The Nintendo NES MIDI Synthesizer

video upload by MrCaliforniaD

"I built this custom Nintendo NES MIDI synthesizer using a real Nintendo (Model NES-001) and a Famimimidi NES cartridge.

The Famimimidi NES cartridge is an incredibly well developped product that lets you control a Nintendo sound chip via MIDI IN. It's rare that such a product is released to the public in such a stable and complete state.

The cartridge is available for purchase (https://catskullelectronics.com/produ..., but it seems to be out of stock at the moment.

The challenge for this project was to fit everything in a 1U rackmount enclosure.

This project is a one-off, and I don't intend to build more of them. Not for sale. Sorry!"

Also see The Super Nintendo Synthesizer with MIDI

Behringer's Pro-800 Desktop Synth Based on the Sequential Circuits Prophet-600 Now Available

via Behringer

"A classic analog 8-voice polyphonic synthesizer with 2 VCOs, 1 VCF, an arpeggiator and sequencer.

Based on the classic Prophet 600, this synth captures the vintage sounds of the original coupled with some modern features like MIDI and onboard memory for storing up to 400 patches to truly make the PRO-800 a great choice for the modern musician.

List price: $399 (in stock and immediately shipping from our factory)"

Demo video posted here. Additional posts here.

Plutonium and PlutoniumXtra: Psychoacoustic effects from 0v1 Records

video upload by CatSynth TV

"We explore two psychoacoustic plug-ins from 0v1 Records: the Plutonium and PlutoniumXtra. These effects are meant to be felt rather than heard, and operate best on low frequency content like kick drums, bass, etc. It is recommended you listen to this video with headphones or stereo speakers with good bass response.

00:32 The user interface of the Plutonium and PlutoniumXtra
01:58 Drum & Bass example using the Arturia MS-20 V
06:40 Spectral analysis of the Plutonium and PlutoniumXtra
12:48 Conlusion

To find out more, please visit https://0v1recordsplugin.com/

▣ Plutonium is a powerful psychoacoustic plugin that adds sub-audible signals to audio tracks, resulting in a more dynamic and impactful sound.

▣ It utilizes advanced techniques in stereo, compression, equalization, and transient alteration to excite frequencies at specific stereo ranges. With Plutonium and PlutoniumXtra, music producers, engineers, and audiophiles can take their audio to the next level.

______________
Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth"

UAFX Del-Verb Ambience Companion Sound Demo (no talking) with Sequential OB-6

video upload by Bonedo Synthesizers

0:00 Intro Pad
1:24 Notch Sync Lead
2:04 Broad Pad
3:33 Coffee break at Precint 13
4:04 String Machine
6:08 Sell-Out Arp
7:02 Plucked Tiny Lead into experimental Delay mess

Want to have killer synth bass lines? | Use THESE!

video upload by Espen Kraft

Take inspiration from famous 80s hits with The Pet Shop Boys, Michael Jackson, Jean Michel Jarre, Mr. Mister, Swing Out Sister, Madonna and many more. Use these synth bass lines to up your game. Video tutorial.

Support this channel on Patreon:
https://www.patreon.com/espenkraft

Find my music here:
iTunes Apple music: https://apple.co/35ZTdfR
Spotify: https://spoti.fi/38aoWMB
Bandcamp: https://espenkraft.bandcamp.com/
Google Play: https://bit.ly/2NrgXD9

Find my patches and sample packs through these links:
https://thepatchbay.co.uk/product/tal...
https://sound7.co.uk/products/italo-d...

00:00 Intro
00:12 Swing Out Sister / Pet Shop Boys
01:22 Mr.Mister
02:36 Walking Bass / Bad
03:36 Into the groove
04:27 Pedaling the bass
05:27 Octave bass
06:11 Putting it all together"

AJH Synth Introduces 2HP Voltage-controlled High Pass Filter

NEW MODULE! Low Fat - 2HP Voltage-controlled High Pass Filter - Features, Examples & User Guide
video upload by AJH Synth Official

"The LOW FAT is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. However, because it can be voltage-controlled it can also be used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter. Visit the module page on the official AJH Synth website: https://ajhsynth.com/LowFat.html

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Video by @DreamsOfWires"

Live Ambient Modular Performance | Atmospheric Experimental Electronic Music |

video upload by Piotr Garbaczonek

"Many thanks for watching!
Patch in that 'like' button to the 'subscribe' button for some cool sounds coming your way every week:)

Decided to make a more extensive patch, but perform it this time around, and not just let it create itself as I would usually go about it. No video next week as final exams are upon us, and I am also moving so videos from a new location coming soon. Thanks for watching!

Haiku No.2:
Amidst trees and streams,
Voltage pulses blend with wind,
Synth forest concert.

Find me here:
https://linktr.ee/pgarbaczonek"

Pad sound with Sequential Pro 3 (no talking)

video upload by Mr. Card

"Check out my private Analog Beast collection dedicated to Sequential Pro 3: https://bit.ly/pro3analog"

Sequential Pro 3 first sounds - Carlo Mezzanotte

video uploads by carlomezz

Note there are three videos in the playlist above. You can use the player controls to skip around.

"Close encounters of the synth kind: A few patches on the Sequential Circuits Pro 3, a great analog/hybrid monosynth with three oscillators (2 VCOs and a wavetable), three analog filters and a ton of other features. Much more can be done with this powerful and versatile instrument; in the limited time had so far, I mostly limited myself to dynamic, playable analog sounds.
No external effects were employed. Also no eq, compression or anything else. What you hear is the straight output from the Pro 3."

5 minutes with the Oberheim Four Voice - Carlo Mezzanotte

video upload by carlomezz

"When in 2021 Amedeo Tommasi - excellent pianist, teacher, composer and person - passed away, the St.Louis Music Center in Rome acquired his collection of instruments. And what a collection it was... several of the most sought after vintage synthesizers on the planet. Only thing, they were in a deplorable state, not having being played for a number of years. One of the first of these instruments to return from repair was the Oberheim Four-Voice. Still not perfect maybe, but with its magic and power clearly palpable; I couldn't resist switching it on and playing it for a while. In fact, I have played it for quite more than just the 5 minutes of this video: It's an early model without the Programmer module - which means that for each sound, you are forced to program every SEM (sound module) separately! Now, the unavoidable differences in timbre among the four voices could be pleasant sometimes, but it's still a nightmare to try and match the four modules to an acceptable level.
Also, one of the modules didn't want to know about staying in tune no matter what, and as the icing on the cake, the computer that was recording the audio ate a good chunk of the session... so I ended up with just a few minutes of presentable performance.
I couldn't resist adding a slight bit of ambience effect.
Thanks to St.Louis Music Center, and in particular to my friend and colleague Luca Spagnoletti."