample rate is needed to get near. And all that because the unaudible sounds interfere with the audible sound :) Also the dynamic filter on the real RMI is really special. Unfortunately that is not easily emulated..."

Title link takes you there. via Hugo.

RMI Harmonic Synthesizer vs. RMI Keyboard Computer

via Wavecomputer360 on the AH list:

"both machines are totally different beasts, and even the two different versions of the KCs differ considerably from each other. I can only speak for the KC-2 (which I hated to see go a couple of years ago but then again, it was worth a couple of months´ rent for my flat...). The KC-1 is a totally different cup of tea. I have never used, let alone owned one (I think I had one out of nine KC-2s ever sold to owners in Germany).

A common trait of both instruments -- the Harmonic as well as the KC -- is that they both tend to sound a little static and not really rich and animated, very digital. Their digital nature (oops, there´s that word again) keeps them a bit too much in tune so you´d need some external effects to make it sound a bit more animated. It´s great as a source of samplefodder and really unusual overtone spectrums. The Harmonic of course allows you to change overtones while playing it which is something you can´t perform on a KC (a trick commonly used by many Harmonic Synthesizer players... insert the wooden wedges into the keyboard in order to keep a set of keys pressed, let the arpeggiator noodle on and on, and change overtones as it goes). Also, the Harmonic has a built-in analogue VCF (here´s that word which makes the whole affair come back on topic again...) plus the arpeggiator which allows for rudimentary realtime sequencing. You can´t do that on a KC.

What the KC can do, though, is to sound a bit like a proto-PPG of sorts -- although a lot more polite and well-behaved than a PPG 360 --, or a Prophet VS, for that matter. Its "Bells" preset was absolutely striking (no pun intended), and so was the "Pipe Organ". It has a very interesting raw sound which is ideal for further processing. One feature of the KC I was particularly fond was holding down a chord while inserting punchcards and hear the sound transform from one into another. That was definitely proto-PPGish. You could also do that when setting up two completely different sounds in each channel and use the pedals to let them fade into each other seamlessly.

Being a bit blatant, I´d recommend listening to the ['ramp] album "ceasing to exist" which was recorded in collaboration with touch guitar player Markus Reuter. I used mainly the RMI KC-2 Keyboard Computer for the electronic sounds and drones, plus a couple of loop devices. You can find the album as legal download on www.musiczeit.com (check for the label "Extended Moment"), there should be some audio to try out. There´s also a download-only album out called "drones and shimmers" by the humble writer of these lines (click here). I used the KC, plus a Jamman, for the tracks "working the soil" and "cultivating the sky". On a different note, I used the Harmonic and its built-in arpeggiator a lot on a track called "Cosmic Caravan" off a limited-edition CDR album called "blasters of the universe". You might be able to find a copy somewhere...

Hope that helps,

Stephen."

The First Synth to....

Update: The new home for this list is now here. You can add to the list there or comment here and I will update both lists. Note that the complete list however will be there as I do not plan on updating this list with updates made there. That would be too much work and would compete with me being able to put up new posts here. Can't let that happen. : ) Related but separate from that list also see https://120years.net. That said...

If you are going to add to the list in the comments, use the same format.

Year - Manufacturer - Model - First at
1837 - C.G. Page (Salem. Mass) - first to produce electronically generated sound (not necessarily associated with a musical instrument). After inventing the Volta in 1800 (an early battery), in 1837 Page was doing experiments with coils and realized when certain coils were attached to a batter they omitted a ringing sound. While he initially thought the ring came from the electrical current was interrupted (battery disconnected), what was actually taking place was the induction through the coils was causing them to vibrate. via Peter Grenader
1885 - Person and Ernst Lorenz -'Elektrisches Musikinstrument' - the first musical instrument designed to produce electrically generated sound. It used electronic vibrations to drive an electromagnet that were connected to resonating boards, which translated these vibrations to sound. via Peter Grenader
1897 - Taddaeus Cahills - Telharmonium - electromechanical instrument.
1936 - Oskar Sala - Mixturtrautonium - first synth using Subharmonic synthesis
1939 - Homer Dudley invents the Parallel Bandpass Vocoder (VODER) - A manually key operated speech synthesizer
1940 - Homer Dudley invents the The Voder speech synthesizer - A device which used the human voice and an artificial voice to produce a composite
Both were researched as a way to transmit speech over copper wires (id est, telephone lines)
1948 - Hugh LeCaine - Electronic Sackbut - First voltage-controlled synthesizer
1948 - Dr. Raymond Scott - Wall of Sound - First polyphonic Sequencing Worstation (electromechanical) and the Electronum - first sequencer.
1950 - CSIR - Mk 1 - The first known use of a digital computer for the purpose playing music
1956 - Louie and Bebe Barron - Produced the first all-electronic musical score for a major motion picture - MGM's 'Forbidden Planet'
1957 - Max V. Mathews at Bell Labs - MUSIC - the first digital synthesizer. Technically, it was a computer program, though it set the stage for every digital synthesizer that proceeded it. See Laurie Spiegel with one here.
1963/64 - Buchla - model 100 modular - 1st "modern" modular synth
1967 - Moog - Moog modular synthesizer I, II & III - 1st commercial modular synth.
1969 - EMS - Synthi VCS-3 - first non-modular mini-synth
1970 - MOOG - Minimoog - 1st Mono Synth with keys (non-modular)
1971 - Tonus/Arp - Soloist - 1st preset mono synth
1971 - John Chowning - developed FM synthesis using the MUSIC-IV language (source), a direct descendent of Mathew's MUSIC program. FM synthesis was later licensed by Yamaha, and used in popular synths such as the DX-7.
1972 - Triadex Muse - first digital synth
""is the first digital musical instrument and was produced in 1972. It was
designed by Edward Fredkin and Marvin Minsky at MIT. It is an algorithmic
music generator: it uses digital logic circuits to produce a sequence of
notes based on the settings of various parameters. It has four small sliders
in that control Volume, Tempo, Pitch, and Fine Pitch. It is not known how
many were made, but they are considered extremely rare.
The Muse is the subject of U. S. Patent 3610801"
1973 - Coupland Digital Music Synthesizer - First Digital (Triadex beat it?) Update via Peter Grenader: "No time to read through all these posts to see if it's come up yet, but the Coupland was vaporwear...it never existed. I met Mark Vail, who's now a friend, by writing him a letter informing him that his story about the Coupland in his Vintage Synthesizers book (GREAT book) which mentioned it's only recorded showing was at the AES show in LA in 1978 was a farce. I was there - at their booth and their suite in the Hilton where the instrument was said to be. I was there on the first day, I was there on the last day. The only thing they had was a small model - about six inches across, sitting on a table. The booth was amazing - this radial orb multiple people could sit in, with a cover that came over each person which played what I remembered was a very impressive demo which swirled around four speakers inside the box. I, and everyone else, were blown away. They kept saying...'it will be here tomorrow, it'll be here tomorrow'...so I showed up the last day just to see it, figuring by the then it would have arrived...it didn't. I did see the frst Synthclavier at that show however. Their suite was across the hall from the Coupland folk. That completely kicked the crap out of everything else shown that year."
1973 - Dartmouth Digital Synthesizer - NED - Synclavier prototype - first digital synth
1974 - Roland - SH-3A - first commercial additive synth
1974 - RMI - Harmonic Synthesizer - first commercial additive synth
1975 - Buchla 502 - six voice polyphonic with minicomputer and ability to save patches to tape drive. Development on the 500 series began in 1969.
1975 - Oberheim FVS - four voice polyphonic with Polyphonic Synthesizer Programmer. Not sure if the Buchla 502 or FVS was released first.
1976 - PPG - PPG 1003 sonic carrier - 1st programmable mono/duo synth with patch memory (this, along with the model 1020, might have been the 1st synths to use DCO's as well)
1977 - Yamaha - CS50/CS60/CS80 - first single enclosure polyphonic keyboard synthesizers with the CS80 to be the first synth with poly aftertouch
1977 (late) - Oberheim - OB-1 - 1st commercial programmable mono synth with patch memory
1978 (late) - PPG - Wavecomputer 360 - 1st wavetable synth
1978 - Sequential Circuits - microprocessor control the SCI prophet 10 (briefly) and the P-5 --- again based on existing E-mu tech stuff
1979 - NED - Synclavier - First FM
1979 - Fairlight CMI - First Sampler, First Workstation
1980 - Performance Music Systems - Syntar - First self contained keytar
1982 - Sequential Circuits - Prophet 600 / First Midi Synthesizer (though some argue the Prophet 5 rev 3.2 is pre-MIDI MIDI)
1983 - Yamaha - DX7 - Digital takes over, FM goes mainstream
1983 - OSC - OSCar - First real-time additive with analog filters
1984 - Sequential Circuits - SixTrak - first multitimbral
1985 - Casio - CZ-101 - First battery-powered all digital mini-synth
1987 - Kawai K5 and Technos Axcel - first additive synths
1989 - E-Mu Systems - Proteus - First dedicated ROMpler
1992 - Seer Systems - first host-based software synthesizer in 1992
1994 - Yamaha - VL1 - first physical modelling synth
1995 - Clavia - Nord Lead - 1st Virtual Analog
1996 - Rubberduck - still not the first softsynth but came before Seer Systems Reality.
1996 - Steinberg - VST - Ok not a synth but enabled a lot to be written as plug-ins and used simultaneously
1997 - Seer Systems - Reality - First Modular Soft Synth
2002 - Hartmann Neuron - first neuronal synth
2912 - KalQuestoTron - the first genetically engineered synth. Each cell is an oscillator, filter, and neural sequencer. Can be delivered via injection to always play 'hold music' in your head.

I thought it might be fun to have a "first synth to..." post. There's been a lot of buzz over Sonic State's Top 20 Synths of All Time with good reason. What exactly is a "top synth?" Is it it's influence on the music scene? It's rarity and lust appeal? The number of synths sold? According to Sonic State their list was the result of Sonic State reader's voting for their favorite synths. Blame the voters if you don't like what you see. Based on what has come up on the list so far, the E-Mu Proteus and Roland JV-1080 for example as well as the Roland Jupiter 8 not even making the top ten, I'm guessing a bit of it has to do with the vote and... possibly the most influential/ground breaking synths for their time. The JV1080 and Proteus? Not super sexy in this day and age, but what they offered in their time? Who knows. It's obviously subjective. But there is something that isn't. The most influential synths of all time not because they were super sexy or utilitarian, but because they offered something that was not previously available.

I thought what might be interesting to create a list of the first synths to feature a particular technology or feature. For example what was the fist synth to bring FM to the table? Was it the DX7 or a predecessor? What was the first digital synth and when? The first additive synth? I have a good idea and could probably look it all up, but that wouldn't be any fun, so.... You tell me. I am going to make this an open post that will live over time. You get to participate by putting an entry in the comments. I will update the list and when I do I will change the time stamp of the post to keep it current. That said, for the archives, this post went up with a time stamp of 4/11/07 7:20 PM PST. I'll start the list (btw, do correct me on the MOOG, what model should we be talking about here? The A, B, C or D or all of them?).

Year - Manufacturer - Model - First at
1970 - MOOG - Minimoog - 1st Mono Synth with keys (non-modular)
1978 - Sequential Circuits - Prophet 5 - 1st Programmable Polyphonic Analog
... List continues above.

Update 3/34/12: Also see the first synthesizers to offer patch storage here.

THE RIVER Analog Polyphonic Synthesizer & More Handmade Miniature Synths

Published on Mar 30, 2019 Ronaldo Lopes Teixeira ROLT

And more: (I believe I've posted some of these in the past - here's the full set - see the miniature label at the bottom of this post for others)



Update: the list:
MINI KORG 2 - HANDMADE MINIATURE
HANDMADE CLASSIC KEYBOARDS COLLECTION MINIATURES by Rolt
Making a Mellotron M400 Miniature
MINI MOOG MODEL D - HANDMADE MINIATURE
ARP ODYSSEY HANDMADE MINIATURE
HAMMOND B3 ORGAN HANDMADE MINIATURE
FENDER RHODES SUITCASE PIANO - HANDMADE MINIATURE
PROPHET 5 - HANDMADE MINIATURE
WURLITZER ELECTRA PIANO (BEIGE) - HANDMADE MINIATURE
HOHNER CLAVINET D6 - HANDMADE MINIATURE
MOOG LIBERATION - HANDMADE MINIATURE
Celeste - CLASSIC HANDMADE PROG KEYBOARDS

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DinosaurierTreffen 2018 Synthesizer Demos, RMI Harmonic Demo

Published on Nov 1, 2018 Moogulator

0:00 Dinosauriertreffen Rundlauf
6:20 RMI Harmonic Synthesizer Demo, Stephen Parsick (mit Bildrauschen, sorry)
35:00 Wolfgangschaltung
40:41 Feinstrom
Mehr / Kontakt / Bilder (C): https://www.sequencer.de/blog/dinosau...

KAWAI K5M with RAM Card

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Breathtaking additive synthesis "harmonic-building" type sound creating machine in the style of the RMI Harmonic Synthesizer.
Up to 126 harmonic variations levels generated by a sine wave to create, shape and change sounds.
De-tuning function to thicken or augment sounds.
Each harmonic has an independent choice of four 6-stage envelopes for extreme shaping.
15-part multi-timbral machine allowing sounds to be split, layered, overlapped and de-tuned.
48 internal patches for memory storage as well as a 48 patch external memory card and 48 patches for multi-mode setting.

1X Expensive and rare KAWAI RAM DC 32 IC MEMORY CARD included .

Please see my other auctions to expand this machine with more maximum data storage KAWAI RAM DC 32 cards"

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RMI Keyboard Computer w/ Voice Programmer Cards

Note: Auction links are affiliate links for which the site may be compensated.
video upload by morganfisherart

"Functions are explained and demonstrated. A little reverb has been added. Headphones recommended to hear the stereo properly!

1: PRESETS & PEDALS - 0:00
2: ORGAN STOPS - 6:30
3: CARD READER - 9:56

Please also enjoy this ambient improvisation on the KCII:"

RMI KCII ambient improvisation

video upload by morganfisherart

"An ambient improvisation, played on my RMI KCII. Reverb added. Images are of the sea in Japan and some of my tiny oil-on-glass-slide paintings. Sept. 28, 2016 in my home studio."

Spotted the above via the following listing. You can find additional demos, info, scans, pics and a demo record featured in additional posts here.

via this auction

"TRUE MUSEUM PIECE, extremely rare.

Sound very similar to the RMI harmonic synthesizer (used by J.M.Jarre in Oxygene)

Everything is working, the synth has never been modified or repaired, all the internal components are "as it came from the factory".

With paper memory reader for sounds totally revised!

there are several "memory sheets" for the digital system of memories it used (visible in the photo).

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Synthesizer von Gestern (Synths of the Past) Volume 2

via this auction

"This is a brand new sealed, unopened copy of the rare classic synthesiser book, 'Synthesizer von Gestern' by Matthias Becker. It is the second volume, which (at 146 pages) is larger than the first, and includes an incredible array of classic synths. Unlike the A-Z or Museum book, this is a beautifully-bound hardback, and is printed on very good quality paper. It is the first and only edition of this rare book. The picture is of another book, but it is identical.

When this book was out of print and no longer available, copies were changing hands for 100GBP-plus. Then the publishers found one last pallet of books in their warehouse, gave them to the author in lieu of royalties, and I drove to Koeln in Germany to bring back all I could.

It is in German, but so much of the book is taken up with beautiful full-colour photos and excellent illustrations that that isn't as important as you might think, if you don't speak German. It's a great coffee-table book, but full of serious information too - and the photos are in a class of their own. Crisp, beautiful, detailed, professional!

The book starts with an in-depth interview with Oskar Sala, inventor of the Mixtur-Trautonium (used for the entire soundtrack of Hitchcock's 'The Birds'). Fantastic photos of his studio and various Trautoniums.
Other synths and electronic instruments covered in detail include:-

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Arcadia

Published on Jun 16, 2019 seb17320

RMI Harmonic Synthesizer demonstration
Multi-track recording with only the RMI

Synthesizer von Gestern (Synths of the Past) Vol 2, Matthias Becker.

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Beautifully-produced second volume of Matthias Becker's authoritative 'Synthesizers of the Past' book - in German, but with so many superb illustrations that it's hardly necessary to read the text. New, unused, still sealed. The photos were taken of another copy of the book.

Too many highlights to mention all, but the book covers such absolute classic synths as the Trautonium, ARP 2500, EMS Synthi 100, E-mu Modular, Steiner-Parker Synthacon, RMI Harmonic Synthesizer, Birotron, PPG 1002, Moog Taurus and Liberation, Roland System 700, Synlab Modular, Roland SH-7, Crumar DS-2, Korg Sigma, ARP Quadra, Roland RS-505 and VP-330, Fairlight CMI, Realton Variophon, Oberhaim OB-Xa, Xpander and OB-SX, Gleeman Pentaphonic, RSF Kobol, Emulator 1, Synergy, Roland SH-101, TB-303, TR-606, MC-202, Jupiter 6, Syntec Banana, SCI Prophet T8, OSCar......... an incredible roster which would (in the beautiful condition they are in the photos) probably now be worth over half a million US dollars.

All with superb photos by Dieter Stork. Hardback, beautifully printed on very high quality paper, bound to the highest standards. A coffee-table book which is also a superb source of information. The Rolls-Royce (OK, Mercedes) of synth literature. (I should know - I produced the Ford Fiestas of the genre.) ISBN 3927954012, printed in 1995."

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Behringer's First Synthesizer UB-1

via Elhardt on the AH list

Would be interesting...

The look reminds me of the RMI Harmonic Synthesizer.

Synthesizer von Gestern (Synths of the Past) II, sealed

via this auction

"Classic hardback book about classic synthesisers, in German, but with loads of superb illustrations - the most beautiful book about synths ever made.

Sealed, brand new. This is Book II, which is bigger than Book I, and includes authoritative text and diagrams and gorgeous photos.

The book starts with an in-depth interview with Oskar Sala, inventor of the Mixtur-Trautonium (used for the entire soundtrack of Hitchcock's 'The Birds'). Fantastic photos of his studio and various Trautoniums.

Other synths and electronic instruments covered in detail include:- Jorgensen Clavioline, ARP 2500, EMS Synthi 100, Moog Sonic Six, Emu modular, EMS Synthi Hi-Fli, ARP Pro Soloist, Steiner-Parker Synthacon, RMI Harmonic Synthesizer, EMS Synthi E, Birotron, PPG 1002, Moog Taurus, Liberation, Prodigy; Roland System 700, Synlab Modular, Yamaha SY1, Oberheim OB-1, Roland SH-7, Steiner EVI, Crumar DS-2, Yamaha CS-30, DX7; Korg Sigma, VC-10, Poly 61, Poly 800; ARP Quadra, Roland RS-505, VP-330, SPV-355, SH-101, TB-303, TR-606, MC-202, Jupiter 6; Fairlight CMI, Realton Variophon, Oberheim OB-Xa, OB-SX, Xpander; Gleeman Pentaphonic, RSF Kobol, Blackbox; Emu Emulator I, DK Synergy, SCI Prophet 600, Prophet T8; EEH Banana, Boehm Soundlab, OSC OSCar.

A beautiful quality coffee-table book - high production values, great illustrations, hardback, and as rare as some of the rarest synths it contains! Still sealed!"

Synthesizer von Gestern II

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"A brand-new sealed example of the most beautiful book ever produced about synthesisers.

Hardback, top quality paper and reproduction, full colour printing on most pages, great photos by Dieter Stork, and authoritative, well-researched text by Matthias Becker.
In German, but still a huge amount of info and synth porn for a non-German-speaker.
146 pp, A4 size (nearly 12 x 8.5"). 750g (1lb 10oz) - a really solidly-made and well-bound book.

First edition, published 1995. This is the second (and bigger) of two volumes of the book, and covers a huge range of classic synthesisers.

Instruments featured:-
Oskar Sala's Trautonium and Mixtur-Trautonium (cf the whole soundtrack of Hitchcock's Birds)
Joergensen Clavioline
ARP 2500
EMS Synthi 100
Moog Sonic Six
E-mu Modular
EMS Synthi Hi-Fli
ARP Pro-Soloist
Steiner-Parker Synthacon
RMI Harmonic Synthesizer
EMS Synthi E
Birotron
PPG 1002
Moog Taurus
Moog Liberation
Roland System 700
Synlab Modular (incredible!)
Yamaha SY-1
Oberheim OB-1
Roland SH-7
Steiner EVI
Crumar DS2
Yamaha CS-30
Korg Sigma
Korg VC-10
ARP Quadra
Roalnd RS-505
Roland VP-330+
Fairlight CMI
Realton Variophon
Oberheim OB-Xa
Oberheim OB-SX
Roland SPV-355
Moog Prodigy
Gleeman Pentaphonic
RSF Kobol
E-mu Emulator I
DK Synergy
RSF Blackbox
Roland SH-101
Roland TB-303
Roland TR-606
Roland MC-202
SCI Prophet 600
Roland Jupiter 6
Korg Poly 61
Yamaha DX7
Syntec Banana
SCI Prophet T8
Boehm Soundlab
OSC OSCar
Korg Poly 800
Oberheim Xpander"

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Visite au studio Mos-Lab 2022 [w/ RSF Program Select]

video upload by Nr Synth

"Le studio Mos-Lab a la particularité de ne présenter que des instruments rares voire même rarissimes. Une caverne d'Ali baba qui a de quoi faire tourner la tête à tous les passionnés de synthés analos vintage. Sébastien nous parle de ces 2 dernières acquisitions: le matrix 12 et le Sonic 5."

"The Mos-Lab studio has the particularity of presenting only rare or even extremely rare instruments. An Ali Baba's cave which is enough to turn the heads of all lovers of vintage analog synths. Sébastien tells us about these 2 latest acquisitions: the Matrix 12 and the Sonic 5."

Starts with a walkthrough featuring an RMI Harmonic Synthesizer, Waldorf Wave, RSF Program Select unit, PPG 350 Computer Sequencer, Wave 2.3 & 360A Wave Computer.

This might be the first post to feature the RSF Program Select. Rare RSF Series 11 mouldar towards the end as well.

ZANOV Moebius 256 French Synth 1977 Pierre Zalkazanov

Posted on MATRIXSYNTH-C.

"Synthesizers & Sequencers:
ARP 2600, EMS VCS 3, RMI Harmonic Synthesizer & ARP Sequencer all instruments played by Zanov
Keyboards and ARP Synthesizers from Gaffarel Musique Paris"