"This auction is for a MOOG The Phone Controller. It powers up great, but I am unsure of how to properly test this unit. I attempted to do some research this, but came up empty handed. I know that MOOG is famous for their Synthesizers, but I have never heard or seen anything like this. This is truly a great piece for any MOOG enthusiast. It includes power supply, and phone cord. The unit itself is in great condition, with no major blemishes. Good Luck!!"
According to the MOOG Archives, in 1983: "Sale of company to management. Emphasis on Contract Manufacturing. Attempt to enter into telecommunications market with a microprocessor-controlled "feature telephone", initially named "Telesys 3", later "The Operator". Design and manufacture "Song Producer". Develop "SL8" and build prototype. Maintain repair operations for Moog products. Produce the "SSK Concertmate" synthesizer for Tandy Corp (Radio Shack)."
"The 2017 Moog Innovation Award will be presented to Suzanne Ciani at Moogfest 2017, the annual music, art and technology festival in Durham, North Carolina. This award recognizes her 45 plus years of genre-defying work that exemplifies the bold, innovative spirit of Bob Moog. Past recipients include visionary artists like Gary Numan, Devo, Brian Eno, Bernie Worrell, and Thomas Dolby, and synth designers like Herb Deutsch.
Ciani, the first woman to receive the award, superseded many of her male contemporaries as a synthesist, sound designer, and composer. Well known as an early protege and long-time devotee of Don Buchla, and a friend of Bob Moog, her use of synthesizers created entirely new sounds that opened minds around the globe to electronic music as a valid form of expression. She is a five-time Grammy nominated composer and the first woman to score a Hollywood film. Her work has been featured in countless commercials, video games, and feature films.
Today, Ciani continues to inspire generosity, curiosity, and experimentation for a resurgent, multi-generational community of synth-enthusiasts and electronic music fans. Ciani’s 4-hour durational performance at Moogfest 2016 modulated between a rolling quadraphonic soundscape, stories about her early days working in New York, and tips for operating rare Buchla synths while spatializing audio. Ciani returns to Moogfest 2017 to receive the Moog Innovation award, where she will perform and be celebrated in a workshop, featured conversation as well as host a screening of a recently released documentary about her innovative life in electronic music.
Additionally, we are pleased to have more voices added to the choir at Moogfest...
Comedians often are the reflexive lens of culture, giving uplifting commentary to our often complex world. With this spirit in mind, comedian and actor Hannibal Buress will be joining us as the comedic lens and moderator in two conversations: One with the wildly inventive hip-hop producer & lyricist Flying Lotus, and another with psych-pop trio Animal Collective and legendary 1970’s synth pioneers and psych outfit, Syrinx.
Chicago based experimental song stylists Circuit de Yeux will be added to this year’s line-up, bringing her conversely expressionate sense of abstract pop to the Moogfest stage.
About Moogfest
Moogfest is the synthesis of music, art, and technology. Since 2004, Moogfest has brought together artists, futurist thinkers, inventors, entrepreneurs, designers, engineers, scientists, and musicians. By day, Moogfest is a platform for conversation and experimentation. By night, Moogfest presents cutting-edge music in venues throughout the city. This mind-expanding conference attracts creative and technology enthusiasts for three days of participatory programming in Durham, North Carolina. Performing artists include early pioneers in electronic music, alongside pop and avant-garde experimentalists of today.
Ticket information:
Engineer Festival Pass (limited quantity) - $1500
This two-day synth-building workshop, led by Moog engineers, invites a select group of enthusiasts to build their very own unreleased Moog analog synthesizer and sequencer. The hands-on workshop is conducted in two three-hour sessions within the Pop-up Moog production facility. No experience is necessary, but basic soldering knowledge is recommended. Participants in the Engineering workshop also have VIP access for the duration of the event. Priority access to all festival venues for performances and conference programming: conversations, workshops, and installations. Access to exclusive VIP viewing areas and events and gift bag. Complimentary food and drink in select locations. Workshops are available via RSVP. Engineer Festival Pass holders will receive first priority on a limited basis. Pre-Sale Engineer Festival Passes available for a limited time, while supplies last.
VIP Festival Pass - $499
VIP access for the duration of the event. Priority access to all festival venues for performances and conference programming: conversations, workshops, and installations. Access to exclusive VIP viewing areas and events and gift bag. Complimentary food and drink in select locations. Workshops are available via RSVP. VIP Festival Pass holders will receive first priority on a limited basis.
Festival Pass - $249
General Admission for the duration of the event. Access to all festival venues for performances and conference programming: conversations, workshops, and installations. Workshops are available via RSVP. VIP Festival Pass holders will receive first priority on a limited basis.
Payment plans are also available. Simply select 'Monthly Payments with Affirm' as your payment method during checkout. More details are available here."
"Mike Hosker presents to you a tutorial video of the iMini, Arturia's first application for Ipad.
iMini is an application recreating the classic Minimoog™ synthesizer that is based on the TAE™ technology found in Arturia award winning Mini V software.
iMini is designed to allow users the classic sound, look and feel of this iconic synthesizer.
iMini endorsers include Stephan Bodzin, Richard Devine, Banco de Gaia"
"COMPATIBILITY
iMini is compatible with iPAD 2, iPAD 3 and IPAD Mini
DESCRIPTION
iMini is a recreation of the classic 1971 Minimoog™ synthesizer, one of most iconic synthesizers of all time.
Based on the TAE® technology found in our award winning Mini V software, iMini offers a level of sound quality never before found on the iPAD as well as over 500 sounds by leading sound designers.
We have also partnered with the Bob Moog Foundation so that a portion of each sale goes to support their work in music education via the Dr. Bob Sound school program, making available the archives of Dr. Bob Moog and funding the dream to build the Moogseum.
The Minimoog™ synthesizer was made famous by artists and bands such as Stevie Wonder, Depeche Mode, Kraftwerk, Keith Emerson, Devo, Jean Michel Jarre and more. We now bring the features and sound of this classic to the iOS platform.
The iMini not only recreates the look and feel of the most legendary synthesizer, it does it with unparalleled sound quality. iMini is based on the award winning Arturia Mini V software that was created in partnership with Dr. Robert Moog himself, back in 2003. Thanks to this heritage, continuous research and refinements over the years, iMini comes with amazing sound quality and a large collection of preset sounds created by top sound designers such as Klaus Schulze (Tangerine Dream) and Geoff Downes (Asia).
What will you do with it?
First you can play the iMini’s numerous sounds from the iPad keyboard. You can create your own sounds and start building your personal sound palette.
If you are an owner of the Arturia Mini V software on your Mac or PC, you can import and export sounds between your laptop or desktop Mini V and iMini.
You can also control iMini from a MIDI keyboard via CoreMIDI and integrate it into your studio or live performances.
But this is not all; iMini is ‘Tabletop Ready’. Tabletop is a free iPad application that allows you to integrate iMini into a full studio of devices. With Tabletop you can build an entire song, with drum machines, FX's, sequencers... and of course the inimitable Minimoog™ sound.
Tabletop Ready™
The connect page is also your avenue to open up a whole new world of possibilities with iMini via Retronyms Tabletop application.
Tabletop™ is a free app for your iPAD that allows you to integrate iMini into a complete studio environment. In Tabletop you can use multiple instances of iMini; record your performance into a real-time sequencer; automate any of the parameters; add effects; process other modules through the iMini filters, etc. Tabletop also features number of in app purchase options to add more effects and instruments from other 3rd party companies.
Features include
Classic Minimoog™ sound.
3 Oscillators
24db per octave filter.
Simulated headphone jack/external input feedback.
2 Assignable XY pads
Chromatic or tuned scale keyboard modes
Polyphonic mode
Full featured arpeggiator
Repeat
HOLD and MEMORY latch modes
Octave span
5 note order modes
Speed and sync controls
Virtual Analog Chorus
Virtual Analog Delay
Owners of both the iMini and Mini V software apps can transfer sounds from one platform to the other via iTunes.
Full user MIDI mapping of panel controls.
Supports WIST sync with other iOS devices.
‘Tabletop Ready’
Soundcloud seeder (via Tabletop)
Render to .wav file (via Tabletop)
‘Audiocopy’ to paste your audio into another iPAD application. (via Tabletop)
The Minimoog™ name used here is a trademark of the respective owners, which are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modeled during the development process."
"Arturia advances history-making Minimoog to iPad musical masses!
"The iMini turned my iPad into an ‘old skool’ analogue bass monster! Its sound is irresistibly ‘phat’ and very close to the original. If you want that typical dirty Moog sound then the iMini is all you’ll ever need. It’s by far the most powerful and hypnotising synth app on the market.”
- Stefan Bodzin, 2013 (DJ/producer, remixer of Depeche Mode, Booka Shade, and more)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini, an authentic recreation of the all-time classic Minimoog monosynth for Apple’s all-conquering iPad, as of February 27...
iMini is based on the TAE® (True Analog Emulation) synthesis technology found in Arturia’s award-winning Mini V soft synth, meticulously modelling the distinctive tones and analogue nuances of the legendary Seventies-vintage Minimoog Model D monosynth. Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.
Arturia now brings the still-sought-after classic Minimoog sound to the musical masses, transforming any iPad mini, iPad 2, or iPad with Retina display into the ultimate analogue synth emulation! Those timeless three oscillators and that 24dB per octave fabled filter are all present and accounted for in iMini. It also successfully sports the look and feel of Dr Bob Moog’s namesake iconic synthesizer for all to see (and hear). But being a game-changing iPad app for 2013 and not an analogue synth design dating back to 1970 means there’s a whole lot more to iMini than first meets the eye...
Any serious synthesizer connoisseur will instantly recognise the MAIN mode screen as an eye-catching rendering of the Minimoog Model D front panel, albeit with welcome additional ‘analogue’ CHORUS AMT. and DELAY AMT. level controls, as well as a POLY switch for playing polyphonically — impossible in 1970, obviously! Other subtle supplements include a gearwheel icon above the keyboard — press to reveal GLIDE, DECAY, LEGATO, and SCROLL switches for performance keyboard control, plus a SCALE function to choose from no fewer than 26 different scales and modes. Meanwhile, iMini comes complete with hundreds of superb sounds showcasing its supreme sonic versatility; press LOAD from the menu bar and choose from sound designer or category — couldn’t be simpler!
But ‘behind’ that familiar-looking MAIN screen lies a wealth of truly 21st Century audio action: the PERFORMANCE page accesses an arpeggiator with two latch modes and two assignable XY pads for creating all kinds of patterns and real-time morphing sounds; the FX page provides iMini with the same wide-ranging CHORUS and accurate ANALOG DELAY models found in the above-mentioned Mini V software — subtle sound thickening to wildly modulated effects (chorus) and sync to external tempo (stereo delay) possibilities abound here! Handily, all onscreen knobs and switches in each iMini page can easily be assigned to MIDI CC allowing automation from any external MIDI source. The default MIDI map will automatically work with Arturia MiniLab or Analog Player 25 Universal MIDI Controller keyboards!
And that’s not all: the CONNECT page is the gateway to making iMini talk to the outside world (using the Apple iPad Camera Connection Kit) — use WIST (Wireless Sync Start Technology) to sync the arpeggiator and delay to other iPad or iPhone apps, and integrate iMini into a complete studio environment via Retronyms Tabletop. This free iPad app allows multiple iMini instances to be simultaneously run; real-time performance recording into a sequencer; parameter automation; processing of third-party, Tabletop-ready apps through the iMini filter, and more. “iMini is an ideal Tabletop-ready app,” says Retronyms Co-Founder John-Paul Walton. “It’s a fresh take on a legendary synth, and comes packed with a ton of amazing presets — everything from retro space sounds to contemporary bass noise.”
Thanks to iMini, today there’s really no excuse for not taking that history-making Minimoog sound anywhere anytime. And in recognition of the groundbreaking instrument to which it owes its very existence, for every iMini sold, Arturia will make a donation to The Bob Moog Foundation, whose Executive Director, Michelle Moog-Koussa, kindly adds: “We are grateful to Arturia and Retronyms for donating part of the proceeds from the iMini in support of our mission to ignite creativity at the intersection of music, science, history, and innovation. A portion of this funding will go to support our educational initiative, Dr Bob’s SoundSchool, which teaches children the science of sound through the magic of music.”
For Frédéric Brun, Arturia’s President, the feeling is mutual: “We are delighted to donate to The Bob Moog Foundation and acknowledge our gratitude to Robert Moog, who helped us when we released our first virtual instrument, the Modular Moog V, back in 2003. We are also thrilled to work with Retronyms, who are a great company and a force to be reckoned with when it comes to iOS. The iMini sets a new standard for what a virtual instrument should sound like on an iPad.”
So let’s make music and help history come alive with iMini in more ways than one, and also support the dream of building the Moogseum (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.
Appropriate iPad owners can purchase iMini directly from Apple’s App Store during a three-week introductory launch pricing period for €8.99 EURO/$9.99 USD (rising to €19.99 EURO/$21.99 USD thereafter)."
Moog Releases Robert Rich EP to Commemorate Discontinuation of Iconic Synth
Today, Moog Music announced the official discontinuation of the Minimoog Voyager Rack Mount Edition (Voyager RME) analog synthesizer – a tabletop, rack-mountable version of Moog's flagship analog mono synth, the Minimoog Voyager. The Minimoog Voyager was Bob Moog's modern day re-imagining of the Minimoog Model D, the most iconic analog synthesizer of all time.
Since its introduction in 2005, the Minimoog Voyager RME has found its place on thousands of records and stages around the world. On the Alive Tour, Daft Punk's monolithic pyramid was powered by 4 Voyager RMEs, while electronic musicians like Orbital, Deadmau5, Tycho and R&B producer Brian Michael Cox all rely on the sonic abilities of the Voyager RME to deliver new sounds for their studio productions.
'Ten years ago, Bob and I struggled over whether or not to release the Minimoog Voyager RME. Thankfully we did, because so many wonderful works of art have been produced with it,' said Moog Music President Mike Adams. 'It's always difficult for us to end the life of a product, especially one that Bob designed himself, but I am happy to know that the artists fortunate enough to own one of these expressive tools will enjoy a lifetime of rich musical experiences,' said Adams.
To celebrate the legacy of this powerful analog instrument, ambient electronic music pioneer, Robert Rich has composed a 3 song EP of evolving soundscapes titled 'Hiding In Daylight'. Rich's work is a meditative exploration of organic analog sound, drawing on the rich tonal palette of the Minimoog Voyager RME.
Theremin at 100. A special podcast in honour of the 100th birthday. We speak to Cyril Lance (Chief Engineer, Moog), Dorit Chrysler (composer/New York Theremin Society), Bruce Woolley (songwriter/Radio Science Orchestra) and Katia Isakoff (singer/songwriter and producer).
Show Notes
Chapters 00:32 - Introduction 02:11 - Cyril Lance / The Claravox 16:44 - Dorit Chrysler 25:26 - Bruce Woolley 32:08 - Katia Isakoff 45:40 - Ending
"Philly emcee and producer Raj Halder, better known as Lushlife, entered the Moog Sound Lab to re-imagine the song 'Meridian Sound (Part Two)' from the album Cassette City.
To create an intimate atmosphere, Raj performed with no backing track, using only the Animoog synthesizer application (controlled by a Minimoog Voyager) and a Moog MF-104M Analog Delay to create a sonic wash under his vocals.
"It's an interface for the Commodore 64 computer from the mid-eighties that was designed to be the hub of a MIDI / Audio production studio.
Bear in mind that this is not a sound module or a synth - It's basically a MIDI interface and sync box that sends / receives MIDI and clock signals, and generates trigger outputs.
It's a solidly-built metal box that sports:
· 1 MIDI in
· 1 MIDI thru
· 4 MIDI outs
· 8 drum trigger outs
· 2 Footswitch inputs
· 1 Clock/sync in
· 1 Clock/sync out
Bundled with this box is a suite of C64 software designed to drive the unit. Also includes all original packaging and documentation."
Roger O'Donnell has a new release featuring the Moog Voyager. via Alka who is credited with additional drum and synth programming on the album. You can find the release on Amazon.
Press Release: "Anyone who fell in love with Roger O'Donnell's 2006 album, The Truth In Me, will most assuredly do the same with Songs From The Silver Box. In some respects, the template established by the earlier album remains in place for the second: the ten electronic songs are again performed almost solely with a single instrument, specifically the producer's beloved Moog Voyager; the album includes a mix of instrumental and vocal pieces (with his partner Erin Lang appearing once again on the new release); and as The Truth In Me ended with an extended composition (the fourteen-minute “...And So I Closed My Eyes”) so too does Songs From The Silver Box close with the thirteen-minute “Musique Pour Irakli.”
A key difference between the albums, however, is the presence of beats on the new album, a change that nudges O'Donnell's material closer to the refined melodic electronica associated with Boltfish artists such as Cheju , Mint, Milieu, and Joseph Auer. Though O'Donnell's material may (as reported) find its inspiration in the music of Autechre and Daedelus (among others), it evidences little of the alien severity of the former and the sample-based mayhem of the latter; O'Donnell's oft-pastoral settings, by comparison, are soothing and serene, and exude a warmth and humanity that sets his music apart from other genre practitioners.
The opening notes of “The Prince of Time” immediately identify the music as O'Donnell's when the Moog Voyager's warm sound is used to generate the song's kinetic bass and treble melodies. A few minutes into the piece, a midtempo funk pattern, the beats courtesy of Alka member Bryan Michael, makes its entrance, setting the stage for an extended synthesizer solo. Michael also programs the locomotive patterns that drive “If You Were Alone” and, interestingly, the pitter-pattering beats that appear in other pieces are likewise suggestive of “Trans-Europe Express” in their propulsive quality. Gentle pastel melodies dance over a repeating bass pattern in “Endlessly,” a song whose surface quietude tends to camouflage the emotion that slowly swells as it advances from one stage to the next, with lovely flourishes emerging ever-so-surreptitiously at the four-minute mark. Elsewhere, a beatific trip-hop lilt underscores the open-air splendour of “Changing” while “Always” brings a refreshing, free-floating spirit to the album.
On the vocal front, Lenka's siren-esque contribution to “In Your Hands Now” bolsters its already rapturous character, with the Australian singer's multi-tracked voice sinuously navigating a path over the rolling hills of the keyboard melodies and lightly skipping beat pattern. The first piece composed for the album, “Musique Pour Irakli,” originated when O'Donnell was commissioned to write and perform the music for an haute couture fashion collection in Paris for the Georgian designer Irakli. Swaying rhythms and intricate keyboard melodies suggest an elegant latticework of patterns and colours, while Lang's layered vocalizing offers intermittent sparkle. Her breathy singing also lends an appealing innocence to the melodically radiant “Tiny Pieces of You.” In its quiet way, the song is perhaps the album's most powerful, due in no small part to the fact that the intensity of feeling Lang and O'Donnell have for one another is so palpable.
O'Donnell's history will always precede him—how many others can say they played keyboards for the Psychedelic Furs and The Thompson Twins, and was a long-standing member of The Cure?—but such background is almost incidental in the case of the solo releases. They signify not just a new chapter in his career but an altogether separate volume, and anyone expecting songs remotely resembling The Cure's should look elsewhere. At this stage, O'Donnell has nothing to prove and could easily rest on his laurels, which makes the pleasures afforded by his wonderful solo material all the more satisfying."
Pictured here is the MOOG Song Producer. There are also shots of his C64 and SX64 based setup.
BTW, stamba mentioned there hasn't been much traffic on the forum in another post. He is right. The forum is there for you to use, so, please feel free to use it. If you have any suggestions for new categories or other, feel free to put up a post in the Everything Synth section.
Update via Stamba on the Matrixsynth forum post: "Yes the C64c looks like the C128.. and btw the C128 is quite the same size as an Amiga500
"Never used except for brief testing back in the 80's. In perfect condition with manual. Has 1 MIDI in, 1 MIDI thru and 4 MIDI outs as well as 8 drum triggers for analog synths, clock in/out and 2 footswitch jacks. The 5.25 floppy is missing but the software is available from several sources including moogarchives.com. There are also addresses to order the disk in both the USA and Holland in the manual."
"Prolific pop producer Jack Antonoff is a wellspring of creative output. When he’s not penning hits for Lorde, Taylor Swift or Carly Rae Jepsen, he can be found fronting his band Bleachers or as the lead guitarist for the Grammy-award-winning band Fun.
In this video, Jack Antonoff steps into the Moog Sound Lab to perform a stripped-down and switched-on version of the song “All of My Heroes” from Bleachers’ 2017 album 'Gone Now'."
"In this exploration of sound design, composition, and video synthesis, electronic music producer and Moog Product Strategist Max Ravitz (a.k.a. Patricia) combines eight Mavis synthesizers in a dynamic audiovisual performance.
Each Mavis in this setup provides a different element in the song, ranging from wave-folded kick drums to 808-inspired cymbals and double-VCO basses to folding leads. All eight Mavis synthesizers in this performance are sequenced by the Winter Modular Eloquencer with a touch of delay provided by the OTO Machines BIM and the Chase Bliss x Meris CXM 1978 reverb, adding a bit of dimension to the mix.
Visuals for this video were created using an LZX modular analog video synthesizer."
"Download the new 'Hivemind II' video companion patch book!
This creative resource, free to download through our website, contains the patches heard in the “Hivemind II'' performance.
Using this guide, Mavis owners can recreate the video's sounds ranging from distinct kicks and hi-hats to booming bass and melodic leads. Perfect for live performance or recording into a sampler or DAW, each of these unique sounds can open up new possibilities for artists using Mavis in a production setup.
The digital patch book is one of many sound design resources that can be found on the Explore Mavis page on our website.
Just a heads up, the lineup for Moogfest 2017 has been announced. As always, check out moogfest.com for full details on the event. The following is a small capture for the archives via the Moogfest newsletter.
"Hailed as 'the most adventurous and cutting edge' festival of 2016, Moogfest returns with a commitment to futurist conversations and performances that wrestle with our historic moment, and reflect on the festival’s home in North Carolina.
In celebration of its 11th iteration, Moogfest will unveil its lineup over the next 11 weeks through their weekly “Future Thought Future Sound” email newsletter, inviting the Moogfest community to explore program themes like Transhumanism, Techno-shamanism and Protest.
Moogfest 2016 Talent Announcement with Reggie Watts
Published on Dec 8, 2015 Moogfest
"Headlining performances include Gary Numan playing a three night residency of his trailblazing early albums, a two-night residency by GZA, ODESZA, Laurie Anderson, Oneohtrix Point Never, Suzanne Ciani, Blood Orange, and Sun Ra Arkestra; with keynote presentations by transhumanist activist and pharma tycoon Dr. Martine Rothblatt, and computer scientist Jaron Lanier, a pioneer in the field of virtual reality.
More than one hundred other acts are already confirmed to perform, while the conference program continues to develop in partnership with a range of esteemed universities, innovative businesses, and art/technology organizations. Program partners include MIT Media Lab, Google, Duke University, Georgia Institute of Technology, The New Museum’s New Inc., IDEO, Gray Area, and the EyeO Festival.
For the first time ever, Moogfest will take place in Durham, NC. Moogfest activates seventeen venues, throughout the walkable downtown core, from intimate galleries to grand theatres, including a free outdoor stage with participatory, all-ages programming. Durham promises to be an ideal setting for Moogfest: a city uniquely blending diversity, authenticity, world class innovation, and culture, with a long history of great music.
Program highlights:
Pioneers in Electronic Music
Electronic music pioneer Gary Numan will perform his first three albums (Replicas, The Pleasure Principle, and Telekon) over three consecutive nights in three different venues. Musical experimentalist Laurie Anderson weaves stories and song in her solo performance, “The Language of the Future” and then returns to the stage the next day to hosts a daytime conversation.
Future Pop
Headlining talent also charts a zig-zagging course across today’s synthesizer infused pop landscape, from the vibrant electronic duo ODESZA, to the future soul of Blood Orange (playing in North Carolina for the first time), a return of utopian rockers YACHT, and even the comic stylings of Reggie Watts.
Experimentalists
Immersive noise and minimalist sonic-scapes from some of today’s most progressive experimental artists, including sunn O))), Ben Frost, Tim Hecker, Silver Apples, Oneohtrix Point Never, Quintron & Miss Pussycat, Olivia Block, Alessandro Cortini, and Lotic.
Ambient Music Innovators
A rich program of sustained tones and cascading moods led by Daniel Lanois, Brian Eno’s prolific Grammy winning protege, Suzanne Ciani, and the UK’s originators of ambient house The Orb.
Hip-Hop
GZA leads Moogfest’s strongest ever hip-hop and rap lineup, supported by a roster of emerging talent including Lunice, Tory Lanez, Denzel Curry, Dr. Dre protege King Mez, and Well$.
The Future of Creativity
Futurist philosophers set the tone for a mind-expanding conference. Keynotes by Dr. Martine Rothblatt, author, entrepreneur, transhumanist, inventor of satellite radio, and Jaron Lanier, a computer scientist and composer who has pioneered the field of virtual reality. Other visionaries include sound explorer Onyx Ashanti and his 'exo-voice' sonic prosthesis, Tod Machover from MIT Media LAB presenting his work in HyperInstruments, and Gil Weinberg and The Robotic Musicianship Group at Georgia Tech performing with Shimon, an improvising robotic marimba player that uses artificial intelligence.
Orchestral Ensembles
The intergalactic voyagers of Sun Ra Arkestra channel the cosmic philosopher himself. Arthur Russell’s Instrumentals ensemble, making their US debut. Floating Points’ live project veers fluidly from warm electronic to jazz to sonic space rhythms.
"Shaking Through is a documentary series about the Birth of a Song. Each year we give 10 awesome independent musicians a challenge: Record one song in two days. First take to final mix. No extensions. No safety net.
--------- http://ShakingThrough.com | http://WeathervaneMusic.org
Shaking Through: Helado Negro
2/27/2013 – Vol. 4, Episode 2 in the Shaking Through 2013 Series features Helado Negro. Directed by Peter English. Co-directed by Sean Maher. Curated by Mikael Jorgensen of Wilco/Pronto. Executive Producer Jason Smith. Produced by Peter English and Brian McTear. Director of Photography Phil Bradshaw. Edited David Milstein. Camera Operators Phil Bradshaw, Sean Maher, Larry DeMark and Peter English. Production Supervisor Nicky Devine. Production Coordinator Sean Huber. Still Photography by Peter English, Larry DeMark and Phil Bradshaw. For More info visit ShakingThrough.com"
The performance comes in at just after 7:11, but don't miss the talk if you have the time. A Moog Sub Phatty, DSI Prophet 12, Nord Stage 2, and Ableton Push are featured in the performance.
"How can a song - written by a perfect stranger - feel as if it were written about you? Composer/artist/producer Claudio explains her art, purpose and technique, and finishes with an exclusive unveiling of her new track: "I was a Rockstar".
In her solo live performances, Claudio creates and orchestrates songs with complex layering in real-time using music technology. To her, the art is in making sure both the technology and technique are driven by the heart - and achieve a delicate balance between control and instinct.
Rachel Claudio is a Perth-born/European-based artist/composer/singer/producer and university lecturer. She works with major labels and composes scores for film and TV. Her live video performances have captured the hearts and minds of millions of viewers.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx"
The Buggles - Video Killed The Radio Star. YouTube via Barisaxman89.
This is actually one of two videos. Title link takes you to Failed Muso where you will find the second video, a current live version of this song that is simply amazing. Note the lead singer is the legendary producer Trevor Horn. This original video featured a MOOG Minimoog and the current live version features the MOOG Minimoog Voyager. Pretty cool. Anyone spot the others synths? : )
"The Women of ELECTRONIC MUSIC! From the 30's to the 70's!
Before synthesizers, electronic music was honed the hard way in universities, by splicing tape loops, distorting sounds, endless dubbing, and blind instinct. Here are the timeless women of future music who created our present...
Since the 1930's, CLARA ROCKMORE was the master of the notoriously difficult Theremin, and later championed by synthesizer-creator Bob Moog; LOUIS & BEBE BARRON created the first all-electronic score for the film "FORBIDDEN PLANET" (1957), using oscillated sounds and tape loops; //STUDIO d'ASSAI (Paris): Danish ELSE MARIE PADE studied under musique concrete founder Pierre Schaeffer, becoming a noted composer; ELAINE RADIGUE used the Buchla and Arp synthesizers in her work, heavily influenced by Buddhist meditation, and records now with laptop improv group The Lappetites; MICHELE BOKANOWSKI has composed for film, televison, and theatre; //BBC RADIOPHONIC WORKSHOP (London): ...was created and directed by DAPHNE ORAM, inventor and sonic pioneer; she was followed by DELIA DERBYSHIRE, who brought Ron Grainer's "DR. WHO" theme to brilliant, eerie life with her studio wizardry; MADDALENA FAGANDINI co-created the proto-Techno single "Time Beat/ Waltz In Space" (1962) with young producer George Martin under the alias 'Ray Cathode'; GLYNIS JONES produced some of the Workshop's classic albums like "Out Of This World" (1976); ELIZABETH PARKER scored many BBC shows including "BLAKE'S 7", and was the person to see the Workshop out in its 1998 finale; //Fluxus performance artist YOKO ONO expanded John Lennon's mind and range with electronic music, musique concrete, and 'happening' experiments; //COLUMBIA-PRINCETON ELECTRONIC MUSIC CENTER (New York): A premiere focal point for international composers since the 50's, including composer and Associate Director PRIL SMILEY; ALICE SHIELDS combined her operatic voice and poetry with the revolutionary synthesizers of the late 60's and early 70's; teacher DARIA SEMEGEN wrote traditional classical music as well as electronic; WENDY CARLOS had massive mainstream success with the all-synth "Switched On Bach", before writing groundbreaking film scores for "A CLOCKWORK ORANGE," "THE SHINING" and 'TRON"; nearby at Bell Labs, LAURIE SPIEGEL spearheaded computer graphics and software design as well as new music; maverick ANNETTE PEACOCK went from Free Jazz piano to the first synthesizers, threading her early 70's raps and rock with freeform electronics; //Argentinian BEATRIZ FERREYRA, who also studied with Schaeffer, is an esteemed composer and teacher; //SAN FRANCISCO TAPE MUSIC CENTER: The crucial West Coast electronic center, including Morton Subotnick, Terry Riley, Steve Reich and PAULINE OLIVEROS in 1962; it moved across the Bay to become the... //CENTER FOR CONTEMPORARY MUSIC (Mills College, Oakland, CA): Oliveros was the first Director, perfecting her signal processing system for live performance; student and now Co-Director MAGGI PAYNE trailblazed video imagery and record engineering along with her music; alum CYNTHIA WEBSTER played in the early synth band Triode, founded electro mag SYNAPSE, and now runs Cyndustries designing software for electronic music, such as the Zeroscillator.
Their innovations led to Progressiv Rock, Krautrock, New Wave, Coldwave, Darkwave, Electro Funk, Industrial, Techno, and Electroclash. Their fringe future music is now the soundtrack of today.
See also:
ALICE SHIELDS -"STUDY FOR VOICE AND TAPE" (1968)
"Sound, the infinite frontier! Science had chopped the world into atoms, components from which to build. Modern art deconstructed reality, reconstructing our perceptions of it. And the first Electronic Music likewise took apart sound and turned it inside out for new compositions. Vladimir Ussachevsky founded the first Electronic Music Center jointly with Columbian and Princeton universities in 1952. He brought in avant composers from countries worldwide with new perspectives and radical expirementation. This included women like Daria Semegen, Pril Smiley, Wendy Carlos, and Alice Shields. In the 50's, Electronic Music was distortions of recordings. Sounds on a tape recorder would be manipulated by feedback, repeated spliced loops, overlapping tracks with multiple recorders, and using oscillators and reverb to sculpt the tempo, tone, or texture. This prevailed in continually advancing ways well through the 1960s. Alice used these techniques in creating this composition. A gifted mezzesoprano, she first sang a poem she'd written. She accompanied this with the first analog Buchla synthesizer, a rare and recent device only beginning to draw the attention of the hippest pop musicians. She then manipulated pitch and speed in textural patterns to supplement the freeform song. This was the cutting edge music of the future, usually heard only in academic circles. But it made its way into film soundtracks (from FORBIDDEN PLANET to Wendy Carlos' A CLOCKWORK ORANGE), Fusion Jazz (Miles Davis, Herbie Hancock), Progressive Rock (from George Harrison's 1969 ELECTRONIC SOUND to Krautrock and Kraftwerk), Funk (Stevie Wonder's T.O.N.T.O., Bernie Worrell), on to the synthesizer explosion of New Wave, then Hip Hop (from Bambaataa's ElectroFunk to Public Enemy's radical sculptures of noise), Industrial (synthetic abrasion), and the Electronica music of today; as such, Alice Shields is a godmother of Le Tigre, Peaches, Chicks On Speed, Lesbians On Ecstasy, and Ladytron, to name a few."
MALARIA! -"Your Turn To Run" (1982)
"The Women of 80's ELECTRO! Coldwave, Darkwave, Synthpop, Industrial!
As synthesizers got smaller and cheaper through the 70's, 'future music' went from acedemia to the street. Punk, PostPunk, Funk, and HipHop artists brought attitude and new styles into the pop vocabulary throughout the 80's that forged the music of today. Here are many women from the first Electro rock era..."
According to the MOOG Archives, in 1983: "Sale of company to management. Emphasis on Contract Manufacturing. Attempt to enter into telecommunications market with a microprocessor-controlled "feature telephone", initially named "Telesys 3", later "The Operator". Design and manufacture "Song Producer". Develop "SL8" and build prototype. Maintain repair operations for Moog products. Produce the "SSK Concertmate" synthesizer for Tandy Corp (Radio Shack)."
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