Crumar Bit 01 Rack Expander 1986 White

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Pics of the inside below.

Video of a black one in the listing previously posted here.

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Future Retro 777 Monophonic Analog Synthesizer SN FR3D71499398

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Video in the listing previously posted here.

"This is one of the most well thought out synths I've ever used and a real stroke of genius. The knobby interface and hands on sequencer make it endlessly fun to coax raw, aggressive and acidic tones out of this box. For me, the 777 is the best monophonic synth with step-sequencer ever released. One of the few machines that delivers what it promises. The possibilities, the look and feel, and last but not least...the sound is absolute stunning. You can go from a conservative 303 sound to a mutation of acid sound, that needs a new definition. Every underground Acid/Techno producer should have one 777. The 777 is worth every cent.

Future Retro 777 Monophonic Analog Synthesizer. Comes with original manual and power supply. Out of production. Used by several artists including Trent Reznor (NIN)

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Lofi Boom Bap Hip Hop Beat? Volca Sample!

Published on Feb 5, 2020 RemixSample

"Sample pack d/l: https://www.patreon.com/posts/33780898
Hey! Playing around with another Vosyr sample pack for Volca Sample.
The vocals is from a MF Doom acapella.
I used XLN Audio RC-20 Retro Color Vintage Effect to make it sound dirty and old: https://www.pluginboutique.com/produc..."

Korg Ds10, Volca Sample, Volca Keys PO-14 Sub - Ds-303 Acid - Song-a-day Feb 5th

Published on Feb 5, 2020 ChrisLody

"For today's song-a-day I once again turned to acid (:D) but with a bit of a twist. Playing the part of a tb-303 in this video is Korg Ds10 running on a Nintendo Ds. Who knew Ds10 could make such a convincing 303 sound? Helped along by a dose of Zoom 1201 reverb it sounds the part to me! The Volca Keys plays a long 8 bar pad-ish sound using it's 'Fifth' setting, the Volca Sample is loaded up with 808 and 909 samples and the Pocket Operator Sub plays a deep bass line alongside everything. Reckon this one could do with being made into something longer, and turn those dam claps down!

Sync is running from the Ds to the Volcas and then to the Pocket Operator btw. It's the only way I can get it all to sync up. I'm also using the Sample as I 2 channel device with the kick panned left and all the other drums right so they can have reverb and not the kick."

DX5 playing Gary Numan "Are Friends Electric" (Studio version)

Published on Feb 4, 2020 DX5

"My first cover using the Promars was 'Are Friends Electric' Old Grey Whistle Test version almost eight years ago. Time now for the studio version with some small variations (I skipped some guitar sections, etc)

Gear used:
Roland MRS-2 Promars
Roland JP8000

Backtrack previously recorded on Pro Tools.
Composed by Gary Numan.
Performed here by DX5 Jose María Bará."

0-C0AST AMBIENT::ERR0R MEM

Published on Feb 4, 2020 C Nich0lls

"Ambient track based on a recording of a performance with the Makenoise 0-Coast synthesizer. The original recording is the first upload I made for this channel. Looking back it seemed quite different to the subsequent videos, so I decided to re-work it a bit.

The original version is here: https://youtu.be/8R5UGs0963U

Hope you enjoy this updated take. Likes and comments are always welcome.

The original, single take still forms the core, but it is accompanied by 2 additional 'tracked' versions that pitched up to create a kind of shimmer effect. They fade in over the duration of the recording.

There are 2 additional tracks added, a low pedal note and some washes of noise. Both of these were also recorded from the 0-Coast.

The effects treatment is quite different from the original. The core recording was recorded through the Red Panda Particle pedal. For this recording the tracks are processed trough a LoFi delay effect from the Strymon Timeline and a Nonlinear reverb from the Strymon BigSky. The 'shimmer' effect that emerges over the recoding is actually 2 tracked versions of the recording that are pitched up before being processed by the effects. A number of glitches are evident from the Ableton algorithm."

Wet Vs Dry - Effects & Sound Character w/ Doepfer Dark Energy I

Published on Feb 5, 2020 DreamsOfWires

"Just a simple A/B comparison of a simple noise patch on the Doepfer Dark Energy I both with and without effects (delay & reverb). Each moment of the recording is repeated - dry, then wet. I used this particular patch/sound because I think it represents the kind of sounds and character that I like most about this particular instrument, and like the dry sound just as much. It was my first analog synth a decade ago, and it illustrated to me the difference in richness and depth of tone compared to the software synths I'd used before it.

Anyway, this is just a mid-week moment that I thought might be interesting or useful to someone out there, not just regarding the synth used, but also the use of effects, as many people ask me about the effects I use, or how much they contribute to the sound, etc.

The delay is Dubstation2, reverb is EOS2, both by Audio Damage, both recorded within AUM on an iPad using an old Focusrite 18i6. The Dark Energy patch is just the 2 lfo's modulating the filter frequency, one via a patch cable, and then just the usual tweaking of pots.

My analogue synthesizer music is available here: https://tomorrowthecure.bandcamp.com
You can help to support my channel here: https://www.patreon.com/dreamsofwires"

Modular rig Jam

Published on Feb 5, 2020 DoveAudio

"Had to test my new sequencer rack, and this kind of happened.
The minilogue XD has a PPG T400 Cathedral choir sound loaded.
The strings comes from the Streichfett
Drone is from the waveplane oscillator paired with a corsynth VCO
Arpeggio is from three WTF oscillators."

Synth Guitars, Vintage Versus New Guitar Options

Published on Feb 5, 2020 LOOK MUM NO COMPUTER

Demos start at 2:43 with the Roland GR-500 followed by the Sequential Circuits Prophet-600.

FRQ Shift by TONSTURM - New Spectral Shifting Plugin

Published on Feb 4, 2020 TonsturmChannel

FRQ Shift Tutorial Walkthrough

TRANSFORM YOUR SOUND

Revolutionary Spectral Shifting Plugin:

FRQ Shift is an ultra clean sounding, artefact free, dual frequency shifter engine. Capable of everything from subtle modulation and stereo enhancement to more extreme atonal effects perfect for building tension and creating atmospheric backdrops. Frequency shifting shifts all the component frequencies of a sound by an equal amount. This means that if your input is harmonic, it will destroy the harmonic relationship of the components in the sound resulting in a more unnatural sound.

Price: $89 introductory price until 18/Feb/2020 ($129 thereafter).

FEATURES

FRQ Shift is an ultra clean sounding, artefact free, dual frequency shifter engine

Capable of everything from subtle modulation and stereo enhancement to more extreme atonal effects

Four feedback effects that can be introduced into the Frequency Shifters feedback path

Introducing a state of the art modulation system allows you to create tense and alive sounding patches.

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