Granular Synth Based On Arduino
Synth Settings Saved With Pattern
Live Play Mode (via MIDI keyboard)
Automatable Grain Decay 1 (sounds similar to filter cutoff)
SEQUENCER
Note Entry For Individual Steps Or Groups Of Up To 4 Steps At Once
Rests, Ties, Slides And Accents For Each Step
Pattern Length From 1 – 16 Steps
Pattern Retrigger
Tap Tempo
6 Play Modes (Forward, Reverse, Pendulum, Random Interval, Drunk, Random)
Pattern Transpose (Semitones Or Octaves)
Adjustable Note Duration
Swing / Shuffle
MIDI In / Out (note, clock sync, trigger)
MIDI Note Entry
MIDI Transpose Pattern
Send Automation via MIDI cc
Note Entry Quantized To 12 Preset Or 4 User Defined Scales
32 Save Locations Arranged In 8 Banks Of 4 Patterns
4 Play Modes Per Bank (loop 1, loop 2, loop 4, random)"
Music videos by Craig Leon performing Bach to Moog. (C) 2015 Sony Music Entertainment
Playlist:
Craig Leon - Bach to Moog - Craig Leon Live in London
Bach to Moog - Craig Leon Live in London - Siciliano from the Violin Sonata No. 4 in C ...
Bach to Moog - Craig Leon Live in London - Toccata and Fugue in D Minor, BWV 565
"Instrumentation: 90% Nord Lead 4 Synthesizer (performance instrument with all original signature sounds), 5% Octatrack (performance sampler for original field recordings/samples and on-the-fly sequencing), and 5% Tenori-On (performance instrument and on-the-fly sequencing)
Music inspired by Louis and Bebe Barron
Artistic process inspired by Joan Miro, Clyfford Still, and Darwin Grosse
(c)(p) 2015 Mark J. Mosher (BMI) - CC-BY-NC"
"Marooned is an original cinematic electronic soundscape. I think of it as a score for a film yet to be made. An Earth ship crashes on a massive moon and the only hope for the crew's survival is making it across a harsh landscape to an alien outpost for a first, and uninvited, encounter.
This soundscape is in the same universe and is a prequel to my alien invasion concept album series Reboot, I Hear Your Signals, and Fear Cannot Save Us. Unlike the first three albums which contained shorter composed and often groove-based songs, this album contains a single long-form recording combining electronic tonalities and abstract expressionist music.
This work is an example of live sonic storytelling and was recorded in one pass (with no prerecorded sequences, overdubs, or edits) after weeks of improvising and rehearsal.
2 ON THE SURFACE
2:08 Regaining Consciousness
4:14 Being Scanned
3 OUTPOST IN SIGHT
5:06 The Traverse
4 ENTER THE OUTPOST
7:10 Point of No Return
8:04 Solving the Airlock Puzzle
8:53 Moving Through the Darkness
9:30 The Trap
5 CAPTURED
10:47 March to Chamber
6 INSIDE OUR HEADS
15:00 Extracting Secrets of Man and Machines
7 DREAMING OF HOME
18:22 Extracting our Dreams
credits
released 28 April 2015
Written, performed, programmed, and produced by Mark Mosher
Cover photo and design, liner notes, and graphical score by Mark Mosher
Instrumentation: 90% Nord Lead 4 Synthesizer (performance instrument with all original signature sounds), 5% Octatrack (performance sampler for original field recordings/samples and on-the-fly sequencing), and 5% Tenori-On (performance instrument and on-the-fly sequencing)
Music inspired by Louis and Bebe Barron
Artistic process inspired by Joan Miro, Clyfford Still, and Darwin Grosse
"I performed 'Marooned', a my 20-minute cinematic electronic soundscape in 7 movements, on April 26th, 2015 at the Textures Ambient Showcase at the Mutiny Information Cafe in Denver. This is 3m30so video of excerpts from that show shot with a GoPro I had on a bookcase behind me.
Marooned is an original cinematic electronic soundscape. I think of it as a score for a film yet to be made. An Earth ship crashes on a massive moon and the only hope for the crew's survival is making it across a harsh landscape to an alien outpost for a first, and uninvited, encounter.
This soundscape is in the same universe and is a prequel to my alien invasion concept album series Reboot, I Hear Your Signals, and Fear Cannot Save Us. Unlike the first three albums which contained shorter composed and often groove-based songs, this album contains a single long-form recording combining electronic tonalities and abstract expressionist music.
This work is an example of live sonic storytelling and was recorded in one pass (with no prerecorded sequences, overdubs, or edits) after weeks of improvising and rehearsal.
B&W photo in video by Chris Sessions chrissessions.com/"
"Features at a glance:
