"A Wave Synthesis Puzzle Game made for Ludum Dare 39
I recommend the post-compo version as it allows you to adjust the volume.
Connect components to match the waveform to the gate to open it. Use your oscilloscope to view the power waves and see how they differ from how they should look, you’ll need to reroute power through the correct modules in order to open the protected gates and continue.
Mac version is in the works and possibly a web port, although some of the audio techniques used might make it difficult.
No details are up yet, aside from "Enterprise *UNDER DEVELOPMENT*" on the DigiLog site, however, you can see the the following parameters on the front panel:
Oscillator Tune
Oscillator Waveshape - Triangle, Saw, Square with Pulsewidth
Filter Cutoff
Detune & Sync which implies two oscillators - it's not clear if you have control over the second oscillator's settings.
Arp
EG
Time and Mix - I'm guessing a built in delay
You can play with it here. Try loading some of the different patches. I noticed I had to turn up the volume a bit to hear the first two patches. Be careful of course. I'm not sure if any of the patches get considerably louder.
"SYNTHI-JS is an emulator of the legendary EMS Synthi A modular synthesizer, built in JavaScript on top of the Flocking library.
Features
Devices
3 oscillators
noise generator
low-pass filter
ring modulator
analog-style reverberator
self-triggering envelope generator
16x16 control patchboard
Bidirectional joystick controller
Scope module displaying "voltage" over time
100 patch memory banks with import/export functionality and (new in v1.1!) 5 built-in presets
(new in v1.2!) File upload functionality for input sources via S3
(new in v1.2!) Customizable knob behavior
(new in v1.3!) Emulation of the EMS DK2 keyboard
Getting Started
First, open up SYNTHI-JS and take a look around.
SYNTHI-JS can look daunting at first, but creating patches with it is actually quite straightforward. The patchboard functions as a routing mechanism: device outputs on the left side of the patchboard get routed to device inputs on the top side of the patchboard.
Let's make our first patch! Click on the button at B1 at the patchboard to connect the sine-wave output of Oscillator 1 to Output Channel 1. You should hear a 440 Hz sine wave coming out of your left speaker – congratulations!
"Roland RS-505 that is in perfect technical condition (see pics). A few weeks ago the RS-505 was completely checked by an experienced technician.
Looking at the pics you undoubtedly notice that this RS-505 has got a custom paint job that was done by a previous owner. Some might say that the choice of the used colours is kind of "crazy" others might find it a "piece of art". The print job itself is certainly not perfect (means collector´s item) but really well done."
"Syntronik is a sampled waveform based VST that emulates legendary synths such as Minimoog, Oberheim OB-Xa, Yamaha CS-80, Roland Jupiter-8, Roland JX-8P and Yamaha SY99.
As I can never afford (nor I have space to keep) all of those legendary synths, I bought Syntronik so that I get to play and learn more about those legendary synths.
As I’ve been making analog/subtractive synth-like patches on my DX7, I decided to put my DX7 MK1 against Syntronik with mighty legendary synths like Minimoog, OB-Xa, CS-80, Jupiter-8, JX-8P and SY99.
In this demo and comparison video, you will watch and hear sounds of the DX7 MK1 compared side by side to Syntronik legendary synths. Some sounds are close and others are different in many ways.
Although the DX7 can’t do everything that analog synths with a resonant filter can do, the DX7 can stand its own with unique sounds that analog synths may find very difficult to emulate.
I will take you thorough from very easy installation and set-up steps. I will give you a quick tour of Syntronik interface and legendary synths.
Comparison
Yamaha CS-80 with a synth brass for UK Alaska Vs Power DX7 signature patch, Alaska with a natural flanging effect
Yamaha SY99 with bell and electoric piano Vs Power DX7 signature patches, Bell X2 and E.Piano (beefed up version)
Minimoog with Resonant stab bass & Resonant Sequencing Vs Power DX7 signature patches, Resonant Stab Bass and Resonant Sequencing. As the DX7 doesn’t have a resonant filter, it needs to generate all harmonics using its FM synthesis. This produces a resonant filter-like, yet very distinctive tone with a ‘Sticky’ feel.
Roland Jupiter-8 with Resonant Unison Lead (16 Oscillators stack) vs Power DX7 signature Resonant Lead with ear piecing mid range (no unison for the DX7)!
Roland JX-8P/ JX-10 with Saw Pad Vs Power DX7 Signature Saw Pad
Oberheim OB-Xa with Rush Subdivisions and Van Halen Jump Synth Brasses Vs Power DX7 Signature Rush Subdivisions and Van Halen Jump Synth Brasses
Oberheim OB-Xa with a warm pad Vs Power DX7, Earth 1, the mother of all pads!
To finish this demo, I include a brand new DX7 song called ‘Resonance Beat’ by combining various Power DX7 signature patches, including Bell X2, Resonant Stab Bass, Resonant Sequencing, Earth 1 Pad. Also it includes a new Bell (like a small bell rolling around inside of a glass bottle), a Resonant Filter Sweep sounds and another Resonant Sequencing sound with a formant type tone when played soft (yes, you can have two different tones in a single patch for the DX7!).
