"This keyboard synthesizer was rescued from a Great Lien storage unit that was once owned by Etta James trombonist. It has been in storage for many years inside the case. When opening the case, the protective foam was very fragile. I removed the foam from the case and wiped off as much as I could off of the keyboard. The keyboard feels very solid nothing loose, overall looks to be in Good Condition. I plugged it in and everything looked to be working just fine. All keys bounce off the finger nicely, all buttons/switches make different sounds. Only 1 key was not working (refer to photo with my finger)"
"L-1 Synthesizer plays Melodic House.
This time for learning purpose I decided to partially recreate this lession: [Arrangement Tips video below]
Background pads I sampled. Sine melody I sampled from L-1 Quad EQ in oscillation mode, chord pad I sampled from modules, string pad I sampled from Korg TR.
Recorded live into stereo track 'as is'. No computer mixing."
Arrangement Tips To Inspire Your Drops. Ft. Arps, Counter Melody, Harmony and other keywords!
"No-Input Mixing is an experimental technique for creating a wide range of amazing, otherworldly electronic sounds by feeding the mixer output back to the input, thereby making a feedback loop. This application models an analog mixing console and effects rack in detail, providing the ability to make a huge number of feedback configurations with additional effects. More: https://motion-soundscape.blogspot.co..."
"The MFX's ‘Pocket PL8 Reverb’ is a plate style reverb based on early digital algorithms with a dense metallic sound. It offers all the magic of a massive aluminium plate whilst remaining small enough to fit in your pocket. In this video we take a deeper look at all of its features processing both melodic and percussive sounds via the FX send of the MEGA-TANG.
The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor. It offers 17 different full featured effects programs plus a number of metering utilities."
Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.
Details on Synth Anthology 4 follow:
The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more
Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!
Video credits: Anthony Hak
Music Credits: Théo & Thomas
"The Best Keeps Getting Better
What's new in version 4?
Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!
Real Hardware Sounds
There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.
Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.
You won't find a more complete collection anywhere else."
"(c)2007-23 by RetroSound supported by UVI: http://bit.ly/retrosound-uvi
❤️ Support #RetroSound channel: https://retrosound.creator-spring.com
Best of PPG wave 2.2 Synthesizer all synthesizer sounds: PPG wave 2.2 Synthesizer (1982) drums: Roland TR-808 , Roland TR-707, Linndrum, Simmons SDS-8
Setlist 0:06 Intro 0:31 1982 1:09 Wave Choir 1:34 Riding the Blue Wave 1:50 Rush 1 2:02 Wave Church 2:16 Wave Beat 2:39 Snowfall 2:49 Psycho 3:23 Melancholy 3:48 Daydream 4:08 Arpeggiator Games 4:22 20000Volt Trafo Station 4:35 Dark Waves 5:12 Blue Motion 5:32 Dancing Waves 5:55 Break The Rule 6:06 Upper Wavetable 6:35 Wave Strings 6:45 Elektroplankton 7:10 Wave Sweep 7:27 Wave Detector 7:48 Wave Steps 7:57 Sunday Afternoon 8:32 Blue Hole 8:40 Fast Driving 9:04 Wavetable Playing 9:21 Rush 2 9:30 Permafrost 9:48 Fukushima 10:16 Fundamental Wave 10:54 First Record 11:04 Miami Nights 12:01 ADHS 12:13 Monotony 12:37 Wave Piano 12:50 Oldschool Day 13:14 Wavetable 27 13:25 Retrolink 13:42 60Parallel 14:21 Hit The Wave 14:41 Self Control 14:58 Ti Sento 15:12 Touch In The Night 15:24 Tangerine Dream 15:45 Overture 15:55 Spatzili (Waveterm Sample)
The PPG Wave Synthesizer from the year 1982 is one of the most fascinatic synths ever. Used by Trevor Horn, Rush, Ultravox, Gary Numan Tangerine Dream, Depeche Mode, Propaganda, Tears For Fears, Robert Palmer and many others. Here can you find the full PPG wave playlist with a lot single sound demos, wavetable demos, PPG Waveterm demos and one synth demo tracks. Enjoy. The PPG playlist:"
"This is a collection of short demos of Bora.
Beats created with drum machines and Ableton live. Some delay and reverb has been used in Ableton on Bora's dry signal.
00:00 Pamela's pro workout triggering two envelopes output to Bora's pitch (Oscillators E + F) and VCA. Beats from Rample triggered by Pam's new workout.
00:59 Bora output to the desktop low pass filter. Cutoff controlled by CV A from the Korg SQ1. Bora's pitch (Oscillator D) controlled by CV B from the SQ1.
01:35 Bora's output running into the Microcosm. Korg SQ1 gate A connected to Bora's VCA in.
02:40 Bora's output into the low pass filter. Filter cutoff controlled by the SQ1 CV B. Bora's pitch (Oscillators C + F) controlled by the SQ1 CV A. The volcano drum is syncing the SQ1.
03:30 4 note drone using oscillators A, B, E and F.
03:58 Bora's output into the low pass filter. Filter cutoff controlled by the SQ1 CV A. SQ1 gate A to Bora's VCA in. Switched in and out.
04:53 Stacking notes with Bora by switching oscillators on and off. Running the output into MI Beads then using the wet/dry mix.
06:06 Rhythmic drones through the simple use of a gate from the Korg SQ1 to Bora's VCA in.
07:15 Using the Harlequin's context to control Bora's pitch and volume by switching scenes. Using Bora's buttons to quickly change the sound."
