Shaking Through: Helado Negro

Shaking Through: Helado Negro from Weathervane Music on Vimeo.
Synth spotting & gear talk... ARP 2600, Critter & Guitari, Moog Voyager, EMS Synthi & more.

"Shaking Through is a documentary series about the Birth of a Song. Each year we give 10 awesome independent musicians a challenge: Record one song in two days. First take to final mix. No extensions. No safety net.
---------
http://ShakingThrough.com | http://WeathervaneMusic.org

Donate at http://weathervanemusic.org/donate.html

Watch the videos and download the songs: http://shakingthrough.com/heladonegro

Join our mailing list: http://bit.ly/WVOccasional-signup

Shaking Through: Helado Negro
2/27/2013 – Vol. 4, Episode 2 in the Shaking Through 2013 Series features Helado Negro. Directed by Peter English. Co-directed by Sean Maher. Curated by Mikael Jorgensen of Wilco/Pronto. Executive Producer Jason Smith. Produced by Peter English and Brian McTear. Director of Photography Phil Bradshaw. Edited David Milstein. Camera Operators Phil Bradshaw, Sean Maher, Larry DeMark and Peter English. Production Supervisor Nicky Devine. Production Coordinator Sean Huber. Still Photography by Peter English, Larry DeMark and Phil Bradshaw. For More info visit ShakingThrough.com"

Update:

Shaking Through Technique: EMS Synthi

Shaking Through Technique: EMS Synthi from Weathervane Music on Vimeo.

Arturia Releases iMINI Polyphonic Minimoog for iPad

iMini Tutorial Video

Uploaded on Feb 25, 2013 Arturiaweb·80 videos

"Mike Hosker presents to you a tutorial video of the iMini, Arturia's first application for Ipad.
iMini is an application recreating the classic Minimoog™ synthesizer that is based on the TAE™ technology found in Arturia award winning Mini V software.
iMini is designed to allow users the classic sound, look and feel of this iconic synthesizer.

iMini endorsers include Stephan Bodzin, Richard Devine, Banco de Gaia"

iTunes:
iMini - Arturia

"COMPATIBILITY
iMini is compatible with iPAD 2, iPAD 3 and IPAD Mini

DESCRIPTION
iMini is a recreation of the classic 1971 Minimoog™ synthesizer, one of most iconic synthesizers of all time.

Based on the TAE® technology found in our award winning Mini V software, iMini offers a level of sound quality never before found on the iPAD as well as over 500 sounds by leading sound designers.

We have also partnered with the Bob Moog Foundation so that a portion of each sale goes to support their work in music education via the Dr. Bob Sound school program, making available the archives of Dr. Bob Moog and funding the dream to build the Moogseum.

The Minimoog™ synthesizer was made famous by artists and bands such as Stevie Wonder, Depeche Mode, Kraftwerk, Keith Emerson, Devo, Jean Michel Jarre and more. We now bring the features and sound of this classic to the iOS platform.

The iMini not only recreates the look and feel of the most legendary synthesizer, it does it with unparalleled sound quality. iMini is based on the award winning Arturia Mini V software that was created in partnership with Dr. Robert Moog himself, back in 2003. Thanks to this heritage, continuous research and refinements over the years, iMini comes with amazing sound quality and a large collection of preset sounds created by top sound designers such as Klaus Schulze (Tangerine Dream) and Geoff Downes (Asia).

What will you do with it?
First you can play the iMini’s numerous sounds from the iPad keyboard. You can create your own sounds and start building your personal sound palette.
If you are an owner of the Arturia Mini V software on your Mac or PC, you can import and export sounds between your laptop or desktop Mini V and iMini.

You can also control iMini from a MIDI keyboard via CoreMIDI and integrate it into your studio or live performances.

But this is not all; iMini is ‘Tabletop Ready’. Tabletop is a free iPad application that allows you to integrate iMini into a full studio of devices. With Tabletop you can build an entire song, with drum machines, FX's, sequencers... and of course the inimitable Minimoog™ sound.

Tabletop Ready™
The connect page is also your avenue to open up a whole new world of possibilities with iMini via Retronyms Tabletop application.
Tabletop™ is a free app for your iPAD that allows you to integrate iMini into a complete studio environment. In Tabletop you can use multiple instances of iMini; record your performance into a real-time sequencer; automate any of the parameters; add effects; process other modules through the iMini filters, etc. Tabletop also features number of in app purchase options to add more effects and instruments from other 3rd party companies.

Features include
Classic Minimoog™ sound.
3 Oscillators
24db per octave filter.
Simulated headphone jack/external input feedback.
2 Assignable XY pads
Chromatic or tuned scale keyboard modes
Polyphonic mode
Full featured arpeggiator
Repeat
HOLD and MEMORY latch modes
Octave span
5 note order modes
Speed and sync controls
Virtual Analog Chorus
Virtual Analog Delay
Owners of both the iMini and Mini V software apps can transfer sounds from one platform to the other via iTunes.
Full user MIDI mapping of panel controls.
Supports WIST sync with other iOS devices.
‘Tabletop Ready’
Soundcloud seeder (via Tabletop)
Render to .wav file (via Tabletop)
‘Audiocopy’ to paste your audio into another iPAD application. (via Tabletop)

The Minimoog™ name used here is a trademark of the respective owners, which are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modeled during the development process."

iTunes:
iMini - Arturia
Tabletop - Retronyms
iOS Devices on eBay - Daily Tech Deals

Update: new video and the press release:


Published on Feb 26, 2013 Arturiaweb·80 videos

And the press release:

"Arturia advances history-making Minimoog to iPad musical masses!

"The iMini turned my iPad into an ‘old skool’ analogue bass monster! Its sound is irresistibly ‘phat’ and very close to the original. If you want that typical dirty Moog sound then the iMini is all you’ll ever need. It’s by far the most powerful and hypnotising synth app on the market.”
- Stefan Bodzin, 2013 (DJ/producer, remixer of Depeche Mode, Booka Shade, and more)


GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini, an authentic recreation of the all-time classic Minimoog monosynth for Apple’s all-conquering iPad, as of February 27...

iMini is based on the TAE® (True Analog Emulation) synthesis technology found in Arturia’s award-winning Mini V soft synth, meticulously modelling the distinctive tones and analogue nuances of the legendary Seventies-vintage Minimoog Model D monosynth. Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.

Arturia now brings the still-sought-after classic Minimoog sound to the musical masses, transforming any iPad mini, iPad 2, or iPad with Retina display into the ultimate analogue synth emulation! Those timeless three oscillators and that 24dB per octave fabled filter are all present and accounted for in iMini. It also successfully sports the look and feel of Dr Bob Moog’s namesake iconic synthesizer for all to see (and hear). But being a game-changing iPad app for 2013 and not an analogue synth design dating back to 1970 means there’s a whole lot more to iMini than first meets the eye...

Any serious synthesizer connoisseur will instantly recognise the MAIN mode screen as an eye-catching rendering of the Minimoog Model D front panel, albeit with welcome additional ‘analogue’ CHORUS AMT. and DELAY AMT. level controls, as well as a POLY switch for playing polyphonically — impossible in 1970, obviously! Other subtle supplements include a gearwheel icon above the keyboard — press to reveal GLIDE, DECAY, LEGATO, and SCROLL switches for performance keyboard control, plus a SCALE function to choose from no fewer than 26 different scales and modes. Meanwhile, iMini comes complete with hundreds of superb sounds showcasing its supreme sonic versatility; press LOAD from the menu bar and choose from sound designer or category — couldn’t be simpler!

But ‘behind’ that familiar-looking MAIN screen lies a wealth of truly 21st Century audio action: the PERFORMANCE page accesses an arpeggiator with two latch modes and two assignable XY pads for creating all kinds of patterns and real-time morphing sounds; the FX page provides iMini with the same wide-ranging CHORUS and accurate ANALOG DELAY models found in the above-mentioned Mini V software — subtle sound thickening to wildly modulated effects (chorus) and sync to external tempo (stereo delay) possibilities abound here! Handily, all onscreen knobs and switches in each iMini page can easily be assigned to MIDI CC allowing automation from any external MIDI source. The default MIDI map will automatically work with Arturia MiniLab or Analog Player 25 Universal MIDI Controller keyboards!

And that’s not all: the CONNECT page is the gateway to making iMini talk to the outside world (using the Apple iPad Camera Connection Kit) — use WIST (Wireless Sync Start Technology) to sync the arpeggiator and delay to other iPad or iPhone apps, and integrate iMini into a complete studio environment via Retronyms Tabletop. This free iPad app allows multiple iMini instances to be simultaneously run; real-time performance recording into a sequencer; parameter automation; processing of third-party, Tabletop-ready apps through the iMini filter, and more. “iMini is an ideal Tabletop-ready app,” says Retronyms Co-Founder John-Paul Walton. “It’s a fresh take on a legendary synth, and comes packed with a ton of amazing presets — everything from retro space sounds to contemporary bass noise.”

Thanks to iMini, today there’s really no excuse for not taking that history-making Minimoog sound anywhere anytime. And in recognition of the groundbreaking instrument to which it owes its very existence, for every iMini sold, Arturia will make a donation to The Bob Moog Foundation, whose Executive Director, Michelle Moog-Koussa, kindly adds: “We are grateful to Arturia and Retronyms for donating part of the proceeds from the iMini in support of our mission to ignite creativity at the intersection of music, science, history, and innovation. A portion of this funding will go to support our educational initiative, Dr Bob’s SoundSchool, which teaches children the science of sound through the magic of music.”

For Frédéric Brun, Arturia’s President, the feeling is mutual: “We are delighted to donate to The Bob Moog Foundation and acknowledge our gratitude to Robert Moog, who helped us when we released our first virtual instrument, the Modular Moog V, back in 2003. We are also thrilled to work with Retronyms, who are a great company and a force to be reckoned with when it comes to iOS. The iMini sets a new standard for what a virtual instrument should sound like on an iPad.”

So let’s make music and help history come alive with iMini in more ways than one, and also support the dream of building the Moogseum (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.

Appropriate iPad owners can purchase iMini directly from Apple’s App Store during a three-week introductory launch pricing period for €8.99 EURO/$9.99 USD (rising to €19.99 EURO/$21.99 USD thereafter)."

Moog Music Celebrates Bob Moog on Birthday Anniversary

CELEBRATE BOB: Moog Factory Mural Time Lapse

YouTube Published on May 20, 2012 by MoogMusicInc

Press release with full details below.

"To #CelebrateBob on what would have been his his 78th birthday, Moog Music commissioned a larger-than-life mural of Dr. Moog for their factory in Asheville, NC. The mural was created by local Asheville artist, Dustin Spagnola. HAPPY BIRTHDAY BOB! Love, your family at Moog.

Dustin Spagnola is a contemporary visual artist who has shown and created work in NYC, Miami, New Orleans, Richmond, Atlanta, Washington, DC and in his home, Asheville, NC. His work is often political in nature and eschews corporate advertising and graffiti culture alike. See more of his work at dustinspagnola.com"

Press Release (image via Moog Music Inc. on Facebook):

"Moog Music Celebrates Namesake Pioneer with One Day Birthday Promotion Event to Benefit Bob Moog Foundation

ASHEVILLE, NC, May 21, 2012 — In celebration of Bob Moog’s 78th birthday Moog Music, Inc. will donate 50% of all online clothing and merchandise sales on May 23rd to the Bob Moog Foundation. For every $350 raised, the company will also donate one Etherwave Theremin to the Foundation’s educational initiative, Dr. Bob’s SoundSchool, to complete the DBSS Educational Kit that is provided to each participating school. Dr. Bob’s SoundSchool teaches elementary school students the science of sound through the magic of music.

Moog Music will feature a brand new line of product-inspired apparel boasting graphics bold enough to induce a geekfest for synth enthusiasts everywhere. DVDs, CDs, mugs and other ephemera will be part of the benefit promotion.

Moog Music clothing and merchandise can be purchased from the company’s online store: www.moogmusic.com/products/clothing and http://www.moogmusic.com/products/Merch

Moog instruments are not included in this annual fundraising event for the Bob Moog Foundation.

The promotion was created to include Moog customers around the world in the company’s support of the Bob Moog Foundation’s educational outreach efforts. Dr. Bob’s SoundSchool is a STEAM-based initiative, combining science, technology, engineering, art and math. It brings the late inventor’s work and spirit alive for children by teaching the physics of sound through intuitive engaging educational materials, including the theremin.

'Moog Music and our customers celebrate Bob’s pioneering legacy. In a time when science achievement is declining in this country, we are proud to support the Bob Moog Foundation in their efforts to bring science alive through electronic music. We invite all of our customers to make a purchase online on May 23rd and support the Foundation’s important work,' said Mike Adams, Moog Music President & CEO.

Moog Music, Inc. is the world’s leading producer of innovative analog synthesizers. The Bob Moog Foundation is an independent non-profit organization with a mission of igniting creativity at the intersection of music, science and innovation.

Read more about Moog Music at www.moogmusic.com
Read more about the Bob Moog Foundation at: www.bobmoogfoundation.org"

Update:

CELEBRATE BOB: Moog Store Performance

YouTube Published on May 21, 2012 by MoogMusicInc

"To #celebratebob on what would have been his his 78th birthday local Asheville piano teacher, Kim Roney, brought two of her pupils to the Moog Store to perform a song in celebration of Bob Moog's life and legacy. Bob Moog is still inspiring creative exploration in children of all ages. Thank you Dr. Moog, Happy Birthday! How has Bob Moog inspired you? #celebratebob"

NAMM: New Moog MINITAUR Coming to NAMM?

[Update: video, higher res pics & press release added below.]
via Matt on The MATRIXSYNTH Lounge via The Syntheszier Sympathizer.

"Not much to say here. Just found out through the vintagesynth.com forums... should be properly announced at NAMM. Rumored price: $600. Let's hope-- This could mean a Moog for almost every producer!"

And NAMM begins...

Update: details via Pro Star Audio:

CLICK FOR MORE »

Tara Busch EP Remix Contest to Benefit The Bob Moog Foundation

"Moog Siren Tara Busch Releases EP, Remix Contest to Benefit Bob Moog Foundation

Foundation Celebrates 5th Anniversary with EP, New Logos, Fresh Program Direction, Limited Edition Poster and Archive Inspired Apparel

Asheville, NC - August 24, 2011 – The Bob Moog Foundation (BMF) is honored to announce that synthesizer and vocal sensation Tara Busch has donated a three song EP to support its mission of igniting the innovator inside us all. The ethereal electronica EP, Rocket Wife, created specifically for and donated to the Bob Moog Foundation, is available for download at Bandcamp.com at the following link: [link]

In conjunction with the release of the EP, Busch and the Foundation have issued a remix contest using the 17 stem tracks from the title track of the EP, Rocket Wife. The stem tracks are available for download at: [link]

The remix contest begins today and ends at midnight on October 15, 2011. All submissions should be uploaded to the “Rocket Wife” group on SoundCloud via this link.

The Bob Moog Foundation will announce three winners on November 10, 2011. The winners will have their remix posted on the BMF Bandcamp site where it will be available for sale, with proceeds benefitting the Foundation. The grand prize winner will receive a framed limited-edition archival image of Bob Moog, a selection of BMF merchandise, and the opportunity to collaborate virtually with Busch on a track where she will supply vocals and synth soundscapes. Two other winners will receive runner-up prizes.

Tara Busch is an American producer/musician/remixer and score composer. She is influenced by the rich, complex harmonies of Brian Wilson, BBC Radiophonic Workshop diva Dellia Derbyshire, and the innovations and futurist attitudes of electronic music pioneer Bob Moog. She is known for her richly textured, vocally orchestral electronica, and her psychedelic, ethereal remixes.

Busch reflects, “This is a homage not only to Bob Moog and his legacy, but to the effect the synthesizer had on my music, creativity, and life. What Bob did, most famously with the Minimoog, was to make the groundbreaking world of synthesis available to everybody, not just for the privileged few.

Though grateful for my voice and writing ability, I think having a more embracing attitude towards merging the creative and scientific worlds when I was a child would have been beneficial; not just for my music, but also for my development in general. I think Dr. Bob's SoundSchool will help kids to develop open, bright, embracing and creative minds.

I'm excited and inspired by their quest to educate children and adults alike about ‘the intersection of science & music’ and hopefully this EP will help introduce more people to the Bob Moog Foundation. One hundred percent of the profits from the EP and the remix stems will be donated to the Bob Moog Foundation.”

Sunday, August 21, 2011 marked the sixth anniversary of Bob Moog's passing and the fifth anniversary of the BMF's formal launch. In celebration of that milestone, the foundation is making daily announcements of new projects, branding and fundraising opportunities. Monday, August 22 saw the launch of the Moogstress blog, written by Michelle Moog-Koussa. On Tuesday, the BMF announced their new logo, which features the innovative spirit of “Dr. Bob” and an offer for a limited edition poster designed with materials from Bob Moog's archives. Later in the week the BMF will release a new merchandise line, Dr. Bob's Archive Series, featuring artwork found in Bob Moog's extensive archives. The BMF directs the preservation and interpretation of the archives for future generations of journalists, educators, innovators and fans.

The Bob Moog Foundation ignites the creative and innovative spirit in us all through exposure to interactive educational experiences rooted in the pioneering legacy of Dr. Bob Moog. Our work includes:

· Dr. Bob's Sound School (formerly MoogLab) teaching children and adults science through music in a hands-on environment.
· Dr. Bob's Archive Preservation Initiative. The BMF directs the preservation and interpretation of Bob Moog's extensive and historic archives for future generation.
· The Moogseum, a future interactive facility where music, science, history and innovation will converge. The creation of the Moogseum is pending adequate funding.

www.tarabusch.com
www.analogsuicide.com
www.moogfoundation.org"

Moog Song Producer for Commodore 64

via this auction

"Never used except for brief testing back in the 80's. In perfect condition with manual. Has 1 MIDI in, 1 MIDI thru and 4 MIDI outs as well as 8 drum triggers for analog synths, clock in/out and 2 footswitch jacks. The 5.25 floppy is missing but the software is available from several sources including moogarchives.com. There are also addresses to order the disk in both the USA and Holland in the manual."

Moog Song Producer Commodore MIDI / Trigger interface

via this auction

"rare Moog Song Producer. She’s ready willing and able to handle all your MIDI and Trigger interfacing between your gear and your Commodore. Besides the Moog Song Producer itself, this auction comes with the Song Producer hardware interface (to connect the song producer to your commodore), the sequencing and MIDI-processing software (version 1.6), Manual and all original boxing. All of these are in mint or near mint condition minus the box, which does show its age.

Here is what you are looking at connection wise:
· 1 MIDI in
· 1 MIDI thru
· 4 MIDI outs
· 8 drum trigger outs
· 2 Footswitch ins
· 1 Clock/sync in
· 1 Clock/sync out

All in all, you are looking at not only an awesome piece of song producing memorabilia, but a piece or hardware that can still hold its own, especially in today’s retro-digital music making age!"

CLICK FOR MORE »

George Duke and Quartet To Perform Benefit Concert

"Jazz, Funk and R&B Legend George Duke and Quartet To Perform Benefit Concert for the Bob Moog Foundation and the Museum of Making Music in Carlsbad, CA

CARSLBAD, CA/ASHEVILLE, NC

On Friday, November 6, 2009 at 7 PM, George Duke—whose very name is synonymous with funk, R&B, pop, soul and jazz and who is heralded as a world class keyboardist, synthesizer pioneer, composer and Grammy award winning producer—will perform an intimate concert with his quartet at the Museum of Making Music in Carlsbad, California.

Proceeds from the concert directly benefit The Bob Moog Foundation and the Museum of Making Music, two organizations whose sympathetic missions and
like‐mindedness have kindled the exhibition, Waves of Inspiration: The Legacy of
Moog, a first‐ever look at the life and work of synthesizer innovator, Dr. Robert Moog.

In addition to the proceeds from the concert, several items will be auctioned off during the evening of the concert to raise additional funds for the two organizations.

Tickets to the concert are $75 for the general public and $65 for museum
members. Optionally, for $100 guests can enjoy both the concert event AND a
special VIP after‐party reception with George Duke that will take place following
his performance. Attendance is limited.

For tickets and information, please contact the Museum at 760‐438‐5996 or visit
www.museumofmakingmusic.org The Museum is located at 5790 Armada Drive
in Carlsbad, California, just north of San Deigo.

GEORGE DUKE
George Duke is a highly acclaimed keyboardist, synthesist and vocalist who has enjoyed a prolific career as an R&B, funk, jazz and rock musician and as an accomplished composer and producer. He has worked with an array of artists, including: Jean-Luc Ponty, Frank Zappa, Stanley Clarke, Billy Cobham, Dianne Reeves, George Clinton, Anita Baker, Miles Davis, Denise Williams, Jeffery Osborne, Regina Belle and others.

In the past 40 years, Duke has released over 30 albums as well as appearing on countless other albums. Most recently Duke released Dukey Treats (2008), which highlights his skills as a jazz/funk master and song writer. Duke talks about the album in this video.

George Duke EPK

YouTube via HeadsUpRecords

George Duke has also worked as musical director at numerous large-scale musical events, including the Nelson Mandela tribute concert at Wembley Stadium in London in 1988. In 1989, he was the interim musical director of NBC's late-night music performance program Sunday Night.

THE EXHIBIT
Waves of Inspiration: The Legacy of Moog focuses on Bob's Moog's work and the impact that he had on the world of music. It features rare vintage synthesizers and other related Moog instruments and memorabilia from the Bob Moog Foundation Archives and from various private collections. The exhibit explores the numerous musicians, engineers and colleagues who played a vital role in the evolution of the Moog sound and the relationship between and the inventor/toolmaker and the musician, as well as the genesis of a variety of musical interfaces.

Bob Moog (1934-2005) was a pioneer in the field of electronic music, inventing the Moog synthesizer in 1964. His invention made synthesis accessible to musicians for the first time and in doing so provided them with new realms of sonic expression. The instrument revolutionized the face of music and was used by such early synthesists as Wendy Carlos, Keith Emerson, Rick Wakeman, Stevie Wonder, Chick Corea, Herbie Hancock, Jan Hammer, and more.

“The Moog synthesizer defined the sounds of progressive rock and was regarded as the best sound in synthesizers. ” – Keith Emerson (Emerson, Lake and Palmer)

The Moog synthesizer is widely used today in almost every genre of music and continues to be coveted for its rich, warm analog sound and high level of expressiveness.

“Bob Moog was one of the great visionaries of our time. His ideas far transcend just music, and to this day continue to have impact on everything from rock to rap to quantum physics” – Billy Corgan (Smashing Pumpkins)

Moog's career spanned over 50 years and his work left an indelible impact on music, musicians and music-lovers alike. Bob Moog's unique legacy is one of expanding musical expression through innovation and inspiring musicians to explore the boundaries of sonic reality. Tens of thousands of musicians worldwide were, and continue to be, inspired by Moog's work, and the sonic palette it provides.

Bob Moog was awarded two GRAMMYs for his work: the NARAS Trustee's Award in 1970 and Award for Technical Achievement in 2002. He also won the Polar Music prize in 2001 from the King of Sweden and numerous other prizes that recognized his contributions.

THE MUSEUM OF MAKING MUSIC
The Museum of Making Music, a division of the NAMM Foundation, explores the multifaceted history of the American music products industry from its beginnings in the 1890s to today. Located in Carlsbad, California (north San Diego county), the Museum tells stories of hard work, challenge, inspiration and pioneering innovation, and reveals the profound relationship between the industry, popular music, and global culture. For information, please visit www.museumofmakingmusic.org.

THE BOB MOOG FOUNDATION
The Bob Moog Foundation is a non-profit organization founded upon Moog's passing in August 2005. The mission of the foundation is to educate and inspire children and adults through the power and possibilities of electronic music and through the intersection of science, music and innovation. The foundation has three main projects: preserving and protecting Bob Moog's archives, creating a Student Outreach Program that brings electronic music into the schools, and its hallmark project, the creation of a Moogseum in Asheville, NC, for which it was recently awarded a $600,000 lead grant by the Buncombe County Tourism Development Authority. The Moogseum is planned to open late 2012.

For more information, see www.moogfoundation.org."

MOOG Sound Producer

via these auctions where you'll also find Cynthcart and Prophet65 for the C64.

"Moog Song Producer (MIDI and Trigger interface) for the Commodore 64, with sequencing and MIDI-processing software. The Moog Song Producer boasts:
* 1 MIDI in
* 1 MIDI thru
* 4 (!) MIDI outs
* 8 drum trigger outs
* 2 Footswitch ins
* 1 Clock/sync in
* 1 Clock/sync out

That means the Song Producer’s capable of interfacing your MIDI and pre-MIDI gear. This item is in great condition and includes the original box. Just check out the photos. It include:
* Song Producer hardware interface
* Connection cable (it plugs into the Commodore 64’s expansion port)
* Ring-bound manual with software disk (and TESTED backup copy that I made)
* Original warranty card
* Technical service information leaflet (includes schematic, picture of circuit-board layout and complete parts-list)
* Quick-start/introductory guide (x2)

Perhaps most excitingly, though, is the possibility that---with the detailed technical information included---a competent C64 programmer could use it to control the C64’s SID chip through MIDI, as it just runs on a stock Commodore with a stock interface (the cartridge expansion port)."

Songs From The Silver Box

Roger O'Donnell has a new release featuring the Moog Voyager. via Alka who is credited with additional drum and synth programming on the album. You can find the release on Amazon.

http://www.rogerodonnell.com/

Press Release:
"Anyone who fell in love with Roger O'Donnell's 2006 album, The Truth In Me, will most assuredly do the same with Songs From The Silver Box. In some respects, the template established by the earlier album remains in place for the second: the ten electronic songs are again performed almost solely with a single instrument, specifically the producer's beloved Moog Voyager; the album includes a mix of instrumental and vocal pieces (with his partner Erin Lang appearing once again on the new release); and as The Truth In Me ended with an extended composition (the fourteen-minute “...And So I Closed My Eyes”) so too does Songs From The Silver Box close with the thirteen-minute “Musique Pour Irakli.”

A key difference between the albums, however, is the presence of beats on the new album, a change that nudges O'Donnell's material closer to the refined melodic electronica associated with Boltfish artists such as Cheju , Mint, Milieu, and Joseph Auer. Though O'Donnell's material may (as reported) find its inspiration in the music of Autechre and Daedelus (among others), it evidences little of the alien severity of the former and the sample-based mayhem of the latter; O'Donnell's oft-pastoral settings, by comparison, are soothing and serene, and exude a warmth and humanity that sets his music apart from other genre practitioners.

The opening notes of “The Prince of Time” immediately identify the music as O'Donnell's when the Moog Voyager's warm sound is used to generate the song's kinetic bass and treble melodies. A few minutes into the piece, a midtempo funk pattern, the beats courtesy of Alka member Bryan Michael, makes its entrance, setting the stage for an extended synthesizer solo. Michael also programs the locomotive patterns that drive “If You Were Alone” and, interestingly, the pitter-pattering beats that appear in other pieces are likewise suggestive of “Trans-Europe Express” in their propulsive quality. Gentle pastel melodies dance over a repeating bass pattern in “Endlessly,” a song whose surface quietude tends to camouflage the emotion that slowly swells as it advances from one stage to the next, with lovely flourishes emerging ever-so-surreptitiously at the four-minute mark. Elsewhere, a beatific trip-hop lilt underscores the open-air splendour of “Changing” while “Always” brings a refreshing, free-floating spirit to the album.

On the vocal front, Lenka's siren-esque contribution to “In Your Hands Now” bolsters its already rapturous character, with the Australian singer's multi-tracked voice sinuously navigating a path over the rolling hills of the keyboard melodies and lightly skipping beat pattern. The first piece composed for the album, “Musique Pour Irakli,” originated when O'Donnell was commissioned to write and perform the music for an haute couture fashion collection in Paris for the Georgian designer Irakli. Swaying rhythms and intricate keyboard melodies suggest an elegant latticework of patterns and colours, while Lang's layered vocalizing offers intermittent sparkle. Her breathy singing also lends an appealing innocence to the melodically radiant “Tiny Pieces of You.” In its quiet way, the song is perhaps the album's most powerful, due in no small part to the fact that the intensity of feeling Lang and O'Donnell have for one another is so palpable.

O'Donnell's history will always precede him—how many others can say they played keyboards for the Psychedelic Furs and The Thompson Twins, and was a long-standing member of The Cure?—but such background is almost incidental in the case of the solo releases. They signify not just a new chapter in his career but an altogether separate volume, and anyone expecting songs remotely resembling The Cure's should look elsewhere. At this stage, O'Donnell has nothing to prove and could easily rest on his laurels, which makes the pleasures afforded by his wonderful solo material all the more satisfying."

DELIA DERBYSHIRE- "The Wizards Laboratory" (1972)

YouTube via funknroll

"The Women of ELECTRONIC MUSIC! From the 30's to the 70's!

Before synthesizers, electronic music was honed the hard way in universities, by splicing tape loops, distorting sounds, endless dubbing, and blind instinct. Here are the timeless women of future music who created our present...

Since the 1930's, CLARA ROCKMORE was the master of the notoriously difficult Theremin, and later championed by synthesizer-creator Bob Moog; LOUIS & BEBE BARRON created the first all-electronic score for the film "FORBIDDEN PLANET" (1957), using oscillated sounds and tape loops; //STUDIO d'ASSAI (Paris): Danish ELSE MARIE PADE studied under musique concrete founder Pierre Schaeffer, becoming a noted composer; ELAINE RADIGUE used the Buchla and Arp synthesizers in her work, heavily influenced by Buddhist meditation, and records now with laptop improv group The Lappetites; MICHELE BOKANOWSKI has composed for film, televison, and theatre; //BBC RADIOPHONIC WORKSHOP (London): ...was created and directed by DAPHNE ORAM, inventor and sonic pioneer; she was followed by DELIA DERBYSHIRE, who brought Ron Grainer's "DR. WHO" theme to brilliant, eerie life with her studio wizardry; MADDALENA FAGANDINI co-created the proto-Techno single "Time Beat/ Waltz In Space" (1962) with young producer George Martin under the alias 'Ray Cathode'; GLYNIS JONES produced some of the Workshop's classic albums like "Out Of This World" (1976); ELIZABETH PARKER scored many BBC shows including "BLAKE'S 7", and was the person to see the Workshop out in its 1998 finale; //Fluxus performance artist YOKO ONO expanded John Lennon's mind and range with electronic music, musique concrete, and 'happening' experiments; //COLUMBIA-PRINCETON ELECTRONIC MUSIC CENTER (New York): A premiere focal point for international composers since the 50's, including composer and Associate Director PRIL SMILEY; ALICE SHIELDS combined her operatic voice and poetry with the revolutionary synthesizers of the late 60's and early 70's; teacher DARIA SEMEGEN wrote traditional classical music as well as electronic; WENDY CARLOS had massive mainstream success with the all-synth "Switched On Bach", before writing groundbreaking film scores for "A CLOCKWORK ORANGE," "THE SHINING" and 'TRON"; nearby at Bell Labs, LAURIE SPIEGEL spearheaded computer graphics and software design as well as new music; maverick ANNETTE PEACOCK went from Free Jazz piano to the first synthesizers, threading her early 70's raps and rock with freeform electronics; //Argentinian BEATRIZ FERREYRA, who also studied with Schaeffer, is an esteemed composer and teacher; //SAN FRANCISCO TAPE MUSIC CENTER: The crucial West Coast electronic center, including Morton Subotnick, Terry Riley, Steve Reich and PAULINE OLIVEROS in 1962; it moved across the Bay to become the... //CENTER FOR CONTEMPORARY MUSIC (Mills College, Oakland, CA): Oliveros was the first Director, perfecting her signal processing system for live performance; student and now Co-Director MAGGI PAYNE trailblazed video imagery and record engineering along with her music; alum CYNTHIA WEBSTER played in the early synth band Triode, founded electro mag SYNAPSE, and now runs Cyndustries designing software for electronic music, such as the Zeroscillator.

Their innovations led to Progressiv Rock, Krautrock, New Wave, Coldwave, Darkwave, Electro Funk, Industrial, Techno, and Electroclash. Their fringe future music is now the soundtrack of today.

DELIA DERBYSHIRE: This song is from a 1972 LP called "Ultrasonic", collecting music library pieces Delia scored for use in TV shows. It was recently issued on CD, as was "Oramics" by Daphne Oram:
http://www.boomkat.com/item.cfm?id=89395
http://www.boomkat.com/item.cfm?id=35793

See also:
ALICE SHIELDS -"STUDY FOR VOICE AND TAPE" (1968)


"Sound, the infinite frontier! Science had chopped the world into atoms, components from which to build. Modern art deconstructed reality, reconstructing our perceptions of it. And the first Electronic Music likewise took apart sound and turned it inside out for new compositions. Vladimir Ussachevsky founded the first Electronic Music Center jointly with Columbian and Princeton universities in 1952. He brought in avant composers from countries worldwide with new perspectives and radical expirementation. This included women like Daria Semegen, Pril Smiley, Wendy Carlos, and Alice Shields. In the 50's, Electronic Music was distortions of recordings. Sounds on a tape recorder would be manipulated by feedback, repeated spliced loops, overlapping tracks with multiple recorders, and using oscillators and reverb to sculpt the tempo, tone, or texture. This prevailed in continually advancing ways well through the 1960s. Alice used these techniques in creating this composition. A gifted mezzesoprano, she first sang a poem she'd written. She accompanied this with the first analog Buchla synthesizer, a rare and recent device only beginning to draw the attention of the hippest pop musicians. She then manipulated pitch and speed in textural patterns to supplement the freeform song. This was the cutting edge music of the future, usually heard only in academic circles. But it made its way into film soundtracks (from FORBIDDEN PLANET to Wendy Carlos' A CLOCKWORK ORANGE), Fusion Jazz (Miles Davis, Herbie Hancock), Progressive Rock (from George Harrison's 1969 ELECTRONIC SOUND to Krautrock and Kraftwerk), Funk (Stevie Wonder's T.O.N.T.O., Bernie Worrell), on to the synthesizer explosion of New Wave, then Hip Hop (from Bambaataa's ElectroFunk to Public Enemy's radical sculptures of noise), Industrial (synthetic abrasion), and the Electronica music of today; as such, Alice Shields is a godmother of Le Tigre, Peaches, Chicks On Speed, Lesbians On Ecstasy, and Ladytron, to name a few."

MALARIA! -"Your Turn To Run" (1982)

"The Women of 80's ELECTRO! Coldwave, Darkwave, Synthpop, Industrial!

As synthesizers got smaller and cheaper through the 70's, 'future music' went from acedemia to the street. Punk, PostPunk, Funk, and HipHop artists brought attitude and new styles into the pop vocabulary throughout the 80's that forged the music of today. Here are many women from the first Electro rock era..."

http://www.cyndustries.com/woman.cfm
http://www.newyorkwomencomposers.org/...
http://www.aliceshields.com/
http://www.imtheone.net/annettepeacoc...
http://whitefiles.org/rwg/index.htm"

MOOG AUDIO MIXER MODEL 301A

images via this auction

"MOOG AUDIO MIXER MODEL 301A WITH EQ & COMPRESSOR"

Don't miss the MOOG Phone Controller and the MOOG Song Producer. Anyone know what other non-synth products MOOG produced?

via oyster rock

Asphodel and Recombinant Media Labs

Episode 10 - In the Studio: Asphodel and Recombinant Media Labs

The Synth Room comes in at 2:33 and lasts for about a minute. There's some massive modular goodness in there along with some analog synths.

via Matia:
"It's a video profile of the studio I work for. I designed and curate the synth room (a lot of that stuff is my equipment configured for the purposes of the studio work) as well as being an in-house synthesist and producer (per needs of client)."

Update: some links via Matia:
"No website for the studio itself but there is a myspace for the performance room.

http://www.myspace.com/recombinantmedialabs

we use the facilities and in particular the synth room to create our music:

http://www.myspace.com/redyouth

on that particular song there is quiet a bit of serge and the serge sequencer sequencing the filter and oscillators of the moog.

Update via Wavedeform in the comments (be sure to check out the comments for more):
"Naut has perhaps the largest Salamander (SMS) synthesizer in existence. The black-faced wall to the left of the Serge wall is all SMS.

SMS info:
http://www.xfade.com/gear/Salamander/"

MOOG Song Producer

images via
this auction

"For sale an super- rare- impossible- to- find Moog Song Producer for the Commodore 64. Pratically it is a Midi/Triggering interface which uses the Commodore 64 as its DAW. It comes with original package, software and diskette, plus alot of tech notes (yeah .. very uber-vintage feel !) The pictures below show the MSP for sale and those are real screen pics of the beast at work. The C64 in the pictures is NOT included in the auction.

Lots of geeky info out there if you Google "Moog Song Producer" (click here for results) without mentioning all the C64 blogs."

Update: I've updated the flickr shots with larger ones.

Moog The Phone Controller

images via this auction

"This auction is for a MOOG The Phone Controller. It powers up great, but I am unsure of how to properly test this unit. I attempted to do some research this, but came up empty handed. I know that MOOG is famous for their Synthesizers, but I have never heard or seen anything like this. This is truly a great piece for any MOOG enthusiast. It includes power supply, and phone cord. The unit itself is in great condition, with no major blemishes. Good Luck!!"

According to the MOOG Archives, in 1983: "Sale of company to management. Emphasis on Contract Manufacturing. Attempt to enter into telecommunications market with a microprocessor-controlled "feature telephone", initially named "Telesys 3", later "The Operator". Design and manufacture "Song Producer". Develop "SL8" and build prototype. Maintain repair operations for Moog products. Produce the "SSK Concertmate" synthesizer for Tandy Corp (Radio Shack)."

Pics of the VieuMikro 2007 event (Toulouse-FRANCE)

stamba put up a few shots on the Matrixsynth forum.

Pictured here is the MOOG Song Producer. There are also shots of his C64 and SX64 based setup.

BTW, stamba mentioned there hasn't been much traffic on the forum in another post. He is right. The forum is there for you to use, so, please feel free to use it. If you have any suggestions for new categories or other, feel free to put up a post in the Everything Synth section.

Update via Stamba on the Matrixsynth forum post:
"Yes the C64c looks like the C128.. and btw the C128 is quite the same size as an Amiga500

Some audio examples :
http://stamba.free.fr/c64/Stamba_-_p64_REC0066.mp3
http://stamba.free.fr/c64/Stamba_-_p64_REC0069.mp3

In these 2 mp3s.. bassline is 100% c64 with any external effect."

MOOG Song Producer

MOOG Sound Producer up this auction. More pics here.

Details:
"super-rare Moog Song Producer MIDI and Trigger interface for the Commodore 64, with sequencing and MIDI-processing software.This is in mint condition with orignal box. The Moog Song Producer includes: · 1 MIDI in · 1 MIDI thru · 4 MIDI outs · 8 drum trigger outs · 2 Footswitch ins · 1 Clock/sync in · 1 Clock/sync out · Song Producer hardware interface · Connection cable (it plugs into the Commodore 64’s expansion port) · Ring-bound manual with software disk · Original warranty card · Technical service information leaflet (includes schematic, picture of circuit-board layout and complete parts-list) · Quick-start/introductory guide · Service-locations poster/leaflet · Original quality-control slip."
check out these previous posts for more info.

via Johan

Video Killed The Radio Star

The Buggles - Video Killed The Radio Star. YouTube via Barisaxman89.

This is actually one of two videos. Title link takes you to Failed Muso where you will find the second video, a current live version of this song that is simply amazing. Note the lead singer is the legendary producer Trevor Horn. This original video featured a MOOG Minimoog and the current live version features the MOOG Minimoog Voyager. Pretty cool. Anyone spot the others synths? : )

Moog Song Producer

Remember the Moog Song Producer? Click here for more shots pulled via this auction.

via adrien.

Details from the auction:
"It is a midi interface(4out / 1in / 1 thru) for the Commodore 64. It also has 8 trigger outs, clock in/out and foot switch control. It has a faux cartridge which is how it interfaces with the c64. It includes software an extensive manual and schematics."

Update via Gerald in the comments:
"I have one of these. Someone found a warehouse of them and put them up on ebay a couple years ago. You can tell this one is from this lot by the box's water damage. Although it is cool beyond cool, it doesn't work with any of the existing SID-midi software such as Triad's Midislave. I believe that it would be next to trivial for Midislave to be changed to work with the Moog, but alas the author seemed annoyed by the request. Since there are at least 20-30 of these midi interfaces in existence, it may in fact out number the Sequential Circuits, Datel, and Passport catridges.

The software is painful... not particularly graphical, with keyboard shortcuts galore. The best thing about the software is that it is an early example of open source... they encourage you to copy as often as you like."

Moog Song Producer

Update: Interesting comment in from Bohus Blahut:
"These aren't actually rare at all. I've seen them on Ebay dozens of times. I think that I got mine for $30 a few years back. I haven't used it yet (know how that feels?), but it is an amazing package. The thing that wouod make it even more amazing is if Moog had ever come out with the device mentioned in the manual; an analog sound module. How hip would that be?"

That would be pretty hip. : )

--------------------
Interesting bit of gear up on the *bay. Title link takes you the auction pictures saved for posterity. I found this via the C64 Blog. Pretty interesting piece.



Notes from the auction:
A super-rare Moog Song Producer MIDI and Trigger interface for the Commodore 64, with sequencing and MIDI-processing software. The Moog Song Producer boasts:

· 1 MIDI in

· 1 MIDI thru

· 4 (!) MIDI outs

· 8 drum trigger outs

· 2 Footswitch ins

· 1 Clock/sync in

· 1 Clock/sync out

Wow! That means the Song Producer’s capable of interfacing your MIDI and pre-MIDI gear. What’s most amazing about this package, though, is that it’s mint in box. Just check out the photos. It comes complete, with:

· Song Producer hardware interface

· Connection cable (it plugs into the Commodore 64’s expansion port)

· Ring-bound manual with software disk

· Original warranty card

· Technical service information leaflet (includes schematic, picture of circuit-board layout and complete parts-list)

· Quick-start/introductory guide

· Service-locations poster/leaflet

· Original quality-control slip (yes, it passed!)

In its condition (immaculate), the Moog Song Producer simply makes a great piece of memorabilia (as one person said: “I cannot imagine anything with a higher coolness factor: Something for the Commodore 64 with the Moog logo.”), but I used it with its supplied software. Perhaps most excitingly, though, is the possibility that – with the detailed technical information included – a competent C64 programmer could use it to control the C64’s SID chip through MIDI, as it just runs on a stock Commodore with a stock interface (the cartridge – ‘expansion’ – port).