Announcing Mesa! New Reverb Module from 4ms Company

video upload by 4ms Company

"We're excited to share our new reverb module Mesa with you! Mesa, based on the Valley Plateau, brings everyone's favorite VCV Rack reverb to the hardware world. Endless tails, heavily modulated chorus, and glitchy delays are at your fingertips. $399, available August 2026 from your favorite synth retailer."

TBD 16 teaser #superbooth26 #dadamachines #tbd16 #dsp #esp32 #groovebox #electronicmusic #synth

video upload by dadamachines

"Get ready for Superbooth 26! 🚀

Here's a sneak peek at the TBD 16 from https://dadamachines.com/ , a powerful new DSP-based groovebox and synthesizer powered by ESP32.

Come see us at Booth Z385 to see the TBD 16 in action. You won't want to miss this!"

CLICK FOR MORE »

BefacoxTesseract Coming to Superbooth

via Befaco:

"Superbooth is coming and this year we are coming in full force!! Apart of the goodies we already introduced, we have a bunch of new modules that will be on display, like our new stereo filter, a new member on the ST mix family and a small and mega compact headphones module..... well and 1U Midi thing is closer than ever!

But the big thing is our collaboration with Tesseract modules. A monster Full ON sequencer with synth engines, smaple play and CV generation. We are proud to present you ARK: A collaboration with one of our dearest friends from the eurorack scene!

Aiming to release before christmas seasson, with a target price of 666€ Tax included. Unless some new apocaliptic shit is brought to us by the usual suspects, of course.....

CLICK FOR MORE »

Superbooth 26 - Xaoc Devices Introduces Skopje & Budapeszt

Superbooth 26 - Xaoc Devices Skopje & Budapeszt

Xaoc Devices proudly debuts two new products at Superbooth 26: Skopje 1988 Dual Quantizer and Budapeszt 1972 Exploratory Stereophonic Spectral Lattice Network. Here is some information on the modules.

On the surface, Skopje is a seemingly simple compact (6HP) dual quantizer with two independent channels. However, some clever features coupled with high-precision A/D and D/A converters make it a complex (though extremely easy to use) compositional tool suitable for all kinds of musical outcomes. The user interface is similar to Zadar with frontpanel labels clearly indicating the features available for adjustment. No menu diving as the small OLED display is only used for selecting banks and scales. Each channel is able to quantize its input to a different scale from a different bank (up to 100 banks each containing up to a 100 scales - if you're deranged enough to need as many... ;-). Skopje stores its data on a regular microSD card. The module supports its own very simple scale format (a straghtforward TXT file you prepare on your computer), as well as any of the abundant SCALA files you throw at it. You can mix and match different scale format files in one bank. Various tuning systems and description formats supported. Microtonality galore! Our own scale programming system additionaly includes a few clever features, e.g., various voltage limiting settings. But there's more.

Got a lovely sounding VCO, but with volt/octave tracking leaving something to be desired? Skopje to the rescue - you can quickly calibrate any of its channels to fit your VCO like a glove for precise tracking! Other notable features include: glide, scale switching via triggers or CV (great as a performance/compositional tool with your own scales/note combinations), and transposition (including unquantized for vibrato).

Skopje is in production and will be available in June 2026.

PS Yes, this is a game of life screen saver on Skopje in one of the photos :-)

MAIN FEATURES:
- dual quantizer with precision A/D & D/A converters
- highly customizable
- compatible with microtonal scales
- OLED display for ease of use
- up to 100 banks, each with up to 100 scales
- VCO calibration feature
- data stored on microSD card
- SCALA file support
- 6HP

BUDAPESZT — 1972 Exploratory Stereophonic Spectral Lattice Network

Budapeszt is a stereo dual spectral processor built around the interference of resonant structures. It features two independently tunable comb-type filters with six distinct modes. Each filter has its own set of controls, with two separate triangle LFO's providing internal modulation (with free and synced operation, and an envelope follower mode on top). The real magic happens in the interference between two stereo filters though. The overlap of two resonant structures weaves a spectral lattice: a complex grid of peaks and voids. The final geometry of that lattice is determined by the relationship between the channels rather than by either one in isolation. To encourage experimentation and for even more sonic flexibility, multiple feedback paths are available, including cross-coupled feedback between the filters. There's also a feedback phase inversion switch for each filter.

Filter modes include delay-based, phase-based, and filterbank-based approaches to shaping the frequency domain. The first mode draws on a signal model inherited from Xaoc Devices Samarkanda, enabling artifact-free pitch behavior across the full frequency range. The remaining modes distribute resonant energy in ways ranging from the mathematically orderly to the perversely irregular. That being said, more familiar results, like flanging and chorus, are also easily attainable - delivered by Budapeszt with unusual precision.

Budapeszt is equally at ease processing oscillator waveforms and complex samples. It eagerly responds to short triggers with percussive transients whose character depends entirely on what the two channels are doing to each other. The interaction between the two channels is the instrument. Two channels agree, and the result is color. Two channels disagree, and the result is stormy weather. The space between agreement and disagreement is where Budapeszt lives.

CLICK FOR MORE »

FLOW 3 | Auto-Dynamic Filter | Quick Overview

video upload by Joranalogue Audio Design

"Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state-variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs.

But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range."

0:00 intro
3:00 filter sweeps
5:32 quadrature sine VCO
6:20 spectrum splitter
8:15 auto filter
10:52 sine LFO
12:01 pinged percussion
14:00 decay envelope
14:40 envelope follower
16:05 outro

Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs. Core integrator saturation provides for a sound that’s clean, yet distinctive.

The resonance response is exceptionally smooth—and it can easily reach self-oscillation. In this mode, temperature-compensation and exact calibration make Flow 3 a reliable quadrature sine/cosine oscillator with tight pitch tracking.

But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range. Either fire decay envelopes from external triggers, or flip it to auto mode to follow along with the incoming signal’s amplitude envelope (or both, simultaneously).

CLICK FOR MORE »

Instruō Introduces íre

Overview video upload by Instruō

"After an 8 year development cycle... Introducing the íre!

The Instruō íre is your gateway to bringing the outside world into your Eurorack system. Designed for seamless, plug-and-play integration, íre lets you connect microphones, electric instruments, and line-level sources directly into the modular synthesizer ecosystem with both colour and clarity.

At its core, íre features a high-quality preamp architecture, using a FET design for instrument- and line-level sources, and a transformer input design for microphones. Equipped with essentials such as phantom power, pad, and high-pass filtering, it ensures pristine gain staging and rumble elimination for any source. Additionally, its built-in envelope follower and comparator allow it to transform incoming audio into dynamic control signals, unlocking compelling ways to interact with your Eurorack synthesiser.

• Microphone and instrument preamp
• Phantom power
• Pad
• High pass filter
• Envelope follower
• Comparator"

---
00:00:00 Instruōduction
00:02:05 Interface rundown
00:05:04 Íre in context
00:06:49 Fender rhodes
00:08:29 rhodes - Íre - arbhar
00:11:39 dynamic microphone - Gate Extraction
00:18:01 Guitar (single-coil)
00:21:21 Strat - Íre - Lubadh
00:23:43 Strat - Íre - arbhar
00:25:11 Guitar (humbuckers/extended-range)
00:27:53 a jazzy interlude
00:28:46 voice - Íre - arbhar
00:30:26 Bass Guitar
00:31:06 Patching a compressor - Envelope Follower
00:33:42 Bass Guitar - Gate Extraction
00:34:58 Condenser Microphone
00:37:20 Drums - Íre - arbhar
00:41:16 Drums - Gate Extraction

The Instruō íre is your gateway to bringing the outside world into your Eurorack system. Designed for seamless, plug-and-play integration, íre lets you connect microphones, instruments, and even line-level sources directly into your modular ecosystem with both clarity and colour.

íre is both a high-quality transformer input preamp for microphones, equipped with essentials such as phantom power and -20dB pad, as well as a tube-like FET preamp for the instrument/line channel inputs. Individual gain and level controls and a 80Hz high-pass filter ensure pristine or characterful gain staging for any source. Additionally, with its built-in envelope follower and comparator, íre transforms incoming audio into dynamic control signals, unlocking interesting ways to interact with your modular system.

íre | noun (level) a stage within a process; a position within an unfolding flow of change.

New from 4ms Company, the Leveling EQ Amplifier!

video upload by 4ms Company

"Announcing the Leveling EQ Amplifier: stereo widening, Neve 1073 style EQ, and LA-2A style optical compression in 14hp. $345 available June 30th from your favorite synth retailer."

The Leveling EQ Amplifier is an end-of-chain audio processor designed to polish individual elements of a patch, stereo bus, or full master bus.

Inspired by the simple interfaces and pleasing sounds of two cornerstones of mixing, the LA-2A optical compressor and the 1073 EQ, the LEQA combines a compressor, an equalizer, and a modern Stereo Width Processor in one 14HP package.

Rather than being fully parametric, pre-defined curves and frequency selections make the art of mixing intuitive. Very little effort is needed for great sounding mixes.

The compressor mimics optical compression, which is a beautifully simple concept that yields incredibly musical results.

The EQ section is built to help accentuate and excite your mix, clear up muddled sounds, and increase the overall headroom.

The Stereo Width Processor adjusts the stereo image, letting you dial back a wide image into a cohesive sound, or push a normal stereo signal into "super stereo" territory. When used with mono sources, it can widen mono sources into stereo using a combination of psychoacoustic techniques.

The Leveling EQ Amplifier excels in live performances, studio work, subtle utility tasks, extreme sonic sculpting, audio "glue" to hold a patch together, and as an effect in its own right.

Global release date: June 30th, 2026.

$345.00

The Queen’s Court is Coming to SUPERBOOTH

via Shakmat:

"Superbooth is around the corner and I’m happy to finally unveil the prototype we’re going to show this year.

The Queen’s Court is a new kind of stereo matrix mixer, combining a fully analog signal path with deep digital control — and removing the need for external modulation. Designed for performance as much as for studio work, it brings hands-on control, internal modulation, and preset morphing into a single, cohesive instrument.

At its core, The Queen’s Court offers 4 stereo inputs (configurable as stereo or dual mono), 3 auxiliary stereo inputs, and 4 stereo outputs — all freely routable within a flexible matrix and it embeds modulation directly into the routing structure.

The Queen’s Court integrates 36 internal modulators directly into the matrix.

Per-input panning with LFO-based autopanning
Per-routing-point bipolar envelopes, triggerable via CV or extracted from audio signals
Integrated LFOs on each routing point, with sine and random waveforms, clock-syncable
This enables advanced behaviors such as internal sidechaining, dynamic routing, and animated spatial movement — without relying on external modules.

Designed with an open-ended philosophy, The Queen’s Court can function as:

a self-contained matrix mixer
a performance mixer
a feedback processor
a routing hub for audio and CV
Oh and the system can also be expanded with up to two expanders, increasing the total to:
8 stereo inputs
5 auxiliary stereo inputs
4 outputs
8 CV inputs"

Additional details:

CLICK FOR MORE »

Union Audio Area 6 - Analog Eurorack & Desktop Performance Mixer!

video upload by Dave Mech

"Union Audio is releasing a brand new mixer soon. Come check it out at Superbooth 2026!

Fully Analog, 6 mono/stereo channels
Perfect for live perfomance
Both Eurorack compatible & standalone
Beautiful resonant master filter (HP/LP) with drive, aux send and CV control
Channels can be individually routed through filter
Master compressor with special features
2x mono aux send and 2x stereo return
Master insert
Level, aux, pan CV
Tilt EQ
Cue & Mute system

And as expected: incredible summing and overal sound.
Release date tbh !"

Überding - Multi Functional Eurorack Module

video upload by NoisyFruitsLab

"A multi talent around synthesis, effects, sampling and many more ...

High quality audio creation and processing. Assignable potentiometers and encoders. Multiple inputs and ouputs.

A charming colored display interface and stunning RGB animations.

Überding is an excellent multi effects chain, a massive synthesizer engine, a drum synthesizer and sampler,

a MIDI controller, an audio recorder / player and something we havent thought about yet ..."

noisyfruitslab.com

CLICK FOR MORE »

Future Sound Systems ENV1 CFG

Future Sound Systems ENV1 CFG Percussion Demo
video upload by Future Sound Systems

Additional demos below.

"What happens if we pair an ENV1 Cyclical Function Generator module with our FIL4 Timbral Sculptor, the super-flexible Westlicht Performer sequencer and a slinky Eventide Space reverb? Watch this video and find out - it's a ton of fun.

2:17 - a basic kick
4:13 - using the Loop input
5:30 - extra modulation from the CFG
6:22 - modulating the modulation
7:48 - wavefolding the kick
8:54 - more sequencing

CLICK FOR MORE »

Befaco Introduces Iroi Stereo Effects Processor Eurorack Module

video upload by Befacosynth

"A Shortcut for Atmospheric Processing
Iroi is a compact, 18 HP stereo effects powerhouse designed to turn any external signal into a deep, evolving soundscape. It inherits the sophisticated processing chain of its predecessor, Oneiroi. Combines a unique signal chain composed of a multimode filter, a VCA, a unique character resonator, a versatile delay, and an experimental Reverb. The filter - VCA act like a block that can be placed at any point on the signal chain"

Atmospheric FX Processing in Eurorack // IROI from BEFACO

video upload by DivKid and Befacosynth

"Here's Iroi from Befaco, which is the right hand side of Oneiroi standing alone at 18HP as a stereo atmospheric sound FX processor for Eurorack. There's improvements made and more processing headroom with Iroi and it offers stereo multimode filter, 3 band resonator, 2 tape delay and ambience reverb and reverse FX. Lots of CV, on board modulation and randomisation."

Press release follows:

"BEFACO's NEW MODULE: IROI

The Oneiroi, in Greek mythology, were dark-winged spirits of the night who emerged to bring dreams and nightmares to mortals. Our ambient synthesizer, Oneiroi, takes its name from them, evoking that shifting, dreamlike realm of sound.

​IROI is derived from 'Oneiroi' and carries that same essence forward, distilling it into something more compact and open to external signals, while preserving its cinematic feel that connects us to the world of dreams and the unknown.

What is IROI?

IROI is a stereo effects module based on the right half of the original Oneiroi. It applies Oneiroi’s sonic character to external sources in a more compact format, while incorporating subtle improvements developed throughout the Oneiroi project. Designed to shape, transform, and immerse sound, Iroi carries forward the dreamlike essence of its predecessor into a dedicated effects processor.

Audio Core: Powered by OWL mk3, featuring 24-bit 48 kHz stereo audio resolution (with 32-bit internal processing) and a full stereo signal path.

Filter: Multimode filter offering low-pass, band-pass, high-pass, and comb filtering, with flexible positioning within the effects chain.

Digital VCA.

Resonator: Three-band resonator with dedicated tune and feedback controls.

Delay: Two-tap echo (delay) with adjustable time and density.

Reverb: Comprehensive reverb effect with macro control over size, filtering, and direction.

Modulation: Various types of self-modulation, offering configurable routing and control over level and speed.

Control Voltage (CV): CV inputs for all primary parameters. Four of these inputs are dynamically assignable to secondary parameters.

Synchronization: External sync input supports clock speeds from 30 BPM to 300 BPM.

Randomization: Powerful randomizer with a flexible mapping system, including undo/redo functionality.

IROI is set to be released on April 30th, 2026 and the launching price will be 275€ (assembled version) and 210€ (DIY Kit).

Find us at Superbooth 2026, in BoothZ180 to see IROI live and take a peek at our upcoming products, we're pretty sure you'll love them."

THIS EURORACK MODULE BREAKS TIME | ADDAC System - ADDAC406 Clock Bender

video upload by DANIELE

"The ADDAC406 Clock Bender by ADDAC System, it turns simple rhythms, into complex syncopated patterns through unconventional clock divisions."

0:00 Intro
0:19 Overview
0:50 Clock input and BPM detection
1:17 A & B channels
1:43 BPM multiplier
2:09 Beats duration
2:26 B channel and white background
3:07 Resetting one or both channels
3:43 Curves duration and progress bar
3:53 Balance control
4:12 Left and right curves
4:37 One shot mode
5:21 Loop Mode
5:39 Fine: pause and bpm fine-tuning
6:03 Rest, hold and infinite rest/hold
7:51 Save settings
8:13 First patch
9:21 Second patch

Update:

Diving deep into Clock Bender, a novel trigger generator from ADDAC System

video upload by Perceptes and ADDAC System

"In this video, we'll be diving deep into Clock Bender, a new Eurorack module from ADDAC System that generates constantly changing trigger patterns from an input clock signal."

"This module introduces a unique approach to rhythm, it can add complexity to any pattern by superimposing extremely odd divisions creating syncopation and rhythmic complexity. It provides extensive possibilities for rhythmic creation, transforming static rhythmic patterns into dynamic and complex rhythmic layering enhancing the rhythmic foundation set by the primary clock. It allows users to explore and generate rhythms in previously unattainable ways.

The module operates by taking an input clock signal and generating two new independent outputs that dynamically accelerates or decelerates the BPM toward a user-defined destination BPM over a specified number of beats. Meaning that the output generation is never constant, they will always be dynamically accelerating or decelerating, where no interval between two pulses is the same, the current interval will always be shorter or longer than the previous interval.

This principle will generate unique metrics that when played against the main clock will create extremely unique patterns, from simple swing /syncopation to beyond free-jazz completely unexpected while mathematically justified metrics.

Tech Specs:
8HP
4.5cm deep
110mA on +12V
20mA on -12v"

CLICK FOR MORE »

Patching Exciting Modulation for Filters // FIRST PATCH with Swell from Bartola Instruments

video upload by DivKid

"Here we have the new Swell Eurorack filter and valve gain stage from Bartola Instruments. We'll be exploring this in the usual in depth DivKid demo style in the future but wanted to share our literal first patch playing around with saturating, character oozing valve distortion and filtering ... and in doing so, share some modulation tips about how we like to patch modulation, mixing sources and making things feel exciting and dynamic. I hope the patch notes below are useful and let us know what you'd like to see more of with Swell."

"*PATCH NOTES*

The simple bit first - AUDIO PATH - two saw wave oscillators, changing the octaves between them at points, mixed into 'Swell' and then output into some stereo FX for background ambience.

The modulation is where this gets exciting going into the FM input (which modules filter cut off frequency) is my main envelope, a simple decay envelope. Resonance is modulated by a step sequence (external attenuation is the key here). Then the v/oct input is used as a place to input a mix of modulation. The first is an accent envelope, patching a less dense gate rhythm into a second envelope and patching that into a mixer. Then outputting the mixer into the v/oct input of the filter. The second is then the same step sequence as the resonance.

So with the mixer into the v/oct and the FM input I have 3 modulation sources modulating the filter frequency - main envelope, accent envelope & step sequence.

Modules used - Thonk Synth VCO, Joranalogue Cycle 5, TINRS Next Tuesday, Making Sound Machines Multiplikand, Bartola Instruments Swell, WMD + Infrasonic Audio Cosmis Debris, Vostok Instruments Fuji, Apollo View IOU, Thonk Synth dual VCA.

THIS VIDEO IS SPONSORED BY BARTOLA INSTRUMENTS* they have funded the creation of this first patch video and future demo video with Swell. Any questions just ask."

New maker sbrk devices Introduces zerua nahasi 4-voice granulator eurorack module

From the creator: "My name is Dani and I am about to release my first Eurorack module, which I have been working on for the last few years: it is called zerua nahasi, and it is a 4-voice granulator with multiple internal and external modulation options, various ways to combine and synchronize the 4 voices, multiple grain engine types (varispeed, (paul)stretching...), and an integrated convolution reverb with custom impulse responses. You can learn more about it at sbrkdevices.com.

The module will be released in automn this year, but in a few days I will be showing it at Superbooth in Berlin. If you plan to be there, you are more than welcome to come visit us, we are in the headphones only area, at booth W241."

Additional details via sbrk devices:

zerua nahasi is a polyphonic granular synthesizer for the eurorack modular format, with a wide range of granulation possibilities. it features 4 stereo granular engines that can be used independently or in combination, opening a whole palette of possibilities. samples can be loaded from an SD card, or recorded via the stereo audio input. each granulation engine can use the same or different samples as sources for granulation. a live mode is also available, where the device works as a granular delay. zerua nahasi aims to work as a granulation l a b # r & t @ @ !.

furthermore, this device also includes a stereo convolution reverb, with some built-in impulse responses with barcelona's most iconic spaces, and the possibility to load custom IRs from the SD card.

- features -
4 stereo granular engines - each slot can hold over 20 seconds of audio.
the 4 engines can be synchronized and combined in multiple ways.
main granulation parameters with CV control and randomization: grain position, grain length, density, pitch/speed, envelope shape, stereo image.
multiple granulation modes: varispeed, stretching, and more to come.
onset/transient detection.
granulation sources: stereo input audio (live or pre-recorded), or samples from SD card.
integrated convolution reverb. IRs can be loaded from SD card.

CLICK FOR MORE »

New FREQY, EPILOGUE VCF, & Rong Mid modules by nonlinearcircuits

FREQY video upload by cirtcele

"Frequency Shifter without dome filters"

EPILOGUE VCF

video upload by cirtcele

"Low pass filter with some unusual feedback paths"

Rong Mid

video upload by

"Ming Rodulator with VC phase control"

BEFACO's NEW MODULE: IROI - Sneak Peek

video upload by Befacosynth

Introducing Drum Farm by Knobula

video upload by knobula

Drum Farm is a Eurorack module dedicated to the cultivation and un-ethical treatment of drum sounds. It combines real-time drum synthesis, effect processes and sampling into a hands-on, multi-engine instrument, delivering up to four simultaneous voices and three effects at once."

Press release follows:


Knobula cultivates new ground in drum voice design with Drum Farm performance-focused Eurorack module

LONDON, UK: advanced modular synthesiser developer Knobula is poised to cultivate new ground with its upcoming Drum Farm Eurorack module — merging synthesis, sampling, and real-time effects into a single, hands-on instrument built for fast, intuitive sound design, empowering users to relentlessly sculpt, process, sample, and re-sample sounds grown from its wide range of virtual analogue and physically modelled drum and effects algorithms — readily representing the latest addition to its growing lineup of control-centric instruments embodying a no-screen, no-preset philosophy, as of April 21…

As an appropriate appellation, Drum Farm was inspired by Knobula Technical Director Jason Mayo’s background in computer animation, where vast ‘render farms’ generated thousands of realistic images with minimal human input; as a performance-focused Eurorack drum module occupying 24HP of rack space, it is organised into three core sections: a Drum Synth with 16 virtual analogue and physically modelled drum algorithms, an Effects engine offering 16 different realtime processes, and a digital Sampler with up to three playback voices — capturing the combined output of everything a creative user could conceivably do with it. By bringing all the essential building blocks together, Drum Farm allows for the creation of original sounds quickly and intuitively — whether shaping punchy kicks, layered snares, tuned percussion loops, cymbals, CV/Gate-controlled samples, or physically modelled drum membranes.

Moreover, Drum Farm’s onboard sampler can run automatically in the background, sampling into one of 16 sequential audio buffers. Ultimately, users can capture the drum synthesiser on its own or record hybrid combinations of synthesis, effects, and samples, which can themselves be resampled into richly layered percussion structures or loops. Additionally, an EXT (external) input opens the gate to the world of field recording or sampling directly from elsewhere in a Eurorack system and a row of CV and trigger inputs allows further influence to any assignable control, including the ability to switch samples, drum algorithms, or effect types on the fly.

Duly designed for fast, intuitive sound creation, Drum Farm positively encourages an immediate, iterative workflow — simply select a drum model, sculpt it, process it live through the effects, sample the result, blend it with another model, and repeat. As a result, complex and evolving sounds quickly emerge.

Embodying Knobula’s philosophy of promoting experimentation and tactile control reminiscent of classic real-world instruments, Drum Farm features no screens and no sub-menus. Instead, it is a performance-focused module that rewards hands-on exploration, invites happy accidents, and provides a fertile environment for sounds to flourish and grow.

It is possible to create fully hands-free generative patches, self-building sample libraries, or access to round-robin multi-samples since all controls are CV- or trigger-assignable via five CV/Gate inputs. Sensibly, sounds can be saved to a microSD card alongside a complete snapshot of the module itself, whereby buffers, knob positions, samples, and settings are stored together as a session — with up to 32 sessions per card — allowing users to return to their work, exactly where they left off. It is fair to say, therefore, that Drum Farm is always ready for both studio experimentation and live recall.

Thanks to Knobula cultivating new ground with Drum Synth, the relentless creation of drum parts in Eurorack has never been more immediate or rewarding. Attendees at London Synth & Pedal Expo 2026 may recognise the farm-themed product tease, with ‘alien cow abduction’ subsequently forming the core of Drum Farm’s promotional campaign video.

Shipping scheduled for June 2026, Drum Farm will be available to purchase — priced at £449.00 GBP (including VAT), with a choice of two faceplate colourways on offer — directly through the Knobula shop (https://www.knobula.com/shop), as well as via Knobula’s growing global network of resellers.

For more in-depth information, please visit the dedicated Drum Farm webpage here: https://www.knobula.com/product-page/drum-farm

Supra brings Temporal Synthesis to the Masses!

video upload by Musical Miscellany & More

"A while back, I took a look at the Pet Rock temporal synthesis module. Supra is the follow up to that module. It produces different rhythms, CV, and melodies based on the passage of time. It actually pairs nicely with Pet Rock.

You can purchase one here: https://synthcube.com/supra-time-trav...

Intro - 0:00
Build - 1:10
Pet Rock Demo - 2:03
Supra Demo - 3:40
Final Thoughts - 10:01

Learn more here here: https://suprasynth.site

Buy Me a Coffee: https://buymeacoffee.com/musicalmisce..."

Introducing Supra (the Eurorack time travel playground - from the maker of Pet Rock)

video upload by Jonah Senzel

Time Travel CV Playground
A new Eurorack module from Jonah Senzel, creator of Pet Rock

Input & Output Jacks
The top of the module features eight jacks labeled for dual-hand control:
Left Hand in 1 & 2 (Top left)
Left Hand out 1 & 2 (Bottom left)
Right Hand in 1 & 2 (Top right)
Right Hand out 1 & 2 (Bottom right)
Core Controls
SWAP BUTTON: * Switches which hand you're viewing and controlling.
The other hand continues to run in the background.
Hold to place a new object in the current hand.
JOYSTICK: * Up, Down, Left, Right, and Click (Push In).
MENU: * Menu with extra features of current mode.
OPT: * Extra button for use in some modes.

SEOK - PLUTNIK – Complex Dual VC-LFO [DEMO no talk]

video upload by SEOK synthesizers

"This is a pure modulation party in a small footprint. The Morph and Merge functions provide access to complex waveforms for a wide range of modulation. Distribute them across your rack via nine outputs.

Each LFO offers fast or slow cycling, with selectable square and triangle shapes. The fast cycles reach into audio territory at around 100 Hz, making it useful for percussive modulation and low-end movement. In slow mode, cycles extend up to ~35 seconds. With external negative CV, this can be pushed into the range of around 10 minutes.

Blend the LFO signals, or any external signals (including audio), in the Morph section. Or use the signals in the relational logic section, Merge, which opens up a wide set of derived waveforms by slicing, combining or rectifying. Pseudo waveshaping.

Designed and hand-built in Sweden."

00:00 Intro
00:10 Patch 1 Tri Cross-Mod
00:47 Patch 2 Square FM Drone
01:55 Patch 3 Mandatory Pings
02:25 Patch 4 Merge Section Riff
02:59 Patch 5 Straight LPG
03:18 Patch 6 Sample Triggering
03:52 Patch 7 Bass Voice
04:32 Patch 8 The Ambient Ender
07:10 Outro