Saturday, May 24, 2014
iPad control modular synth
Published on May 24, 2014 sven braun·4 videos
"using a ipad to control a modular synth via expert sleepers ES3
(8 Channels Audio/CV Out)"
The iPad reads zMors Audio Engine. Not sure if it's this as the UI skin is different.
Funeral toll
Published on May 24, 2014 Anthony Distefano·287 videos
"Some footage of Greenwood Cemetery with NI Absynth bell sound"
via Anthony Distefano on The MATRIXSYNTH Lounge
Hexinverter Mutant Clap DEMO1
This module will be at today's TRASH_AUDIO/Muff's event in Portland today.
"The Mutant Clap is an analogue percussion synthesis module for modular synthesizers. It will be available from hexinverter.net in Fall 2014 in the eurorack modular format. Here is the first sound demo for it!
==Intro==
The TR-909's clap featured one control the user could adjust: volume. That was not okay with us.
I'm a huge fan of house music. I love the 909 clap. So this is a module I agonised over features I wanted it to have for a long time. And here it is. I hope you find it as useful as I do!
====Primary Features====
Just like the other Mutant Drums, the Clap is a highly versatile module. It is actually a voltage controlled LFSR noise oscillator as well as a powerful percussion synthesis engine!
- feature-rich, analogue handclap percussion synthesis reminiscent of the 909
- pitch control of noise generator means you can create everything from vanilla 909 claps to broken, chiptune-like alien sounds
- doubles as a voltage controlled, Commodore64-sounding noise VCO via the NOISE output and PITCH CV input
- SUSTAIN control lets you crank up the clap's sustain and use the module as an abstract synth voice with external inputs!
- external input allows you to synthesise claps from virtually any sound source you plug in
- built in internal reverb effect derived from clap tone
- reverb decay forms the decay of the clap sound, and is fully voltage controllable from short reverb "snaps" to long, whooshing tails!
- you can select between internal and external noise sources as the source for the reverb sound generation, opening up really interesting sounds
- DRIVE control lets you dial in anything from clean to extremely overdriven sounds
- bandpass filter cutoff control
cv.hexinverter.net/?projects=mutant-clap"
Synthesis Technology e580 Resampling Mini-Delay Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This is one of the most versatile delay units for Eurorack analogue modulars available. What makes it special is a cv-controllable additional tap (of the multitap delay line). You can vary the offset of this, creating amazing polyrhythms or simulating adjusting the tape heads.
--
Operating modes:
clean
BBD: simulates a bucket drigade device based delay
tape: simulates a tape echo
The delay output always gives the full delay time set with the according control, the tap output gives a delay time which stands in a percentual relationship to the delay time. This value is being set with the Tap-Offset control and/or the offset CV. Send the two outputs to two channels with hard L/R panning and you will get nice ping pong delays.
Feedback can be either positive or negative and goes up almost to a very dense self-oscillation. A jumper on the PCB sets if the fed back signal comes from the delay out or the tap out. Latter setting gives very interesting effects when modulating the tap parameter.
the synthesis technology e580 resampling mini-delay emulates the classic sounds of digital, bbd and tape-based delays with 4 parameters under voltage control. the 14hp wide euro module accepts either +-12v euro standard power or +-15v motm/frac power. using a 40mhz dsp and 24-bit codec, the e580 recreates the pitch-shift modulating of bbds with the variable bandwidth and noise floor without costly bbd ics. in tape mode, wow& flutter, tape saturation and non-linear distortion model classic tape units without the bulk and maintenance. there are 2 simultaneous audio outputs: a straight delay and a variable tapped delay. the tap position is a percentage of the main delay time. this allows very short delays (<350us) as well as long delays (750ms). both tap position (‘offset’) and main delay time are voltage-controlled over a -5v to +5v range. feedback is jumper-selectable from either the tapped position or the main delay. this flexibility can generate standard ‘rhythmic’ delays (feedback from main delay) or a series of 'pre-delay reflections' (tapped delay) which sound very different from each other."
via this auction
"This is one of the most versatile delay units for Eurorack analogue modulars available. What makes it special is a cv-controllable additional tap (of the multitap delay line). You can vary the offset of this, creating amazing polyrhythms or simulating adjusting the tape heads. --
Operating modes:
clean
BBD: simulates a bucket drigade device based delay
tape: simulates a tape echo
The delay output always gives the full delay time set with the according control, the tap output gives a delay time which stands in a percentual relationship to the delay time. This value is being set with the Tap-Offset control and/or the offset CV. Send the two outputs to two channels with hard L/R panning and you will get nice ping pong delays.
Feedback can be either positive or negative and goes up almost to a very dense self-oscillation. A jumper on the PCB sets if the fed back signal comes from the delay out or the tap out. Latter setting gives very interesting effects when modulating the tap parameter.
the synthesis technology e580 resampling mini-delay emulates the classic sounds of digital, bbd and tape-based delays with 4 parameters under voltage control. the 14hp wide euro module accepts either +-12v euro standard power or +-15v motm/frac power. using a 40mhz dsp and 24-bit codec, the e580 recreates the pitch-shift modulating of bbds with the variable bandwidth and noise floor without costly bbd ics. in tape mode, wow& flutter, tape saturation and non-linear distortion model classic tape units without the bulk and maintenance. there are 2 simultaneous audio outputs: a straight delay and a variable tapped delay. the tap position is a percentage of the main delay time. this allows very short delays (<350us) as well as long delays (750ms). both tap position (‘offset’) and main delay time are voltage-controlled over a -5v to +5v range. feedback is jumper-selectable from either the tapped position or the main delay. this flexibility can generate standard ‘rhythmic’ delays (feedback from main delay) or a series of 'pre-delay reflections' (tapped delay) which sound very different from each other."
Korg Prophecy Analogue Modelling Synthesizer
Korg Mono/Poly Collectors Condition
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Exceptional condition, has undergone a thorough service whereby nearly every single component has been checked and tested. You won't find a MonoPoly on here in better working order. All keys play with effortless ease, every wheel and dial works perfectly."
via this auction
"Exceptional condition, has undergone a thorough service whereby nearly every single component has been checked and tested. You won't find a MonoPoly on here in better working order. All keys play with effortless ease, every wheel and dial works perfectly."
Emu Sp1200 Vintage Sampling Drum Machine with Upgrades & Sample Disks
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Upgraded new disc drive that can read both DD and HD discs. Awesome new Blue LED screen with white letters, looks AMAZING & will last you a long time. Sampling output mod done by Bruce Forat - essential for getting you sampling without giving you a distorted tone while monitoring. This machine is a 96 reissue but still a Model 7030 so it has the SSM filters plus no power supply issues, it will run smooth and not get hot. All buttons, pads & sliders work perfectly..."
"Partial list of sounds discs included:
21 sounds from ORIGINAL SP1200 SOUNDS + SEQUENCES
Ricky's Bam-Bam ZD511A
Standard Traps ZD504
Techno Drums #1 ZD516A
Latino Ensemble ZD501
Rock Drums
Rock Assortment #1 ZD506
Rock Assortment 2
Time Bomb Set
Electro Boys
Techno Drums #2 ZD517A
Turbo Kit ZD510
World Percussion ZZD509
Latino #2 ZD515A
Kyodai Rock
Congas
Orchestral Bash
Steel Drum Percussion
Timbales & Percussion
Rock Party
Bongo Fury
Percotron
23 sounds + sequences from original NORTHSTAR PRODUCTIONS KITS (from 1987/1988)
S01. Quarterflash drums
S03. M1 Drums
S04. RX5 Drums
S08. Power Tech Drums
S09. Vocal Drum Kit
S10. Electronic Drums
S11. RFW Drums
S12. Acoustic Studio Kit
S13. Ambient Studio Kit
S15. Alesix Drums 1
S16. Alesix Drums 2
S17. Alesix Percussion
S18. Hip Drums
S19. '30 Jazz Kit/Sticks
S21. Body Blasts
S22. Alesix B Rap
S37. Mad Metal Rap
S39. MPC-60
S45. Drumscapes HVY Rock
S46. Drumscapes Power
S50. Drumscapes Motown
S52. SR-16 Rock Kit
S53. SR-16 Techno Kit"
via this auction
"Upgraded new disc drive that can read both DD and HD discs. Awesome new Blue LED screen with white letters, looks AMAZING & will last you a long time. Sampling output mod done by Bruce Forat - essential for getting you sampling without giving you a distorted tone while monitoring. This machine is a 96 reissue but still a Model 7030 so it has the SSM filters plus no power supply issues, it will run smooth and not get hot. All buttons, pads & sliders work perfectly..."
"Partial list of sounds discs included:21 sounds from ORIGINAL SP1200 SOUNDS + SEQUENCES
Ricky's Bam-Bam ZD511A
Standard Traps ZD504
Techno Drums #1 ZD516A
Latino Ensemble ZD501
Rock Drums
Rock Assortment #1 ZD506
Rock Assortment 2
Time Bomb Set
Electro Boys
Techno Drums #2 ZD517A
Turbo Kit ZD510
World Percussion ZZD509
Latino #2 ZD515A
Kyodai Rock
Congas
Orchestral Bash
Steel Drum Percussion
Timbales & Percussion
Rock Party
Bongo Fury
Percotron
23 sounds + sequences from original NORTHSTAR PRODUCTIONS KITS (from 1987/1988)
S01. Quarterflash drums
S03. M1 Drums
S04. RX5 Drums
S08. Power Tech Drums
S09. Vocal Drum Kit
S10. Electronic Drums
S11. RFW Drums
S12. Acoustic Studio Kit
S13. Ambient Studio Kit
S15. Alesix Drums 1
S16. Alesix Drums 2
S17. Alesix Percussion
S18. Hip Drums
S19. '30 Jazz Kit/Sticks
S21. Body Blasts
S22. Alesix B Rap
S37. Mad Metal Rap
S39. MPC-60
S45. Drumscapes HVY Rock
S46. Drumscapes Power
S50. Drumscapes Motown
S52. SR-16 Rock Kit
S53. SR-16 Techno Kit"
Powertran Transcendent 2000 Vintage Monophonic Analogue Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"A fully serviced monosynth rare in this sort of condition!. Designed by TIM ORR of EMS fame. Was a kit based instrument manufactured by the now defunkt POWERTRAN company. This one has been fully serviced including the keybed electronics. Has had new moog style knobs added, case has been refinished and restored. Has had and LFO rate indicator LED added on the front panel with improved signal to noise on the output. A classic sounding synth with a great filter. All electronics mounted on a single circuit board, all off the shelf electronic components. Grab a piece of synth history that also looks the part!!."
via this auction
"A fully serviced monosynth rare in this sort of condition!. Designed by TIM ORR of EMS fame. Was a kit based instrument manufactured by the now defunkt POWERTRAN company. This one has been fully serviced including the keybed electronics. Has had new moog style knobs added, case has been refinished and restored. Has had and LFO rate indicator LED added on the front panel with improved signal to noise on the output. A classic sounding synth with a great filter. All electronics mounted on a single circuit board, all off the shelf electronic components. Grab a piece of synth history that also looks the part!!."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
