Friday, May 22, 2015
tiptop audio - circadian rhythms: exploring basic function
Published on May 22, 2015 ipnoteca
"some basic trick with the new trigger sequencer circadian rythm by tiptop audio"
The Deaf Fall to Earth Vividly Amplified
Published on May 22, 2015 A Box In The Sea
"The delicate shimmer of sound I visualized if one were to fall in a vacuum. The OP1 is being delayed and sampled continuously through the Phonogene and WTPA2. I used the Octatrack to sample phrases (recorded from OP1) from Samplr which are chopped continuously as well. The Nebulae is providing texture.
GEAR:
OP1, Octatrack, Phonogene, Nebulae, Big Sky, Monome, WTPA2, Samplr"
LABELS/MORE:
Elektron,
eurorack,
iOS,
Make Noise,
Monome,
Qu-bit Electronix,
strymon,
Teenage Engineering,
Video,
Where's the Party At
YAMAHA FS1R
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
If you have an iPad, check out the editor I created for the Yamaha FS1R here and ported to TB MIDI Stuff here.
via this auction
If you have an iPad, check out the editor I created for the Yamaha FS1R here and ported to TB MIDI Stuff here.
YAMAHA CS-5 Analog Synthesizer SN 9874
Polivoks FAEMI 1M Vintage Analogue Russian Synthesizer
Roland Juno-60 and JSQ-60 DCB Recorder / Sequencer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Kind of interesting that the JSQ-60 was marketed as a Digital Keyboard Recorder rather than sequencer.
via this auction
Kind of interesting that the JSQ-60 was marketed as a Digital Keyboard Recorder rather than sequencer.
Korg POLY-800 II MK2 Vintage Analog Synth w/ Orig Case
YAMAHA CS-10 Vintage Analog Monophonic Synthesizer SN 10957
New Grove Audio WS-104 FM Operator aka the FM Ogre & GMS-1340 Polywav™ In the Works
via Grove Audio (no pics):
"FM Operator, WAV Player, VCO In Prototype
There is progress on the FM Ogre, officially the WS-104 FM Operator. The EU version prototype is up and running. Boards are in progress for the MU version which has some sub--assemblies. Hopefully, a demo and pictures of the panels will be up soon.
The GMS-1340 Polywav™ Player WAV sample player module prototype is coming together. This module will play back up to 14 16 bit 44.1 KHz stereo WAV files simultaneously, each with independent volume level under trigger or MIDI control. The first version for MU will use a 2MU panel. 16 1/4 inch jacks will allow gate triggers to start predefined sample playback. Two sets of CV and trigger inputs will allow voltage controlled initiation of sample playback from the current selected sample library. This will allow a group of samples representing a scale such as the Mellotron three violin sample set to be played from a CV source.
There is a MIDI DIN input that will accept note and control commands from a controller device to play sample sets. A separate sample set can be assigned to each of 16 MIDI channels. MIDI bank select commands can change the assigned sample bank for each channel.
A front panel OLED display and encoder will allow setting sample sets, MIDI channels, trigger assignments and other parameters. The SDHC card reader, accessible through the front panel will accept a card with up to 32GB of WAV samples. The user will then be able to select from a pool of 2048 samples to combine these into sample sets. Samples need to be recorded as 16 bit 44.1 KHz stereo WAV recordings. The sample length is not limited.
The GMS-321b Voltage Controlled Oscillator module is coming along. I have located a source for one of the last remaining NOS parts needed to build up the module. This is a recreation of the Moog 921b VCO and will be available as a 1MU module."
"FM Operator, WAV Player, VCO In Prototype
There is progress on the FM Ogre, officially the WS-104 FM Operator. The EU version prototype is up and running. Boards are in progress for the MU version which has some sub--assemblies. Hopefully, a demo and pictures of the panels will be up soon.
The GMS-1340 Polywav™ Player WAV sample player module prototype is coming together. This module will play back up to 14 16 bit 44.1 KHz stereo WAV files simultaneously, each with independent volume level under trigger or MIDI control. The first version for MU will use a 2MU panel. 16 1/4 inch jacks will allow gate triggers to start predefined sample playback. Two sets of CV and trigger inputs will allow voltage controlled initiation of sample playback from the current selected sample library. This will allow a group of samples representing a scale such as the Mellotron three violin sample set to be played from a CV source.
There is a MIDI DIN input that will accept note and control commands from a controller device to play sample sets. A separate sample set can be assigned to each of 16 MIDI channels. MIDI bank select commands can change the assigned sample bank for each channel.
A front panel OLED display and encoder will allow setting sample sets, MIDI channels, trigger assignments and other parameters. The SDHC card reader, accessible through the front panel will accept a card with up to 32GB of WAV samples. The user will then be able to select from a pool of 2048 samples to combine these into sample sets. Samples need to be recorded as 16 bit 44.1 KHz stereo WAV recordings. The sample length is not limited.
The GMS-321b Voltage Controlled Oscillator module is coming along. I have located a source for one of the last remaining NOS parts needed to build up the module. This is a recreation of the Moog 921b VCO and will be available as a 1MU module."
Elements of Eckshar
Elements of Eckshar from Bryan Noll on Vimeo.
"Performed live on a modular synthesizer. Ableton Live feeds notes to Yarns which enables three triggers. All sounds from guitar and modular.
Patch Notes:
Yarns in 4T mode sends triggers running three different Euclidean Rhythms to A) unused, B) Peaks Ch1 Kick, C) Peaks Ch2 Snare, D) Tides trig.
The primary voices are:
A) Jaguar Baritone > Axis > Streams Compressor > Clouds
B) Jaguar ... Compressor > Multed to Disting Pitch Follower > Elements V/Oct*
C) Peaks Kick & Snare > Rosie > Erbe-Verb
*Disting tries to pitch follow the guitar, but it can't, so it glitches.
Trigger Part (Euclidean Length/Fill:Clock Division)
A) unused
B) 9/5:1/4
C) 32/17:1/16
D) 14/12:1/1
René passing 16th note clock on to Elements TRIG
Tides modulating Erbe-Verb – UNI to DCY & inverted BI to TLT
87 bpm"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
