"Akai IB-48P 8 Channel Analog Output Board for Z4, Z8, MPC4000.
Expand the number of outputs in your Akai MPC4000, Z4 or Z8 sampler with the IB48P individual output expansion board.
Don’t limit yourself to a two channel mix, use all the power of the MPC or Z sampler with this card.
Fully working, in excellent condition. worldwide shipping."
"In which I visit Willem Twee Studios, an amazing electronic music studio in the Netherlands that breathes the ideas and techniques of Schaeffer, Stockhausen, Xenakis and brings them alive for a new generations of musicians.
Built from the collection of Hans Kulk, who has been working with early electronic music tools since 1983, the studio is integrated into Willem Twee, a concert venue in 's-Hertogenbosch. Run lovingly by Rikkert Brok, Armeno Alberts and Hans, the two studios and the beautiful Tonzaal, built into a former Synagoge, breath history. You can find post-war communications technology next to early analog computers, classic Arp synthesizers and custom made tools, as well as a beautiful pipe organ and all you ever need to create tape collages. Everything is ready to be played and recorded, and kept in amazing shape.
This was an absolute highlight fro me personally and I hope to return for a longer stay some time.
Support these excursions and get stuff in return: http://patreon.com/hainbach
By my music and merch: https://linktr.ee/hainbach101"
“Starkey Hearing Science Laboratory. This would have been used for controlled hearing tests and was sourced from the speech and language therapy department of a university, my interest in this item was from the point of view of creating electronic music.”
“From the early 1970s until the mid-1980s, audiologists used this instrument to perform sophisticated hearing tests and experiments. It wasn’t intended for making music, but that didn’t stop experimental musicians from exploiting the HSL’s potential as a synthesizer. It has three sine-wave generators, one square-and-triangle-wave generator, pink and white noise, three resonant lowpass/highpass/bandpass filters, and mic and line inputs for processing external audio. It also has a frequency counter, a gate sequencer, distortion, a probability circuit, various utility functions, and audio outputs that include one labeled Bone Vibrator, but no inputs for external keyboards. Users connect circuits using patch cords with mini banana plugs and control pitch and other parameters by turning knobs and flipping switches. Like most medical devices, the HSL was built to last.”
To raise funding for its hallmark projects, Dr. Bob's SoundSchool and the new Moogseum, the Bob Moog Foundation is honored to be raffling a vintage Minimoog Model D, serial number 1549, signed by the extraordinarily talented, impossibly accomplished 14-Grammy Award winner Herbie Hancock!
Keyboardists Valerie Ghent and Nigel Hall (@Lettuce ) share why this Minimoog is so special.
"Tonight I set up 6 synthesizers I own with that Epic Trance style Supersaw sound. When I was making the video I realized that I paid just over $15000 USD in total for these synthesizers! Now that's a Super Expensive Supersaw!
I've set some limits on myself sound design wise so that you can hear what each synth sounds like at a base level when it comes to Supersaws. This way you can perhaps hear some differences on a level playing field not colored by built-in effects or more that the original 7 sawtooth waves in the original JP-8000.
I demo each synth quickly, then I play 4 of the 6 to give a taste minus the Moog One and the Roland Cloud System 8, then for the big one I play all 6 synthesizers at once for that $15000 Supersaw!
Synths used for this video are:
Roland JP-8000
Roland V-Synth GT
RolandCloud System 8
Waldorf Kyra
Access Virus TI2
Moog One
Let me know what you think of the $15,000 Supersaw!"
"In-depth demo of the Grendel RA-99 Grenadier analog synthesizer. All sounds in the track are made with the RA-99, except the synthetic speech which was made with Rare Waves MIDI Narrator.
0:00 Part 1 - Contaminate Your Speakers (music track)
4:37 Part 2 - Making the distorted kicks
6:24 Part 3 - Making pink noise percussion
7:55 Part 4 - Making acid tones
9:25 Part 5 - Making the synthesized speech
10:06 Part 6 - Making the lead voices
Demonstration and Music by Eric Archer, 2020
Rare Waves LLC (rarewaves.net)"
