LudoWic - Trautonium Live (@Kunstmin Dordrecht / D-Sound)

video upload by ludoWic music

"Camera by Bas Keizer (Camera / bascreations.com)

Thanks to:
D-Sound / Kunstmin Dordrecht
Energiehuis / Machine 3
Carlo de Wijs
Ivandro Marinho
Evita de Roode
Joost Lodewijk
Max Vermeulen
Rogier Wagenaar
Willem de Kooning Academy (Spatial Design)

LudoWic is an artist and producer of electronic music. The field he works in is the transitional area of music, art and design, in which he experiments
with modern technology in combination with old vintage techniques and gear.
LudoWic was invited by D-Sound for an artist-in-residence at Theatre "Kunstmin" located in Dordrecht the Netherlands. He asked video-artist Roel Weerdenburg to join him during this residency.
Since graduating from the Utrecht School of the Arts, Roel Weerdenburg has focused on building audiovisual installations. These installations are mainly aimed at the re-use, modification and upcycling of old electronic video equipment.
Using feedback loops, noise generators, tube televisions and vintage analog synthesizers, LudoWic and Roel created a world in which they balance between control and surrender.

More LudoWic:
https://www.ludowic.com
https://wicrecordings.lnk.to/ludowic"

LudoWic - Mixtur Trautonium Excercises
video uploads by LudoWic

Playlist:
LudoWic - Mixtur Trautonium (excercise #10)
LudoWic - Mixtur Trautonium (excercise #9 / part one)
LudoWic - Mixtur Trautonium (excercise #9 / part two)
LudoWic - Mixtur Trautonium (excercise #8)
LudoWic - Mixtur Trautonium (excercise #7)
LudoWic - Mixtur Trautonium (excercise #6)
LudoWic - Mixtur Trautonium (excercise #5)
LudoWic - Mixtur Trautonium (excercise #4)
LudoWic - Mixtur Trautonium (subharmonics)
LudoWic - Mixtur Trautonium + MPC2000xl
LudoWic - Trautonium Etude #2

A Demonstration Of Oskar Sala's Mixtur-Trautonium

Published on Nov 4, 2015 Ghost Money

Playlist [descriptions below]:
A Demonstration Of Oskar Sala's Mixtur-Trautonium Formant Filters
Improvisation for modular mixtur-trautonium.
Contrary Motion Studies for Modular Mixtur-Trautonium

1. A Demonstration Of Oskar Sala's Mixtur-Trautonium Formant Filters

A demonstration of the mixtur-trautonium's formant filters. The filter was originally designed by Freidrich Trautwein as vacuum tube (or rohrentechnik) technology in 1930, at the very beginnings of subtractive synthesis.( I mistakenly referred to subharmonic synthesis in my closing remarks) The filters here are version of the design from the halbeiter, or semiconductor mixtur trautonium dating from around 1989 and were made by Trautoniks. For further information, interviews with Oskar Sala, explanations of the instrument and musical examples visit Trautonist at:

https://www.youtube.com/user/Trautonist

Also:

http://www.trautoniks.de/

http://trautonium.de/

© James Worthington 3 Nov 2015

2. Improvisation for modular mixtur-trautonium.

Published on Oct 15, 2014
An improvisation for mixtur trautonium. Timbral variations effected by voltage control of the assigned footpedals. The manuals, subharmonic generators and formant filters supplied by Trautoniks.
Other modules in the system by Doepfer, Analogue Systems and MOTM-Syntheisis technology.

3. Contrary Motion Studies for Modular Mixtur-Trautonium

Published on Oct 15, 2014
Two short improvisations for mixtur-trautonium, demonstrating possibilities for contrary motion portamento performance. Manuals, subharmonic generators and formant filters supplied by Trautoniks. Other modules in this system by Analogue Systems Doepfer and MOTM-Synthesis technology.

4. Meadow Clary

Published on Feb 11, 2016
A piece in development.

Oskar Sala - Mixtur-Trautonium Videos

Unfortunately no embedding on these so you'll have to watch them on YouTube:

Oskar Sala spielt auf seinem Mixtur-Trautonium
Oskar Sala - Mixtur-Trautonium - Klang und Verwendung
Oskar Sala - Portrait 1993

These in via rustyanalog. See the Trautonium and Oskar Sala labels at the bottom of this post for more.




Update via elgauchoandres in the comments:
"love all those old videos from the Trautonist Youtube channel
featuring Oskar Sala.

I think the oldest video on Youtube featuring Oskar Sala is:"

Electrische piano: Trautonium (1941)

YouTube via BeeldenGeluid | Oct 16, 2010 |

"In Den Haag wordt door Oskar Sala een demonstratie gegeven van de klanken van een nieuw elektronisch muziekinstrument, de Trautonium. De speeltafel van dit instrument is vergelijkbaar met die van een pijporgel. Het heeft twee 'manualen' die met de vingers worden bespeeld. De normale configuratie van zwarte en witte toetsen ontbreekt echter. De Duitser Zaun geeft een toelichting. Sala speelt op het instrument een stukje muziek en wordt daarbij begeleid door een pianist.
Deze video of jouw TV-favoriet op DVD bestellen?
Ga naar: http://www.beeldengeluid.nl/tvfavoriet"

Googlish:
"In The Hague by Oskar Sala, a demonstration of the sounds of a new electronic musical instrument, Trautonium. The console of this instrument is similar to that of a pipe organ. It has two 'manuals' that the fingers are played. The normal configuration of black and white keys missing. The German Zaun explains. Sala plays the instrument a piece of music and is being accompanied by a pianist.
This video or your favorite TV on DVD order?
Jump to: http://www.beeldengeluid.nl/tvfavoriet"

A Pre-Synthesizer-Era Synthesizer - The Mixtur Trautonium

flickr By jochenWolters

"More than thirty years before Bob Moog conceived of the synthesizer as we know it today, Friedrich Trautwein developed his Trautonium, a highly complex, monophonic electronic musical instrument.

The pitch is "selected" via a string that is pressed against a metal bar and, in essence, works like a ribbon controller.

Although you may not be familiar with this fascinating "pre-synth", chances are that you've already heard some of the sounds it is capable of producing: The bird sounds in Alfred Hitchcock's 1963 movie, "The Birds", were created by Trautonium virtuoso, Oscar Sala.

Jürgen Hiller has been building and repairing Trautoniums for more than twenty years. The one you see above is being custom-built for a customer and includes an unusual percussive module labeled "Schlagwerk" (German for "drum mechanism")."

See the Trautonium label below for more.

Update via Tomoroh Hidari on Facebook: "I had the pleasure to work on a replica of a mixtur trautonium built for the Technisches Museum Vienna, together with a friend. it's an amazing instrument! here's a (free download) album we did on it (and laptops) in '08: http://alien.mur.at/ujvary/jetztzeit.html"

LudoWic - Subharmonic clouds

video upload by LudoWic music

Mixtur Trautonium & EMS SYNTHI

More LudoWic:
https://bio.to/LudoWic
https://www.ludowic.com

If you are curious about the Mixtur Trautonium, in addition to previous posts here, this article is worth a look. From that article:

"The central module with the screens is one of the 'subharmonic generators' that give the Mixtur-Trautonium the 'mixture' bit of its name. The modules appear to be held in place with quick-release thumb screws, which is an interesting idea."

Electronic Music Experimentation in the Films of Alfred Hitchcock

video by Reverb

"From the start, Alfred Hitchcock took a keen interest in the music in his films—and, indeed, musical motifs featured in the plotlines of some of his biggest '30s successes (Read more on Reverb). Watch along as Joe discusses the music in his films and how electronic experimentation was explored to be the sound of some iconic characters and bizarre situations."

Samuel Hoffman on Johnny Carson:


Johnny Carson Plays THEREMIN video by Peter Pringle

Trautonium:


Nieuwe elektronische piano: Het Trautonium (1941) video by Nederlands Instituut voor Beeld en Geluid

Mixtur Trautonium:


Oskar Sala - Live-Konzert 1991 - Mixtur-Trautonium video by Trautonist

And a playlist of Oskar Sala performances from 1997 uploaded by Trautonist:

Oskar Sala „Gesprächskonzert" 1997 - Teil 01-10


See the labels below for additional posts on each.

Doepfer A-104 Trautonium Filter

via this auction

"A-104 is a fourfold formant filter as used in the Mixtur Trautonium by Oskar Sala. It is made of four parallel resonance filters, each filter can be switched to low pass or band pass or off. Frequency, resonance and level are controlled for each filter separately (no voltage control). The frequency range for the filters is about 50Hz...5kHz. The filter audio inputs are very sensitive so that distortion may intentionally be used to create new sounds - if desired. The A-104 is a versatile module for sound modification. In the first place it is used for reproduction of resonances (e.g. the vocal-like effects known from the Trautonium). In combination with the subharmonic generator A-113, the Trautonium Manual A-198 and some other A-100 modules one obtains a Trautonium replica."

Mixtur Trautonium on Abstract Projection

Abstract Projection has a post up on the Mixtur Trautonium in the Musical Instrument Museum in Berlin. You can find the post including more images and info here. The Volkstrautonium (bottom image) is mentioned as well as an interview with Oskar Sala. via 24db in the comments of this 2006 post on Das Subharchord.






Oskar Sala - Elektronische Impressionen Nr.1 - YouTube via muza3

"www.blurfilm.wspaniali.net"
Search on Oskar for all posts and of course click on the labels below for more.

Carmel with her Doepfer Mixtur-Trautonium

via CatSynth, via William Blakeney

“Carmel, our Bengal kitty-cat with her Doepfer Mixtur-Trautonium…We have a deal that she only chews the grey cables, not the blue or the red.”

Mysteries Of The trautaniks Subharmonic Generator

Mysteries Of The Subharmonic Generator 1

Published on Oct 30, 2016 Ghost Money

From the maker of the Trautonium VT.

"The first of two presentations on the subharmonic generator. A Look at the very singular 'sawtooth' wave of the mixtur-trautonium in comparison with conventional oscillators.

For a very interesting read on the history and development of electronic music in Germany you can download Instruments for New Music Sound, Technology, and Modernism, byThomas Patteson for free at:

http://www.ucpress.edu/book.php?isbn=..."

Mysteries Of The Subharmonic Generator 2

Published on Oct 31, 2016 Ghost Money

"The second presentation looks at the operation and theory of the subharmonic generator.

The following table shows the differences between equal temperament and the output of the subharmonic generator in cents.

CLICK FOR MORE »

Haken Continuum Firmware 8.00 Update

What's New in Continuum Firmware 8.00 from Edmund Eagan on Vimeo.

Firmware 8 Selected Presets from Edmund Eagan on Vimeo.

A demonstration of many of the System Presets new in firmware version 8.00.

"FIRMWARE VERSION 8.00

Firmware 8.00 is the latest and greatest version of the Continuum firmware. There have been many improvements included in this release. Even more improvements are coming in the near future!

Firmware 8.00 includes over 120 new System Presets, designed by Edmund Eagan and other Continuum Fingerboard sound designers.

System Presets are now organized by Category making a particular preset easier to find.

Description bubbles offer patch information and suggestions for playing techniques.
​
Even More Ways to Play the Continuum
​

CLICK FOR MORE »

Oskar Sala's Mixtur-Trautonium at the Musikinstrumenten-Museum

More pics and the full write-up at the Nervous Squirrel

"During a visit to Berlin for the Worldtronics 2013 festival, I popped in to the Museum of Musical Instruments for a look around. They have an awesome collection of acoustic instruments, musical machines, musical walking sticks, microtonal pianos, Hammond organs, a "serpent", a VCS3 with sequencer and a violin in the shape of amoeba. I'd previously read about the Trautonium, and was aware of it being "something like an Ondes Martenot", but the one at the museum invited a much closer investigation..."

Synthesizer von Gestern II

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"A brand-new sealed example of the most beautiful book ever produced about synthesisers.

Hardback, top quality paper and reproduction, full colour printing on most pages, great photos by Dieter Stork, and authoritative, well-researched text by Matthias Becker.
In German, but still a huge amount of info and synth porn for a non-German-speaker.
146 pp, A4 size (nearly 12 x 8.5"). 750g (1lb 10oz) - a really solidly-made and well-bound book.

First edition, published 1995. This is the second (and bigger) of two volumes of the book, and covers a huge range of classic synthesisers.

Instruments featured:-
Oskar Sala's Trautonium and Mixtur-Trautonium (cf the whole soundtrack of Hitchcock's Birds)
Joergensen Clavioline
ARP 2500
EMS Synthi 100
Moog Sonic Six
E-mu Modular
EMS Synthi Hi-Fli
ARP Pro-Soloist
Steiner-Parker Synthacon
RMI Harmonic Synthesizer
EMS Synthi E
Birotron
PPG 1002
Moog Taurus
Moog Liberation
Roland System 700
Synlab Modular (incredible!)
Yamaha SY-1
Oberheim OB-1
Roland SH-7
Steiner EVI
Crumar DS2
Yamaha CS-30
Korg Sigma
Korg VC-10
ARP Quadra
Roalnd RS-505
Roland VP-330+
Fairlight CMI
Realton Variophon
Oberheim OB-Xa
Oberheim OB-SX
Roland SPV-355
Moog Prodigy
Gleeman Pentaphonic
RSF Kobol
E-mu Emulator I
DK Synergy
RSF Blackbox
Roland SH-101
Roland TB-303
Roland TR-606
Roland MC-202
SCI Prophet 600
Roland Jupiter 6
Korg Poly 61
Yamaha DX7
Syntec Banana
SCI Prophet T8
Boehm Soundlab
OSC OSCar
Korg Poly 800
Oberheim Xpander"

CLICK FOR MORE »

Metasonix TM-3 SN80 Tube VCO SN TM3-80

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This VCO has a very unique sound and tracks nearly 2 octaves with a HZ/volt CV source, But be warned, it is not perfectly scaled and is not temperature stable. That's not a defect its just the way it is, If you want pussy trance anthem pads or want to play Mozart then don't buy this. It's definitely a raw meat kind of aural experience, chewy and tough.

The METASONIX TM-3 consists of two thyratron tube sawtooth oscillators, which are wired in parallel but may be offset with their individual front-panel tuning controls. Furthermore, soft sync is available, to force oscillator 2 to track with oscillator 1.

The waveform produced by the 2D21/5727 thyratrons is unique and distinctive--a very imperfect sawtooth. It's the kind of sound that screams "VINTAGE", because the only other instruments that produce it are vintage ones--the Mixtur-Trautonium, the Univox, and some 1950s electronic organs.

Furthermore, there is a suboctave circuit, which adds a square wave one octave below oscillator 2. It includes short pulses an octave above, for a distinctive sound. And you can mess with the STABILITY control to get unique effects--because the suboctave divider is made of two neon lamps, and NOT a transistor flip-flop. Except for the CV driver, the TM-3 is all tubes.

And unlike most other synthesizer VCOs, the TM-3 is so sensitive that it is easily used for FM sound effects--simply by driving either CV input with a line-level audio signal. Both inputs are DC coupled and highly sensitive. The result is a unique, and very extreme, form of signal distortion.

The TM-3 is a Hz/V VCO, meaning it follows a linear characteristic. Each successive octave requires doubling the control voltage. As shipped, the first octave is swept from 0 volts to 0.25 volts, the next from 0.25 to 0.75 volts, etc. Although not standard to the present modular-synth industry, this scheme simplifies the TM-3's use as a signal processor, and avoids the use of an exponential converter circuit, which can drift with temperature or cause other problems. TM-3's CV control is compatible with vintage Korg MS series and Yamaha CS series synthesizers.

Technical specifications

Output signal max approx 10 v p-p. Capable of approximately 66 Hz to 526 Hz. Center pitch setting with tuning knobs and 0.0v input gives approx. low C (66 Hz). Actual range obtained depends upon individual thyratron tubes installed--about 2 1/2 octaves is typical. May be controlled from any MIDI-CV converter having Hz/V capability, including the Synhouse MIDIJACK II, Philip Rees Little MCV, Kenton Pro-Solo and Pro-2000, and Encore Expressionist.

Power input 10v AC to 12v AC, 50/60 Hz, 1 amp max at idle--derived from an appropriate plug-in AC adapter. Inputs: two 1/4" phone jacks for CV or audio (they mix linearly). Output: 1/4" phone jack, audio, mono, 50k ohm impedance.

Dimensions: 7 1/2" (192mm) x 4 3/8" (112mm) x 3" (77mm). Weight not including accessories approx. 5 pounds (2.2 kg).

This is used electronic gear in great shape (low hours) from a smoke free home studio. I test it before it ships, but it is non returnable and there is no guarantee other than it will not arrive DOA. Rock On!!"

CLICK FOR MORE »

LepLoop Arpopone Specs & Details

Some details just in via LepLoop. Be sure to see previous posts for demos.

"The Arpopone AKA HARP'O'PHONE is a melody/bass line generator with a chord and rhythmic section, available in desktop and eurorack format.
It is based on analog ramp divider, similar to those used for the Multicassa which are inspired to Oskar Sala's Mixtur Trautonium, an early electronic musical instrument, each divider generates a voltage ramp starting from a master clock (internal or external) a potentiometer is used to set the number of steps and thus the division ratio with a minimum of 1 there are ten of such divider in the different sections of the instrument:

- 2 for the rhythmic section (trigger pulses 1 and 2)
- 2 for the scale generator, these have a ramp output that forms the melody line
- 6 for the audio dividers, the 2 prescalers are chained with 4 note dividers, one for bass and 3 for chords
A further divider comes into play if external clock is selected, in this case the BPM control acts as a clock divider making possible the synchronization with other instruments (at maximum speed divider=1)

Specification :

CLICK FOR MORE »

Synthesizer von Gestern (Synths of the Past) II, sealed

via this auction

"Classic hardback book about classic synthesisers, in German, but with loads of superb illustrations - the most beautiful book about synths ever made.

Sealed, brand new. This is Book II, which is bigger than Book I, and includes authoritative text and diagrams and gorgeous photos.

The book starts with an in-depth interview with Oskar Sala, inventor of the Mixtur-Trautonium (used for the entire soundtrack of Hitchcock's 'The Birds'). Fantastic photos of his studio and various Trautoniums.

Other synths and electronic instruments covered in detail include:- Jorgensen Clavioline, ARP 2500, EMS Synthi 100, Moog Sonic Six, Emu modular, EMS Synthi Hi-Fli, ARP Pro Soloist, Steiner-Parker Synthacon, RMI Harmonic Synthesizer, EMS Synthi E, Birotron, PPG 1002, Moog Taurus, Liberation, Prodigy; Roland System 700, Synlab Modular, Yamaha SY1, Oberheim OB-1, Roland SH-7, Steiner EVI, Crumar DS-2, Yamaha CS-30, DX7; Korg Sigma, VC-10, Poly 61, Poly 800; ARP Quadra, Roland RS-505, VP-330, SPV-355, SH-101, TB-303, TR-606, MC-202, Jupiter 6; Fairlight CMI, Realton Variophon, Oberheim OB-Xa, OB-SX, Xpander; Gleeman Pentaphonic, RSF Kobol, Blackbox; Emu Emulator I, DK Synergy, SCI Prophet 600, Prophet T8; EEH Banana, Boehm Soundlab, OSC OSCar.

A beautiful quality coffee-table book - high production values, great illustrations, hardback, and as rare as some of the rarest synths it contains! Still sealed!"

etasonix TM-3 Gas-Tube Dual Voltage-Controled Oscillator

via this auction
"(taken from Modular Square)
The METASONIX TM-3 is the only voltage-controlled oscillator on the market with an all-tube signal path. It consists of two thyratron tube sawtooth oscillators, which are wired in parallel but may be offset with their individual front-panel tuning controls. Furthermore, soft sync is available, to force oscillator 2 to track with oscillator 1.The waveform produced by the 2D21/5727 thyratrons is unique and distinctive--a very imperfect sawtooth. It's the kind of sound that screams VINTAGE, because the only other instruments that produce it are vintage ones--the Mixtur-Trautonium, the Univox, and some 1950s electronic organs. Furthermore, there is a suboctave circuit, which adds a square wave one octave below oscillator 2. It includes short pulses an octave above, for a distinctive sound. And you can mess with the STABILITY control to get unique effects--because the suboctave divider is made of two neon lamps, and NOT a transistor flip-flop. Except for the CV driver, the TM-3 is all tubes. And unlike most other synthesizer VCOs, the TM-3 is so sensitive that it is easily used for FM sound effects--simply by driving either CV input with a line-level audio signal. Both inputs are DC coupled and highly sensitive. The result is a unique and very extreme form of signal distortion. The TM-3 is a Hz/V VCO, meaning it follows a linear characteristic. Each successive octave requires doubling the control voltage. As shipped, the first octave is swept from 0 volts to 0.25 volts, the next from 0.25 to 0.75 volts, etc. Although not standard to the present modular-synth industry, this scheme simplifies the TM-3's use as a signal processor and avoids the use of an exponential converter circuit, which can drift with temperature or cause other problems. TM-3's CV control is compatible with vintage Korg MS series and Yamaha CS series synthesizers.
tech specs
Output signal max approx 10 v p-p. Capable of approximately three octave range with CV control, 66 Hz to 526 Hz. Center pitch setting with tuning knobs and 0.0v input gives approx. low C (66 Hz). Actual range obtained depends upon individual thyratron tubes installed--about 2 1/2 octaves is typical. May be controlled from any MIDI-CV converter having Hz/V capability, including the Synhouse MIDIJACK II, Philip Rees Little MCV, Kenton Pro-Solo and Pro-2000, and Encore Expressionist. Inputs: two 1/4"" phone jacks for CV or audio (they mix linearly). Output: 1/4"" phone jack, audio, mono, 50k ohm impedance. Power input 10v AC to 12v AC, 50/60 Hz, 1 amp max at idle"

Synthesizer von Gestern (Synths of the Past) Volume 2

via this auction

"This is a brand new sealed, unopened copy of the rare classic synthesiser book, 'Synthesizer von Gestern' by Matthias Becker. It is the second volume, which (at 146 pages) is larger than the first, and includes an incredible array of classic synths. Unlike the A-Z or Museum book, this is a beautifully-bound hardback, and is printed on very good quality paper. It is the first and only edition of this rare book. The picture is of another book, but it is identical.

When this book was out of print and no longer available, copies were changing hands for 100GBP-plus. Then the publishers found one last pallet of books in their warehouse, gave them to the author in lieu of royalties, and I drove to Koeln in Germany to bring back all I could.

It is in German, but so much of the book is taken up with beautiful full-colour photos and excellent illustrations that that isn't as important as you might think, if you don't speak German. It's a great coffee-table book, but full of serious information too - and the photos are in a class of their own. Crisp, beautiful, detailed, professional!

The book starts with an in-depth interview with Oskar Sala, inventor of the Mixtur-Trautonium (used for the entire soundtrack of Hitchcock's 'The Birds'). Fantastic photos of his studio and various Trautoniums.
Other synths and electronic instruments covered in detail include:-

CLICK FOR MORE »

Two Performances on The Ondioline

YouTube via BeeldenGeluid | Oct 16, 2010 | 4 likes, 0 dislikes\

The Ondioline
"De Fransman Jenny heeft een electronisch muziekinstrument uitgevonden. Hij komt, toetsenbord onder de ene arm, draagbare versterker in de hand van de andere, een geluidsstudio binnen, installeert het toetsenbord en sluit de versterker aan. Daarna demonstreert hij, samen met drie andere musici
(saxofoon, banjo, viool), hoe goed zijn uitvinding echte muziekinstrumenten kan nabootsen en speelt tenslotte samen met een violist een duet op de melodie van 'Plaisir d'amour'.
Jouw TV-favoriet op DVD bestellen?
Ga naar: http://www.beeldengeluid.nl/tvfavoriet"

Googlish:
The Frenchman Jenny has an electronic musical instrument invented. He comes, keyboard under one arm, portable amplifier based on the other, a sound studio in, install the keyboard and connect the amplifier. Then he demonstrates, along with three other musicians (Saxophone, banjo, violin), how good can mimic real musical invention and finally with a violinist playing a duet on the melody of 'Plaisir d'amour.
Your favorite TV on DVD order? Jump to: http://www.beeldengeluid.nl/tvfavoriet "

via elgauchoandres in the comments of this post on Oskar Sala and the Mixtur-Trautonium.

And via Andres: "The video on BeeldenGeluid channel [above] shows a very early model of the Ondioline like the one is on the Museo de Ureña in Spain [here].

This other video: [below] shows three different models of Ondioline on minute 8, featuring Jean-Jaques Perrey and Gershon Kingsley. As here.

In the case of interest here's the schematic: http://www.danacountryman.com/Jenny/Repairs.html and lots of info in http://www.ondioline.com/"



Electronic Musician Jean-Jacques Perrey on "I've Got a Secret"
YouTube via rrgomes | Mar 20, 2010 |

"Electronic music pioneer Jean-Jacques Perrey appears on "I've Got a Secret" (November 21st, 1966) with host Steve Allen and panelists Betsy Palmer, Bill Cullen, Bess Myerson, and Henry Morgan.

After several other musicians are introduced along with their instruments (violin, French horn, bagpipe, clarinet) we learn that Perrey's secret is "I play one instrument that can sound like all of these."

After the game, that instrument is revealed to be the Ondioline, an early synthesizer-like keyboard instrument. He demonstrates that it can indeed mimic the sounds of the others and make unique sounds of its own.

Perrey and his collaborator Gershon Kingsley, with whom he recorded the 1966 album "The In Sound from Way Out", then play one of their compositions."

Also see this post and of course the Ondioline label below for more.

Synthesizer Von Gestern - Roland System 700 Recording

This one via Jeff and Mark Pulver on AH. The direct link to the recording is here, courtesy of Jeff and posted on the MIDIWall gear page by Mark Pulver. Be sure to check out the MIDIWall gear page for more synth goodness. You might recognize the name Synthesizer Von Gestern from these prior posts.

Update via peterwendt in the comments:
"Great. I have the vol. 1 and vol. 2 CDs that include this track. I love listening to them and I think they give a good account of the characters of the instruments that I know. Vol. 2 includes the System 700 and a wonderful performance by Oskar Sala on his Mixtur-Trautonium.

There is a vol. 3 disc that I really want (Buchla, Prophet VS, ...).

The German CD label has interesting pages on the CDs and the project here:
http://www.originaltonwest.de/vintage%20synths%20vol.1.html
http://www.originaltonwest.de/vintage%20synths%20vol.2.html
http://www.originaltonwest.de/vintage%20synths%20vol.3.html

Dang. If only I had bought that System 700 cheap in Japan."

links also via Jeff on AH.