RE-202 Space Echo with Vintage Roland Synthesizers // Sounds Only

video upload by Jorb

0:00 SH101
5:38 Juno106
13:43 JX8P
21:44 D50
25:02 SC88 Pro

New Erica Synths Black 3109 VCF/VCA Eurorack Module

video upload by

See the dealers on the right for availability.

"The Erica Synths Black 3109 VCF/VCA is a lowpass filter and voltage-controlled amplifier combo built around the AS3109 VCF integrated circuit, a contemporary version of the IR3109 chip, found on vintage synths. Filters based on IR3109 had several drawbacks, including a volume drop when the resonance is increased so we added a volume drop compensation as well as a built-in VCA for more versatility in compact setups.

Timeline:

00:02 - Patch 1 - VCO through VCF which cutoff is modulated with the ASR envelope and sent through Black Hole DSP II
00:55 - Patch 2 - Basic waveforms from VCO through VCF with different resonance settings
02:13 - Patch 3 - Volume compensation test
02:50 - Patch 4 - VCO SUB out used as audio source of the VCF input and PULSE out from the VCO is used to modulate the VCF cutoff frequency. Black Hole DSP II stereo delay algorithm is used as FX
04:09 - Patch 5 - Creating bassdrum with self oscillating VCF which CV input is being modulated with ADSR envelope and then VCF output is sent through BH DSP II to add some overdrive and bitcrush
05:07 - Patch 6 - Stereo FM radio left channel sent through VCF and VCF cutoff modulated with the radio right output channel
05:35 - Patch 7 - Black VCO SUB mixed with PWM used as input for 3109 VCF linked with Black HP VCF using the VCF coupler module
07:27 - Patch 8 - Drum loop from Sample Drum sent through Pico E.F. and then trough VCF which is modulated with the CV contour which is extracted from the envelope follower
08:01 - Patch 9 - VCO sent through VCF which cutoff is modulated with ASR envelope and VCA part is controlled with second ASR envelope from the Black Dual ASR module. BH DSP II high pass delay algorithm is used as FX

All sequences in the demo are created with the Black Sequencer module."

"The Erica Synths Black 3109 VCF/VCA is a lowpass filter and voltage-controlled amplifier combo built around the AS3109 VCF integrated circuit, a contemporary version of the IR3109 chip, found on vintage Roland synths such as the Jupiter series, Juno series and the SH-101.

The 3109 VCF/VCA is our attempt to recreate the iconic sound of these synths, but we also aim to improve upon it. Filters based on IR3109 had several drawbacks, including a volume drop when the resonance is increased so we added a volume drop compensation as well as a built-in VCA for more versatility in compact setups. Additionally, 1V/oct tuning is implemented so you can use this module for perfect VCF keyboard tracking and also as a VCO.

Features
24dB/oct lowpass VCF
Volume drop compensation
Built-in VCA
Cutoff level attenuverter
1V/oct tracking"

01-The Korg ARP 2600M-Oscillator 1

video upload by AutomaticGainsay

"Here is a demonstration of the sound and functionality of the first oscillator found on the Korg ARP 2600M."

AutomaticGainsay Korg ARP 2600M posts

Access Virus TI Sounds - One of the Most Interesting Synthesizers

Access Virus TI Sounds - Part 1 - One of the Most Interesting Synthesizers video upload by Friendly Noise

"First introduced in 1997, the Access Virus and all his following variations are without doubt one of the most iconic and used synthesizers in the 21st century. The last versions of the Virus are full of details with a real musical function, like three oscillators, three LFOs, dual multimode filters (+ comb and formant modes), great modulation matrix and effect section, FM, ring modulation, wavetable, Hypersaw (kind of Rolandish-Supersaw)… to name a few features. With that power, the Virus can cover all the basics for different kinds of musical styles. A 16 part multimode and great polyphony can deliver all the sounds you need for whole songs… providing you like the characteristic sound of the Virus. Some love it, some hate it. Was the amazing polyphony achieved at the cost of the high end? The Virus is not the brightest synth in the town, but how much do you care about that?

The sounds are illustrated with pictures of my own Virus. There is no video, because those are old recordings, made long time ago before I started recording videos. The purpose of the recordings was exclusively for personal use, a way to remember sounds I liked. Some of the recordings can be useful today in order to get familiar with the sound of the featured instruments, so I decided to upload them. In fact, no video is an advantage: you can do other things while just listening to the sounds. :-)

Video sections:

Virus Presets
00:06 Veldisa BC
00:34 Spring HC
00:50 WavePad BC
01:19 TIBell SV
02:26 Riptide HS
02:48 TriblZapMS
03:27 MnstrSW2MS
04:16 GritFunkBC
04:48 SlowSilkMS
05:34 BadMouthBC

My Presets
06:28 Autobahn sounds
07:54 Big Pad
11:05 Noisy sounds
14:34 Resonating short delay"

Access Virus TI Sounds - Part 2 - Self Programmed Sounds

00:06 Virus Arpeggio with Roland SH-101 melody
02:06 Tangerine Dream-like Intro 1
03:45 Tangerine Dream-like Intro 2
06:13 Emulating Sounds from Kraftwerk’s Kometenmelodie
08:16 A Pad With Pulsating Phaser
11:03 Using Multimode
12:56 Sequence With High Resonance
13:26 Self Oscillation
15:22 Distorted Sounds
19:08 Last Track For An Missing Recording


Access Virus TI Sounds Part 3 - Self Programmed Sounds Including Sound Comparison With Roland SH-101

00:06 Nice pad with internal effects
01:39 Virus or SH-101 Part 1
02:21 Virus or SH-101 Part 2
03:29 Octavius Wavetable Part 1
05:06 Octavius Wavetable Part 2
06:00 Powerful Arpeggio
08:05 Hypersaw Waveform
09:11 Organ Sounds
11:00 Original Virus Filter
14:20 Resonant Filter with Sample and Hold Modulation and Delay
16:39 FM Sound with Digital Distortion
18:35 Ring Modulation
21:32 A Last Pad"

HOME BAKE INSTRUMENTS NEW COAST WAVETABLE & FOLD SYMTHESIZER MODULE

video uploads by HOME BAKE INSTRUMENTS

"NEW COASTは西海岸のさらに向こう側を目指した、WAVE TABLE & FOLD SYNTHERSIZER　です。 WavetableをFoldすることで、更に先鋭的なサウンドを作り出します。 １つのWAVE TABLE OSCと、WAVE FOLDER / LPGを装備しており、それらを内蔵のLFOとENVELOPEで制御できます。 LFOは4種類のモードを持っています。 サイン、ノコギリ、スクエア、S&Hされたランダムな波形を出力でき、ピッチやFODLER,LPGをコントロールすることができます。"

Googlish:

"NEW COAST is a WAVE TABLE & FOLD SYNTHERSIZER aiming at the far side of the west coast. By folding the Wavetable, you can create a more radical sound. Equipped with one WAVE TABLE OSC and WAVE FOLDER / LPG. The LFO has four modes, which can be controlled by the built-in LFO and ENVELOPE. It can output sine, sawtooth, square, and S & H random waveforms, and control the pitch, FODLER, and LPG. can do."

Prophet 6, Moonchild vs Sidhartha, user 032 analog synthesizer

video upload by Bob I. Gomez

"Here is an original tune I call, Moonchild vs Sidhartha. I am using my own preset 032 on the Sequential Prophet 6 synthesizer. Recorded direct to Zoom Q3HD video recorder."

The Riverscapes 1 - Sonic escape - Baloran The River synthesizer

video upload by Smartti1970

"Baloran The River Synthesizer demo
Fx: lexicon pcm80, eventide space & Time , boss vf1"

[redStar] AtomoSynth Koe_M6 live performance.

video upload by atomolab

"Hello World. this track is called RedStar, it was recorded live in one take, using the AtomoSynth Koe_M6 semi modular synthesizer (arpeggio), and the iPad (drums and bass line)."

New Divkid Stereo Strip - A Channel Strip For Eurorack

STEREO STRIP // Stereo processing for Eurorack with EQ, CV pan, VCA and more

NEW DIVKID MODULE!!! video upload by DivKidVideo

"I’m proud to present to you STEREO STRIP. My next module made in collaboration with Befaco. Stereo Strip is a stereo EQ, VCA, panner, distortion, mute & line level input and/or output interface for external gear.

Stereo Strip builds upon the well trodden paths of studio channel strips expanding them for musical and creative modular use with voltage control. Simply try swapping out simple VCAs for Stereo Strip to enhance your patches with EQ and voltage controlled panning. Or get creative and check out the patches below for highly shapeable distortion hacks, mind bending stereo ring modulation, CV routing, feedback waveshaping and more."

Divkid Stereo Strip - A Channel Strip For Eurorack
video upload by Patchwerks

"In this video Matthew (aka EZBOT) shares an overview and demo of the Divkid and Befaco collaboration, Stereo Strip.

Stereo Strip takes the idea of a channel strip and makes it modular. We hope that by bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters that you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating
stereo images from mono sources, shaping and modulating existing stereo
images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

Learn more about the Stereo Strip here: https://bit.ly/stereo_strip

https://patchwerks.com/
Demo by : Matthew Piecora
Video by: Matthew Piecora ( EZBOT) and Steven Ly (Project 32)
https://www.ezbot.live"

DivKid Stereo Strip - fun with panning, EQ and distortion

video upload by Molten Music Technology

"Stereo Strip takes the idea of a channel strip and makes it modular. We hope that by bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters that you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specifications
- 6HP
- 33mm deep including power connector
- 63mA +12V and 63mA -12V current draw."

Synthstrom Audible Deluge 4.0 Adds Wavetable Synth, Euclidean Sequencing, MPE & Polyphonic Aftertouch & More

DELUGE WAVETABLE SYNTHESIS video upload by Ollie Loops

"In this video, we explore the new WAVETABLE SYNTHESIS features added to Deluge in firmware 4.0 . These features enable users to load wavetable audio files into an oscillator and modulation position of the waveform. This means much more dynamic and evolving sounds are possible on Deluge.

Firmware 4.0 adds a host of other great features to Deluge. It's so great when a manufacturer continues to support a device by adding new and exciting features via firmware."

Wavetable Synthesis (4.0) // Synthstrom Deluge Tutorial

video upload by Ron Cavagnaro

Intro 0:00
Setting up a new synth 0:23
Assigning a Knob To Lfo2 Rate 1:54
Changing Wavetable File 2:35
Making a Pattern 3:00
Changing Wavetable File 3:49
Changing Lfo2 type 4:19
P-locking Notes To Wavetable Position 5:20
Loading Osc2 Wavetable 6:10
Extended Wavetable Drone Demo 9:26

Generative Sequencer Tools - Playback, Row Length, Euclidean (4.0) // Synthstrom Deluge Tutorial

video upload by Ron Cavagnaro

Intro 0:00
Playback Mode 0:32
Row Length 1:23
Playback Mode and Row Length 3:15
Reset Row Length 3:53
Conditional and Iterative Notes 4:39
Euclidean Sequencing 6:19
Nudging Notes In a Kit Row 8:43
Playback Direction Per Kit Row 10:18
Resampling, Slicing 11:09
Kit Row Length and Ping Pong 12:14
Resampling and slicing again 13:20
Resampling and slicing again 15:03
Resampling and slicing again 16:46
Comparing the results 18:20

Synthstrom Deluge & MPE - 4 0 Firmware Update

video upload by Too Mere

"Demonstrating the MPE functionality and making a tune with the Linnstrument to control and edit MPE on the Synthstrom Deluge."

-------

Details on the 4.0 update via the Synthstrom Audible forum:

"We're very excited today to announce the arrival of our huge 4.0 software update.

Instructional videos and downloads links are at the bottom of this spiel.

Highlights include:

Wavetable synthesis, and improved single-cycle waveform playback.
Support for MIDI Polyphonic Expression (MPE), and similarly MIDI polyphonic aftertouch. The Deluge can receive MPE from external MIDI controllers that support it, it can record this data, and the internal Deluge synths can respond to it. And this MPE data may also be output again to an external synth.
Euclidean sequencing - per row of a clip on the Deluge. This also means that now individual rows within a clip may be set to different lengths.
Sequences can be set to play in reverse, or to ping-pong.
Synths, kits and songs may be put into folders, and the user can browse these when saving and loading.
MIDI input devices (and to a limited extent output devices) may be differentiated and treated separately, so that two devices sending on the same MIDI channel won’t be confused.
Improved handling of regular MIDI pitch bend and channel pressure. Adjustable MIDI pitch bend ranges.
Sharing presets along with their audio files, with other Deluge users, is now easier.
MPE SUPPORT
This massive release makes the Deluge the first standalone hardware sequencer to offer comprehensive MPE (MIDI Polyphonic Expression) support, allowing you to record, edit and transmit expressive MPE with compatible devices. You can also use external MPE devices to get expressive with the Deluge’s internal synth/sample engine. Tip: combine with the Deluge’s multisample support to bring expression to everything!

EUCLIDEAN SEQUENCING & INDIVIDUAL ROW LENGTH
Euclidean note entry brings an entire new method of beat and melody creation to the Deluge. Coupled with the ability to now make any row within a kit, any length, this infinitely broadens the scope for new rhythmic variations and ever-evolving melodies.

You can set the length of a row, dial in how many steps you would like to play on that row (automatically divided ‘musically’), and then move those notes horizontally - this becomes not just a new way to make innovative rhythms, but an incredibly versatile performance tool.

PLAY-DIRECTIONS
If being able to set the length of a row wasn’t enough, you can now tell the Deluge what direction (forward, reverse or ping-pong) to play-back those particular notes and not only that, you can have each and every row playing a different direction. Warning: fun.

POLYPHONIC AFTERTOUCH, IMPROVED “MONO” EXPRESSION
In bringing MPE to the Deluge, we at the same time introduced support for good ol’ MIDI polyphonic aftertouch, plus you can now record both pitch bend and channel pressure (aka monophonic aftertouch) into synth, MIDI and CV clips. And, this data now stays with the clip even when you change presets or switch between clip type (e.g. from MIDI to synth etc.).

Previously, synth clips could only record pitch bend, not channel pressure, and CV clips couldn’t record either.

ADJUSTABLE BEND RANGE
The Deluge is no longer stuck with a 1-octave bend range. Now, there’s a global setting under DEFAults -> BEND to set the default bend range. This should default to 12 semitones (1 octave) for all existing users, it will default to the more normal 2 semitones for new users. Anyway, you can go ahead and change it.

WAVETABLE SYNTHESIS, AND IMPROVED SINGLE-CYCLE WAVEFORM PLAYBACK.
How about an entirely new form of synthesis? The Deluge will now support Wavetable files, Ringmod on the Deluge is also totally compatible with Wavetable, you may even put a separate wavetable in each of the two oscillators, with each of their wavetable-positions affecting the resulting sound.

The Deluge has always supported the playback of single-cycle waveforms by loading them as samples. But now, a technically superior option is for these to be played as a wavetable, as the wavetable engine is more fit for this purpose: it is more CPU-efficient, and will produce higher quality sound with less aliasing, particularly with high notes. It also allows the use of ringmod and oscillator sync. The wavetable-position parameter is not available when playing single-cycle waveforms, as there are not multiple cycles to interpolate between.

PRESET & SONG FOLDERS
Our users jumped for joy when we announced this new addition. You can now separate your 1 million presets and songs into folders to make navigation easier!

DIFFERENTIATING MIDI INPUT DEVICES
Now, the Deluge will differentiate between MIDI coming from different hosted USB devices, and MIDI into the input DIN port, and from a connected computer which is hosting the Deluge.

Let’s say you have the Deluge hosting say a Keystep via USB (and that’s through a USB hub), and you’ve actually learned all 16 channels from that Keystep to different synths on the Deluge. Well, then you could connect another USB MIDI device to your hub, and learn those 16 MIDI channels to yet another 16 synths on the Deluge. And whatever MIDI device is plugged into the Deluge’s DIN input will have its 16 channels treated as independent yet again.

IMPROVED MODULATION MATRIX
Lastly, we’ve also improved our modulation matrix! - The feature where the modulation-depth of a source-param pair (or “patch cable”) can itself be modulated by another modulation source – well, previously the Deluge could only handle doing this for one such patch-cable per synth. This limitation has now been removed, and you can do it for as many patch-cables as you want, subject to other existing limitations.

HAVE FUN!"