MATRIXSYNTH


Tuesday, May 19, 2009

The Harvestman Polivoks VCO

flickr by Analogue Haven

"Early sketch of the upcoming Polivoks VCO, by The Harvestman. Vintage sound in a small size (12 HP) and with all the necessary functions. The price should also be pretty reasonable. We're looking for a late summer release for this module."

http://theharvestman.org/
http://www.analoguehaven.com/

Die Woche


YouTube via vectorass
"Finally Spectralis got MIDI OUT! 30 minutes for patching modular 10 minutes for creating 3 patterns on Spectralis. Nothing special, just for a good mood getting Spectralis OS 1))"

ACIDLAB BASSLINE

via this auction
"Here's an original all analog little beastie crafted by Klaus in Germany. MIDI & DIN syncable, slick sequencer with slide and accent. CV, gate, and accent outputs to sequence other gear too. Sounds juicy and very very close to a 303 yet has it's own unique character. Solid construction - all tweakable knobs are tight, the detented pattern and pitch selector knobs have a looser feel, which is normal. Overall, minty condition. 120VAC power adapter included.

Based on the sound and feel of the Roland TB-303; the AcidLab Bassline 2 offers smooth and sweet, high quality low end for the modern day electronic musician/producer.

The AcidLab Bassline 2 is a monophonic bass synth with a MIDI-clock-synchronized sequencer featuring an intuitive sequencer control interface that makes on-the-fly creativity a piece of cake. They have also incorporated nearly every mod you could ask for (2 VCOs, ring modulation, oscillator-sync, sub-octave-oscillator, noise, VCLFO, LFO-reset, filter FM). Take the step into the world of analog synthesis with the AcidLab Bassline 2; once you do you'll never look back.

Features
* OSCILLATOR WAVEFORM: Sawtooth, Square wave
* TUNE CONTROL: +/- 8 half-tones.
* TUNING SWITCH: increased or degraded by a octave
* CUTOFF: Filter frequency
* RESONANCE: Amount control
* ENV MOD: Amount control for modulating filter
* ACCENT: Amount of signal to modulate the filter and amplifier
* DECAY: Accent decay time
* VOLUME: Master/headphone output level control
* Midi Clock on Sync out / Sync-Slave / Sync-Master
* CV and Gate outputs"

New Nord Wave Program Library

"THE BEST OF THE BEST We hand picked some of the planet's best synthesizer sound programmers to create their individual - and ultimate - Nord Wave sound banks. And we sure got some awesome sounds to share with you. The mission was to bring out the big, bad synthesizer in the Nord Wave, and to exploit its unique sonic character to the limit. The banks reflect the musical heritage and sound preferences of each and every programmer with plenty of personality. Look e.g. for vintage and skyscraper huge sounds in the US bank, modern characters that cuts through the everyday mush in the progressive Canadian and Italian banks, and a unique mix of Belgian-French haute couture from our friend Xavier Tribolet in the French bank. The German bank is as efficient as the country's rail- and highway system and the Dutch entry will make you think of tulips, the bestest of beer and excellent craftsmanship. The Future Music UK bank was conceived as a special project with the magazine. No less than three entire programming teams were set to work on a mission, which will blow your mind. Note: These new programs do not use any additional samples, so you do not have to reorganize anything in your Wave's sample partition as long as you have kept the factory samples." click here for more info.

Buchla Music Easel

flickr by Seth Nemec
(click for more)

full size

"the finest instrument man has yet designed."

KORG ELECTRIBE ESX-1 Music Production Sampler

via this auction

via Garrick


stolen synths in NYC area

via Loren

"Raglani's Van Broken Into After No Fun Fest in Brooklyn, Rest of Tour Cancelled."

click here for the list and more info.

Help if you can and remember folks, write down your serial numbers and keep them somewhere safe.

Update: another tip from Loren: "people ought to also take photos of thier gear in their homes... insurance companies want to SEE that stuff to give concrete proof that the gear was owned by the individual that was robbed. - Loren"

Something else I heard was to mark your synth on the inside or underside. Not too crazy about marking the original condition of a synth, and having people open them up, but for older used analog gear, the marks might already be there. Photograph them and keep them online somewhere.

8Bitone for iPhone iPodtouch


YouTube via yudoinc

"8Bitone is Synthesizer and Sequencer application to simulate sounds for 8bit Personal Computer and Console Game Generator from the 80`s.

PSG and SSG vintage voices are revived here and their nostalgic electric sounds are able to be simulated with iPhone/iPodTouch.

http://www.yudo.jp/en/music/eightbitone
http://www.yudo.jp/music/eightbitone"

Do Re Mi Fa Sol SYN-DRM1


YouTube via denha
"Additional manufacture of the four synthesizer drums was carried out."

Stan Lunetta's Moosack Machine (1970)


via this electro-music.com thread:

"Stanley Lunetta
Moosack Machine
March 7 - April 19, 1970

The moosack machine is a sculpture that produces, mixes and processes electronic sound. In the present version, the machine routes these sounds to four speakers placed in four corners of a room, and also to an audio transducer contained in the sculpture in the center of the room.

The moosack machine has two parts. The first, completely contained in the sculpture, consists of four variable oscilators, two power regulators, and a large number of input sensors. The input sensors detect changes in light, temperature, wind direction ands well as movements of people around the sculpture. These components are assembled as a sculpture, using the resistors, capacitors wires, etc. for their appearance as well as for their various electronic functions.

The second part of the moosack machine contains four mixers, the fixed oscillator/frequency divider unit, the relay box, the digital logic system, plus filters, phase shifters and reverb/tape-echo units.

The variable oscillators, controlled by the input sensors produce constantly changing output signals; e.g., continuously variable sweeps and/or disjunct leaps in either direction, amplitude, and time-event changes, and off/on functions. The output of each variable oscillator is mixed with one of the outputs from the fixed ocillator/frequency-divider unit and is sent to the digital logic system.

The digital logic system consists of a 16-bit digital counter/decoder, modified to have four inputs and eight outputs. Each output will function only when the inputs are in specific states. For example, output X1 will function only when the outputs of oscillators A, B and D are positive, and oscillator C is negative. Further, the four fixed oscillator/frequency-divider outputs (A,B,C,D) must also be positive-positive-negative-positive, if the output is to function. The fixed oscillator/frequency-divider unit moves from positive to negative at a very slow rate, changing its state one to three times per minute. Thus, the output of the digital unit consists of the relationships between variable and fixed oscillators.

Through the relay box, the four outputs of the digital unit have control over the on/off functions of the electric motors in the sculpture, turning the "cut-out wheels" and affecting the light-sensitive input sensors. There are also photo-cells that override the X outputs, turning off the relays.

The four Y outputs of the digital unit are used as audio outputs and are, of course, square waves. Thses outputs are either filtered, phase shifted, sent throuogh reverb/tape-echo units or frequency divided. The resulting sounds are then heard through the four amplifier/speaker channels. The fifth channel, a transducer in the sculpture itself, is taken from one of the mixers before the signal is sent to the digital logic system. Ideally. the moosack machine should be activated in the morning and allowed to play through the afternoon. The only human control over the moosack machine is the on/off switch. The recording in this issue was not edited or "composed" in any way. The moosack machine was allowed to play for 23 minutes. The record contains activities from the third to the eighteenth minute.

P. 46"
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